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FINAL PROJECT INSTALLATION - VIDEO DOCUMENTATION
Oonagh Davis / B. Arch 2020 / Art 2701 Intro to Digital Media - Fall 2018 / Ferro, R
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FINAL PROJECT INSTALLATION - PHOTO DOCUMENTATION
Oonagh Davis / B. Arch 2020 / Art 2701 Intro to Digital Media - Fall 2018 / Ferro, R
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Ceramic Documentation
The AR animations will be made using the top two images above.
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Acceleration vs. Deliberation: Final Project
This December I will be installing an exhibition at the new Flower-Sprecher Veterinary Library. This body of work juxtaposes the speed of life with moments of stillness and appreciation through a variety of sculptures which are each connected to a dynamic interactive augmented reality animation. The overlaid virtual animation creates a kinetic simulation of the still sculpture. This digital media intervention attempts to highlight the pace of 21st century existence; we are constantly distracted from reality due to the information we see on our screens, and this body of work brings that realization to the forefront. The Flower-Sprecher Veterinary Library is an ideal location for this installation because it is architecturally designed as a quiet place for contemplation and consideration of a specific line of study. The sculptures and animations are created with an organic and biological aesthetic in mind for the vet school exhibition location. Each work of art consist of repeating and fractal like geometries which are found in nearly all living things.
Artists who inspired the project: Jane Bennett, Kristin Lucas, Tamiko Thiel, Will Pappenheimer.
Oonagh Davis / B. Arch 2020 / Art 2701 Intro to Digital Media - Fall 2018 / Ferro, R
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The projection component to my final project for Introduction to Digital Media with Cornell Art Professor, Renate Ferro.
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Trevor Paglen
“Paglen says that his often blurry photographs of drones and classified surveillance sites are ‘useless as evidence.’ His aim is not to expose and edify so much as to confound and unsettle”.
https://www.newyorker.com/magazine/2012/10/22/prying-eyes
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Tehching Hsieh
Over the course of his three-decade-long career, Hsieh has isolated himself in a barren, caged room, making no contact with the outside world; lived and slept on the streets of New York, avoiding any form of shelter; and tied himself to fellow artist Linda Montano with a rope—each piece lasting for an entire year. (“Life is a life sentence; life is passing time, life is free thinking,” he has said, suggesting the stoic philosophy that guided these radical, time-based performances and others of the late 1970s through the ’90s.)”
https://www.artsy.net/article/artsy-editorial-performance-artist-tied-woman-year
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Final video for Bionetworks Gone Awry assignment.
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