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My take on the trend with Ghost and Roach! (Low-key the best ship…)

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Maybe it’s just me , but I get annoyed when a guy who is canonically broke is drawn in fandom as a trans dude that’s fully medically transitioned. His ass cannot afford that.

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it's so Weird how ppl STILL make fun of the idea of alcohol-free queer spaces just because an asexual teenager suggested it in 2015. it was odd then and it's odd now. Why are you mad at the idea of a coffee shop for queer people. don't answer that i do not gaf

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99% of posters quit before they find the perfect wording no one can misunderstand

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mcrblr what is THE song you’re waiting to hear on the b stage. like Your Song. the song where you want to be the first person notified if they play it. the song where every show you’re saying “this is how this song can still win”

per my username mine is ofc ambulance but also save yourself i’ll hold them back, burn bright, and kiss the ring

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September and Cassie Hawke for roseacaelum on artfight

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I hate museums but I also love museums. Sometimes they are horrible but sometimes they are very cool. hello jewlery and clothing displays….come to my camera role I will be using you as references.

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Article: ‘Do not let this crime happen’: Chinook Tribe fights for return of ‘neglected’ remains

You may have noticed the following inscription on one of the front pages of The Everyday Naturalist:

This book was written on unceded Chinook land on the Long Beach Peninsula in southwest Washington. The Chinook Indian Nation has been fighting for more than half a century for federal recognition. While they were briefly recognized in 2001, eighteen months later their recognition was rescinded. To learn how you can help the Chinook fight to regain recognition and thereby gain access to much-needed resources, please visit ChinookJustice.org.

The article I linked at the top is exactly why that message is there. Those stolen remains are one of many reasons why the Chinook are seeking recognition again. Repatriation of ancestral remains and cultural artifacts is one way we've been able to try to undo at least a bit of the damage after centuries of colonial occupation and genocide of indigenous people, but only tribes and communities deemed legitimate by the federal government are able to request repatriation; unrecognized peoples are left out in the cold.

Imagine if someone went to a cemetery where your ancestors had been buried for many centuries, dug up the remains, and decided to put them in a museum or sell them for private collections. Or consider that a not-insignificant number of Native American corpses after battles with U.S. troops or settlers were then stolen for anthropological specimens and artifacts, or bones for medical study. (David Hurst Thomas' excellent book Skull Wars details that long, sordid practice.) Now, think about how on top of being forced off their land, murdered and starved, kidnapped as children, and seeing their ways of life being made illegal, indigenous people had to watch the remains of their families for generations stolen away without any recompense.

That's why we have repatriation. It's the least thing we can do in the face of this awful history. Yet entire communities are barred from seeking the return of their ancestors because they aren't federally recognized, often for political reasons.

You don't have to be a Washington resident to contact your U.S. elected officials about supporting the recognition of the Chinook Indian Nation, or to go to ChinookJustice.org to help them in their fight for recognition.

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The thing about museums is they have some of the most amazing things I have ever seen in my life but I just can’t justify seeing Benin Bronzes in New York City. They should be in Nigeria give them back right now. There’s literally not a single reason on earth you should still have these objects that Nigerians are fighting to have returned to them.

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plane tickets should be Free if you miss yuor friends

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"it felt less like people were there to be entertained than they were to worship at the altar of MCR" -source

Way is a practiced showman and masterfully commanded the crowd, strutting about the stage in his military band uniform, his character playing like the demonic offspring of The Emcee from Cabaret and Heath Ledger’s Joker. At one point, the audience voted on whether four people who questioned “the vitality” of the Grand Immortal Dictator should be put to death. Red “yea” and black “nay” signs were available throughout the venue before the show, and the crowd held them high. “It’s a lot of fucking red!” cackled Way, before saying he could tell the vote was close and decided it was best to give the people what they want – ordering the criminals “executed” by firing squad on stage.

As odd as that all may seem, it worked. And the crowd ate it up.

People showed up for the concert with their faces painted black and white, they dressed in outfits inspired by the costumes of the Black Parade, and nearly everyone else at least got the memo that MCR is a black attire affair. From the opening of the first song until the end of the evening, every line sung by Way was echoed by thousands of voices in Globe Life Field; people danced and cheered and waved their phones around, flashlights on, encouraged by Way, who made multiple mentions of how seeing all the lights in the crowd felt like looking at the stars over Texas

After they finished playing The Black Parade, the band took a short break for an outfit change. Rather than leaving the audience in stunned silence in the aftermath of the symphony of chaos Way had spent the evening conducting, they brought out cellist Clarice Jensen, who played a beautiful instrumental called “From A to B” while the band’s B stage was prepped.

When MCR returned, they had stripped away the artifice of their Black Parade alter-egos. Instead of uniforms, they wore T-shirts, jackets and jeans. Way spoke directly to the audience, not as the megalomaniacal representative of a fascist dictator but as himself. Gone was the atmospheric gloom of the first set, replaced by something more relaxed, joyous, sweeter and sillier.

The second half of the show may have lacked the cohesion of The Black Parade, but it made up for that with pure energy. The audience erupted when the band launched into songs from Three Cheers for Sweet Revenge (the MCR album preceding The Black Parade); in fact, the audience erupted basically anytime someone on stage made a sound. The floor was an undulating mass of bodies, hands in the air, cameramen capturing audience members singing along with Way. At times, it felt less like people were there to be entertained than they were to worship at the altar of MCR. That’s the kind of relationship the band’s audience has to them.

My Chemical Romance has created art that has outlasted its original run, touched multiple generations and influenced the artists who came after it. For over two decades, they have been playing music that makes the unseen feel seen, and for over two hours on an August night, MCR’s fans showed the band how much that means to them.

-The Dallas Observer (8/3/2025)

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does anyone have the making mad chicken nuggets im wearing a wig gerard tweet. i miss her

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@/ spncr11 on twitter: “mcrtx >> mcrnj road trip friend… 🫡”

Video description: A truck hauling a trailer featuring the branding for the MCR “Long Live The Black Parade” tour, presumably bringing gear from their last show in Texas to their next in New Jersey. The video is taken from the passenger seat of a car passing the truck on the highway.

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seattle vs texas #mycorpse

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don’t unfollow me okay. i’m going to make a really good post one of these days. just wait.

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I don’t think of myself as a claustrophobic person but New York City makes me feel so so trapped

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Hands are so fun to draw