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https://rumble.com/v65ex67-daystar-family-meeting-part-1.html

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https://rss.com/podcasts/tableflippers/

1-March 11th Season 3 Episode 32

2-March 31st SO4 E09

3-April 11th SO4 E14

4-May 6th SO4 E28

#3 and #4 are critical

Also- no one has reacted to the actual engagement announcement:

Joni & Jimmy introduce Doug https://player.daystar.tv/1ITM4kzN

https://rss.com/podcasts/tableflippers/

https://rss.com/podcasts/tableflippers/

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A Call to Repentance (Dr. Doug Weiss) by Table Flippers on Audible. https://www.audible.com/pd/B0BY61XSS8?source_code=ASSOR150021921000V

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https://www.audible.com/pd/B0C128BHMG?source_code=ASSOR150021921000V

April 11th 2023

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Listen to More on Dr. Doug Weiss by Table Flippers on Audible. https://www.audible.com/pd/B0C2WLYN7L?source_code=ASSOR150021921000V

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The Philosophy Behind “Everything Everywhere All at Once” | by Noah Taylor | Medium

"

The Philosophy Behind “Everything Everywhere All at Once”

Noah Taylor

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May 26, 2022

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Jobu Tupaki travels throughout the infinite parallel universes in search of everything, and finds nothing. She is thrust into a state of apathy and hopelessness through the realization that nothing really matters. This nihilistic ontology is wholly symbolized by her construction of the “everything bagel” — a gaping void rests in the middle with the capacity to plunge ones’ soul into nonexistence. Within the realm of philosophy, this struggle to search for answers in an answerless world has been given a name — the absurd. The existentialist philosophers put forth the idea that as creatures that crave meaning, we are abandoned in a meaningless, irrational universe. Everything Everywhere builds on this philosophical premise in theorizing that if one were to travel to an infinite number of parallel universes they would be confronted with the absurd in every one of them. The cognizence of such meaninglessness across a spectrum of universes is rightfully perplexing. Throughout the film we are reminded that no amount of escapism can overcome the fear and anxiety that is awoken from such surreal awareness. Money, fame, sausage fingers…and yet the question still looms above us like an inescapable fog — “what does it all mean?” It seems that Jobu has come to her own conclusion by the end of the film. Either it is too much to bear, or it is simply not worth it, regardless, she is ready to face nonexistence as her fate and enter into the abyss of the bagel hole.

In his essay “The Myth of Sisyphus” the Algerian-French philosopher Albert Camus sets out to answer what he considers to be the ultimate question of philosophy: is life worth living? Camus invites us to reimagine the legend of Sisyphus, cursed to roll a boulder up a hill for eternity, only to watch it plunge towards bottom of the hill moments before reaching the top. Sisyphus, acknowledging his inescapable destiny, is forced to trudge back down the hill in pursuit of endless toil. Camus writes “It is during that return, that pause, that Sisyphus interests me…I see that man going back down with a heavy yet measured step toward the torment of which he will never know the end. That hour like a breathing-space which returns as surely as his suffering, that is the hour of consciousness.” Camus recognizes that it is the awareness of the absurd, the consciousness of it, that dictates our confusion and disillusionment. Jobu Tupaki serves as the embodiment of this confusion. Without a deeply ingrained set of core beliefs to make sense of the world (i.e. religion), one inevitably finds themselves at the foot of the mountain. Paradoxically, it is the consciousness of the absurd that can also free us: “At each of those moments when he leaves the heights and gradually sinks toward the lairs of the gods, he is superior to his fate. He is stronger than his rock.” It is the deliberation in each step towards Sisyphus’ destiny that defines him. By the end of his essay, Camus turns our gaze towards hope. He doesn’t deny nihilism, rather he welcomes us to find meaning within the confines of it. “If the descent is thus sometimes performed in sorrow, it can also take place in joy.” At first glance, this may seem like a shallow and unconvincing resolution. However there is something striking about Camus’ analogy to Sisyphus. He seems to suggest that even if we don’t have the power to change our reality, we do have the power to change how we feel about it. It is this notion that spares us from the dizziness of a meaningless existence.

As the movie unfolds and Jobu Tupaki and her mother continue to “verse-jump” between a never-ending cycle of universes that exist throughout the cosmos, they eventually find themselves at the precipice of a cliff, their bodies reduced to stone. Through the dialogue in the film we learn that this universe is uninhabited, having never developed the right conditions for life to evolve. Jobu and her mother sit atop a mountain as rocks, literal incarnations of the earth, in a universe that no longer requires them to search for meaning. Their problem has been erased. Theoretically, they could remain their for eternity, thus avoiding the big question altogether. However, in a symbolic leap of faith, Jobu and her mother are depicted throwing themselves off the side of the cliff, their hardened figures plummeting towards an existence of bizarre mundanity. The boulder is once again situated at the foot of the mountain. This scene pays dividends in adding to the film’s philosophy for a new generation. What could be a society of depraved souls desperate for meaning can instead be a collective of minds sewn together by the understanding that happiness and the absurd go hand in hand. Jobu Tupaki and her mother have left their problem unsolved, thus they are unrestrained. They have found certainty within uncertainty. Camus concludes his essay: “One must imagine Sisyphus happy.”"

https://medium.com/@noahalantaylor/the-philosophy-of-everything-everywhere-all-at-once-12327d3c9e7b#:~:text=The%20Philosophy%20Behind,imagine%20Sisyphus%20happy.%E2%80%9D

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