Tumgik
muffinlance · 11 hours
Text
Tumblr media
me.
rn.
at 2 am.
623 notes · View notes
muffinlance · 14 hours
Text
We're looking into issues causing site slowness and error pages. Very sorry, will let you know as soon as we know more!
(17:48 UTC March 28, 2024)
We had to restart a database, so the site will continue to be slow or non-responsive as it recovers. Please be gentle with the Archive, and stand by for further updates.
(17:58 UTC March 28, 2024)
Doing the gentlest possible thing to help out our database server: taking the Archive down for a bit. No need to panic, we'll be back as soon as we can!
(18:03 UTC March 28, 2024)
14K notes · View notes
muffinlance · 16 hours
Text
So I hear AO3 is having problems
Please accept these many hundreds of breadcrumbs to tide over your hunger
EMERGENCY FANFIC PROTOCOLS: ACTIVATED
Hey while AO3 is down
Here is a GDrive link to all my downloaded fics (it's OVER 9,000 2,000)
Mostly Avatar, also The Magnus Archives, Danny Phantom, Teen Wolf, and a few others
Mostly unsorted, some not even intentionally downloaded because the auto-downloader I use is Like That, so consider this a glorified "give me a random fic" button
MAKE SURE TO KUDOS THE AUTHORS WHEN AO3 IS BACK UP
>>> Linkie link <<<
Edit: Note that when AO3 comes back up that link will go dead again... until it's needed, once more
EMERGENCY FANFIC PROTOCOLS: DEACTIVATED
...Until next they are needed
If you were going through these for fic recs, check out my AO3 Bookmarks for the more curated list.
To make your own fanfic backups, I recommend AO3 Downloader or FanFicFare. (I'm not tech support for either; please don't message me for help.)
Happy reading!
2K notes · View notes
muffinlance · 19 hours
Text
3K notes · View notes
muffinlance · 1 day
Text
Sometimes you just have one of those moments where the progress we've made as a culture get thrown into stark relief. You look at something and go "Holy shit, that would never have happened when I was a kid."
Today, I had one of those moments when I realized that the teenage boys I'm working with are just. genuinely, openly enthusiastic about going to Build-a-Bear for their outing.
These are sixteen and seventeen year old boys! They just had a whole conversation about what to name their "cute", mostly new squishmallows! They're genuinely excited that they're going to Build-a-Bear this weekend and asking other kids to pick up specific accessories for them!!
Holy shit, that never would've happened when I was 16. None of the boys would have dared to be visibly interested - and neither would most of the girls! There would have been a million gay jokes and "Haha, you're a girl" jokes and "What are you, a baby?" jokes. Teenagers weren't even supposed to care about anything back then!
Less than 15 years later, and I'm watching three 17 year old boys treat all that as not even worthy of comment.
So let's call that a reason for hope. Even when the kids aren't alright, in some ways apparently they are alright. Go Gen Z, honestly. It's so lovely to watch you guys just openly doing and saying stuff that, when I was a teen, would've been a social death sentence.
4K notes · View notes
muffinlance · 1 day
Text
Tumblr media
(ID in Alt Text)
A while ago I was invited to contribute to the Form the Ashes ATLA fan Zine for @recovery-zine!
I got to illustrate this double spread! (which was terrifying, thank you) Pretty sure this is where the thought "Jee survived the north" began to form for me! The theme was about the war ending, peace settling and people getting to come home and reunite with loved ones.
2K notes · View notes
muffinlance · 2 days
Text
Tumblr media
76K notes · View notes
muffinlance · 3 days
Text
New York lawmakers proposed three new bills last week that would make it difficult for wage theft violators to conduct business in the state. The legislation would bolster the power of state agencies to crack down on wage theft by stripping violators of their liquor licenses or business licenses, as well as issuing stop-work orders against them. The legislation was prompted by reports of rampant wage theft against New York workers, including two investigations published by Documented and ProPublica. The stories revealed that more than 127,000 New Yorkers have been victims of wage theft during a recent five-year period, but that the New York State Department of Labor was unable to recover $79 million in back wages owed to the workers. The stories were based on an analysis of two databases of wage theft violations obtained from the U.S. and New York Labor departments. The databases provided previously unreported details on how much money had been stolen from workers and also shed light on which businesses had committed wage theft. “We knew from our conversations with labor and from our constituent service caseload that wage theft is a chronic problem,” said Sen. Jessica Ramos, a Democrat who sponsored the legislation. “We did not have the data to understand the scale of the issue in New York state until the ProPublica and Documented series came out last year. Having this reporting as a tool set us up to put this package together and focused our attention on” the capacity of the Department of Labor. The legislation — dubbed the “wage theft deterrence package” by lawmakers — includes three bills, which are co-sponsored in the State Assembly by Assembly members Kenny Burgos, Harvey Epstein and Linda Rosenthal.
