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oscaroni · 7 years
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oscaroni · 7 years
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Lana Del Rey performing at the House of Blues in Anaheim, California. August 01, 2017.
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oscaroni · 7 years
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Lucille Ball on the day of her wedding to Desi Arnaz, November 30th 1940.
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oscaroni · 7 years
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FYF Fest 2017
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oscaroni · 7 years
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oscaroni · 7 years
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When Hong Kong cinema finally reached Western audiences in the late eighties, its style was quickly and correctly categorized as a strictly commercial approach to filmmaking. Wong Kar Wai’s arrival changed everything. With the same visual tools that his peers were using to make action blockbusters, Wong started making very personal and extremely poetic films, disregarding the rules of narrative storytelling and challenging traditional Chinese mores. Few of his contemporaries have dared tackle homosexuality as directly as he did in Happy Together. From the dizzying Chungking Express to the hypnotizing In the Mood for Love, Wong’s work is incredibly modern and particularly powerful.
—Laurent Tirard
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oscaroni · 7 years
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Ph. Wong Kar-Wai
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oscaroni · 7 years
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oscaroni · 7 years
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James Dean on the set of Rebel Without a Cause directed by Nicholas Ray, 1955
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oscaroni · 7 years
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oscaroni · 7 years
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oscaroni · 7 years
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Photo by Ernst Beadle for Harper’s Bazaar, 1949
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oscaroni · 7 years
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oscaroni · 7 years
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oscaroni · 7 years
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2017
I saw a friend rebuild herself from the worst kind of heartbreak in late 2016. Down on the ground, until she was back on her feet in 2017. I became comfortable with my body, my mind, my sexuality, my roots, my strengths, and my passions, in 2017.  I am very thankful, and lucky, and blessed, that I have a job in my field right after graduating college in 2017. I met some wonderful people who talk about their feelings all. the. time. And it’s a wonderful quality to have in 2017.  I dated, and sexted, and cried, and loved, and gave it my all, and gave it all up, all in 2017. This is a log for my future self, to look back on my life, in 2017.
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oscaroni · 7 years
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oscaroni · 7 years
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