othervee

[othervee]

[othervee]

Wille: Lets go bjärstad!

Simon: Lets go bjärstad! (Wille is here yay, Wille is here wtf)

Ayub: Lets go bjärstad! (omg this is so much fun. Rosh is doing great. Simons here. Simons here with his crush. Ive got two hotdogs. The world is good.)

[othervee]

Via.

[othervee]

Okay, you know what? After reading this post, I jokingly said we should all just make a pact to reblog it five times a day forever. So I'm gonna do this louder for the people in the back:

AO3 WAS CREATED BY FANS, FOR FANS

AO3 IS RUN BY FANS (VOLUNTEERS, NO LESS)

AO3 IS PART OF THE NON-PROFIT, ORGANIZATION FOR TRANSFORMATIVE WORKS

AO3 IS NOT OWNED BY ANY COMPANIES AND DOES NOT EARN REVENUE

AO3 OPERATES ON DONATIONS FROM FANS

again:

AO3 WAS CREATED BY FANS, FOR FANS

[othervee]

i love being a 30+ woman in fandom. reblog if you also love being an old dame in fandom

[othervee]

does anyone have that quote that goes something like 'white germans under the nazis lived just fine as long as they were loyal to the state, gave their children to the army, and paid their taxes, and in this sense many americans would be comfortable living under fascism' trying to find who said it but google is giving me jack shit

[othervee]

No children are allowed in the Library of Congress.

It's not that kind of library.

In other words...

You are being lied to

again

[othervee]

When Everything Everywhere All at Once said “The only thing I do know is that we have to be kind. Please, be kind, especially when we don’t know what’s going on" 

When the Good Place said “Why choose to be good every day when there is no guaranteed reward now or in the afterlife… I argue that we choose to be good because of our bonds with other people and our innate desire to treat them with dignity. Simply put, we are not in this alone.” 

When Jean-Paul Sartre said ”‘Hell is other people’ is only one side of the coin. The other side, which no one seems to mention, is also ‘Heaven is each other’. Hell is separateness, uncommunicability, self-centeredness, lust for power, for riches, for fame. Heaven on the other hand is very simple, and very hard: caring about your fellow beings.“

[othervee]

Mushrooms are objectively the funniest thing on gods green earth like this one destroys your liver and kidneys and kills you this one makes a fine cooking oil this one introduces you to the machine elves this one grows in your shower and slowly destroys your lungs this one is delicious in a stir fry. Who else has the range

[othervee]

Fanfic resource/reference: sharing my notes on Swedish nicknames

I've had the privilege of being taught about Swedish nicknames by some knowledgeable Swedes on here, and I've also tried to research them on my own (e.g. this article in Språkvård has been a great resource). I've got a bunch of notes based on the info I've gathered - they are messy, but I figured I'd share them here for any other YR fic writers who find them useful (inspired by @dreamyelectronicmusic asking about nicknames yesterday)!

Some rules and examples:

- Virtually all Swedish nicknames are bisyllabic with emphasis on the first syllable to flow easily with the spoken language!

- Some very typical standard formats:

Girls’ nicknames most typically end in -a, -(a)n or -i: Cecilia > Cilla or Cissi, Charlotta/e > Lotta or Lotti, Therese > Tessan, Louise > Lussan or Lojsan

The most typical format for guys' nicknames consists of the first syllable, a double consonant and -e: Wilhelm > Wille, Simon > Simme, Mikael > Micke, Charles > Tjalle

Fredrik > Fredde or Freddy, Fredrika > Freddi; Freddie can be either but is often assumed female (cf. Maddie)

Alexander > Alex (pronounced a-lex or al-lex); Vincent > Vince is possible (pronounced vin-se)

- Not every name has an "established" or standard nickname

Particularly applicable to new and international names, as well as names that already have a feel and pattern similar to nicknames: Sara, Rosh, Felice, Henry

Sometimes nicknames based on a more commonly Swedish variant of the name may be used (e.g. Felice and Henry could be something like Flisan and Hempa based on Felicia and Henrik, but this isn't standard)

- Nicknames can be built from the base name by various methods:

From the start: Katarina > Kattis, Carolina > Carro, Ibrahim > Ibbe, Klas > Klabbe, Alexander > Alex