3K notes · View notes
muffinlance · 4 days
Text
Totals Time!
It's been a year of records and record-breaking. Of reaching new fandom spaces and building new community ties. It's been wild. And absolutely fantastic.
When we closed the auction signup window we had 981 offers —nearly 150 more than we'd ever had before. When we re-opened it for 4 more hours, hoping to find another 19 folks (because we wondered what an auction with 1000 offers would look like) you all came through in spades, boosting the auction everywhere and bringing back 100 new offers in 15 new fandoms, bringing us to 1081 offers this year - a 33% increase over our previous record.
And you all weren't done breaking records. Shattering them.
This is the first year that any of our supported nonprofit orgs has received a 5-digit sum. And? TWO of them did.
So. Are you ready to see what our community has done? Are you ready for the numbers?
This year
thanks to all of you
FTH raised…
Tumblr media
$67,931.28
The breakdown of donations to orgs looks like this -
Tumblr media
This brings our eight-year total to
$307,439.14
Huge thanks to our 797 creators offering 1081 auctions in more than 400 different fandoms and subfandoms, and to everyone who bid! And to our 17 fan crafters who brought in $4,127 of that total —60% more than our previous crafting record!
So, what's next?
Contact deadlines:
Creators, be sure you contact your bidders by April 1, and bidders, on your end please respond to their communication by April 15!
Bidders need to provide their creator with a workable prompt by June 30 (unless you've worked out a different timeline together) to ensure they have plenty of time to finish their fanwork.
Once the fanwork is posted, let us know via our form (can you believe FOURTEEN creators have already finished??) and if you’re posting it on AO3 be sure to add it to the Fandom Trumps Hate 2024 collection. If you’re writing a fic for FTH and need help from our Regiment of Fan Laborers, email us! As always, the deadline for completed fanworks is December 31.
We hope that for at least some people, your involvement in FTH will lead to continued action throughout the year. Sign up for our organizations’ email lists, check out their volunteer opportunities, and help boost their signals on social media!
And if you’d like to run your own fanworks auction for a good cause, we can help get you started!
We have a packet of organizational materials we’ve been sharing with other auction organizers since 2017; we’re planning to spend the month of April overhauling and updating these materials to incorporate many of the improvements we’ve implemented since then. If you’re thinking about organizing an auction or fanworks exchange in your fandom to raise money for a good cause, we would love to share those materials with you. Contact us at fandomtrumpshate at gmail.com and we can send you our auction playbook, as well as answer any questions you have about our process.
Your mods (@porcupine-girl, @captainbunnicula, @tiltedsyllogism, @anyawen, @renjunbabygirl, @trickybonmot, and @a-still-small-vox) are going to be going into post-auction hibernation mode (or, for most of us, post-auction deal-with-all-this-other-stuff mode) for a little while. So if you email us, don’t panic if we don’t get back to you immediately! We will start actively monitoring the inbox again by April 15 at the latest.
416 notes · View notes
muffinlance · 4 days
Link
Our Systems volunteers have written up a great behind-the-scenes look at last year’s DDoS attacks against the Archive. Why not check it out and show them some love?
