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Self-portrait, 1916, Ferdinand Hodler

Medium: lithography,paper

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The Gantrisch, 1898, Ferdinand Hodler

Medium: oil,canvas

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W.H. Auden, The Age of Anxiety

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水鳥の    行くも帰るも    跡たえて   されども路は    わすれざりけり   (Mizudori no yuku mo kaeru mo ato taete Saredomo michi wa wasure zari keri) 'Water birds go and come back without leaving any trace behind. Even so, they do not forget the path'.

Eihei Dōgen Zenji

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Tree Against a Yellow Background, Odilon Redon

Medium: oil,pastel,canvas,tempera

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Niesen, 1910, Ferdinand Hodler

Medium: oil,canvas

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When are you Getting Married?, Paul Gauguin

Medium: oil,canvas

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Beach at Le Pouldu, Paul Gauguin

Medium: oil,canvas

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Pronta pra cantar - Nina Simone e Maria Bethânia

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Siegfried Enkelmann vintage gelatin silver print 1930s, Harald Kreutzberg

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But today I want Rilke to speak—through me. In the vernacular, this is known as translation. (Germans put it so much better—nachdichten—to pave over the road, over instantaneously vanishing traces.) But translation has another meaning. To translate not just into (i.e., into the Russian language), but across (a river). I translate Rilke into Russian, as he will someday translate me to the other world. By hand—across the river.

Marina Tsvetaeva, from Dark Elderberry Branch (trans. by Ilya Kaminsky and Jean Valentine)

<3

(via heteroglossia)

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Woman with raven, Pablo Picasso

Medium: gouache,cardboard

https://www.wikiart.org/en/pablo-picasso/woman-with-raven-1904

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Lucio Fontana Concetto spaziale, Attese, 1965 water-based paint on canvas

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Self Portrait with a Portrait of Diego on the Breast and Maria Between the Eyebrows, Frida Kahlo

Medium: oil,masonite

https://www.wikiart.org/en/frida-kahlo/self-portrait-with-a-portrait-of-diego-on-the-breast-and-maria-between-the-eyebrows-1954

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We used to think that if we knew one, we knew two, because one and one are two. We are finding that we must learn a great deal more about “and”.

Sir Arthur Eddington (via inthenoosphere)

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Nicholas Caire, Scene at Bay of Islands, Peterborough, c. 1876. 

Albumen silver photograph, colour dyes.

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Herbert Ponting (1870-1935), The hut at Cape Evans, 26 March, 1911.