noise-rm - Tumblr blog

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Ryoji Ikeda 'ultratronics' Teaser from codex | edition on Vimeo.

WARNING: This video may potentially trigger seizures for people with photosensitive epilepsy. Viewer discretion is advised.

Ryoji Ikeda new album 'ultratronics' release on December 2, 2022

pre-order: codexedition.com/products/ultratronics (codex | edition) noton.info/product/n_003/ (NOTON)

digital single: 'ultratronics 01' idol-io.link/ultratronics_01 'ultratronics 15' idol-io.link/ultratronics15

tour: December 7, 2022 MUTEK.JP, Line Cube Shibuya, Tokyo, JP tokyo.mutek.org/jp/shows/2022/a-visions

Video by Terutada Murao

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Un-Synchronized Orchestra | Japan Philharmonic Orchestra from WOW inc. on Vimeo.

About the Work The "Yoichi Ochiai x Japan Philharmonic Project" started in 2018 with the theme of 'rebuilding an orchestra with technology.' WOW also participated in the '＿＿＿＿ Orchestra,' in other words, the 'Un-Synchronized Orchestra' as a 'video instrumentalist' this year.

In contrast to the past two years of trying to make a place where you can experience a new attraction and value of the orchestra, this year, we were searching for ways the orchestra should be during the coronavirus. In addition to theater performances that had audiences in attendance with restrictions being set, online broadcasting was also done, with the aim of allowing you to be able to experience new attractions from two perspectives.

In theater performances, innovative music that has opened up an era in history and video images were projected on the screen. With online broadcasting, it gave you the actual feeling of being at a concert by using the industry's highest level of sound quality (AAC-LC384kbps) and 2K image quality that includes AR video. We tried to arrange a three-dimensional effect that could only be achieved digitally.

The visual experience of this performance is centered on the AR video of the online broadcast, and images are spread across the theater screen that synchronized, responded, and conflicted with the AR video. Each differed in their own way but were not superior or inferior in the value of the experience we provided. In addition, we aimed for a multiplier effect whereby the performances could be enjoyed from differing perspectives by having the viewers of the theater performances enjoying the online performances that were re-broadcast at a later date. We tried to get you to discover new value in each, by aiming for visual effects that bring you closer to a view of the music world from two differing perspectives.

The concert that was originally planned with the title '＿＿＿＿ Orchestra' that was used up until the performance ended up being canceled due to the coronavirus, and so from there, we searched for a new concert, and in a state of trial and error, each viewer was trying to think long and hard about the words to put into the blank of the title. Just before the end of the performance, the word '＿＿＿＿ ' was revealed, and a new music concert was born that sought out the way a music concert should be done during coronavirus, known as 'Un-Synchronized Orchestra.'

作品について 「テクノロジーでオーケストラを再構築する」をテーマに、2018年から始動した「落合陽一×日本フィルプロジェクト」。WOWは今年も「映像の奏者」として、「＿＿する音楽会」もとい「双生する音楽会」に参加した。

オーケストラの新たな魅力と価値が体験できる場を試みてきた過去2年に対し、今年はコロナ禍におけるオーケストラのあり方を模索。制限を設けつつも観客を入れた劇場公演に加え、オンライン配信も行い、二つの視点で新しい魅力を体験できる公演を目指した。劇場公演では、空間に多角的に響き渡る時代を切り開いた革新的な音楽とプロジェクターに投影される映像奏者を、オンライン配信では業界最高水準の音質（AAC-LC384kbps）、AR映像を含む2K画質によるコンサートの臨場感、デジタルだからこそ実現できた立体感のある演出を試みた。

本公演の視覚体験は、オンライン配信のAR映像を軸とし、劇場のスクリーンにはAR映像に同調・呼応・相反した映像が展開。それぞれ異なるが優劣のない体験価値を提供した。また、劇場公演の鑑賞者が後日再配信されたオンライン公演も鑑賞することで、公演の追体験を異なる視点で楽しめる相乗効果を図った。楽曲を紐解いていく中で見出したヒントを視覚化する上で、既存のARらしさやステージ上の映像演出らしさにとらわれず、「映像の奏者」として二つの異なる視点で音楽の世界観に寄り添う視覚効果を狙い、それぞれに新たな価値を見出してもらえるよう努めた。

