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phanherb · 5 days
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Crispin and his Bat™
and bonus PuppyBat
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phanherb · 5 days
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new reaction image
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phanherb · 5 days
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one of my favourite new upcoming GL manga rn, love bullet, about girls who get reincarnated as cupids except they've modernized and now they use guns instead of bows.... silly sounding premise but the visual direction is extremely striking and its been super emotionally impactful to me so far at just 7 chapters out. check out the fan translation on mangadex/dynastyscans and if you like it please buy a copy of it for 5 dollars (guide on how to buy it below) cause the sales are struggling and if it gets cancelled ill die badly,,, thank you
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phanherb · 2 months
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FIC COMPLETE! The 4th and LAST chapter of magical swords AU wangxian is up, please send all the love to wonderful, talented, transcendent writer @spookykingdomstarlight for her amazing work full of tragic ends, new beginnings, and OMG SIRI?!?!
Read at SquidgeWorld or Ao3, and leave kudos and comments for Spooky<3
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phanherb · 3 months
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disney concept art: the most beautiful dynamic original thing i have ever seen
disney finished project: rubber same face minimalism regurgitated plots 
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phanherb · 3 months
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Levi shower card edit
Sorry Solmare, I like my Leviathans a lil’ different…~✋😘✨
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phanherb · 3 months
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"karasu search how 2 cheer human up"
"karasu search difference between sad human and zoning out human"
"karasu search how long is it safe for humans to zone out for?"
(+ a longer look at each scene:)
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phanherb · 3 months
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obey me!
Asmodeus
set your wings on fire
this fragile heart
vintage misery
Barbatos
bathed in moonlight
Beelzebub
set your wings on fire
vintage misery
Belphegor
set your wings on fire
vintage misery
Diavolo
swept away in the grey
Leviathan
come rest your bones next to me
no longer alone
set your wings on fire
vintage misery
void
Lucifer
set your wings on fire
vintage misery
Mammon
always the fool
set your wings on fire
someone like you
vintage misery
void
Satan
set your wings on fire
vintage misery
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phanherb · 3 months
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professional courtesy
pairing: Miles Edgeworth/Reader (can be platonic or romantic)
*reader is racially ambiguous, pronouns are unspecified, and physical descriptors aren't used*
summary:
Miles Edgeworth always has the most recent evidence and an updated autopsy report when he prosecutes a case. His secret? You: a talented LAPD detective with no honest concept of “time off work.”
word count: 3.5k | ao3 version
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warnings: mentions of sleep deprivation, fatigue
This snippet is focused on Miles Edgeworth/Reader and the dynamic can be perceived as romantic or platonic. The reader is a detective employed at the LAPD. The reader is also racially ambiguous and gender is unspecified. 
Since this fic is, well, fiction, some parts may be unrealistic. Keep that in mind before you read. (For example, this takes place in a rather unrealistic universe in which Miles Edgeworth isn’t in love with Phoenix Wright. lol.)
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You’ve been working in the Criminal Affairs Department at the Los Angeles Police Department for a few years now. You started out as a wide-eyed rookie, but within a few weeks, you quickly learned that detective work isn’t the perfect, harmless job you thought it was. You still love your position, of course, but you’ve investigated rather gruesome cases in your time at the LAPD. Now, you find yourself accustomed to the scent of formaldehyde and the sight of blood splattered across skin. 
Through your position at the LAPD as an investigator, you’ve met your fair share of interesting characters—namely, defense attorneys and prosecutors. Unfortunately, interaction with legal professionals comes hand-in-hand with your investigations. You can’t remember the last time you had the pleasure of performing an independent investigation. You’re almost always hindered by a prosecutor breathing down your neck or a defense attorney frantically pressing you for evidence you don’t have. The constant presence of overbearing lawyers is just something you’ve grown used to. 
