noreflexion

[noreflexion]

Justin Visnesky - A New Morning (2009)

[noreflexion]

Willy Schlobach (Belgian, 1864 - 1951) - Waves, 1901

[noreflexion]

Robert Fludd, The Black Page, Utriusque Cosmi Maioris Scilicet et Minoris Metaphysica (Detail), 1617.

[noreflexion]

Alan Saret

[noreflexion]

[noreflexion]

Baskin

[noreflexion]

sun and rain, 2014

[noreflexion]

Bridget Riley - Nataraja (1993)

[noreflexion]

Barent Coenders Van Helpen. Caliditas Humiditas Algor Occulta Siuitas, CHAOS. 1689.

[noreflexion]

Paul Klee - Memory of a Bird

[noreflexion]

[noreflexion]

[noreflexion]

Neil Raitt - Alpine 2 (2013) - Oil on canvas

[noreflexion]

Masao Yamamoto

[noreflexion]

Diane Ackerman's poems reveal her intense response to the several worlds of nature, science, and society. Her lyricism fuses wit and sobriety, meditation and activism, and she confronts us with figures both real and fantastic.As always, her strong connection with the natural world, the realms of language and literature, myth and imagination, combines with her deep understanding of the sciences to offer her readers a singular American voice. This is not a voice crying in the wilderness, but one that gives forth songs of joy and wonder.Organized into seven sections, including "Timed Talk," "By Atoms Moved," and "Tender Mercies," I Praise My Destroyer is less an assorted collection than an organically coherent whole, one that reveals Ackerman's true calling as a twentieth-century metaphysical poet of the highest order.From the Hardcover edition.

[noreflexion]