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Weezer

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I was watching The Nightmare Before Christmas and I had an idea.

Six, Mono, RK or really any Kid that’s native to the Nowhere somehow escaping it and ending up in the real world around when Christmas happens.

Leading to “What’s This?” Being sung by them as they excitedly run around looking at all the stuff that they’re never seen before.

Stuff like Christmas or really any holiday would be completely alien to them. (Besides maybe something like Halloween. I don’t think they’d like that holiday very much.)

Headcanon:

The Nowhere’s child population can be divided into two groups:

The first group are children that are simply native to The Nowhere. They just appear somewhere unobserved with basic knowledge of how to walk, feed themselves and do other minor survival things (Child Speech sometimes comes with that basic knowledge, but not always).

Out of the protagonists, Six, Mono, RK and Low are all fully native to Nowhere. They just spawned in somewhere like Minecraft Mobs and have been surviving ever since. The Pretender is also native to Nowhere, but is a special case because she was born biologically from the Lady instead of just appearing one day.

The Second group consists of children that have been dragged into the Nowhere from our world. The methods of reaching Nowhere vary though. Some are lured in by the Ferryman (like Noone), others are lured in or forcibly taken by other entities similar in power like the North Wind and the Eyes of the Signal Tower (especially if the child fell asleep in front of the TV). Even the Broadcaster and Lady can reach out and guide children to the Nowhere, they are equally as strong as the Ferryman after all, but they’re not as experienced as the Entities that made it their whole mission to steal away children, so the Lady relies on the Ferryman and the Broadcaster uses the Flesh Walls.

Some children don’t even get dragged to the Nowhere by force. They just sleep and their subconscious gets them dragged fully into the Nowhere completely on their own.

Children from the real world make up a minority of the population though, especially since their inexperience and lack of Built-In-Nowhere-Survival-Instincts means that they don’t often last very long, and ESPECIALLY since they’re often brought in by powerful entities with their own plans for them. The Ferryman still works for the Lady after all, and the Maw can always use more children to serve to the guests and the Nest can always use more dolls. Luckily, many children can and have escaped from the entity guiding them mid being Nowhere-ed. They still end up trapped there, but they end up some place completely random inside of whatever horrible place the entity has planned for them.

Also: Many Children native to the real world go through something referred to by other children (and some Lords) as “The Visiting Process” where they sleep in the real world, appear somewhere completely random in the Nowhere (never in the same place twice), and then disappear back to the real world when they either die, fall asleep or simply go unobserved for too long in the Nowhere. After several nights of this they’ll fully cross over into the Nowhere, where they’ll be completely stuck with no way back. Sometimes this “Visiting Process” is because of a Lord trying to drag them in further over the course of several nights until they finally cross over. Sometimes it’s because the Child’s dreams slightly overlapped with the Nowhere and now they’re being dragged in naturally. Some children don’t even go through this at all.

Out of the Protagonists, only RCG and Alone are native to the real world. The Refugee Boy and Humpback Girl are also from the real world. Noone is also native to reality (obviously) and Otto’s sister Cici is also obviously from our world.

For Visitors (Children native to our world), memories of the real world are not an easy thing to keep. The Nowhere by design tries to make you forget about the real world, warping your mind the longer you spend there. That’s why telling stories is so important among children in the comics. You need to keep yourself reminded of where you came from.

You also slowly lose yourself as you age but that’s another thing in its entirety.

The Refugee Boy and Humpback Girl tell stories referencing Villages and Homes and Parents, stuff from the real world, but their memories are slowly failing them. That’s why you have the North Wind showing up to destroy The Refugee Boy’s Village and Children talking about their parents just before encountering Magic Mirrors and the Mirror Monster. Their memories of home have become warped and have been slowly and slightly merged with memories of their dreams and how they came to be trapped in the Nowhere, and they’re having difficulty telling the difference between their memories of reality and dream.

Pure Pure Headcanon: RCG ended up in the Nowhere on her own without the Ferryman or North Wind or anyone. She just fell asleep one day and found herself there. Also, she kept a little journal of her journey in the Nowhere, searching for a way out. That journal is how she kept her memories of reality. Also I have a whole theory that neither RCG or Six are Cici but that’s a whole other post that’s being worked on.

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Maybe there wasn't some large single cataclysm that sent the world of Little Nightmares into the horror that it is today? Maybe it just got steadily worse over time.

In the Necropolis, a place that is probably hundreds if not thousands of years old, we still see mechanical eyes, but they have killed seemingly normal adult humans. The world clearly isn't in the state it's currently in by the time of The Sounds of Nightmares, but it still seems to have a general disregard for children. There appear to be a lot of cycles (the Ladies, the Thin Man, the Maw docking, etc) so maybe the world just gets slightly worse each time?

I share this opinion with you! I also believe the world of the Nowhere has gotten worse and worse gradually overtime.