公演前まで用いていたタイトル「＿＿する音楽会」には、当初計画していた音楽会が新型コロナウイルスによって白紙となった様子、そしてそこから新しい演奏会を模索し、試行錯誤する様子を込め、鑑賞者それぞれがタイトルの空白に入る言葉に考えを巡らせるようにしていた。公演終了間際、「＿＿」にあたる言葉が公開され、「双生する音楽会」として、コロナ禍における音楽会のあり方を模索した音楽会が新たに誕生した。

Staff Organizer：Japan Philharmonic Orchestra Director：Yoichi Ochiai Conductor：Hikaru Ebihara Light：Kazuhiro Naruse

Creative Director : Kosuke Oho Director : Tatsuki Kondo Technical Director : Shunsaku Ishinabe Programmer : Yuta Nakano, Keita Abe Visual Designer : Hironobu Sone, Takafumi Matsunaga, Tomoko Ishii PR : Michiru Sasaki Producer : Go Hagiwara

Camera Crew : Imura Office Equipment Cooperation : Prism, Astro Design

Support : Emohaus Inc.

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DENKI BARI BRUSH™ 2.0 + BODY from WOW inc. on Vimeo.

作品について GM CORPORATIONが製造・販売する低周波美容機器「デンキバリブラシ 2.0 + ボディ」のTVCMの制作・CG制作をWOWが担当。

美容のみに留まらずボディメンテナンスまで拡張した製品の特徴を、ダンサーの優美かつダイナミックなパフォーマンスで表現。同カテゴリで類似商品が多数出てきている中で、オリジナルブランドとしての誇りと品位を感じるアーティスティックな映像を目指した。

About the Work WOW was in charge of the production and CG of TV commercials for the “Denki Bari Brush 2.0+Body” beauty equipment using low-frequency waves, manufactured and sold by GM Corporation.

The dancers’ graceful and dynamic performance expresses the features of the product that extend beyond beauty to body maintenance. As there are many similar products being sold in the same category, we aimed for an artistic image that brings out a feeling of pride and dignity as an original brand.

Credits CG Director：Tsutomu Miyajima (WOW) CG Designer：Kazunori Kojima (WOW) Producer：Yasuaki Matsui (WOW) Assistant Producer：Kanako Kaeriyama (WOW) . Creative Agency：Flowplateaux Production：WOW inc.

Creative Director：Keitaro Shimizu (Flowplateaux) Production Manager：Fumika Yoshizaki Production Manager：Naoki Take (HANABI) Director：Shuhei Yamada (HANABI) Cinematographer：Mao Oogawara Lighting Director：Kosei Kobayashi (OFFICE KOSEI) Hair & Make-up：Misato Narita Stylist：Yumi Kawasaki Matchmove：Yasuhiro Kato Editor：Tomokazu Iitani (honkidasuzo.inc) VFX Compositor：Hiroyuki Sai (IEMOTO) Assistant VFX Compositor：Kenji Sakaide (IEMOTO) Colorist：Yoshiyuki Nishida (C STUDIO) Sound Engineer：Yohei Miura (step) Music / Sounddesign：JEMAPUR Narrator：Fumie Mizusawa (AONI PRO) Choreographer：Ryo Noguchi Casting：Yuichi Uchida (ACT studio) Cast：Anna Ogishima (SATORU JAPAN)

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Ummet Ozcan / Oblivion from WOW inc. on Vimeo.

About the Work WOW has produced a music video for “Oblivion,” the new tune by Ummet Ozcan, an EDM producer/DJ based in the Netherlands. In order to express the tune's uneasy atmosphere, we created a video on the theme of “the human body as a pattern.”

作品について オランダを拠点に活動するEDMプロデューサー／DJ、Ummet Ozcan（ウメット・オズカン）の新作 「Oblivion」のMVを制作。曲の持つ怪しげな雰囲気を表現する為、「模様としての人体」をテーマに映像を���作した。

Staff Director / CG Designer： Kouhei Nakama Producer ： Ko Yamamoto

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WILD AND WONDERFUL from WOW inc. on Vimeo.