They aren’t all so bad, you think to yourself. Miles Edgeworth, Klavier Gavin, Simon Blackquill, and Nahyuta Sadmadhi are all rather unique individuals, but they care about justice and aren’t falling prey to the dark age of the law. You enjoy working with all of them, even when Klavier can’t shut up about his latest concert or Simon’s hawk constantly uses your head as a perch. Truthfully, Miles Edgeworth is the most tolerable of the group—but you’d never admit that aloud. 
You’re in your office one night, reviewing some paperwork and thinking about the recent case you were assigned, when you hear a knock on the door. You give the person permission to enter and the door falls open, revealing Chief Prosecutor Edgeworth himself. He’s wearing his typical prosecutor garb—his burgundy-maroon suit and cravat. Glasses are perched on his nose and he pushes them up a little. “Chief Prosecutor Edgeworth,” you remark, blinking at him. “Good to see you.”
“And you.” The prosecutor responds, his arms crossed over his chest as his gaze flits about your office. You suddenly feel strangely self-conscious, despite the knowledge that your office is very sparsely decorated. There’s an award mounted on the wall from last year and a small photo of you and your friends on your desk, but that’s about the extent of your decorations. 
“Are you here for the updated autopsy report?” You ask, deciding to cut to the chase. From what you know of the prosecutor, he doesn’t quite enjoy small talk. Indeed, Edgeworth looks relieved at the thought of being spared from casual conversation; he then nods at your question. You sigh and open your desk drawer, procuring the newest autopsy report. You hold it out to him and he takes it with a murmured thanks. The prosecutor’s eyes are locked on the paper as he takes in the new information. You watch him for a few seconds, before taking the opportunity to rub your eyes roughly. You’re rather tired, you have to admit. You should’ve gone home hours ago. 
“Detective.” You flinch, opening your eyes to find Chief Prosecutor Edgeworth staring at you with a blank expression. You’re briefly hit with an intense wave of embarrassment at the thought of zoning out in front of the Chief Prosecutor himself. “The commissioner didn’t send you home,” the prosecutor remarks. You think his statement is meant to be a question, despite the fact that his tone doesn’t fluctuate from his typical flat affect. 
“Well, he did,” you grimace, remembering his demands for you to return home immediately. He’d be furious with you right now. In fact, the commissioner pulled you aside a few weeks ago to inquire about your “workaholic tendencies.” You meant to take him seriously and even assured him that you’d start to leave work on time instead of staying late. But here you are—sitting in your office late at night with your findings from your after-hours investigation. 
“Yet, you’re still here.” Edgeworth remarks with an intent gaze. Somehow, his frown only seems to deepen. 
“Yes, well, I… felt like something was missing,” you decide to admit. The prosecutor is trustworthy. Besides, you’re sure he has much better things to do than report you to the commissioner. The notion then reminds you of Dick Gumshoe—particularly, a conversation you had with him the other day about his much-to-be-desired diet of instant noodles. You shake your head in a half-hearted attempt to clear your thoughts. “Here, look at these.” You pull papers from the file on your desk and extend them to him. Edgeworth’s gaze follows your gesture and his eyebrows furrow.
“The suspect’s fingerprints on the corpse,” Edgeworth remarks blankly. “Yes.” His eyebrows furrow. The prosecutor is evidently wondering why you’re pointing that out, considering the evidence is extremely self-explanatory. You take a deep breath. 
“Look at the edge here,” you suggest, pointing to the very edge of the photo in question. It’s just barely visible and you watch as Edgeworth squints at the photograph for a long moment. For a second, it looks as if he’s not seeing it. You’re close to pointing the area out again when his eyes widen in realization. 
“Powder,” Edgeworth realizes aloud. He crosses his arms over his chest and falls back into his unusually straight posture. His fingers tap against the crook of his arm rhythmically, in what you guess to be a restless gesture. “The prints were transplanted.” 
“I believe so.” You nod. 