Something interesting to note is that there also seem to be children who are, somehow, from the Nowhere. The biggest example being the Pretender and the Refugee Boy. The Pretender, because we see her family pictures and her home where she (supposedly) grew up in -- and in the Pretender's quarters there are also several pictures of children who have "Nowhere-esque" features.

And then there is the Refugee Boy and his sister, who mentions that the charm he was given at birth was something given to all children from his village specifically to protect them against the North Wind, who we know is an entity from the Nowhere.

Mono is also a strong candidate for being a born Resident, although considering how his cycle works it might have not always been that way.

Again, as you mentioned, I think the world went on the decline gradually. There might even be some sparse places, like the Refugee Boy's village, where the destruction has yet to arrive.

Now, considering this information, I am wondering which ones of the monsters we meet are born Residents and which ones are Visitors turned Residents... to refresh your memory, Visitors are those who end up getting stuck the Nowhere with the intention of leaving it, so pretty much every protagonist & child we've met up to now (excluding Mono). Residents are the people who either give up hope, let themselves be swayed by the Eye or choose to stay. I do have a STRONG suspicion about a possible "Visitor-turned-Resident", considering how their cycle works...

... But we shall see.

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AN IDEA!

The Nowhere King’s theme being used for the Eye.

The Eye is the thing watching over and essentially ruling the Nowhere, making it the Nowhere’s King.

The song sounds like a lullaby, as if hushing a child to sleep so it can be dragged to the Nowhere.

‘Into the middle of NOWHERE”

“Dreamless Sleep follows the Nowhere King” can have multiple meanings when you’re talking about the Eye, the thing that pulls sleeping children into a world that combines nightmares (Sleep) with (Dreamless) reality.

“Crawl to the In-Between”. The Nowhere is literally an in-between space between our reality and the Eye’s true domain.

Sounds like it’s being played on a music box.

The entire song gives off Little Nightmares vibes.

Need I say more?

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I just finished filling out the exact same thing!

Used Picrew for the images.

i didn’t feel like drawing them

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Banana

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happy halloween!

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Can we see a little Six, Mono, RK, RCG and The Pretender trying to fall asleep together, maybe in a sleepover? I know it's random, but the idea is so cute to me, and I also love your art, so I'd love to see that in your artstyle, if possible!

Not exactly a sleep over but their trying!

seems that the pretender isn't exactly happy with these conditions.

Sorry I took forever to reply, when you asked this question I wasn't sure how to answer.

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an angle i enjoy in cosmic/eldritch horror is when, instead resorting to the old classic "the horrors being so incomprehensible that they break your brain and drive you mad" cliché, the premise is that in comprehending the horrors you are so changed by the experience that your new state is indistinguishable to an outside observer from madness. you comprehend the unknowable just fine, but actually communicating that to anyone else is impossible because they just don't have the mental framework required to understand it. the eldritch horrors don't drive you mad. what does is the ordinary everyday horror of finding yourself isolated, ridiculed and doubted at every turn, no matter how hard you try to make yourself heard and understood.

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I know, She’s terrified of the Thin Man and he’s the only monster in the series that gets that reaction out of Six.

Something thats seemingly not acknowledged by the fandom is that six seems like shes afraid of the thin man. Sure, the first time he took her she probably screamed because her soul was being ripped out but she screams when being pulled back in the TV by him. That was the only time she screamed while being kidnapped

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-"I think you're wonderful"-

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I've gotta say that there is no better achievement as a neurodivergent person than hyperfixating on a character for so long that you are known as "the 'insert character name here' person"

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Hello! Hi! I am deep diving hard in the little nightmares lore and I think I’ve scrolled though most of your blog now (lol). There are still a few things I’m confused about and can’t seem to find…

The north wind, What is it? What powers does it have? Why is it so strong?

The lords, who are they? Do they govern this wrapped world? Do they ever convene with one another?

The eye, is it one big eye? Or is it a realm beyond the no where? Does it control all the other eyes that we see in the games?

If this is too much feel free to ignore it! Sorry to ask so much stuff (I am genuinely trying to make sense of it all) ps. I absolutely adore everything you have in this blog!!

Reading this made me realize that there’s a couple things i just haven’t explained anywhere.

The following is a mix of headcanons and actual (vague) lore.

1: The North Wind.

The North Wind is a monster found in one of the two official Little Nightmares Comics.

In the story, the North Wind is a formless entity, being the wind itself, although he is shown to be capable of making himself a humanoid shaped body deep within the storm that he is, probably forming the shape of a person using dust and debris he’s picked up.

He’s shown making a wager with the Ferryman (which I now believe is “who can pull this child fully into the Nowhere first” or something similar) and given how he calls the Ferryman a Cheat, he’s probably done a similar thing with him many times before.

He’s also one of 3 entities that acknowledges the Ferryman’s existence, the other two being The Mall from the podcast, who recognizes the Ferryman and begs him not to take Noone, and the Lady, who the Ferryman works for.