About the Work WOW was in charge of planning and production for the promotional film for the new luxury jewelry collection by MIKIMOTO, "Wild and Wonderful." In this journey across the five continents, we depicted motifs of the wild animals that live there, in their encounters with jewelry, in dynamic and pop style.

作品について MIKIMOTOの新作ハイジュエリーコレクション「Wild and Wonderful」のプロモーションムービーの企画・制作を担当。5大陸を巡る中で、そこで暮らす野生動物たちをモチーフとしたジュエリーに出会っていく様子を、ダイナミックかつポップなテイストで描いた。

Staff Director : Hironobu Sone CG designer : Hironobu Sone / Takuma Sasaki Producer : Yasuaki Matsui

Music : Masato Hatanaka

Photographer/ DOP : Yoshihito Sasaguchi (SIGNO) Stylist : Tetsuro Nagase Hairstylist : TETSU (SIGNO) Makeup Artist : YUKO MIZUNO

Production : WOW / SIGNO

3D Scan：Preferred Networks Inc.

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1 session IMAGE PLAY - IV Edition 2022.mp4 from IMAGE PLAY on Vimeo.

1ª SESSÃO | 1st SESSION IMAGE PLAY ►International Video Art Festival - IV Edition

PhD. Hernando Urrutia Director/Curator IMAGE PLAY ► International Video Art Festival.

1ª SESSÃO | 1st SESSION

1 ► RAWTEKK: Here's To Them – 04'33'' Palmer Eldritch (Denial of Service) ( United Kingdom - Reino Unido | Greece - Gr��cia | Germany – Alemanha ) 2 ► ARTURO – 7’'09'' Alessandro Bavari ( Italy -Itália | France - França) 3 ► FACE OF UNIVERSE – 10'40'' Tatsuru Arai ( Germany - Alemanha | Japan – Japão ) 4 ► AUTORRETRATO CINÉTICO – 03' 00'' Fran Orallo ( Spain – Espanha ) 5 ► V-STÓK - RIVER DRONE – 05' 48'' Ugnė Maladauskaitė ( Lithuania – Lituânia ) 6 ► CRICKET ELECTRIC – 2'55'' Elle Thorkveld ( USA – EUA ) 7 ► MEMÒRIA DEL DESPRENIMENT – 10’00'' Albert Merino ( Spain - Espanha | France - França) 8 ► REALNESS - CLOUD AND DUST – 08'00'' Sandrine Deumier ( France - França ) 9 ► THE FIRST AFER-CORONA KISS – 04' 05'' Maria Korporal ( Netherlands - Holanda | Germany – Alemanha 10 ► MARIMBULA – 05'08'' Malitzin Cortes (CNDSD) ( Mexico – México ) 11 ► WASH YOUR HANDS. CoviDD & ADreNaLiN – 04'14'' Amaya Mendizabal Gonzalez (Glasz DeCuir) ( Spain - Espanha) 12 ► BIOMEDIATION – 03'02'' João Beira ( Portugal ) 13 ► AOÛT AUGUST – 15'41'' Claude Ciccolella ( France – França ) 14 ► THE BACKGROUND WORLD– 07'20'' Mélissa Faivre ( France – França | Germany – Alemanha ) 15 ► PHASES – 08'06'' Isthmaël Baudry ( France – França ) 16 ► CONSUMED BY THE SUN – 04'49'' Terry Flaxton ( United Kingdom - - Reino Unido ) 17 ► DANSE01 – 01'45'' Mark Klink ( E.U.A. - U.S.A ) 18 ► COAXIAL SHARING OF THE BIG DECEPTION – 01'05'' Alessandro Bavari ( Italy -Itália | France - França) 19 ► LIGHT SLEEPER, HEAVY DREAMER – 10'03'' Bee Nix (Suture Blue) Nick Liberatore (royb0t) ( E.U.A. - U.S.A ) ´ 20 ► METACHAOS – 08' 27'' Alessandro Bavari ( Italy -Itália | France - França)

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WOW25「Unlearning the Visuals」Teaser Movie from WOW inc. on Vimeo.

