#me at every function where there are people
Nicola Coughlan as Penelope Featherington in Bridgerton S3
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You changed my life, my family’s life. We wouldn’t even have this house if it wasn’t for you, Daisy.
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My parents didn’t want kids. My mother especially. So I went from being an accident to an inconvenience to an afterthought and then, I think the worst thing of all… Which was what? Competition. But you know, all parents fuck their kids up. I don’t really want to be responsible for doing that to someone else. And that’s why you won’t.
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DAISY JONES & THE SIX
1.01 | Track 1: Come and Get It
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if i think about the hunger games in peeta's perspective i WILL start sobbing
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When you think of me. I hope it ruins rock 'n' roll.
— Daisy Jones and the Six (2023)
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But one is a stranger, a woman she notices while she sits on a bench, gathering herself. It’s a type of woman she has never seen before, because there are no old women in Barbieland. When Barbie looks at her, she finds her beautiful and tells her so. The woman already knows. Suddenly Barbie, the fraught aspirational figure, has beheld someone she might aspire to be, and it is a radiantly content nonagenarian, reading a newspaper on a Los Angeles bench, who knows what she’s worth.
“The idea of a loving God who’s a mother, a grandmother — who looks at you and says, ‘Honey, you’re doing OK’ — is something I feel like I need and I wanted to give to other people,” Gerwig says. When it was suggested that this scene, which Gerwig calls a “transaction of grace,” might be cut for time, she remembers thinking: “If I cut that scene, I don’t know why I’m making this movie. If I don’t have that scene, I don’t know what it is or what I’ve done.”
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