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Trey Legit

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Akiima photographed by David Roemer for Marie Claire Italia (April 2020)

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Richard Quinn Fall/Winter 2024/2025 London - Womenswear backstage

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Richard Quinn Fall 2021 Ready-to-Wear Collection

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Lee Kyung-min - inter-action, 2018

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Female sphinx amulet, ca. 1981–1550 B.C., Metropolitan Museum of Art: Egyptian Art

Gift of Helen Miller Gould, 1910 Size: H. 1.4 × L. 1 cm (9/16 × 3/8 in.) Medium: Amethyst

https://www.metmuseum.org/art/collection/search/558791

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Natasha King aka Something More Productive (Canada) - Idd, 2012  Altered Photography

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Sasha Waltz, Dido & Aeneas (2005)

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Gertjan van der Stelt was born in Ridderkerk (NL) in 1959 and studied ceramics at the Academie Minerva in Groningen from 1985 until 1990, where he was a student of Geert Lap and Hilbert Boxem.

The aesthetics of Geert Lap can be seen in the simplicity and in the refined finish of the surface.

The striking shapes and sharp lines are reminiscent of Hilbert Boxem. Nevertheless Gertjan van der Stelt occupies a uniquely recognisable place.

During his studies van der Stelt made thrown pieces, but later on he turned to clay slabs. Typical for the latter works is that they have no front or back, no top or bottom. It is up to the owners to decide they place them. There are always two movements in them, with a clearly defined turning point.

A lot of attention goes to the skin, the texture. Van der Stelt covers the shapes with engobes. Before the firing, he polishes them. By firing them twice and washing them in with oxides, the brushstroke remains visible. The containers are relatively new shapes in his work, as he resisted for a long time making functional work.

https://www.pulsceramics.com/…/gertjan-van-der-stelt-2005/

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Serpent’s Light I

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Roberto Lucchetta [Italy] (b 1969) ~ ‘Movement in Blue’, 2019. Acrylic and Ink on Cardboard (60.96 x 60.96 cm).

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By Zhong Lin For Vogue Taiwan April 2021

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Gianfranco Zappettini - La trama e l'ordito n° 68, 2017.  Acrylic on wallnet and wooden board.  

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Source not found.

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Cameo, 1980, Helen Frankenthaler

Medium: woodcut,paper

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Mirabilis laevis, or the desert wishbone bush, photographed with UVIVF.

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Rejoice Chuol T Magazine (December 2022) ph. Gabriel Moses