「Unlearning the Visuals」開催概要 会期：2022年10月15日（土）〜 10月30日（日） 開館時間：11:00 - 20:00 （最終入場 19:30） ��10/20（木）は11:00 - 16:30 （最終入場 16:00） 会場：寺田倉庫 E HALL

入場料 一般 | 当日：1,000円　/ 前売り（日時予約制)：800円 学生 | 平日：無料　/ 土日：500円　※小中高大学・専門学校生 ※チケット詳細は、公式サイトのチケット購入ページをご覧ください。

"Unlearning the Visuals" Exhibition Overview Exhibition Period: October 15th (Sat) to 30th (Sun), 2022 Opening times: 11:00 - 20:00 (Last entry 19:30) *October 20 (Thu) is 11:00-16:30 (Last entry 16:00) Venue: Warehouse TERRADA E HALL

Entrance Fee General Admission On the day: 1,000 yen Advance purchase (date and time designated): 800 yen Students *Elementary through to university and vocational school students Weekdays: Free Weekends: 500 yen *Tickets are available on the Unlearning the Visuals official website.

展示について 2022年10月15日（土）から10月30日（日）まで、寺田倉庫E HALLにて、新たなオリジナル作品を初披露する展覧会「Unlearning the Visuals（アンラーニング・ザ・ビジュアルズ）」を開催。ビジュアルデザインスタジオWOWは設立から25年、「ビジュアルデザイン」—「視覚的なモノ・コト（= ビジュアル）はすべてデザインの対象である」というコンセプトのもと、常にその活動のフィールドを拡大し続けてきました。設立25周年を迎えて開催する今回の展覧会は、これまでの作品の回顧展ではなく、きたるべき30周年の時を見据えた、新たな挑戦の場となります。 「unlearn（アンラーン）」とは、これまで学んできたものごとを今一度自らの思考と手を使って紐解き、新たに血肉として身につけること。 ビジュアル表現の新しい地平を切り拓き続けてきたWOWが、これまで信じ培ってきた技と感性を糧として、 次なる表現の力を獲得することに挑みます。 本展覧会を牽引するのは、WOWの次世代を担う注目のクリエイターたち。 高い技術力と表現力を武器として、次の世代にふさわしい展覧会を作り上げていきます。 25年を振り返りながら未来を見据えて創造される、映像体験の新境地にご期待ください。 詳細 ▶︎ 25ex.wow.inc/

About the Exhibition During the 25 years since the establishment of Visual Design Studio WOW, we have consistently sought to expand our field of activities, based on the concept of tangible and intangible visuals being the focus of all visual design. This new exhibition, held to mark our 25th anniversary is not being planned as a retrospective of past works, but rather as a springboard to new challenges, looking ahead to our next landmark 30th anniversary. By “unlearn” we mean unraveling the things that we have learned to date, through both thought processes, and with our bare hands, to then reacquire them as a new and visceral part of our being. WOW, which has continually opened up new horizons in visual expression, will step up to the challenge of acquiring new forms of expressive power, all the while nourished by the skills and sensitivities we have believed in and nurtured until now. The driving creative force behind this exhibition is the up-and-coming creators who will take WOW forward to the next generation. Equipped with outstanding technical and expressive skills they are creating an exhibition suitable for the next generation. Visitors will be able to take the plunge into new frontiers of visual experiences that draw on 25 years of creativity while looking to the future. Details ▶︎ 25ex.wow.inc/en

................. WOW inc. WOW Profile Links▶linktr.ee/wowinc

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Fabio Keiner - shiva-rudra from Marilyn Roxie on Vimeo.

From Fabio Keiner:

A modern visualization of Shiva's rage and power.

Words from the artist: ‘shiva-rudra’ - a longform ambient dronescape improvisation in honor of lord shiva, ecstatic creator and destroyer god of the hindu pantheon - was inspired to a great extent by the works and theoretical approach of italian vanguard composer and musician Giacinto Scelsi. I owe a lot to Scelsi’s music and understanding of sound; so 'shiva-rudra’ shall be a modest tribute to his works.