From the end: Karolina > Lina, Kristina > Tina or Stina

From the middle: Elisabet > Lisa

Cut & paste: Margareta > Meta, Urban > Ubbe, Felicia > Fia, Flisan, Flisi

Adding a middle consonant: Bo > Bosse

Doubling of first letter or syllable: Lennart > Lelle, Fredrika > Fifi

Doubling of middle consonant: Ingrid or Anna > Ninni, Kristina > Nina

- The form of the nickname is simple, preferably with only one consonant sound (single or double) between the vowels:

If the base name contains a consonant group, one of the consonants is removed: Albert > Abbe, Margareta > Maggan, Viktor > Vicke, Marcus > Mackan

Strong consonants (p, t, k, b, d, g, s) are retained over weaker ones (r, l, m, n): Nils > Nisse, exception: Walter > Walle

If the consonants are equally strong, the first one is retained: Viktor > Vicke, Ulrika > Ulla, Mats > Matte

If the nickname does contain a consonant group, the first consonant is a nasal sound (n, m, ŋ): Henrik > Henke or Henka (pronounced heŋke/a)

A consonant (often p) can be added after a nasal sound taken from the base name: Tommy > Tompa, Bengt > Bempa, Henrik > Hempa

The consonant group is pronounced in the same part of the mouth and the second sound is always toneless (never b, d, g)

- The first syllable and other weighted syllables are particularly prominent in nicknames and can lead to different variants:

Birgitta > Bibbi, Biggan or Gittan; Margareta > Maggan, Greta or Meta; Elisabet > Lisa or Bettan; Kristina > Tina, Kina, Kicki, Nina, Tinni, Tinna…

- Nicknames can also be based on last names, anecdotes etc. instead of a given name, and they may act as class markers:

e.g. Jonny/Sonny/Ronny are working class nicknames

Obscure nicknames and unusual variants are upper class: Smysan (not based on a given name); the real King Carl Gustaf was called Tjabo/Tjabbe in his youth; Queen Kristina would never be Kicki/Tina/Stina but e.g. Tinni/Tinna

Cf. Solsidan episode where Mickan tries to establish "Ybby" for Ebba

Some upper-class people still have normal nicknames (e.g. Wille)

- Many people have no nickname at all; some people may have several; others only have them in specific contexts:

some people introduce themselves by their nickname (Micke), others use their given name but also answer to a nickname among friends (Wille)

some women only use nicknames with their female friends

men may also address each other by their last names (remnant of military style)

people in a group may use nicknames based on last names to distinguish between two people with the same first name (but they don't necessarily use that nickname to address the person!)

- NB. some simple names and nicknames are easy to turn into "baby speak" or playground taunt versions (doubling with p or b):

Annapanna, Ollepolle, Walleballe, Soffiboffi etc.

Parents may be mindful of these when naming or nicknaming their child

---

I realise these rules and examples may not be particularly easy to follow - they aren't for me either! But I figured they might be of interest anyway.

As always, additions and corrections are very, very welcome!

[othervee]

Reblog to hug prev

Please

[othervee]

idk how to word this properly but wrt the fanfic thing you reblogged earlier. Why do fanfic writers have such different expectations than any other content hosting platform?

Like lets take youtube as a point of comparison, Engagement like comments and likes largely exists to boost the works place in algorithm, thats why youtubers put in calls to action and other engament bait. Few with decent reach even read the comments and the audience shouldnt try to develop any weird parasocial relationship with the youtuber. Fanfic authors ask for likes (kudos, because the websites gotta use nonstandard language for some reason) and comments despite them not having any impact on an algorithm, and seem to want the audience to try and develop a relationship with the author based on tumblr posts like that one.

Why the radical difference in behaviour away from the norm? And honestly with all the (usually) metaphorical blood spilled online about parasociality why are authors really surprised that the audience tries to keep their distance as is best practice with any other content producer?

okay I am going to answer this as kindly and as calmly as I can and try to assume that you are asking this in good faith. because my friend, the fact that you feel the need to ask is, to me, The Problem.