The prosecutor frowns and looks askance. He seems to deliberate for a moment before turning his attention back to you. “Can you do something for me?”
“Sure…?” You respond, thrown off by the ambiguity of the statement. The prosecutor explains the task he’d like you to perform and you begin to understand. Acting on his orders shouldn’t take too long, hopefully. However, you are in a time crunch—what with the trial being scheduled for tomorrow morning. Chief Prosecutor Edgeworth leaves you with a murmured word of gratitude and a quick farewell. You stare at your closed office door for a moment, wondering if you dreamt up that interaction. The handwritten note sitting on your desk—created mere moments ago by Edgeworth—is proof that the prosecutor’s request was all too real. You don’t waste any time after that, immediately walking out of the police department and getting into your car. The Chief Prosecutor’s request isn’t too difficult—you simply need to revisit the crime scene and make sure everything is in order. Then you’ll return home, eat something, take a quick shower, and go to sleep. Everything will be fine. You won’t overwork yourself. You certainly won’t stay at the crime scene late into the night, until the point when you bear witness to the sun rising in the morning sky. 
These promises fade into obscurity the moment you reach the crime scene. Your investigative mind turns on and all you can think about are fingerprints, footprints, and murder weapons. You meticulously review each piece of evidence for forensic data, in addition to reviewing the entire scene in your head several times. Your efforts are far from a waste of time, as you manage to tie up some loose ends and even determine that the murder weapon carries multiple sets of prints. Your knees are aching as you bend down towards the ground and survey anything of consequence. Time is entirely inconsequential. All you know is that the flashlight you had needed when you arrived is no longer useful, as hints of the sunrise begin to illuminate the area in a hazy dawn glow. 
When your morning alarm goes off as you’re standing at the edge of the crime scene, you’re able to recognize that you may have gotten carried away. Just maybe. You sigh and trudge back to the car, before driving to the courthouse. When you arrive, you’re able to take a quick nap in the car and eat a protein bar you find in the console. Unfortunately, your nap is more than quick—it doesn’t last more than three minutes before you hear a knock on your window. It’s your least favorite defense attorney, Duff Endyu. 
“Well, hello, Detective!” Duff remarks as you roll down your window, his cheery smile immediately ruining any of the rest you acquired from your brief rest. “Catching up on some Z’s, are we?” His grin seems to have a mocking edge.
“Yes,” you sigh, unwilling to entertain his attempts at provocation. “Are the doors open?” You look over to the courthouse entrance. 
“I believe they are, sport,” he responds, patting a hand on the area where the unopened window rests and pacing towards the building. You take a deep breath and pinch the bride of your nose. It takes you a few moments to cross the parking lot and make it to the doors. Once you do, you find that the waiting room is blissfully empty. You sigh in relief and take a seat on the armchair, crossing a leg at the knee and pinching the bridge of your nose. You want nothing more than to fall asleep, but you know that would be rather unprofessional. Besides, you have a job to do.
You spend your time reviewing the information you gathered throughout your investigation, before preparing your statements and testimony as the detective on the case. You’re typically the first person called to the stand, so that you can explain the case to the judge and shed light on the evidence. 
“Detective.” You flinch and look up, only to find Miles Edgeworth staring down at you. You resist the strange urge to get up from your seat and instead greet him. “Good morning.”
“Good morning,” you respond, pretending that you don’t need to blink the traces of exhaustion from your eyes. 
“Did you have a chance to do what I asked?” 
“Yes, I did,”  You’re about to explain when the bailiff interrupts and asks you to go into the courtroom. You send an apologetic smile to the prosecutor, before slipping into the empty courtroom. The judge is the only person in the room, and he seems to be frowning at something on the surface of his bench. When he notices your entrance, he motions for you to come closer. 
You’re familiar with this judge and have worked with him several times before. The thought reassures you, as you know you won’t have to sugarcoat your words or pretend to be someone you’re not on the stand. The two of you have formed a surface-level understanding of one another, which makes your job that much easier. 
