ohmyspacesailor

[ohmyspacesailor]

Crowley being far too relatable my little baby

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[ID] Tweet by @willbondspeare reads: he looks like all 3 top gear hosts combined [end ID]

[ohmyspacesailor]

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A post shared by David Tennant Daily (@davidtennant.daily)

[ohmyspacesailor]

sometimes you need dialogue tags and don't want to use the same four

[ohmyspacesailor]

the thing is like. i get that it's scary and makes people who do desire to get pregnant uncomfortable when we talk about the brutality and violence of pregnancy and the damage that pregnancy can do to your body

but you deserve to give informed consent to that process.

the lies around pregnancy - that it's inherently safe, that it doesn't do you permanent damage, that it's only extremely rare for people to die of pregnancy complications, etc like

all of these are lies constructed so that more people will get pregnant w/o knowing all that

there needs to be more talk about the impact of miscarriages and how common they are, how different abortion processes are and how accessible they are

but also like. talking about how pregnancy fucks your body up should not be taboo

this is a process that permanently changes most people's bodies, and that's even if the pregnancy doesn't do them like. severe illness or injury

and i just think everybody should have a right to KNOW that

bc to live in a society that intentionally obscures and hides facts about a completely optional and dangerous process does so for a reason, and that reason is based in a very sinister ideology that does not value bodily autonomy or informed consent

[ohmyspacesailor]

Just on time!

Today is my one year GO anniversary! One year ago, I posted my first Good Omens fanart, and it was a portrait of Crowley!

I decided to do another one this year!

I hope you like it! ❤️

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This was very lovely to wake up to. It's completely legit, in the replies people posted videos and pictures of the 'walk for El Vaquita', the fake protest to get El Vaquita desperately needed medical attention.

The comments in the tweet lead to celebration of a another Chilean comrade doggo named Negro Matapacos. And this is exactly the kind of education I want this month.

[ohmyspacesailor]

This is a scene from Nye, the play that Michael Sheen did earlier this year. It’s about Aneurin “Nye” Bevan who was the politician who created the NHS in the UK. This scene is with Jennie Lee, his future wife, played by Sharon Small.

They are both newly elected to Parliament at this point in the play. That ^^ clip follows this one, if you want to see the whole scene (with a little overlap).

Please ask if you want to repost this, thanks! And if you make any gifs, I’d love to be tagged 😊

Some bonus gifs:

(I’m sure I’ll be making more)

[ohmyspacesailor]

S1 final camera angle

Ok I literally JUST woke up for the day and this is what was in my brain: the gomens brainrot runs deep. I have to write it out and I shall from the coziness of my bed on a rainy morning :D This is gonna be a longish one!

Been thinking about this thanks to @vidavalor's post. As a fandom we know that Crowley and Aziraphale always position themselves the same way: Zira on the left, Crowley on the right (from our pov).

But wait! What about that final scene at the Ritz? It ends with a zoom-out of the two continuing their conversation: From Behind.

Why did they film this perspective? It's odd given that the rest of the scene is shot from the other direction. It breaks the 180-Degree-Rule, which is a "rule" in filming that prevents confusion for the viewer about where the characters are and what the action is in the scene. If there's an imaginary line between two characters, the camera cannot pass over that line when filming because then the pov changes.

This zoom-out is an example of a "Reverse Cut", it's literally the opposite of what we've seen for the rest of the scene. So why? They could have zoomed out from the table in the other direction, maybe sending the camera through the window for a cool effect.

This is shot this way on purpose. This is like a private viewing for the audience. We aren't in the audience's position anymore, we're in Crowley and Aziraphale's position. The two continue their conversation, which we cannot hear, so it's still a private moment for them even though we're getting a glimpse of it. I have to go back and watch again to really find examples but I think this is the scene that confirms the idea that when in private, Crowley and Aziraphale break their position rule (whether through them physically moving, or by way of the camera and how the scene is filmed), implying that it is something they do for public appearance. Like with this scene, they're still obviously sitting down and in the same place, but now the audience is welcomed into their pov for a moment. We are now part of the positioning outwards to others.

@vidavalor wrote about a footstool near the couch in the bookshop that would put Crowley on the left (in our pov), and that's one of the earliest scenes in the show between the two of them where they are completely in private. Here are some more examples I can think of off the top of my head/ what gifs I could find to use xD

Calling out specifically any time they're in the car; Aziraphale never drives, so Crowley is ALWAYS on the left (our pov), and it's always a private moment between them, no one else around. Look at the scene where they arrive at the hospital and how they get out of the car. They both specifically walk to re-position themselves on the "proper" side. (I can't find a gif of the whole bit but this scene here:)

This scene also has a brief bit where they switch positions again; they're reminiscing about a personal memory, 1941 and the magic show (even though the audience wasn't aware of it yet before s2).

Actually the whole bit at the hospital is very involved with camera angles (it would merit its own post at some point for sure.)

Calling out the Wall Slam™ Crowley on the left, Aziraphale on the right, UNTIL they are interrupted by someone else and the scene is no longer private, and the camera flips position for the rest of the scene.

Also Rome. Oysters. This one's odd, there are two very brief reverse cuts in this scene.

And lastly, this key shot of them going to their respective offices. This one stands out to me because it's not a "private" moment between them, but it shows that their "public" position matches how they have to arrive at Heaven and Hell. Aziraphale and Crowley actively go out of their way to position themselves relative to one another in public in such a way to face Heaven and Hell. And in this shot, we get to be a part of their pov. We get to be on their side.

[ohmyspacesailor]

This too shall pass but like holy fuck

[ohmyspacesailor]

MARRIED

They are SO married

For .@emilyruthoswald <3

[ohmyspacesailor]

🔥🔥🔥

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[ohmyspacesailor]

This tweet lives rent-free in my head now. Hands-down the best comment about the relationship between art and artist.