For Keeps
Joy Harjo
Sun makes the day new.
Tiny green plants emerge from earth.
Birds are singing the sky into place.
There is nowhere else I want to be but here.
I lean into the rhythm of your heart to see where it will take us.
We gallop into a warm, southern wind.
I link my legs to yours and we ride together,
Toward the ancient encampment of our relatives.
Where have you been? they ask.
And what has taken you so long?
That night after eating, singing, and dancing
We lay together under the stars.
We know ourselves to be part of mystery.
It is unspeakable.
It is everlasting.
It is for keeps.
MARCH 4, 2013, CHAMPAIGN, ILLINOIS
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Lies About Sea Creatures
Ada Limón
I lied about the whales. Fantastical blue
water-dwellers, big, slow moaners of the coastal.
I never saw them. Not once that whole frozen year.
Sure, I saw the raw white gannets hit the waves
so hard it could have been a showy blow hole.
But I knew it wasn’t. Sometimes, you just want
something so hard you have to lie about it,
so you can hold it in your mouth for a minute,
how real hunger has a real taste. Someone once
told me gannets, those voracious sea birds
of the North Atlantic chill, go blind from the height
and speed of their dives. But that, too, is a lie.
Gannets never go blind and they certainly never die.
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Before You Came
Faiz Ahmed Faiz
Translated by Agha Shahid Ali
Before you came,
things were as they should be:
the sky was the dead-end of sight,
the road was just a road, wine merely wine.
Now everything is like my heart,
a color at the edge of blood:
the grey of your absence, the color of poison, of thorns,
the gold when we meet, the season ablaze,
the yellow of autumn, the red of flowers, of flames,
and the black when you cover the earth
with the coal of dead fires.
And the sky, the road, the glass of wine?
The sky is a shirt wet with tears,
the road a vein about to break,
and the glass of wine a mirror in which
the sky, the road, the world keep changing.
Don't leave now that you're here—
Stay. So the world may become like itself again:
so the sky may be the sky,
the road a road,
and the glass of wine not a mirror, just a glass of wine.
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[Again and again, even though we know love’s landscape]
Rainer Maria Rilke
Translated by Edward Snow
Again and again, even though we know love’s landscape
and the little churchyard with its lamenting names
and the terrible reticent gorge in which the others
end: again and again the two of us walk out together
under the ancient trees, lay ourselves down again and again
among the flowers, and look up into the sky.
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Camomile Tea
Katherine Mansfield
Outside the sky is light with stars;
There's a hollow roaring from the sea.
And, alas! for the little almond flowers,
The wind is shaking the almond tree.
How little I thought, a year ago,
In the horrible cottage upon the Lee
That he and I should be sitting so
And sipping a cup of camomile tea.
Light as feathers the witches fly,
The horn of the moon is plain to see;
By a firefly under a jonquil flower
A goblin toasts a bumble-bee.
We might be fifty, we might be five,
So snug, so compact, so wise are we!
Under the kitchen-table leg
My knee is pressing against his knee.
Our shutters are shut, the fire is low,
The tap is dripping peacefully;
The saucepan shadows on the wall
Are black and round and plain to see.
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How to Drown
Devin Kelly
I’m weighted & full of words,
a cloud
of vowels
soft-sinking toward ground.
(No one ever told me it would be like this,
that the past
could scream past until
it inhabits a kind of present, the way
the word weight
holds the sound of wait
until what you feel becomes a softened
mantra binding you to night.)
Each morning I wake
hushing an ocean
back into place, my body shored up
& sandy, pouring coffee into the faint
wound of my mouth. Every object
contains a story.
Failed love is only
a drunkenness you attempt to stumble
out of, without water,
without the hope
of mo(u)rning.
Once, my mother sat me
at the foot of her bed, years after she left
my father,
to tell me she still loved him.
I touched the faint vein trickling long
her hand,
tried to find whatever yarn
binds two people together. She fed me
ice cream
until I fell asleep on her couch
& then spent a forever-sickness of years
chasing nothing but what she left behind.
I am so wrong for all of this.
The love-quiet
of city at night, how each small thing turned
in the right kind of light can bring me
to my knees,
remind me of a forever I have lost.
If you lead me by leash to the pond
in the middle of the park,
if you tie a brick
to my ankle & usher my body
gently toward water
as I have seen horses led
—the way supplication
does not have to contain a kind of violence,
the way prayer was invented
to fill the time we would spend
watching others die—
if you weigh me down,
you will have to wait
for my body to surrender, for all this
givingness, all this gentleness, all this all-of-this
to bend back
under the kiss of star & streetlight,
to give in,
to beg forgiveness,
& disappear.
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Old Love
Pat Schneider
Old love is a ripe persimmon
on a wild persimmon tree.
Love, we are old, have you noticed —
you and me?
And our love is old, and sweet and ripe
on the tip of the lover’s tongue.
Remember, love, the bitter sting
sometimes, when we were young?
But now we have ripened, round and full
of golden sweetness, golden sun,
and we look with surprise at each other:
You are the one.
You are the one, beloved,
we say. Don’t fear the flight.