'shiva-rudra’ is a soundscape to be listened to as entire experience without interruption: eyes closed, ears open

for reference to and experience of Fabio Keiner’s works - now almost a 20 year time-span in ambient, minimalist and drone improvising noise-making, have a look and listen also at fabiokeiner.bandcamp.com and vimeo.com/fabiokeiner

Download or stream on Bandcamp: vulpianorecords.bandcamp.com/album/shiva-rudra

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Maison Martin Margiela: (Spring/Summer 2002) from Victor Soto on Vimeo.

Direction: Maison Martin Margiela

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A.R.E-Augmented Reality Exhibition from Vetro Editions on Vimeo.

Curated by Generative Hut, a collaborative platform dedicated to bringing together generative artists from around the world and Vetro Editions, acclaimed independent publishing house, A.R.E features the very best of Generative Art – art created through the use of a computer or other autonomous systems.

Featuring artworks from 31 international generative artists, A.R.E is like no other art book. It takes you through a unique immersive art experience by inviting you to discover the artworks in augmented reality. Each page includes a hidden key which unlocks a digital animation using a free app – bringing the pieces of art to life. This interactive feature allows you to explore the artworks as they were designed to be viewed by the artists. By merging the physical and digital worlds, the book opens up new ways of experiencing art from anywhere.

A.R.E - Augmented Reality Exhibition 80 pages + cover, Swiss bound, softcover. with a free app to access Augmented Reality English, 20 x 25 cm Price: 42€ + shipping worldwide Early bird discount 36€ + shipping worldwide Publication date: September 2021

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Mac Miller "Color and Shapes" - Dir Sam Mason from Hornet on Vimeo.

In this music video for “Colors and Shapes,” Hornet Director Sam Mason pays tribute to Mac Miller with a surreal & stirring film commissioned by Miller’s family. Following Mac Miller's dog Ralphie as he embarks on a quest into unconsciousness, the film is a dreamscape portrait with abstract yet realistic CG animation, ethereal transitions, and a genuine, heartfelt story.

Director Sam Mason Client 4 Strikes / Karen Meyers Commissioned by Miller McCormick Production Co Hornet Head of Creative Development Kristin Labriola Executive Producer Hana Shimizu Producer Hanna Smith-Ide Associate Producer Heather Hardin Editor Sam Stulin Pre Production Storyboard Artist Camillo Clauser Environment Designer Chiara Benedetti Character Design Jeff Jank Previs Meg Oswalt Rigging George Smaragdis, Josh Planz Look Dev Nicole Noel, Sam Mason Modelling / Texturing Nicole Noel, Douglas Silva, Ivan Joy, Laney Lai, Emily Mai, Neil Jackson Groom Giovani Kososki Senior Animator Daniel Callaby, Clement Pierre, Jim Bierton Animator Meg Oswalt, Monica Stevenson

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Rewind - Heart of Noise Festival 2011-2020 from HeartofNoise on Vimeo.

Music Megasafe from "der Insel ihre Zukunft" by AkhtamarII (Heart of Noise LP Edition 07)

Videosnippets Christina Krämer | Pogomov | Marco Friedrich Trenkwalder

Clip by Marco Friedrich Trenkwalder

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CNDSD - Metápolis. Harmonia CCEMX from Malitzin Cortes_CNDSD on Vimeo.

#Harmonia ofrece diferentes facetas dentro de lo que comúnmente se denomina arte sonoro o música experimental.

Se puede situar el live coding en el marco de este amplio ámbito creativo, como uno de los elementos causantes de la expansión de los horizontes de la música electroacústica. El live coding es, entonces, una técnica artística vinculada al arte de acción y fundamentada en la programación interactiva. Es una práctica principalmente improvisada a través de la cual se generan visuales y sonido en constante desarrollo.

Metapolis (AV/ Live coding) de CNDSD (Mx) / Es un acto audiovisual de composición algorítmica indeterminada que busca evocar mediante paisajes sonoros, sintetizadores, sampling y videos procesados esta ciudad difusa que emerge como una suerte de layers invisibles sobre la cartografía urbana, dibujando algunas rutas de internet que son parte de las megalópolis.

