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DRAWING >NASHIYANEH-22

NASHIYANEH-22

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Designer: Amin Soltanpour (Hassan Soltanpour)

Company: Soltanpour Studio

طراح: امین سلطانپور (حسن سلطانپور) شرکت: سلطانپور استودیو

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NASHIYANEH-10

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Designer: Amin Soltanpour (Hassan Soltanpour)

Company: Soltanpour Studio

طراح: امین سلطانپور (حسن سلطانپور) شرکت: سلطانپور استودیو

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Designer: Amin Soltanpour (Hassan Soltanpour)

Company: Soltanpour Studio

طراح: امین سلطانپور (حسن سلطانپور) شرکت: سلطانپور استودیو

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Designer: Amin Soltanpour (Hassan Soltanpour)

Company: Soltanpour Studio

طراح: امین سلطانپور (حسن سلطانپور) شرکت: سلطانپور استودیو

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INTERIOR DESIGN AND ENTRANCE OF TABRIZ SUBWAY :Sa’at square has been recorded as a historical as well as cultural square in Tabriz. We will see by examining the history of the tower that its structure and integrity have been marred over time. For instance, Bagher Khan statue in the middle of the square was removed in one period and in another, Pahlavi relatively historic building,which had formed a part of the identity of the square,was eliminated.The sudden changesto such nostalgias have caused an identity crisis in the city and resulted in the inefficiency of its historical context .INTERIOR DESIGN OF TABRIZ SUBWAYThe interior spaces of subways, usually due to lack of direct daylight, are too dull for passengers that they wish to escape as fast as possible to the ground surface. Hence, such places are commonly considered as transitional onesrather than places with abilities to relax passengers. However, through comparing the linear structure of such places with traditional bazaars, we can understand that despite the closed spaces of these stretches of bazaars, they have been places to pause, capture the spirit of the space, and relax mainly due to the entrance of daylight through the ceiling known as Hoorno.

ArchitectHassan SoltanpourNick NameAmin SoltanpourCompanySoltanpour Studio

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ArchitectHassan SoltanpourNick NameAmin SoltanpourCompanySoltanpour Studio

Design of the subject or the object :

Certainly, for me, the experience of different spatial qualities, through the automaticization of the object to discover unknown frontiers, even if at the expense of being accused of the formalist approach, is always attractive and defensible, but the problem we are now looking for is precisely the picture of confronting it with its object With each approach . We want to change the relationship between the subject and the object and instead of exploring the object's content, in the opposite of the constituent space, we place the building in its simplest and most basic way to see if we can only experiment with the design of the positon of subject get a new one.

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Architect Hassan Soltanpour Nick Name Amin Soltanpour Company Soltanpour Studio

The Shadows (Hiroshima Atomic Bombardment Remembrance)

In a world where its elements formulate in a general equilibrium. Light and shadows generally produce pleasant experiences for humans. In the science of physics, light, shadow and object as 3 variables lie in the same synchronous relationship, in such a way that at one particular time each of them is dependent on another, and these are the trilogues fixed in physics. The plot we are discussing is a wall that is composed of shadows that sometimes form a combination of these trilogy and sometimes deliberately shatter it and shadows such as graffiti art (wall painting) as Artifact will form.What is clear is that the natural shades will be the product of the same physical laws and seemingly realistic worlds of humanity, but more artifacts have been experienced in images created in paintings, graphics and cinema. Images whose presence of light and object as the two main elements of the appearance of the shadow are eliminated. These shadows, along with natural shadows, will try to disturb the rules in the mind of the audience.our view, this is a painting, a graphic effect. The creative mind of human beings . our view, this is a painting, a graphic effect. The creative mind of human beings !!!

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ArchitectHassan SoltanpourNick NameAmin SoltanpourCompanySoltanpour Studio

Design of islamic revolution and holy defense museum - Location: Sun city - Iran

-  We are going to design one museum called Sun city located in the southern part of Tehran Capital of Iran ...

- The Sun City has framed in the shape of circle in the center of Imam Khomeini cemetery (the leader of Iran revolution) and important national spaces such as Iranian International Exhibition and cemetery of Iran and Iraq war martyrs have been built beside this building.

1: Aftab Namayeshgah

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ASROON RESIDENTIAL COMPLEX

Architect Hassan Soltanpour

Nick Name Amin Soltanpour

Company Soltanpour Studio