We’re just taking the seeds of this sweetness
back to the earth’s good night.
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If You Have Had Your Midnights
Mari Evans
if you have had
your midnights
and they have drenched
your barren guts
with tears
I sing you sunrise
and love
and someone to touch
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Quietly
Kenneth Rexroth
Lying here quietly beside you,
My cheek against your firm, quiet thighs,
The calm music of Boccherini
Washing over us in the quiet,
As the sun leaves the housetops and goes
Out over the Pacific, quiet–
So quiet the sun moves beyond us,
So quiet as the sun always goes,
So quiet, our bodies, worn with the
Times and the penances of love, our
Brains curled, quiet in their shells, dormant,
Our hearts slow, quiet, reliable
In their interlocking rhythms, the pulse
In your thigh caressing my cheek. Quiet.
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Lowering of the Gaze
Mohja Kahf
I love the man of lowered gaze
and the woman of lowered gaze
And I love the man who looks hungrily
and the woman who looks hungrily
I have been the man with the hungry gaze
and the man of iron restraint
whose eyes leave what is covered, covered
I have been the woman with the ravenous mouth
and the woman with the disciplined will
like an axe sharply splitting wood
like an axe at the moment it is lifted
poised, in that pause before descent
And I am the gaze and the pause
and the wood that is split
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My Cathedral
Henry Wadsworth Longfellow
Like two cathedral towers these stately pines
Uplift their fretted summits tipped with cones;
The arch beneath them is not built with stones,
Not Art but Nature traced these lovely lines,
And carved this graceful arabesque of vines;
No organ but the wind here sighs and moans,
No sepulchre conceals a martyr's bones.
No marble bishop on his tomb reclines.
Enter! the pavement, carpeted with leaves,
Gives back a softened echo to thy tread!
Listen! the choir is singing; all the birds,
In leafy galleries beneath the eaves,
Are singing! listen, ere the sound be fled,
And learn there may be worship without words.
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Sorrow Is Not My Name
—after Gwendolyn Brooks
No matter the pull toward brink. No
matter the florid, deep sleep awaits.
There is a time for everything. Look,
just this morning a vulture
nodded his red, grizzled head at me,
and I looked at him, admiring
the sickle of his beak.
Then the wind kicked up, and,
after arranging that good suit of feathers
he up and took off.
Just like that. And to boot,
there are, on this planet alone, something like two
million naturally occurring sweet things,
some with names so generous as to kick
the steel from my knees: agave, persimmon,
stick ball, the purple okra I bought for two bucks
at the market. Think of that. The long night,
the skeleton in the mirror, the man behind me
on the bus taking notes, yeah, yeah.
But look; my niece is running through a field
calling my name. My neighbor sings like an angel
and at the end of my block is a basketball court.
I remember. My color's green. I'm spring.
—for Walter Aikens
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The Peace of Wild Things
Wendell Berry
When despair grows in me
and I wake in the night at the least sound
in fear of what my life and my children's lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting for their light. For a time
I rest in the grace of the world, and am free.
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What We Need Is Here
Wendell Berry
Geese appear high over us,
pass, and the sky closes. Abandon,
as in love or sleep, holds
them to their way, clear
in the ancient faith: what we need
is here. And we pray, not
for new earth or heaven, but to be
quiet in heart, and in eye,
clear. What we need is here.
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I Ask Percy How I Should Live My Life (Ten)
Mary Oliver
Love, love, love, says Percy.
And run as fast as you can
along the shining beach, or the rubble, or the
dust.
Then, go to sleep.
Give up your body heat, your beating heart.
Then, trust.
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Ending the Estrangement
Ross Gay
from my mother's sadness, which was,
to me, unbearable, until,
it felt to me
not like what I thought it felt like
to her, and so felt inside myself—like death,
like dying, which I would almost
have rather done, though adding to her sadness
would rather die than do—
but, by sitting still, like what, in fact, it was—
a form of gratitude
which when last it came
drifted like a meadow lit by torches
of cardinal flower, one of whose crimson blooms,
when a hummingbird hovered nearby,
I slipped into my mouth
thereby coaxing the bird
to scrawl on my tongue
its heart's frenzy, its fleet
nectar-questing song,
with whom, with you, dear mother,
I now sing along.
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Within Two Weeks the African American Poet Ross Gay is Mistaken for Both the African American Poet Terrance Hayes and the African American Poet Kyle Dargan, Not One of Whom Looks Anything Like the Others
Ross Gay
If you think you know enough to say this poem
is about good hair, I'll correct you
and tell you it's about history
which is the blacksmith of our tongues.
Our eyes. Where you see misunderstanding
I see knuckles and teeth for sale
in a storefront window. I see the waterlogged
face of the fourteen-year-old boy.
The bullet's imperceptible sizzle
toward an unarmed man. And as you ask me to sign the book
that is not mine, your gaze shifting between
me and the author's photo, whispering,
but that's not you? I do not
feel sorry for you. No. I think only that when a man
is a concept he will tell you about the smell
of smoke. He will tell you the distance
between heartbreak and rage.
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