pitycat
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I just overheard my brother say "why did I buy a jump rope, I couldve just used an invisible one"
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11 Comical Illustrations Authentically Depict Anxiety’s Troubles by Gemma Correll


Gemma Correll is an illustrator, cartoonist and writer whose depictions are witty, hilarious and to the point. She published a funny comic showing the struggles of an anxiety prone life where she plays the protagonist.
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if you like these posts, check out @fyp-psychology
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Why do porn blogs keep following me :(((
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Like too much alcohol, self-consciousness makes us see ourselves double, and we make the double image for two selves - mental and material, controlling and controlled, reflective and spontaneous. Thus instead of suffering we suffer about suffering, and suffer about suffering about suffering.
Alan Watts (via wordsnquotes)
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We’re trying to kill time while time is killing us.
the end will be the same (via melisica)
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Keaton Henson - Alright live // Mahogany Sessions 2016
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Once hunted to the brink of extinction, the humpback whale population fell by an estimated 90% before a 1966 whaling moratorium. Now in recovery, 9 out of 14 known populations have recovered to the point where they no longer qualify to be on the U.S. List of Endangered and Threatened Wildlife. via remotectrl
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I kept getting whiffs of weed today, and then I realized it was my B.O.
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Keaton Henson breaks down Kindly Now track by track (courtesy of Nylon)

March: An overture for the album, made up of elements and samples from the album to come.

Alright: The first song written for this album. It’s about letting go. And hiding pain. I feel, in a way, it’s like a sort of saying goodbye to the kid who wrote the last two albums, so I can get on with being the one who’ll write this one.

The Pugilist: A song about the relationship between an artist, his audience, and the part of his brain that won’t let him stop making things.

No Witnesses was written in the place it takes place: a silent hotel room in Los Angeles. It was a rare song that fell out and only made sense after inspection. Sometimes one can write a song and have no idea they were feeling the things it expresses. It can be a pleasant but uncomfortable surprise.

Good Lust: A song about using others like drugs. And, the helpless feeling of knowing it isn’t working. It’s the only song I didn’t arrange the orchestra for; avant-garde composer Ben Foskett and I worked together to try to create an orchestral texture that felt as much as possible like close, uncomfortable heat.

Comfortable Love is, I hope, fairly clear. It’s about abandoning the idea of comfortable coexistence at an age where most people are falling into its arms.

Old Lovers In Dressing Rooms: Hope this one speaks for itself. Post-concert can be a strange place to be.

Polyhymnia: Polyhymnia was the muse of religious song. I guess it mainly questions the line between artistry and sadomasochism.

Gabe: An instrumental for synths and bass clarinet.

Holy Lover: A song of backhanded optimism. Based on the idea of a beckoning mantra that becomes sinister with repetition.

How Could I Have Known: A song of genuine loss. Because it’s very rare that losing a lover is entirely one-sided, and there is very rarely one person to blame, which to me, if anything, makes it so much more tragic.
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Pure beauty









This Cat Has The Most Beautiful Eyes Ever.
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I just ate curry and now I look 5 months pregnant
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