4K notes · View notes
muffinlance · 5 days
Text
this is such a negligible detail in the scheme of things but ever since my friend pointed it out i haven’t been able to stop thinking about how in natla aang just like. has his bison whistle. from the start. whereas aang finding the bison whistle in “the waterbending scroll” is such a subtle yet crucial moment because it reflects how even though sky bison are thought to be extinct, there are still traces and relics of air nomad culture existing in the world. just like the central object of that episode, katara’s waterbending scroll, is rightfully returned to her as a crucial part of her heritage that has been systematically exterminated, the bison whistle is yet another object that has been paraded around and reduced to a trinket on the market, rather than a meaningful cultural artefact. and the fact that aang is able to recognize and repatriate it for its original intended purpose is microcosmic of the show’s themes overall, of preserving one’s heritage in the face of cultural erasure and genocide. it’s central to aang’s arc, as well as katara’s, that they have an obligation to preserve their cultures at all costs in a world that is so intent on eradicating them. to cling to those traces with all they have and assert their practical value as they embody their unique cultural ideals through its practice rather than merely existing as a curiosity or exotic decoration within a hegemonic paradigm. aang in particular actively functions as a living testament to counter the imperialist assertion that his culture has no place in this world. and he does that through asserting his values, but also through practicing his culture in mundane, quotidian ways, such being able to properly make use of a bison whistle due to actually having a bison, or being able to learn off of the scroll due to being an actual waterbender. and so aang finding the bison whistle at that specific point in time is specifically significant as it concerns the central theme of the episode, and how that reflects the show’s themes as a whole.
1K notes · View notes
muffinlance · 5 days
Text
...I have the opportunity to do the funniest pair up ever, how have I never seen this in a fic before
Outlining for the current Dark Night in Ba Sing Se part! Is going 2000% better! Now that Jin is here!
128 notes · View notes
muffinlance · 5 days
Text
Opening my old story notes and finding "The Crossroads of Fuck You" as a plot arc is DELIGHTFUL, let me tell you
Anyway outlining for the next Dark Night in Ba Sing Se is going, I've fleshed out a rough outline for the entire series
Except for the part I'm actually supposed to be writing
why brain why
168 notes · View notes
muffinlance · 7 days
Text
Tumblr media
shoutout to the "foolproof" bread recipe I fucked up entirely for inspiring this
6K notes · View notes
muffinlance · 7 days
Note
Your atla analysis is the best so I wanted to ask your opinion on something I've found the fandom fairly divided on - what did you think of Azula's ending within the show proper? Unnecessarily cruel or a necessary tragedy? Would you say that her mental breakdown was too conveniently brought about in order to 'nerf' her for the final agni kai? Also, do you think it was 'right' for Zuko to have fought with his sister at all or would it have been better for him to seek a more humane way to end the cycle of violence?
okay so im saying this as someone who loves azula to death like she has always been one of my absolute favorite characters ever since i was a kid and i’ve always vastly preferred her to zuko and found her to be extremely compelling and eminently sympathetic. i am saying this now before the azula stans come for me. i believe in their beliefs. but i also think her downfall is perfectly executed, and putting aside all the bullshit with the comics and whatever else, it’s a really powerful conclusion to her arc. obviously that isn’t to say that she wouldn’t continue to grow and develop in a postcanon scenario (i have a whole recovery arc for her mapped out in my head, like i do believe in her Healing Journey) but from a narrative perspective, her telos is in fact very thematically satisfying.
no, she wasn’t nerfed so that they could beat her in a fight. the fact that she falls apart is what makes them feel that they can confidently take her on (although i do think in a fair fight katara could win anyway), but the whole point is that it’s not about winning or losing in combat. the whole point is that zuko and azula being pitted against each other in this gratuitous ritual of violence as the culmination of their arcs is fundamentally tragic. yes it’s a bad decision to fight her, and zuko should have chosen another path, but the whole point is that he’s flawed and can only subscribe to the logic he has spent his whole life internalizing through violence and abuse.
that’s why aang’s fight against ozai, while tragic in its own way, is also a triumph for the way in which his ideals prevail in the face of genocide, while zuko and azula’s fight is very patently tragic. there is no moment of victory or triumph. even as zuko sacrifices himself in a beautiful mirroring of “the crossroads of destiny” and as katara uses the element of her people combined with techniques across other cultures to use azula’s hubris and ideology of domination against her, it’s presented as moments of personal growth occurring within a very tragic yet inevitable situation. it was inevitable because azula had always been positioned as an extension of her father, and thus to disempower ozai also means disempowering azula, his favorite site of projection, his favorite weapon.