Besides his ability to literally strip things to the bone with nothing but wind and his own control over it, the mere fact that the North Wind can both casually wager with the Ferryman and the fact the the Ferryman often needs to cheat to win against him shows that the North Wind is equally as powerful or at least very close in power to the Ferryman (and also the Lady).

As for WHY the North Wind is so powerful, I think it’s because of the same reason that the Ferryman is so powerful, but I’ll get into that in a bit.

2: Lords.

First off: All inhabited areas of Nowhere have some sort of Vice or Obsession related to it. A thing that most, if not all of the inhabitants are obsessed with. The Pale City had Escapism and TVs, wherever Guests come from (and by extension the Maw, which is a restaurant that serves these people, not their original home) has food and hunger, etc.

(The Nest is an exception. It doesn’t have any sort of Vice because it’s only inhabited by three people, not counting the Lady whenever she presumably stays there, and doesn’t have the population or resources or anything to sustain any kind of obsession. Sure the Pretender has her dolls, but that’s more of a “spoil this kid rotten” thing than an addiction)

A Lord is basically just my word for “Any creature that controls a given area or vice of the Nowhere”. Meaning The Lady, The Broadcaster (not the Thin Man, but a separate being. I got a whole theory post on that), and if you take the Podcast into account, The Chained Woman, Living Mall and Ventriloquist. Along with any other rulers of the Nowhere we haven’t seen yet or even will never see.

Also included in this list are The North Wind, Ferryman and Signal Tower Flesh Walls. They don’t truly control any real areas (unless you count the North Wind tearing his way through the wilderness) but their power and influence is too great to really ignore, especially since out of the three of them, two work directly together with other Lords in ways that other minions simply can’t. The Ferryman works for the Lady alongside dragging kids into Nowhere to begin with, bringing them to either the Maw or the Nest depending on what the Lady needs. The Flesh Walls aid the Broadcaster in his control over the Pale City, helping spread the Transmission by literally being the Transmission Tower. I’d even argue that for the Ferryman and Flesh Walls, helping the Lady and Broadcaster respectively is more of a beneficial partnership than working under them, especially for the Flesh Walls.

Lords are also the entities that can pull children into the Nowhere, although some do it far more than others and as such are more experienced. For example: The Ferryman, North Wind, Living Mall and Flesh Walls.

(Also while I’m on the topic, I fully believe that Noone’s dream in Ep 3 of the Podcast is essentially an unplanned, forced detour for Noone’s Nowhere Tour, with the Living Mall being the thing that pulls her in this time instead of the Ferryman, which is why the Ferryman ends up taking her away from the Mall at the end instead of just letting her do whatever until she wakes up again. This would explain not only why the Ferryman actually helped Noone during her escape from the Mall, pointing at her necklace and gesturing for her to take it off before offering Noone his hand to escape (which brings to mind the North Wind comic, where the Ferryman does the exact same gesture to the Refugee Boy to take him away from the North Wind), an action we never him do before or after episode 3 when Noone is in danger, but also why the Mall got incredibly distressed and angry at the Ferryman when he showed up. The Mall pulled Noone in themselves this time, and the Ferryman had to show up to make sure his target didn’t get caught by different Lord before he could take her.)

Lords are the most powerful creatures found in the Nowhere, often possessing incredible power and uniquely, more humanlike intelligence and qualities. Adults in the Nowhere are more often than not mindless child killers who simply do their job or keep up with their obsession or vice (the Teacher teaching, the Hunter hunting, Viewers being addicted to the Transmission, etc) and completely LOSE IT when they see a child, gunning straight for it with the intent to kill unless something even more important (usually Obsession related) happens to stop them. It’s shown that some non-Lords can resist these child-killing urges with some practice like the Thin Man refusing to actually harm Six when he grabs her (although he did still leave Six to be corrupted in the Tower) and the Butler being able to look after the Pretender, who is a child, but this seems to be the exception. Especially since in all cases of this happening, there’s a reason for it. The Thin Man can still recognize Six, The Butler doesn’t harm the Pretender because she’s the Lady’s daughter, who the Butler works for and fears for VERY good reason, the Hunter didn’t kill Six immediately because he wanted to either cook or taxidermy her at a later date, etc

Meanwhile Lords have been seen completely ignoring any sort of child killing urge or compulsion easily. The Lady looked after anywhere from 2 to 6 children and is the one that trained the Butler to not attack her children in the first place, the Living Mall is extremely possessive, but doesn’t appear to have any real intentions of harming Noone, just wanting to keep her happy so she won’t leave them to be alone again and even begs her not to go further into the Nowhere for her own safety and even the Ferryman, despite his constant kidnapping of children in and out of Nowhere, never resorts to outright harming them or chasing them down like a wild animal like some other adults.

