çŤ ăˇ Corp. - Italy
111 notes
¡
View notes
2K notes
¡
View notes
aku no hana (2013)
362 notes
¡
View notes
Kiki Smith, Constellation, 1996
65K notes
¡
View notes
103K notes
¡
View notes
90K notes
¡
View notes
Sulli â âęł ë¸ëŚ° (Goblin)â English lyrics
(Uh, yeah.
Crème de la crème.
Yeah!)
I spread out the pieces of a cube inside my head.
Itâs time to find the swamp inside of reality.
Itâs not a bad day. Itâs just okay.
Itâs true that Iâm sick and tired of it.
Woah-woah.
(I just wanna be with you.
Life is like a dream with you.)
Woah-woah.
(I just wanna be with you.
Life is like a dream with you.)
Touch my hair.
I want to fully embrace you
So the white fog in your heart is stained black.
Do you feel that everything breathing in my room
Has gone wrong somehow?
But Iâm right here.
Donât be afraid of the cat without fur.
Itâs a pale apricot color. Just wanna tell you hi.
A red dragonfly covers your vision.
Donât worry. It just wants to stain you.
Iâm tricking you. Your lips,
Spilling, spilling, spilling. In my sandcastle,
All the pieces burrow in.
Woah-woah.
(I just wanna be with you.
Life is like a dream with you.)
Woah-woah.
(I just wanna be with you.
Life is like a dream with you.)
Touch my hair.
I want to fully embrace you
So the white fog in your heart is stained black.
Do you feel that everything breathing in my room
Has gone wrong somehow?
But Iâm right here.
Oh, oh, oh, oh yeah.
Oh, oh, oh, oh yeah.
Touch my hair.
I want to fully embrace you
So the white fog in your heart is stained black.
Do you feel that everything breathing in my room
Has gone wrong somehow?
But Iâm right here.
Donât be afraid.
I just wanna tell you hi.
60 notes
¡
View notes
Sulli â âOn the Moonâ English lyrics
Go up on the moon.
Why do you look so blue?
Baby, you, can you hear me?
Itâs just the two of us
Aboard Galactic Express 999.
I want to keep going now.
My happy girl,
Your happy girl.
Go up on the moon.
Why do you look so blue?
Baby, you, can you hear me?
Itâs just the two of us
Aboard Galactic Express 999.
I want to keep going now.
My happy girl,
Your happy girl.
In my deep sleep, I hold a doll in my arms,
And in sweet dreams, I take all my fears.
Over my shoulder, a small friend receives memories.
They easily take away my windblown colors.
The lingering regrets inside a book bring the dark night
And take away the freedom from a cold body.
Mom holds both my hands and stops my prayers.
Na na nanana, na nananana.
Go up on the moon.
Why do you look so blue?
Baby, you, can you hear me?
Itâs just the two of us
Aboard Galactic Express 999.
I want to wake up now.
My happy girl,
Your happy girl.
Silence, eyesâ sympathetic confusion, is a luxury.
We fly in the first meeting of time.
In a life of love and an artificial world,
We imbue meaning beneath a kind touch.
I bring the lingering regrets in my dreams to your deep room,
And the faded colors return to me.
Deeply, my small heart receives prayers.
Na na nanana, na nananana.
Go up on the moon.
Why do you need a clue?
Hey, I know you can love me.
Only here,
The night slowly rises.
Can you help me now?
My happy girl,
Your happy girl.
63 notes
¡
View notes
Sulli â âDorothyâ English lyrics
Jealous Dorothy, loving Dorothy, honest Dorothy (Dorothy)
Brilliant Dorothy, chocolate Dorothy, cowardly Dorothy
Desert Dorothy, iceberg Dorothy, underground Dorothy (Dorothy)
Cold medicine Dorothy, delicious Dorothy, entirely Dorothy
Dorothy, Dorothy, Dorothy
Dorothy, Dorothy, Dorothy
Dorothy, Dorothy, Dorothy
Dorothy, Dorothy, hey Dorothy
There was no meaning. I held onto hope. The edge of imagination.
Buried in the world. The air is empty. In forgotten dreams, the forgotten dreams.
Four little songs, an ashy gray sky. Even if heaven
Doesnât exist anymore, deep in the water, a prayer for the future, a prayer for the future.