yeah, it does rub me the wrong way when zuko asks katara whether she’d like to help him “put azula in her place.” it’s not a kind way to talk about your abused younger sister. but it’s also important to understand that zuko doesn’t really recognize his sister’s pain, despite the fact that they obviously share a father, because he’s always assumed that she was untouchable as their perfect golden child and thus never a victim. and he’s wrong. zuko and katara expect a battle of triumph and glory, noble heroes fighting valiantly so that good may prevail over evil. but as they discover here, even more so than their previous discovery two episodes prior, a battle is not a legendary event filled with bombast and beauty until after it has been historicized. often a war is simply fought between pathetic, desperate people who see no other option but to fight.
aang’s ultimate refusal to fight despite having all the power in the world is what makes him so important as the protagonist. but katara and zuko both share a more simplistic view of morality and what it means to be good. and zuko assumes that by fighting azula, he can only be punching up, because she has always been positioned as his superior, and she (in her own words!) is a “monster.” and then azula loses, and his entire worldview shatters. joking about putting her in her place makes way for the realization that behind all her posturing and lying (to herself more than anyone) and performance and cognitive dissonance, azula has always been broken, perhaps even more than he is.
azula says “im sorry it has to end this way, brother,” to which zuko replies “no you’re not.” but i think azula is truly sorry, because in her ideal world, she wouldn’t be fighting zuko. she doesn’t actually want to kill him, as much as she claims to. she’s already reached the conclusion that zuko will only truly reach once their fight is over. she lacks a support system, and she needs one, desperately. if she could somehow get her family back, do everything differently, less afraid of the consequences, she would. she’s smirking, she sounds almost facetious, but really, she is sorry. as of this moment, she really doesn’t want it to end this way. but zuko cannot accept that, because in his mind, azula is evil. azula has no soul nor feeling. azula always lies.
her breakdown doesn’t come out of nowhere, either. it’s precipitated by everyone she has ever cared about betraying her. first zuko betrays her, then mai, then ty lee, and then ozai — the person she has staked her entire identity to and to whom she has pledged her undying loyalty and obedience, become nothing more than a vessel for his whims — discards her because she had the audacity to care about someone other than him. what i don’t think zuko realizes, and perhaps will never realize, is that azula betrayed ozai by bringing zuko back home. he was not supposed to be brought back with honor and with glory. azula specifically orchestrated the fight in the catacombs to motivate him to join her, and it’s not because she’s some cruel sadistic monster who wanted to separate a poor innocent soft uwu bean from his loving uncle, it’s because she genuinely believes that she’s doing what’s best for him. she believes that their uncle is a traitor and a bad influence, and she believes that bringing zuko home with his honor “restored” is an act of love. to her it is.
yes, she claims that she was actually just manipulating him so that she wouldn’t have to take the fall if the avatar was actually alive, but also, she’s clearly just covering her own ass. she didn’t know about the spirit water, and only started improvising when zuko started showing hesitation. but even if she was only using zuko, then that was an insane risk to take, because either way she was lying directly to ozai’s face. and zuko admits it to ozai while simultaneously committing treason, so of course ozai would blame azula, his perfect golden child who tried to violate his decree by bringing zuko back home a prisoner at best and dead at worst, and instead found a way to restore his princehood with glory.
we only see ozai dismissing and discarding azula in the finale, but it’s clearly a tension that’s been bubbling since the day of black sun. and we know this because we do see azula falling apart before the finale. in “the boiling rock” she is betrayed by her only friends. in “the southern raiders” we see that this has taken a toll on her, that she is already somewhat unhinged. she and zuko tie in a one on one fight for the first time. and she takes down her hair as she uses her hairpin to secure herself against the edge of a cliff. unlike zuko, who is helped by his friends and allies, who has a support system. it’s a very precarious position; she’s literally on a cliff’s edge, alone, her hair down signifying her unraveling mental state. azula having her hair down signals to us an audience that she is in a position of vulnerability. she is able to mask this terrifying moment wherein she nearly plummets to her death with a triumphant smirk, but it should be evident to us all that her security is fragile here.