[this is, for the record, in response to this post]

fanfiction writers are not *posting content.* (I also have reservations about engaging with the term "content producer" or "content creator" but let's put that aside for now, I'll circle back to it.) you say "they seem to want the audience to try and develop a relationship with the author" as though it is strange, off-putting, and incomprehensible to you, when in fact that is the point of writing fanfiction. it is a way of participating in fandom. it is a way of building community and exchanging ideas and becoming closer with people.

if authors wanted to solely ~generate content~ that would get them attention (?? to what end, the dynamic you have described seems to equate algorithmic supremacy as winning for winning's sake, as though all anyone wants to do is BUILD an audience without ENGAGING with them, which I cannot fathom but let's pretend for a moment that is, in fact, true) then like. if that were the case why on earth would they choose a medium in which they categorically cannot succeed and profit, because it isn't their IP?

you are equating two things that are not at all the same thing. to the degree that parasocial relationships are to be avoided, and "that person is not trying to be your friend they are trying to entertain you, please respect their boundaries" is a real dynamic -- which it is!! -- like. you have to understand that the reason that is true for the people of whom it is true is because it is their JOB. they are storytellers by profession, and they are either through direct payment, or sponsorship, or advertising, or through some other means, profiting off of your attention. i don't say this to be dismissive, many wonderful artists and actors and comedians and any number of a thousand things that i enjoy very much go this route but they do so as a *career choice.* and so when you violate the public/private boundary with them, you are presuming to know a Person rather than their Worksona. the people who work at Dropout or who stream their actual play tabletop games or who broadcast on TikTok or YouTube are inviting me to feel like i know them to the degree to which that helps them succeed in their medium and at their craft, but there MUST be a mutual understanding that that's a feeling, not a fact.

however.

a fanfiction writer is not an influencer, not a professional, and is not looking to garner "success." there is no share of audience we are trying to gain for gain's sake, because we are not competition with one another, because there is nothing to win other than the pleasure of each other's company. we are doing this for no other reason than the love of the game; because we have things we want desperately to say about these worlds, these characters, these dynamics, and because we *want more than anything to know we are not alone in our thoughts and feelings.* fanfiction is a bid for interaction, engagement, attention, and consideration. it is not meant to be consumed and then moved on from because we are NOT paid for our work, nor do we want to be. the reward we seek is "attention," but attention as in CONVERSATION, not attention as in clicks. we are not IN this for profit, or for number-go-up. there is no such thing: legally there cannot be. we are in this because we want to be seen and known.

like. please understand. i am now married to someone i met because of mutual comments on fanfiction. our close friend and roommate, with whom i have cohabitated for over a decade now, is someone I met because of mutual comments on fanfiction and livejournal posts. that is my household. beyond my household, the vast majority of my closest personal friends are people with whom I built relationships in this way.

you ask why fanfiction writers want THIS and not "the norm," but the idea of everything being built to cater to an algorithm to continue to build clout, as though the only method of reaching people is Distant Overlord Creator and Passive Receptive Audience being "the norm" is EXTREMELY NEW. this is not how it has always been!! please think of the writers of zines in a pre-internet fandom, using paper and glue and xerox to try and meet like-minded people in a world that was designed for you to only ever meet people in person, by happenstance, in your own hometown. imagine the writers of the early internet, building webrings from scratch to CREATE a community to find each other, despite distance. imagine livejournal groups, forums, and -- yes, indeed, of course -- comment threads IN STORIES -- as places where people go to *converse.* in the past, we had an entire Type Of Guy that everyone knew about, the BNF ("Big Name Fan") whose existence had to be described via meme because it was SO DIFFERENT THAN THE NORM. treating fellow fans like celebrities or people too cool for the regular kids to know was an OUTLIER, and one commonly understood to lead to toxicity.

in the past, I have likened writing fanfiction to echolocation. i am not screaming because I like hearing the sound of my own voice, though i can and do find my voice beautiful. i am screaming so that the vibrations can bounce back to me and show me the world. the purpose is in the feedback. otherwise it is just noise.

does this make any sense? can you see, when i describe it that way, why an ask like yours makes me feel despair, because it makes us all sound so horribly separate from one another?