The Ferryman especially is a good example of this. Instead of chasing and snatching up any child he sees or mindlessly chasing one no matter the cost or killing them immediately upon capture, the Ferryman usually manipulates kids into giving themselves up nonviolently and is extremely persistent in doing so, stalking targets for YEARS if he has to in order to manipulate them or to wait for them to get into a position to be manipulated. He does tie up Six when bringing her to the Maw, but even prior to that he doesn’t chase Six down or harm her in order to capture her. He simply finds Six and points at her, causing every adult nearby to also point and make noises at her (possibly showing that the Ferryman has some sort of control or commanding power over Adults, just like some other lords we see), which overwhelms Six to the extent that she just curls up and tries to block out the noise, and after that the Ferryman presumably just walked over and took her without resistance, avoiding any sort of chase or fight entirely.

This isn’t to say that Lords won’t attack children or will treat them with any sort of kindness, the Lady will kill any intruders she can find and the North Wind seems to seriously enjoy killing things, making a whole game out of it with the Ferryman, but what I’m saying is that they’re able to resist those natural child-killing instincts if they ever want or need to. If a Lord kills a child, it’s because they want to, not because they need to. And boy do they often want to.

They’re also noticeably more aware and intelligent than typical adults. For the best example of this, compare the Maw and Signal Tower to any other adult in complexity.

Every year at the same time, but never in the same place, the Maw shows up, brings guests aboard and lets them eat endless amounts of delicious food and meat, only to later kill all of the guests aboard to feed the Lady with their souls.

The Signal Tower keeps producing the Signal by using a time loop. The loop is initially set up when the Broadcaster finds Mono, a child with signal powers, and attacks the Pale City Orphanage that he’s living in. The two meet, something we don’t get to see happens and Mono ends up in the forest outside the city, most likely coming out of one of the TVs there. Then Mono meets Six and the two journey through the Pale City. The actual loop begins when Mono releases the Thin Man, who kidnaps Six (and removes her soul by doing so). Mono then kills the Thin Man, and enters the Tower, only for a soulless Six to leave him there. Mono is then used as a living battery to create the transmission until he’s too old to be useful, at which point Mono (now The Thin Man) is released from the tower by his past self and is then eventually killed by his past self, who goes on to become trapped in the tower and so on infinitely.

All of these things are not only complicated (Especially the Loop), but when compared to other adults, even adults with Jobs like the Teacher and Doctor, have something that other adults don’t: A Purpose and Ultimate Goal.

The Teacher endlessly teaches fake students that can’t grow, change, learn or ever leave the school. She will do that forever simply because she is a Teacher and Teachers teach. The Doctor endlessly preforms surgeries on patients that never leave, simply waiting in the hospital to go through it all again, once again, simply because the Doctor is a Doctor and that’s what doctors do. The Hunter hunts and taxidermies because he’s a hunter, end of story. These adults CAN do things other than their jobs if they want to, like the Teacher playing the Piano in her free time and even writing and editing her own piece, but in the end they’re stuck endlessly doing their jobs for no real reason, with no end goal, simply because that is what they do.

But the Lady and Broadcaster are different. For example: The Maw’s whole thing isn’t something the Lady does just because she’s The Owner or The Host of the Maw and that’s what she does, she does it to keep herself alive, maintaining the whole thing as a way to guarantee a steady supply of souls to keep herself going year after year. In fact: The Lady didn’t originally run the Maw. She forcibly took it over from the previous owner (The Granny). In other words: The Lady planned out everything with the Maw. She took over because she wanted to use it as a guest trap and continues to use it as so. There’s also the Lady’s connections to the Nest, showing that the Lady can just straight up stop the Maw stuff in its entirety for a while and do whatever the hell she wants at the Nest, not to mention her own collection of books and spells deeper in her personal quarters, further abandoning any semblance of “I run the Maw because I am it’s owner and therefore it is my purpose”. The Lady runs the Maw and keeps track of all her employees because she wants to (use it to become immortal), not because it’s her only true purpose in life.

Her name actually somewhat reflects this. Instead of a job title or something similar, her name is simply “The Lady”. “The Lady of the Maw” for long. It’s just a description of her. Not a job title. Because the Lady does what she wants and doesn’t have a preset job-related purpose. The Broadcaster can also technically be used here as well, because The Broadcaster isn’t actually his name. We don’t know his name. He’s simply a second Thin Man that you can find if you search through the Lore enough. I just call him the Broadcaster because that was the Thin Man’s original name when LN2 had just recently been announced.

(The Thin Man also has a non-job-related name and isn’t a lord, but that’s because he doesn’t actually have a job to define him with. He’s a living battery for the signal tower, nothing more and nothing less.)

Point is, Lords are way more intelligent than the typical adult, and are able to think in ways that regular adults simply can’t.

Also (and this one is a pure headcanon with little canon evidence): Lords have the unique ability to speak in a language that both Children and Adults understand, when normally Children and Adults simply can’t understand each other. The only other creatures that can do this are The Butler, a Non-Lord Adult who can speak Child thanks to the Lady, The Pretender, a child that can speak Adult also thanks to the Lady, and Children that are still in the process of being dragged into the Nowhere, like Noone being able to hear and understand an adult shopkeeper.