The judge asks you a few questions about your investigation and you answer them to the best of your ability. Eventually, he seems satisfied, because he nods and dismisses you. You never get the chance to speak with Edgeworth and brief him on your findings before the trial, but you know he’ll learn more once you take the stand. 
The judge begins the trial with the standard procedure, questioning both the defense and the prosecution before Chief Prosecutor Edgeworth makes his case for the conviction of the defendant. Not for the first time, you find yourself impressed by how succinct and persuasive the man’s argument is. Endme, the attorney for the defendant, seems a bit intimidated. You think you would be too, if you were going up against the chief prosecutor himself. 
The judge then calls you to the stand. You explain the crime and describe the crime scene in detail, before Endme, the defense attorney, cross examines you. His cross-examination isn’t super thorough, and you suspect it’s because your claims are all backed up with at least one piece—if not multiple pieces—of evidence. Chief Prosecutor Edgeworth seems to have quite the easy time with dismantling the defense’s argument. However, since you never got the chance to brief him before the trial, you’re forced to step in and correct an assumption when you hear it. 
“Actually,” you break in, wincing at how everyone’s gazes lock onto you. You take a deep breath. You can do this. “Chief Prosecutor Edgeworth is right, but… an investigation earlier today revealed that the murder weapon actually contained the prints of the witness, in addition to the defendant.” 
Edgeworth’s eyebrows steadily climb up his forehead. You want to feel guilty, but you know you didn’t leave him out of the loop on purpose. In fact, you were about to relay your findings to him when you were swiftly interrupted. Instead, you allow yourself a brief moment of pride. You caused that disbelieving expression on the chief prosecutor’s face. You found that evidence…!
The trial, understandably, is suitably affected by that revelation. You’re soon dismissed from the stand, as Chief Prosecutor Edgeworth calls the witness to the stand. You get the feeling he’s going to absolutely grill them—to see if they play a more active role in this case. 
Truthfully, you want to leave the courthouse and go to sleep, but you know you should stay to see how the trial plays out. Thankfully, Edgeworth uses the forensic evidence you found to bolster his argument and, after only about an hour, the courtroom doors swing open and the chief prosecutor appears. His eyes narrow in on you immediately and there’s a frown on his face. You feel any good karma you may have accrued earlier completely dissipate. 
“Detective,” Edgeworth says with a sigh. This can’t be good, you think to yourself. “I appreciate your efforts, and the fact that you did what I asked you to do.” He pauses. But…?  “However, I do not recall telling you to avoid sleep entirely.” His eyes meet yours and you realize he must’ve noticed your fatigue earlier or the dark circles that currently reside under your own eyes. 
“I know,” you acquiesce. The prosecutor nods knowingly, and you suddenly feel the need to defend yourself. “Still. I had a gut feeling there was something missing—and I was right.” Edgeworth sighs loudly. You raise your eyebrows at him knowingly, inviting him to argue with you. Fortunately for you, there’s not much of an outlet for him to argue—since your choice to continue investigating procured decisive evidence for the trial. The prosecutor evidently comes to that realization, because he crosses his arms over his chest and levels you with a furious gaze that spells you silent.
“Come on, Detective,” he remarks. “Unless you’d like the budget cut that Detective Gumshoe is so fond of.” You sigh deeply and follow after the prosecutor. This is the first time he’s threatened to reduce your salary. You certainly hope it will be the last—you’d rather not rewrite your budget for the coming month. 
You follow after Edgeworth, who has yet to offer an explanation for why you’re supposed to follow him. The prosecutor paces out of the courtroom and walks through the lines of cars in the parking lot until he reaches a red sports car. Your eyebrows climb up your forehead as you see him unlock it. 
“This is your car?” You hear yourself ask. 