perhaps I will try another metaphor:

a professional chef who runs a restaurant will not have her feelings hurt if you never fight your way into the kitchen to personally tell her how much you enjoyed the meal. that would, indeed, violate a boundary. professional kitchens are a place of work, and you have already showed her you enjoyed the meal by paying for it, or by perhaps spreading your enjoyment by word of mouth to your friends so they, too, can have good meals. you show your appreciation by continuing to come back. if a bunch of people sitting around randomly happen to have a conversation about how much they love the food, it wouldn't hurt that chef's feelings to not be included in the conversation. however: EVEN IN THIS INSTANCE, it is ADVISABLE AND APPROPRIATE to leave a good review! you might post about how much you like this restaurant on Yelp, and it would probably make the chef feel great to see those positive comments. but the chef doesn't NEED them, because the chef is, again, *also being paid to cook.* that's why she started the restaurant, to be paid to cook!

i am not being paid to cook.

i am at home in my own kitchen, making things for a community potluck where i hope everyone will bring something we can all enjoy together. some people at the potluck are better bakers, some better cooks; some can't cook at all but are great at logistics and make sure there's enough napkins for everyone; some people come just to enjoy the food, because that's what the party is for. and if I, as this enthusiast chef who made something from my heart for this reason alone, learned after the fact that a bunch of people got together in the parking lot to rave about my dish but no one of them had ever bothered to tell me while I sat alone at my table all night, occasionally seeing people come by to pick up a plate but never saying anything to me -- of course that would bother me, because I am not otherwise profiting off the labor I put in. this is not a bid to be paid, because if someone WERE to say "hey, great cake!! here's five bucks for a slice" i would say no, friend, that is not the point and give them the money back. i'm not trying to Get Mine. I am in it to see the look on your face. I'm in it so you can tell me what about it moved you, so that I can say back what moved me to make it in the first place. so we can TALK about it.

because what happened in the first place is this: one time I had a cake whose sweetness, richness, flavor, intensity, and composition moved me so much that I *taught myself to bake.* so I could see how much vanilla and sugar was too much, so I could learn how to make things rise instead of fall flat, so I could even better appreciate the original cake by seeing for myself the effort and talent and inspiration that goes into making one even half as good.

learning to do so is a satisfying accomplishment in and of itself, yes.

but I also did it because at the end of the day we should EAT the cake. and it's a lonely thing, to eat alone when a meal was always designed and intended to be shared.

so, to answer your last question: i'm not surprised, i'm just sad. because somehow two things that were never meant to be seen as the same have been labeled "content," and thus identical. and it diminishes both the things that ARE intended to be paid for AND the things that are not, because it removes any sense of intimacy or meaning from the work.

i hope you know i'm not mad at you for asking. but i'm frustrated we've come to live in a world where the question needs to be asked, because the answers are no longer intuitively obvious because we're so siloed.

[othervee]

I recognise these! They were both deleted by the author, who went by myfooddishisnowonlyhalffull.

The first one was called Put It Behind You. Simon mugged Wille, and is hired at the big finance company Wille and August work at.

The second one was called He’s Not Going To Be Okay.

hey! ive been thinking about a fic i read years ago at this point and i can’t find it and i don’t know if it still exists or has been deleted, wondering if you might remember it? it was an au set in a big company owned by wille’s family and wille and august worked there, and simon was a cleaner and then got hired at the company (i think he’d been to prison??)? i think the same author had a fic where wille had got into a car crash at the end of s1, and came back to see simon in the third year of hillerska and they get back together, and wille had forgotten august posted the video (but then suddenly remembers at some point). it might not be the same author haha but i think it is and just wondering if they exist/ whether i made them up haha

I don't recognize the first one at all. Anyone?

Is the second one A Martyr for My Love for You by wilmonlibrarian?

[othervee]

In the tags, share your preferences.

Summer or winter?

Mountains or seashore?

Lake or ocean?

Hotel or camping?

Pizza or pasta?

Cake or pie?

Print or cursive?

Dogs or cats?

Odd numbers or even numbers?

Soup or salad?

[othervee]

ok so i think that my favourite fantasy subgenre is The Inherent Tragedy Of Being Born Into Royalty. which mostly means that i like to read about gay princes but with some nuance

[othervee]

I hate, hate, HATE the term “affordable housing.” I hate that we’ve normalized it. I hate that we just accept that the majority of housing, a basic human right, is unaffordable to much of the population. Housing should be affordable as a baseline. If rich people want to add arcades and gold-plated hot tubs on top so be it, but everyone, everyone, regardless of income level, should have access to a clean, comfortable home with enough light and space to make life worth living.