Lords can be aware of each other, interact and even work together, as seen with both the Lady and The Ferryman working together either with the Ferryman working underneath the Lady or both on an equal partnership (it’s hard to say given how powerful the Ferryman is and how we don’t know what he’s getting out of this partnership) and the Broadcaster and Flesh Walls working together to create the Transmission, the Loop and everything else that keeps the Pale City the way it is. It really just depends on how close their respective domains are.

In fact: we know two Lords who are either rivals or outright enemies: The Lady and The Broadcaster (once again, a separate entity from the Thin Man, although they look nearly identical).

In Little Nightmares 2, you can find an apartment that used to belong to the Lady, implying that she used to live in the Pale City.

It even has a picture of her (Masked, implying that she had her powers long before coming to the Maw, throwing a massive wrench into the Cycle Of Ladies theory) and one of her ceramic statues. The Glitching Remain found near it might even be the shadow-lifeforce-soul-stuff that the Lady stores inside those things, having leaked out and gotten ensnared by the Transmission.

Given the state of the Pale City and how the Lady now views the mainland as “Chaos”, it’s pretty clear that the Lady lived in the Pale City before the Broadcaster and Signal Tower showed up, and the Lady left once the Transmission started up.

Then in the Nest, we have the Lady locking up a TV in a heavy duty room while suspending it in the air (presumably so nothing can come through and if something does, the TV will fall and break, preventing them from escaping).

Combine that with the Broadcaster’s failed attempt to enter the Maw through a TV in the Post-Credits of Secrets Of The Maw and one of the Pretender’s drawings depicting the Broadcaster, and it’s very possible that the Lady did this in response to the Broadcaster trying to enter the Nest through that specific TV. To prevent him from taking her daughter. It would certainly explain why that TV was rigged to be one way. If the Broadcaster were to come through, the TV would fall, preventing the Broadcaster from escaping with a kidnapped Pretender.

It’s not the only TV in the Nest, as the Pretender does have one of her own, but there’s also a possibility that this specific TV is special somehow. Maybe it’s the only one in the Nest that can access live TV and signals, with the Pretender’s TV only being able to play pre-recorded stuff.

Final point is, both the Lady and the Broadcaster seem to despise each other, with the Lady leaving the Pale City once he showed up and the Broadcaster making multiple attempts to enter the Maw and Nest, most likely with the intention of harming the Lady and/or the Pretender.

As for how Lords are made, I headcanon that there’s two ways. A Deal with The Eye or being Made By It.

For the second opinion you have The Ferryman, North Wind, Signal Tower and Living Mall. They were just straight up created by the Eye. They aren’t the only ones either, as other Lords like them still have the capability to exist out there in the Nowhere. These are just the Lords we’ve seen.

As for why I believe these guys were created by the Lord, just look at them and what they’re capable of.

The Ferryman is described as a otherworldly figure with a face resembling melting wax (fun fact: that exact description is used in the podcast and is a reference to the Cut Character The Wax Bellman, who was confirmed out of universe to be an older beta version of what would later become the Ferryman.), who can shapeshift, teleport, speaks entirely in riddles and is shown to have direct connections to EXTREMELY powerful creatures, not to mention that Otto identifies him as “The guardian at the threshold. A mythic entity who’s appeared in the stories of innumerable cultures.”

The North Wind is a formless entity that is the Wind, is on par with the Ferryman in power and out of universe, The North Wind is often a character in legends and stories of various cultures, just like how Otto describes the Ferryman.

The Signal Tower and Living Mall are so similar that I first they were the same character. They’re giant masses of flesh covered in eyes that can mimic entire buildings. The eyes alone should give these things off.

Coincidentally (or not), these four specific lords are the ones who are better at invading people’s dreams and accessing Our World, with the Ferryman in particular being so adept at it that Otto initially believes him to be The “guardian at the threshold” of the Nowhere. In reality, all Lords we see can access our world through dreams, and it turns out that Eye-Created Lords are just naturally better at it. The Ferryman isn’t THE guardian at the threshold that Otto is looking for, but A guardian at the threshold. A Lord. One of many.

For the others like The Lady, Broadcaster and most of the Podcast Lords, they started out as regular adults.

Now it’s important to note that Regular Adults, despite being bound to that singular purpose or job, can do things outside of it and have unrelated things on the side, like the Teacher playing and composing on the piano in her free time.

For many, this is where it starts, with an adult using that Free Time and stuff on the side in very specific ways. They start researching the world they inhabit and how it works, the Nowhere, Magic, The Eye, and it all eventually culminates in them somehow getting the attention of the Eye itself, and making a deal with it. Either that or the Adult comes into close contact with another Lord, who ends up bringing the Eye’s attention to the adult for them.

The deal is all the benefits that lords have over regular adults (plus whatever is unique to them, like the Lady’s shadow magic and the Broadcaster’s signal powers) in exchange for… something. We don’t know exactly what, but this something is generally assumed to be souls. Many souls. For example, the Viewers of the Pale City are eventually consumed by the Televisions they watch, leaving behind only their clothes. It’s assumed that their souls are claimed by the Eye through this, the Eye getting any and all souls that the transmission ensnares and drags into itself.

