listening to fleetwood mac is like. i don’t know this song but let’s give it a shot. oh wait i do know this song. i’ve heard it a million times and always liked it, i just didn’t know the name. on some level i kind of assumed that song was just an ambient part of the world the way the sound of the wind or birdsong in the trees was but apparently it’s by fleetwood mac. neat.
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pov: i'm listening to my favorite tunes
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Far worse, in my opinion, than the famous “he wouldn’t fucking say that” is “he WOULD fucking say that, as part of his facade, but you seem to think he would mean it genuinely”
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I recall hearing that Discworld, especially in the earlier books, is also prone to ethnic and gender stereotyping (which I noticed some of in the book version of Good Omens too), though Pratchett evidently got better about that later on
Oh it very much is. He got a lot better about it but was always a British Dude of a certain age.
There's multiple bits of great trans rep & I love the plotline in Unseen Academicals where one woman has to come to grips with her own internalized sexism and how she's been looking down her nose at a great opportunity for her friend, which her friend loves and to which she is well suited, bc it isn't a "serious enough" opportunity. Like, he tried, and in many cases he succeeded, and the constant attempts to get better are why I still love Discworld.
But I'm really not okay with pretending it's all roses.
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raincurl ! found a cute set of these i'm gonna draw
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it drives me bonkers the way people don't know how to read classic books in context anymore. i just read a review of the picture of dorian gray that said "it pains me that the homosexual subtext is just that, a subtext, rather than a fully explored part of the narrative." and now i fully want to put my head through a table. first of all, we are so lucky in the 21st century to have an entire category of books that are able to loudly and lovingly declare their queerness that we've become blind to the idea that queerness can exist in a different language than our contemporary mode of communication. second it IS a fully explored part of the narrative! dorian gray IS a textually queer story, even removed from the context of its writing. it's the story of toxic queer relationships and attraction and dangerous scandals and the intertwining of late 19th century "uranianism" and misogyny. second of all, i'm sorry that oscar wilde didn't include 15k words of graphic gay sex with ao3-style tags in his 1890 novel that was literally used to convict him of indecent behaviour. get well soon, i guess...
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"Damn bitch you live like this" is exactly why Roxanne would only talk to Max on her porch and not let him inside
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Ok it's very funny to laugh at Tuxedo Mask for showing up and doing nothing, but his job was never to actually fight the monsters.
His job was just to show up and believe in Sailor Moon so overwhelmingly resolutely that she remembers she's a fucking demigod long enough for HER to fight the monsters.
Because she's the only one strong enough to do it in the first place, and in this regard Tuxedo Mask is the first example of being "Kenough" in this essay I will
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We lost the fucking plot when we started doing "pro vs anti" ship discourse i am SO serious when i say that its literally not that deep and treating it like it is will give you brain rot beyond your comprehension
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