pamdamoniumart

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@3dstudiospring2017

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final index

1. Autoconstrucción: Studio

2. Autoconstrucción: Beyond the Studio

3. Everyday Monuments: 10 Objects

4. Everyday Monuments: Pop Plop

5. Everyday Monuments: Process

6. Everyday Monuments: Final Documentation

7. Everyday Monuments: In the World

8. Subtraction Abstraction: Of Nature

9. Subtraction Abstraction: Artists

10. Subtraction Abstraction: Process

11. Subtraction Abstraction: Final Documentation

12. Minimal Actions: Homedepot

13. Minimal Actions: Artists

14. Minimal Actions: Process

15. Minimal Actions: Final Documentation

16. The Skin of Things: Stock Reference

17. The Skin of Things: Artists

18. The Skin of Things: Process

19. The Skin of Things: Final Documentation

20. The Forest: Process

21. The Forest: Final Documentation

22. Things that Perform: Process

23. Things that Perform: Final Documentation

24. Things that Perform: In the World

25. Student Show

26. Final Index

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Jim Drain Saturday's Ransom, 2010 Installation at LOCUST PROJECTS Saturday's Ransom Miami, Jim Drain Lounger/ Fountain, 2015 Steel 40 × 27 × 76 in, 101.6 × 68.6 × 193 cm JIM DRAIN LFSVR, 2004 Yarn, tassle embellishments and knitted fabrics 75 × 41 × 25 in, 190.5 × 104.1 × 63.5 cm Unique Vagabond, 2007 Mixed media 72 × 77 1/5 × 42 9/10 in, 183 × 196 × 109 cm Lap Chair, 2009 Mixed media 36 × 36 × 24 in, 91.4 × 91.4 × 61 cm Jazz Kills Nazis, 2017 MAcrylic and colored pencil on bristol paperM 14 × 11 in, 35.6 × 27.9 cmOFFERED BY Nathalie Karg Gallery

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Willie Cole

The Virgins, 2012 Screenprint 105 × 160 in 266.7 × 406.4 cm Edition of 9

Sarah, 2012 Intaglio & relief 63 1/2 × 63 1/2 in 161.3 × 161.3 cm Edition of 3

Jesse Mae, 2012 Intaglio & relief 63 1/2 × 22 1/2 in 161.3 × 57.2 cm Edition of 3

Satisfaction Guaranteed, 2002 Iris Print on Paper 46 3/4 × 35 1/8 in 118.7 × 89.2 cm Edition III

Complementary Soles, 2012 Screenprint 75 × 56 1/4 in 190.5 × 142.9 cm Edition of 9

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Minimal actions final documentation

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Minimal Actions process

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#MA17-877

A new geometric design every day

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Maya Lin Dew Point 12, 200 Blown glass 4 × 72 × 96 in, 10.2 × 182.9 × 243.8 cm Arctic Circle, 2013 Vermont Danby marble 9 × 60 × 60 in, 22.9 × 152.4 × 152.4 cm “Longitude Chaise,” from the “Earth is (Not) Flat” series, ca. 1998 Maple, maple-laminated plywood, aluminum, cow hide, fabric 23 1/2 × 74 × 30 in, 59.7 × 188 × 76.2 cm Pin River - Sandy, 2013 Steel straight pins 114 × 120 × 1 1/2 in, 289.6 × 304.8 × 3.8 cm Silver Seine, 2013 Recycled silver 60 × 92 × 1/2 in, 152.4 × 233.7 × 1.3 cm

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Sol LeWitt Incomplete Open Cube 6/6 41 3/10 × 41 3/10 × 41 3/10 in 105 × 105 × 105 cm 1974 Incomplete Open Cube 9/5 43 1/5 × 41 1/5 × 43 1/10 in 109.8 × 104.7 × 109.5 cm 1974 Complex Form, Wall Structure 70 × 25 × 16 in 177.8 × 63.5 × 40.6 cm 1990 Modular Floor Structure 22 9/10 × 129 3/10 × 129 1/10 in 58.2 × 328.3 × 328 cm 1968 Cube Structure Based on Five Modules 48 1/2 × 48 1/2 × 48 1/2 in 123.1 × 123.1 × 123.1 cm 1975

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Sara Sze Notepad, 2008 Lithograph, laser engraved paper and board, archival adhesive, paper cuttings 22 1/2 × 11 × 8 in, 57.2 × 27.9 × 20.3 cm Edition of 40 Model for a New Beginning, 2014 Mixed media, aluminum, mirrors, stones, branches, digital prints, enamel, string 25 × 26 × 24 in, 63.5 × 66 × 61 cm Trio Standing (Fragment Series), 2015 Acrylic paint, archival prints, stainless steel, stone, metal chain, thread 62 × 21 × 21 in, 157.5 × 53.3 × 53.3 cm Model for a Promise Kept, 2015 Mixed media, aluminum, stainless steel, wood, acrylic, archival digital prints, ceramic, pencils, string 28 × 40 × 22 in, 71.1 × 101.6 × 55.9 cm Model for a Second Chance, 2015 Mixed media, glass, stainless steel, archival digital prints, stone, buckets, string 30 × 19 × 13 in, 76.2 × 48.3 × 33 cm