Don't wanna be here? Send us removal request.
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cats can never just lay down they have to stand there on your pancreas
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Ahsshshdlhh I'm a day late but HAPPY WINDRUSH DAY! In 1948, West Indian immigrants came to the UK on HMT Windrush to help rebuild the UK after WWII. From then, immigrants from many West Indian countries like Jamaica, Barbados, St Lucia, Trinidad etc. came to the UK, but also immigrants from African and South Asian countries too.
Anti-immigrant rhetoric from the British government increased throughout the 1950s-1970s, including increased policing in Wet Indian communities by the Met Police. In 2018 there was the Windrush Scandal, where the British government detained and deported the same Windrush members they invited decades back. The individuals, their families and the community have never been compensated for this. We're still waiting for justice.
The modern UK culture you see now, from the music, the dialects and slang, the food... is heavily influenced by the Windrush. Multicultural London English and Black British Vernacular are blends of Pidgin, Patois, Creole and Arabic. The many shops, stalls and restaurants across London and throughout the country were set up by the immigrants that first arrived and are the reason you can get items from across the globe just around the corner. The UK's ska and rock and roll age was birthed from reggae and rude boys. Learn about the Windrush. Celebrate them. And fight for them!




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Obviously not expecting a (white) American site to gaf about today so lemme talk a bit more about Windrush Day and the Black British experience:
I feel like the Black British experience is constantly one of work and struggle. Our parents and grandparents lived through colonial and post colonial (using the term lightly) rule just to end up working and serving the imperial core, targeted by the same government that invited them here. A lot of the time its phrased as a choice but in reality what else could they have done? Ts and Cs apply bc for some West African Brits their parents were middle class back home but for me and others our families grew up in poverty in places still recovering from slavery and colonialism.
Britain whitewashes the history of Black immigrants, literally in the sense we're not taught our own history of Black people in Britain and metaphorically by applying British individualist myths; that as long as you work hard, don't complain about it and love Britain you can be British too. But it erases, ignores and distorts the truth that the British state used our community as nothing more than a labour force to rebuild after WWII and actively targeted Black British communities with police surveillance, brutality and systemic racism. All whilst denying it of course and turning their nose up at the very accusation. Very British.
Black British contributions, West African and West Indian to be more specific don't just apply in terms of work but in terms of shaping culture. 'Roadman' has become a meme and a caricature (including by some Americans on here ik u lot love 'chav') with barely any connection to its Black British roots, even when the term gets used as an insult to mainly Black working class men or used as a British version of 'thug'. The grime scene is undeniably a staple of Black Britain yet it is pathologised and judged, moral panics about Black people's violence and yet capitalised and profitted off of by non Black Brits as an aesthetic. Everybody wants the tracksuits, the tunes and the terminology innit. To be 'road' means to be Black British yet when its time to talk culture, nobody wants to credit it us. All of a sudden its 'London culture'.
But it isn't all doom and gloom. There's so much history and culture here in our spaces. I'd be lying if I said growing up where I did was easy. But it has shaped my outlook and made me and I'll carry that with me forever. Our grandparents and parents came here with so little and made so much out of nothing. And I'll always honour that. Justice for the Windrush generation.
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Y'all ever think about the way video game bosses are designed to lose? How the bombastic soundtracks, the impressive displays of villainy, the teeth-rattling power of their attacks, are at once engineered not just to sell you on how unfathomably strong and vile they are, but also to make the player's inevitable victory all the sweeter?
Viewed this way, a boss battle is more like a choreographed dance - they call, you respond and counter-call. The trick is to learn the steps - once you know where to move, when to strike, when to defend and how to best allocate your resources, victory is not just achievable but actually almost impossible to avoid. You cannot help but recite the winning plays, over and again, because that is what the dance demands of you both - and is there not a savage sort of beauty in such a thing?
Is it any wonder then that we look back on these bosses so fondly, almost as if they were old friends? We danced together once, and oh what fun we had while doing it!
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If you get knocked down, just don't get up, and you won't get knocked down again
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Sometimes I just want to take indie game developers by the shoulders and be like, dude, the reason big, chunky pixel art is so popular in precision platformers is because having movement and collision snap to a relatively coarse grid makes it easy to sight-read the hitboxes. It's not just for show. If your precision platformer uses chunky pixel art but doesn't have movement and collision snap to the grid, you've fundamentally misunderstood the functional reasons for your aesthetic choices. You want me to make pixel-perfect jumps in an engine where whether or not I get spiked depends on sub-pixel bullshit? Fuck off.
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Sometimes it does feel weird talking about NSFW bans because you either see it discussed in the sense of "NSFW bans are bad because the systems just randomly shoot innocent queer people!" or "The NSFW was bad (supposedly) but all the weirdos who jacked off to porn went away so things are nicer now" and its like
man that's great meanwhile I don't think Mastercard should decide if I pay someone to draw Cynthia from Pokemon being brainwashed or not.
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Sleepaway Camp Directed by Robert Hiltzik (1983)
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It's pride month so I'll allow myself to express one opinion on the internet :
There are no "exact color" of pride flags.
I see more and more sites and posts talking about the exact hex codes for the lesbian flag, or the right purple for the ace one, and how it should be more or less saturated and I just want to say: pride flags were meant to be sewn in your kitchen. To be spraypainted and to be recognised.
There are no "exact colors" of pride flags because you should do them with what you have ! Nobody should care if you use a crimson red instead of a cherry red or whatever ! Be free ! wave your colors ! The colors you have !
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I genuinely think if you want to have kids, you should have a list of at least a dozen people who you would trust at the drop of a hat to pick your kid up or take care of them in an emergency. Family, friends, neighbors - you need to start building your village so when you have a kid somebody can bring a meal, or help around the house postpartum, or take an older child on short notice in case of an emergency.
And be ready to be that person for others - even if you are child-free for life, look out for your pregnant, postpartum, adopting, and child-rearing community members and see if they need support.
And don't come on my post and say "don't have a kid unless you can care for them alone." It's just not true. A single person given full responsibility for the life of a child (especially an infant) can become a danger to themselves and their kids. They are the primary caregiver, not the only one. In many cultures (and among the wealthy in every culture) it is normal to hire people to assist with children, especially newborns, whose care equates to a full-time job.
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