La Metápolis nombra aquellos fenómenos urbanos que, sobrepasando la escala metropolitana, se desligan de cualquier soporte territorial para basarse en redes de interconexión compuestas por transportes visibles y medios de comunicación invisibles. Bajo la denominación de metápolis, adquieren atributos urbanos todos aquellos espacios que, perteneciendo a la ciudad o no, cumplen la condición de tributar sus recursos, fuerzas de trabajo y hábitat a la metrópolis, garantizando su funcionamiento cotidiano. Carecen de sustrato físico, y como consecuencia del protagonismo absoluto que en ella cobran el flujo y la movilidad, la forma de metápolis difiere radicalmente de la que conocíamos a la metrópolis.”

Centro Cultural de España en México

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Lumina series, multimedia night walks | Expériences Lumina, parcours multimédia from Moment Factory on Vimeo.

Our first night walk concept was first developed for Foresta Lumina in Coaticook, Canada in 2014. Each Lumina experience seamlessly blends light, interactive elements, and projection mapping to shape an immersive journey that’s tailor-made to enhance the natural beauty of its site. Luminas use multimedia to cast an aura that absorbs visitors into its storytelling magic for an unforgettable adventure. There are 9 Lumina experiences that exist around the world, for more information : momentfactory.com/lumina/en/

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Notre premier concept de parcours nocturne a vu le jour à Coaticook au Canada en 2014 avec Foresta Lumina. Chaque expérience Lumina allie lumière, éléments interactifs et mapping vidéo pour façonner un voyage immersif sur mesure qui sublime la beauté naturelle d’un site. Les parcours Lumina utilisent le multimédia pour créer une atmosphère qui absorbe les visiteurs dans la narration magique d’une aventure inoubliable. Il existe 9 expériences Lumina à travers le monde, pour en savoir plus : momentfactory.com/lumina

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Leaving The Grid - Ital Tek (Official Video) from RubenFro on Vimeo.

A flowing dream state of unpredictable events. The physical, emotional and mental upheaval of transitioning to new states.

Directed and animated by RubenFro.

Artist: Ital Tek Album: Outland Label: Planet Mu

Tech: Point cloud captured with a set of 360 cameras. VFX running in real-time in Unity, using a custom shader specifically developed for fast and cinematic rendering of point clouds.

Taken from the album "Outland" by Ital Tek (1st May 2020 | Planet Mu) smarturl.it/ItalTekOutland

twitter.com/italtek instagram.com/italtek Published by Just Isn't Music

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Raum from HeK on Vimeo.

Every month, HeK shows a net-based project created especially for our digital series HeK Net Works. The series began during the lockdown period at a weekly pace, and now goes on with a monthly contribution. This month we would like to introduce you to Dirk Koy.

Dirk Koy is a Swiss artist and lecturer at HGK FHNW Basel for time-based media. Originally trained as a graphic designer, Koy works primarily with audio-visual media. In his award-winning works, he experiments with everyday images and environments, using both analogue and digital techniques. The artist creates surprising audio-visual works in which the viewer's perception is often challenged.

His Work Raum is a moving, 360°, digital and analogue drawing on view exclusively from 13.04.2021 – 11.05.2021 as part of Hek Net Works, created during the lockdown. During this time in which movement options were severely limited, nearby natural space, digital space, and one's imagination offered the opportunity to leave home to experience other places. In this work, a space is created that leads users to the intersection between reality and virtuality. Raum can be experienced online on HeK's Vimeo page as well as on our social media from 13.04.2021 – 11.05.2021. Sound and movement create an immersive experience in an environment that feels moving and organic, but in its form can only exist in digital space.

Statement by Dirk Koy: "Pencil drawing, photography, digital texture and movement merge into one big whole. Everything seems to be set in motion. The viewer becomes part of the action and decides which point of view he/she wants to take. The individual media layers begin to correspond with each other and allow the viewer to dive into an uncontrolled, porous world. Below and above dissolve, individual image layers break open, seemingly subterranean things come to the surface: unpredictable, erratic, with long pauses, then continuous again. The familiar becomes strange, the strange becomes familiar."

vimeo.com/dirkkoy instagram.com/dirkkoy

hek.ch

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sonic loneliness from Antye Greie-Ripatti on Vimeo.

for Ars Electronica 2020 #soncwilderness without others