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Modern Love
Ellis, 21, Falmouth/Grimsby. Photographer/film maker. Gin drinker and professional bingo player.
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2250 pixels - [ Detail of ] Published October 2016 - ‘ Vanity Fair ‘ Portraits by Jason Bell ‘ Benedict-Cumberbatch-0529v3-by-Jason-Bell ‘
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by jordanstrafer http://ift.tt/1WwsIbb
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Mark Rothko, Untitled (Red), 1956,glue, oil, synthetic polymer paint and resin on canvas
With, its brilliant colour chords Untitled (Red) envelops of the viewer’s senses. Rothko’s overlapping blocks of pigment seem to oscillate in constant motion, while the predominant hue – red – is elementally emotive. Art’s emotional engagement with the viewer was central to Rothko’s search for meaning within abstraction. As he told Selden Rodman in an interview published in 1957, ‘I’m interested only in expressing basic human emotions – tragedy, ecstasy, doom and so on – the people who weep before my pictures are having the same religious experience I had when I painted them, and if you … are moved only by their colour relationships, then you miss the point’.
@ the National Gallery of Victoria
Thanks for the submission!
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TA HOUSE / kubota architect atelier
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https://www.instagram.com/p/BD_vZA5I3qv/
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Farnsworth House by Ludwig Mies van der Rohe
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