“You seem surprised,” Edgeworth notes with a tinge of amusement. He opens the door for you, allowing you to enter, before closing it behind you. The prosecutor then walks around the car and gets into the driver’s seat. Edgeworth looks at you expectantly, evidently waiting for elaboration. 
“Sorry, you just didn’t seem the type,” you say. You quickly regret uttering the statement aloud after seeing the prosecutor raise an eyebrow; thankfully, he lets the comment slide. Instead, you get into the car and awkwardly stare down at your hands. You feel intensely out of place in this car, sitting next to the Chief Prosecutor himself. Edgeworth doesn’t seem to notice your internal panic, instead beginning to pull out of the courthouse parking lot and drive down the street. “Where are we going?” You eventually find the courage to ask.
“My office,” Edgeworth responds. You feel your heart stall in your chest. He isn’t going to fire you, is he? You’re not sure if he has that power… but you wouldn’t be surprised if he did possess that kind of administrative authority. Your fear must show on your face, because the prosecutor huffs in amusement before turning to look at you for a brief moment. “Lighten up, Detective.” Contrary to your expectations, you aren’t given any more explanation than that. Instead, you’re left to sit silently as Edgeworth 
He’s taking you to his office. Oh no. You’re really going to get fired, aren’t you? Your heart races in your chest and you feel your hands twitching at your sides. Edgeworth leads the way to the Prosecutor’s Building, walking through the underground garage before reaching the door and opening it for you. You’ve been to the building before, but you’ve never been to the underground garage—which leaves you feeling a little turned around. You suspect there’s an elevator that will lead to Edgeworth’s office. However, the chief prosecutor walks past it and instead ascends the staircase next to it. You shrug and follow after him. One flight of stairs won’t be too bad. 
One flight of stairs passes in the blink of an eye. However, Edgeworth doesn’t exit as you expect—instead he continues climbing up the stairs. Are you going to be taking the stairs all the way up to his office? From what you remember, quite a few of the offices are on the higher floors. You decide to keep quiet and follow his lead. 
If only you had known that Edgeworth’s office number was on the twelfth floor . By the time you climb up the last set of stairs and reach the twelfth floor, you want to collapse on the ground and never get up. Edgeworth, on the other hand, isn’t even winded. You manage to catch your breath on the short walk from the staircase to his office, but you know your legs will be sore tomorrow. 
You’ve never been in the Chief Prosecutor’s office before. It has more life than you thought it might, with a burgundy couch off to the left side, an ornate wooden desk in the center of the room, and rows of files lining the walls on the right. There’s a small figurine of the Steel Samurai and an award that you recognize to be the Prosecutor Trophy. The space looks like a good mix of professionalism and nonchalance that you think you’d like to emulate in your own office.  
Despite your expectations, Edgeworth still doesn't give you an explanation for why you’re here. Instead, he settles into the chair at his desk and opens his computer. He’s quiet as he types on his computer. After a few moments of standing awkwardly, you decide to move and sit on the couch. 
You don’t know how long you wait there, anticipating a remark from the chief prosecutor. Unfortunately, now that you’re left here with nothing to do, you feel your energy slipping away. Your exhaustion is beginning to catch up to you. You didn’t get much sleep ( read: any sleep) last night, thanks to your impromptu investigation. Despite your fatigue threatening to knock you out, you know can’t fall asleep in front of the Chief Prosecutor. You have to stay awake. 
Surely, there’s something you could be doing right now. Your eyes are stinging from exhaustion and your blinks feel twice as long as normal. You rub your eyes roughly and pay a glance at Edgeworth, who is scrawling something down on a piece of paper.. Just what are you supposed to be doing here? The prosecutor hasn’t spoken since you left the car. Edgeworth isn’t shy about assigning you work to do, so why is he suddenly so silent?
Despite all these recognitions, and the intimate knowledge that it will not look good if you fall asleep, your exhaustion wins out. One moment, you’re staring blankly ahead at the wall of files; the next, your eyes are slipping shut and you’re falling asleep.