Dorothy, Dorothy, Dorothy
Dorothy, Dorothy, Dorothy
Dorothy, Dorothy, Dorothy
Dorothy, Dorothy, Dorothy
Dorothy, Dorothy, Dorothy
Jealous Dorothy, loving Dorothy, honest Dorothy (Dorothy)
Brilliant Dorothy, chocolate Dorothy, cowardly Dorothy
Desert Dorothy, iceberg Dorothy, underground Dorothy (Dorothy)
Cold medicine Dorothy, delicious Dorothy, entirely Dorothy
Dorothy, Dorothy, Dorothy
Dorothy, Dorothy, Dorothy
Dorothy, Dorothy, Dorothy
Dorothy, Dorothy, hey Dorothy
There was no meaning. I held onto hope. The edge of imagination.
Buried in the world. The air is empty. In forgotten dreams, the forgotten dreams.
Four little songs, an ashy gray sky. Even if heaven
Doesnât exist anymore, deep in the water, a prayer for the future, a prayer for the future.
Dorothy, Dorothy, Dorothy
Dorothy, Dorothy, Dorothy
Dorothy, Dorothy, Dorothy
Dorothy, Dorothy, Dorothy
Dorothy, Dorothy, Dorothy
19 notes
¡
View notes
73K notes
¡
View notes
ĘÉŞŇá´ ÉŞs sá´Ęá´É´É˘á´ sá´á´É´á´ĘĘÂ
âł á´á´Ąá´ á´ĄĘá´Ęá´s á´
ÉŞÉ´á´Ę
922 notes
¡
View notes
man but i love max caulfield, as a character and specifically as a protagonist.
throughout the game, sheâs characterized with an air of altruism. sheâs an âeveryday heroâ, reaches out and tries to help everyone she meets, empathetic to a degree where she genuinely feels for the discarded objects at the junkyard. sheâs shy and kind of awkward but her heart is in the right place, and ultimately, if you choose to, she can make friends with just about everybody.
hereâs the thing: as the player, you donât think about the ramifications of your actions in real-world terms. when you play legend of zelda, you donât think twice before breaking into peopleâs houses, smashing their vases and stealing the rupees within. itâs just how the game works. when you play life is strange, you donât think twice before sifting through peopleâs belongings and fishing for information theyâre reluctant to give. itâs a point and click game! of course you should find out as much as you can. if a character asks you a question you donât know the answer to, of course youâll rewind until you get it right, because you want the rewards of succeeding. if you have the option to expose intimate details about a character against their will, and then rewind so they donât know how you found out and assume youâre just attentiveâ of course youâll do that, too.
but max, as a person, is the one committing all these actions. and what really makes it so special in my eyes is that sheâs called out for it. the people around her repeatedly referring to her nosiness is one thing, but the scene that really clinches it is in the dream sequence, where nightmare-max flat out tells her: you donât care about doing the right thing. youâre not some selfless martyr. you abused your power to get people to like you because you know they never would otherwise.
and itâs true. max is quiet, mousy, keeps mostly to herself. she writes in her journal that she never found her niche in seattle, and only makes one offhanded mention of a couple kids she hung out with there. at blackwell, she doesnât even know her next-door dormmateâs last name. sheâs friendly with warren, and with kate, and thatâs about it. and even with kate, their bond wouldâve never been strong enough to save her unless max had used her powers.
at the end of the game, max can be liked and respected by just about everybody around her, because she exploits her powers to do so. she milks people for information, she lies, she abuses her powers for petty things like getting back at victoria, or getting to fly brookeâs cool drone, or spilling frankâs beans on the floor. her powers make her braver, more sensitive, and more likable to those around her. and itâs something you as a player wouldnât even find unusual, until the game specifically addresses it in the text, saying: hey, these arenât just your actions as a player. this is the kind of person max is.
and thatâs such great, smart writing. i love that they donât shy away from making her selfish and flawed, alongside her heroism. at the end of the day sheâs still an insecure teen who wants to be liked, and thatâs what makes her so real. boy, i love max caulfield!
950 notes
¡
View notes
Taemin! If you could summarize yourself with 3 emojis what would they be?
đđłđŹ
3K notes
¡
View notes
Before 5 seconds when they kiss
1K notes
¡
View notes
The Weeping Stones is a series created by a collaboration between photographers Trevor Williams and Jonathan Galione. The series, which was photographed off the coast of Okayama, Japan, examines the eerie bioluminescence emitted by a species of shrimp colloquially known as sea fireflies.Â
(Source)
3K notes
¡
View notes