olivierassayas

[olivierassayas]

“I believe God gives each of us a purpose. To the horse, it’s to run across the prairie. For a cowboy, it’s to ride.”

The Rider (2018) dir. Chloé Zhao

[olivierassayas]

In the City of Sylvia (José Luis Guerin, 2007)

[olivierassayas]

Vendredi soir (Claire Denis, 2002)

[olivierassayas]

Weekend, Andrew Haigh, 2011

[olivierassayas]

The Rocky Horror Picture Show (1975)

[olivierassayas]

You Were Never Really Here (Lynne Ramsay, 2017)

[olivierassayas]

Drowning by Numbers

[olivierassayas]

Soy Cuba (a.k.a. I Am Cuba) (Mikhail Kalatozov, 1964)

[olivierassayas]

Support the Girls (Andrew Bujalski, 2018)

[olivierassayas]

Three Colors: Blue (1993) Three Colors: White (1994) Three Colors: Red (1994) Directed by Krzysztof Kieślowski

[olivierassayas]

[olivierassayas]

florian hetz, 04.04.17

darren

[olivierassayas]

Catherine Deneuve discussing Belle de Jour

[olivierassayas]

It’s hard for a gay man to find someone compatible to be with. That’s why I treasure Simon so much. Look around you: how many so-called “normal” couples are fighting, divorced? They only wish they could be as loving as Simon and me. So how can you accuse Simon of leading me astray? — THE WEDDING BANQUET (1993) dir. Ang Lee

[olivierassayas]

Hiroshima Mon Amour (1959) dir. Alain Resnais

[olivierassayas]

[olivierassayas]

- So is this our Notting Hill moment? - You know, I’ve never seen it, ever. - Neither have I, but I imagine there’s a declaration of love and everybody applauds. - Do you reckon that’s what would happen with us? - Might do. Could give it a go. They’d either clap or throw us under a train.