Your sleep is remarkably undisturbed, despite being in the company of another person. You occasionally hear the scrawling sound of writing or the pattering sounds of typing, but otherwise, the office is blissfully silent. Your head rests on your hand and you exhale slowly, feeling the day’s stressors slowly slip away.
You don’t intend to sleep for long. But, when you wake up, you find that it’s dark outside. There’s an added warmth that you didn’t have before. Upon further investigation, you find that there’s a familiar burgundy jacket draped over you. Is this… Edgeworth’s jacket? Your eyes widen as the characteristic burgundy color. 
Your phone pings, drawing you out of your thoughts. You reach towards it and power it on, only to find that it’s nearly 6 p.m. The trial ended hours ago! You look around for Chief Prosecutor Edgeworth, but he’s nowhere in sight. All you see is the familiar wall of files, the chessboard in the corner of the room, and a mug of tea with a note next to it. 
Wait. A mug of tea with a note? You frown and look down at the coffee table, finding a mug of warm tea with steam rising out of it and a handwritten note. The note reads: 
Visiting the department. Expect a more strictly enforced schedule in the future.   -M.   PS: Stay as long as you need. 
You smile to yourself.
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“Duff Endyu” → “defend you.” lol.
hehehehehehheeeee… I just want to fall asleep in Edgeworth's office and for Edgeworth to look down at me and be filled with an inexplicable burst of fondness. is that really too much to ask?>??
Did “a more strictly enforced schedule” make sense? I was trying to find a characteristic way for Miles to say that your overtime would be prevented (aka that you’ll have to “clock out” and actually leave, instead of staying for hours after).
I just realized Miles’s initials are M.E.. Lollll.
anyway, thanks for reading! <333
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TAGLIST: @its-ares @excusemeasibangmyheadonawall
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phanherb · 9 months
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Ruth Madievsky, All-Night Pharmacy // Suzanne Scanlon, Promising Young Women // Robin Roe, A List of Cages // Hayao Miyazaki, Kiki's Delivery Service // Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980 // D. H. Lawrence, The Plumbed Serpent // Jennifer S. Cheng, "So We Must Meet Apart" // Haruki Murakami, Sputnik Sweetheart // Alice Oseman, Radio Silence // Franz Kafka, Letters to Felice
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phanherb · 9 months
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Tove Jansson, The Conscientious Moomins
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phanherb · 9 months
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{Quotes by : Alain de Botton from Essays in Love/ excerpted from Eden Robinson's "Writing Prompts for the Broken-Hearted, in Brick Literary Journal}
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phanherb · 9 months
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Michael Cunningham, "The Hours" // Anne Sexton, "The Touch" // Charles M. Schulz, Peanuts and Last Night I Dreamt That Somebody Loved Me—The Smiths // F. Scott Fitzgerald, Tender Is the Night // Kelsey Landsgaard, A Soft Wrongness // J. D. McClatchy, "THE DIALOGUE OF DESIRE AND GUILT" // Marina Tsvetaeva, from notes // Yves Olade, Belovéd
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phanherb · 9 months
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Isabel Allende, The House of The Spirits // Anne Carson, Red Doc> // F. Scott Fitzgerald, The Short Stories // Ocean Vuong, On Earth We're Briefly Gorgeous // 肉包不吃肉, The Husky and His White Cat Shizun // Bernhard Schlink, The Reader (trans. Carol Brown Janeway) // Heart Like Yours— Willamette Stone
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phanherb · 9 months
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{ Words by Megan Fernandes, from "Fabric in Tribeca," in Good Boys / Silas Melvin, from "Twenty," Grit }
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phanherb · 9 months
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oh, i should have gone deeper, but i'm not so brave
when i was done dying - dan deacon // fionna and cake - "cheers"
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phanherb · 9 months
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Radio Romance by Mashrou' Leila
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Photo by George Semerdjian
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