and the thing is, even though she’s always masked it with a smirk and perfect poise, her security has always been fragile. azula has never been safe. azula’s breakdown is simply the culmination of her realization that no matter how hard she tries, she will never be ozai’s perfect weapon, because she is a human being. she is a child, no less. and there is no one in her entire life who loves her for nothing. zuko has iroh, who affirms to him that he could never be angry with zuko, that all he wants is simply what is best for zuko. but azula doesn’t have unconditional support in her life. she doesn’t even have support.
everyone she ever thought she could trust has betrayed her, and so she yells that trust is for fools. because she feels like a fool. of course fear is the only way; it’s what kept her in line all these years. azula is someone who is ruled by fear, and who is broken by the recognition that fear isn’t enough. her downfall is necessarily tragic because her worldview is wrong. the imperialist logic of terror as a tool for domination is her own undoing, just as ozai’s undoing is losing the weapon he has staked his national identity to. it’s a battle of ideals. aang v ozai: pacifism v imperialism. katara and zuko v azula: love and support v fear and isolation.
zuko is unfair to azula, it’s true. he tries to fight her even as he can clearly recognize that “she’s slipping.” instead of trying to help his little sister, he uses that weakness to his advantage, tries to exploit her pain so that he can finally, for the first time ever, beat her in a fight. it’s cruel, but it’s also how siblings act. especially considering the conditions under which they were raised, and how zuko has always viewed her. and in zuko’s defense, she has tried to kill him multiple times lately, both in “the boiling rock” and in “the southern raiders.” zuko is someone who gets fixated on a goal and blocks out everything else, including recognition of his surroundings or empathy for others. so of course when he’s promised to put azula in her place he’s going to exploit her weaknesses to do so. after all, isn’t exploiting his weaknesses exactly what azula does best? so he allows himself to stoop to her level, and in fact only redeems himself through his sacrifice for katara. but it is when azula is chained to the grate and zuko and katara, leaning on each other, look down and observe the sheer extent on her pain, that zuko realizes that “putting azula in her place” isn’t actually a victory. it feels really, really bad, actually.
they’re in a similar position as they were when they faced yon rha. and now it is zuko’s turn to understand that he is not a storybook hero triumphing over evil, but rather a human being, facing another human being, in a conflict that is larger than themselves. to “put someone in their place” is to imply a logic of domination, of inherent superiority, that someone has stepped out of line and must be reordered neatly into the hierarchy. but aang disputes the notion, ozai’s notion, that humanity can be classified along these lines, that there exists an ontological superiority among some and not others. so operation: putting azula in her place was always going to be flawed, even if she was performing competency the way she always does, because they’re nonetheless subscribing to her logic.
of course they should be helping azula, of course they should be reaching out to abuse victims through support instead of more violence. but first they must recognize her victimhood. first they must come to understand that they didn’t get lucky, and they didn’t dominate her because they are more “powerful,” that they weren’t “putting her in her place.” they must understand that they are not heroes fighting villains in a glorious trial by combat. that the logic of the agni kai is flawed. that they are all victims. that they are all just scared, hurt children who are still grieving their mothers.
734 notes · View notes
muffinlance · 7 days
Text
Tumblr media
You know that asteroid that almost destroyed Earth in the 90s? Turns out the whole thing was secretly created by Michael Bay, who then PAID Bruce Willis and Ben Affleck to look heroic while blowing it up!
The Wreck of the Edmund Fitzgerald [Explained]
Transcript Under the Cut
[Cueball is holding a guitar and singing on a pier.] The ship was the pride of the American side It was due to set sail forCleveland As the big freighters go, it was bigger than most With a crew and good captain well seasoned
But taking a walk on the shore by the dock Was a songwriter named Gordon Lightfoot He was humming a tune but it didn't have words For it's challenging trying to write good
Poor Gordon sought glory but needed a story His career in folk music imperiled He mulled over this as he watched them do work On the hull of the Edmund Fitzgerald
Perhaps it was wrong, what he did for a song He should never have bribed that mechanic But his maritime crimes are no worse than the time Young James Cameron sank the Titanic
1K notes · View notes
muffinlance · 7 days
Text
Tumblr media
3K notes · View notes