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letterpress postcards by Pottering Cat, Japan
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A Palestinian refugee woman cross-stitching traditional Palestinian embroidery, Gaza, 1967. © UNRWA Photo Archives.
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Adam Clague (American b.1982), Cara Oranges and Coffee, 2022, Oil on board
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May Sarton, from Recovering: A Journal
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hiding, nesting / mixed media on paper
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I define me This is why we dance, Because even my poetry isn’t free. Now can you please just tell me: Why is anger –even anger– a luxury to me?
— Mohammed El-Kurd, from “This Is Why We Dance,“ published in Maps for Teeth
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My cat’s killer whiskers + her favourite blanket
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among rice fields by breathing.tokyo
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https://www.instagram.com/p/Bt73karDhMH/
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