Speaking of which….

The All Seeing Eye:

To my understanding and theorizing, the Little Nightmares Universe looks like this:

You have Reality as we know it, The Threshold between Reality and Nowhere, Nowhere itself, an unknown space that most likely just contains another threshold, this time between the Nowhere and the Nightmare World and the Nightmare World itself, which I also call the Eye’s Domain.

The Eye is a cosmic horror-esque eldritch monstrosity. Simple as that. It is the ruler and sole inhabitant of its domain, the Nightmare World. The Eye’s Domain essentially stands opposite to ours in a cosmic sense, and the Nowhere is created where both of these very different worlds overlap ever so slightly.

Also in a very disturbing twist, the Nowhere is actually essentially the universe’s DEFAULT STATE, or at least is as close as to you can get to it, and at some point in the incomprehensibly distant past (most likely during or even before the literal Big Bang), it separated into the stable, orderly “reality” where we live and exist and the horrifying chaotic eldritch nightmare world where the Eye exists.

We know this thanks to the Ferryman’s words: “Two flows from one, and here, is whole again”. In other words, there used to be one world, but then they separated into two, and in the Nowhere, both worlds meet again.

This also means that the Eye most likely predates the entire universe as we know it. In fact, I’d compare it to this bit of Adventure Time Lore:

The Eye’s Realm is literally just Eldritch madness the mortal mind can’t comprehend. Pure chaos with the Eye being omnipresent, all seeing and in full control of everything that happens in there. But the Nowhere is different. It’s not created by the Eye, at least not on purpose. The Nowhere is a space between spaces, where our reality meets the Eye’s nightmarish hellscape, and the end result is the Nowhere, where things make JUST enough sense to be comprehensible while also being filled with the Eye’s nightmares and corruption.

The Eye can see into the Nowhere and is almost always watching almost everywhere at once, but can’t truly interact with anything outside its domain like the Nowhere or Our World (thank god), but it can use other methods to influence things, like it’s various Lords. The massive amount of Eyes seen all over the franchise are less a thing the Eye looks through and more just a sign of Its Presence. It can’t show up physically, but the Eye symbols are a sign that it’s here and watching regardless.

However, despite the Eye being unable to physically appear in the Nowhere, we’ve seen it. In Episode 6 of the Podcast.

In episode 6, Noone is brought to the Threshold, the final barrier between the Real World and Nowhere, where crossing it will trap you forever. The Threshold (or at least Our side of it) is described as Extremely Dark, filled with black mist that makes it extremely hard to see, and contains a single wooden door simply described as “Ancient” with a symbol of the Eye on it. But after Noone crosses through the door and sees the Nowhere side of the Threshold, it’s different.

The Mist vanishes, and Noone sees countless stars that fill the sky with a red moon, but quickly realizes that those aren’t stars, they’re Eyes. Even the Red Moon is just a Massive, Red Eye. That is our description of the Eye itself.

The Eye can’t enter the Nowhere or Our World, but seems to be fully capable of existing within that border space between the realms, although it’s power is somewhat limited here compared to in its own domain.

Or maybe you can just see into the other realms from the Threshold. The Nowhere is compared to a one-way mirror at some point. Earth is on the mirrored side, and can’t look into the Nowhere, while the Nowhere can look at us. Presumably, the Nightmare Realm follows the same idea. From inside the Nightmare Realm, you can’t see the Nowhere either. You are on the mirrored side of a one way mirror. But from the Threshold, and more specifically the part of the Threshold that’s closer to the Nowhere? You are on the side of the mirror that lets you look straight through it, and with Noone being in-between Reality, The Nowhere AND the Nightmare World, she might have be able to look straight at the Eye in its domain, looking at it through the one-way mirror that is reality.

Anyways, That description of Countless Glowing Eyes matching the amount of stars in the sky with a single massive Red Eye surrounded by rings in the centre is the closest we can come to understanding what the Eye looks like. It’s the most complicated form it can take that we as human beings can still comprehend without going insane.

But there’s more. In episode 5, Otto attempts to use a machine to see into Noone’s dreams, but is stopped at the dark mist of the Threshold. He watches as a single eye appears from the darkness, and then it opens, staring at Otto with such intensity that he’s physically in pain from it, barely able to choke out words as he rambles that “it’s watching me” until the machine he’s using completely breaks down.

In other words, Otto tried to stare into the abyss that is Nowhere, but the Eye cut him off and stared right back.

Also also: Otto’s reaction to the Eye staring at him plus the sound it makes as it does so reminds me exactly of the Sentry Eyes used in the Maw and Nest that turn people caught in its gaze to stone. There’s also the unused TV Eyes from LN2 that do the same thing and it looks like the Mechanical Monster Baby in LN3 can do the same thing with it’s own eyes. This leads me to believe that many Lords directly draw upon the Eye for magical power, and Sentry Eyes (and the Eye Cameras in the Maw) use raw power taken straight from the Eye to power themselves.

