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An alligator basks in the midday sun in the Okefenokee Swamp along the Georgia-Florida line. They call it black-water country, but in this sandy-bottomed stretch the water looks as red as cranberry juice owing to tannins from decaying leaves. photo: Melissa Farlow (1992)

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pendant by paul podolsky, 1962 in twentieth-century jewelry - barbara cartlidge (1985)

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La vampire nue (Jean Rollin, 1970)

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Helmut Newton - Coat by Laura Biagiotti (Vogue 1983)

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Muriel Streeter - Self-Portrait (1946)

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Jean Paul Gaultier fall/winter (1994)

a continuation of Gaultier’s 'les tatouages' s/s 94' collection which björk made a surprise appearance on the runway, bewildering references that included men in skirts, hip-hop denim volumes, joan of arc–style armor, tattoo trompe l’oeil tops and yes, even corsets. a very controversial and bold approach to indian and african tribal nods played a significant role in this fierce outing of models.

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James Lynch (British b.1956)

‘May 23 (Rape Fields, Little Knoll)

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The Robins of Modern Times, 1860

John Spencer Stanhope

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Follower Baldassarre Franceschini, L’amore venale, 1800

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Thomas Kennington - Pandora, 1908

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Acheron (Reinhold Kukla, 1902)

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Ayaka Endo, Kamuy Mosir

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‘Mr Heatherley’s Holiday: An Incident in Studio Life‘ - Samuel Butler

1874

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Art by Alai Ganuza

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Peter Ferguson (Canadian, 1968) - Baba Yaga (n.d.)

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Art by Cristóbal López aka Kerbcrawlerghost (Chilean, b.1981)

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The Wolves, oil on board — E. T. Merrill (American, 20th Century)