Also as pure headcanon: In my headcanon post about some children being native to the Nowhere and some being from Earth, I mentioned two things:

Children that are visiting Nowhere as they sleep (like Noone) but haven’t been fully pulled in yet will disappear from Nowhere and go back to Earth if they die in the Nowhere, Fall Asleep in the Nowhere, or “go unobserved for too long”.

Children will naturally appear in the Nowhere (basically spawn in like Minecraft Mobs) in any area that is completely unobserved.

For both of these things, I’m not just talking about going unobserved by others, but also by the Eye.

The Eye, despite being present almost everywhere in the Nowhere and having a reputation as being all-seeing, is not perfect. Occasionally, a tiny gap will appear in its all-seeing sight, and when it can’t see a spot, Children, one of the only things immune to its corrupting, nightmarish presence, have a chance to appear in that unobserved spot.

[random-ln-stuff]

All of the Children’s origins:

RCG/Raine: Visitor

Six: Native

Mono: Native

RK: Native

Low: Native

Alone: Visitor

Toddler: Native (survival instincts and ability at such a young age is only possible for a native Child)

Spoon Girl: Visitor

Lollipop Boy: Native

Ghost Kid: Visitor

Refugee Boy: Visitor

Humpback Girl: Visitor

(All of the unnamed members of the Maw Campfire Crew are native to our world)

The Pretender: Specially Native (Biological Child of The Lady)

Previous Pretenders/Mask Wearers 1-4: Specially Native (Biological Children of The Lady)

5th Mask Wearer/Pretender/True Original Raincoat Owner: Visitor

Headcanon:

The Nowhere’s child population can be divided into two groups:

The first group are children that are simply native to The Nowhere. They just appear somewhere unobserved with basic knowledge of how to walk, feed themselves and do other minor survival things (Child Speech sometimes comes with that basic knowledge, but not always).

Out of the protagonists, Six, Mono, RK and Low are all fully native to Nowhere. They just spawned in somewhere like Minecraft Mobs and have been surviving ever since. The Pretender is also native to Nowhere, but is a special case because she was born biologically from the Lady instead of just appearing one day.

The Second group consists of children that have been dragged into the Nowhere from our world. The methods of reaching Nowhere vary though. Some are lured in by the Ferryman (like Noone), others are lured in or forcibly taken by other entities similar in power like the North Wind and the Eyes of the Signal Tower (especially if the child fell asleep in front of the TV). Even the Broadcaster and Lady can reach out and guide children to the Nowhere, they are equally as strong as the Ferryman after all, but they’re not as experienced as the Entities that made it their whole mission to steal away children, so the Lady relies on the Ferryman and the Broadcaster uses the Flesh Walls.

Some children don’t even get dragged to the Nowhere by force. They just sleep and their subconscious gets them dragged fully into the Nowhere completely on their own.

Children from the real world make up a minority of the population though, especially since their inexperience and lack of Built-In-Nowhere-Survival-Instincts means that they don’t often last very long, and ESPECIALLY since they’re often brought in by powerful entities with their own plans for them. The Ferryman still works for the Lady after all, and the Maw can always use more children to serve to the guests and the Nest can always use more dolls. Luckily, many children can and have escaped from the entity guiding them mid being Nowhere-ed. They still end up trapped there, but they end up some place completely random inside of whatever horrible place the entity has planned for them.

Also: Many Children native to the real world go through something referred to by other children (and some Lords) as “The Visiting Process” where they sleep in the real world, appear somewhere completely random in the Nowhere (never in the same place twice), and then disappear back to the real world when they either die, fall asleep or simply go unobserved for too long in the Nowhere. After several nights of this they’ll fully cross over into the Nowhere, where they’ll be completely stuck with no way back. Sometimes this “Visiting Process” is because of a Lord trying to drag them in further over the course of several nights until they finally cross over. Sometimes it’s because the Child’s dreams slightly overlapped with the Nowhere and now they’re being dragged in naturally. Some children don’t even go through this at all.

Out of the Protagonists, only RCG and Alone are native to the real world. The Refugee Boy and Humpback Girl are also from the real world. Noone is also native to reality (obviously) and Otto’s sister Cici is also obviously from our world.

For Visitors (Children native to our world), memories of the real world are not an easy thing to keep. The Nowhere by design tries to make you forget about the real world, warping your mind the longer you spend there. That’s why telling stories is so important among children in the comics. You need to keep yourself reminded of where you came from.

You also slowly lose yourself as you age but that’s another thing in its entirety.

The Refugee Boy and Humpback Girl tell stories referencing Villages and Homes and Parents, stuff from the real world, but their memories are slowly failing them. That’s why you have the North Wind showing up to destroy The Refugee Boy’s Village and Children talking about their parents just before encountering Magic Mirrors and the Mirror Monster. Their memories of home have become warped and have been slowly and slightly merged with memories of their dreams and how they came to be trapped in the Nowhere, and they’re having difficulty telling the difference between their memories of reality and dream.

Pure Pure Headcanon: RCG ended up in the Nowhere on her own without the Ferryman or North Wind or anyone. She just fell asleep one day and found herself there. Also, she kept a little journal of her journey in the Nowhere, searching for a way out. That journal is how she kept her memories of reality. Also I have a whole theory that neither RCG or Six are Cici but that’s a whole other post that’s being worked on.

[random-ln-stuff]

Headcanon:

The Nowhere’s child population can be divided into two groups:

The first group are children that are simply native to The Nowhere. They just appear somewhere unobserved with basic knowledge of how to walk, feed themselves and do other minor survival things (Child Speech sometimes comes with that basic knowledge, but not always).

Out of the protagonists, Six, Mono, RK and Low are all fully native to Nowhere. They just spawned in somewhere like Minecraft Mobs and have been surviving ever since. The Pretender is also native to Nowhere, but is a special case because she was born biologically from the Lady instead of just appearing one day.

The Second group consists of children that have been dragged into the Nowhere from our world. The methods of reaching Nowhere vary though. Some are lured in by the Ferryman (like Noone), others are lured in or forcibly taken by other entities similar in power like the North Wind and the Eyes of the Signal Tower (especially if the child fell asleep in front of the TV). Even the Broadcaster and Lady can reach out and guide children to the Nowhere, they are equally as strong as the Ferryman after all, but they’re not as experienced as the Entities that made it their whole mission to steal away children, so the Lady relies on the Ferryman and the Broadcaster uses the Flesh Walls.

Some children don’t even get dragged to the Nowhere by force. They just sleep and their subconscious gets them dragged fully into the Nowhere completely on their own.

Children from the real world make up a minority of the population though, especially since their inexperience and lack of Built-In-Nowhere-Survival-Instincts means that they don’t often last very long, and ESPECIALLY since they’re often brought in by powerful entities with their own plans for them. The Ferryman still works for the Lady after all, and the Maw can always use more children to serve to the guests and the Nest can always use more dolls. Luckily, many children can and have escaped from the entity guiding them mid being Nowhere-ed. They still end up trapped there, but they end up some place completely random inside of whatever horrible place the entity has planned for them.

Also: Many Children native to the real world go through something referred to by other children (and some Lords) as “The Visiting Process” where they sleep in the real world, appear somewhere completely random in the Nowhere (never in the same place twice), and then disappear back to the real world when they either die, fall asleep or simply go unobserved for too long in the Nowhere. After several nights of this they’ll fully cross over into the Nowhere, where they’ll be completely stuck with no way back. Sometimes this “Visiting Process” is because of a Lord trying to drag them in further over the course of several nights until they finally cross over. Sometimes it’s because the Child’s dreams slightly overlapped with the Nowhere and now they’re being dragged in naturally. Some children don’t even go through this at all.

Out of the Protagonists, only RCG and Alone are native to the real world. The Refugee Boy and Humpback Girl are also from the real world. Noone is also native to reality (obviously) and Otto’s sister Cici is also obviously from our world.

For Visitors (Children native to our world), memories of the real world are not an easy thing to keep. The Nowhere by design tries to make you forget about the real world, warping your mind the longer you spend there. That’s why telling stories is so important among children in the comics. You need to keep yourself reminded of where you came from.

You also slowly lose yourself as you age but that’s another thing in its entirety.

The Refugee Boy and Humpback Girl tell stories referencing Villages and Homes and Parents, stuff from the real world, but their memories are slowly failing them. That’s why you have the North Wind showing up to destroy The Refugee Boy’s Village and Children talking about their parents just before encountering Magic Mirrors and the Mirror Monster. Their memories of home have become warped and have been slowly and slightly merged with memories of their dreams and how they came to be trapped in the Nowhere, and they’re having difficulty telling the difference between their memories of reality and dream.

Pure Pure Headcanon: RCG ended up in the Nowhere on her own without the Ferryman or North Wind or anyone. She just fell asleep one day and found herself there. Also, she kept a little journal of her journey in the Nowhere, searching for a way out. That journal is how she kept her memories of reality. Also I have a whole theory that neither RCG or Six are Cici but that’s a whole other post that’s being worked on.

[random-ln-stuff]

WAIT ALSO!

OTTO REACTS LIKE HE’S IN PAIN WHEN THE EYE SHOWS UP! ITS STARE BURNING HIM LIKE THE SUN!

JUST LIKE THE WATCHING EYES FOUND IN THE GAMES!

The Sounds of Nightmares chp.5 is out. Otto used a machine to see Noone’s dreams. The thing he saw…an ovular shape, splitting across the center. As it opened, he saw a pupil shining so bright it’s as if it glared like the sun…“it’s”here…and “it’s” watching him.

[random-ln-stuff]

So friends. Which one do we think is CeCe