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BACKGROUND NOISE—THE EDITORIAL

PRESS/PUBLICITY—THE EDITORIAL OCULA INTERVIEW https://ocula.com/magazine/conversations/kit-hammonds-and-ingrid-chu/?auth=req

Interview with Kit Hammonds on The Editorial, a research-led inquiry into the expanding role and network of independent contemporary art publishers in Asia and their international impact through a curated series of public events, exhibitions, and discussions. The two-day programme includes public lectures and debates; publication launches with related performances, readings, and events; and a display within an Asian street market-inspired installation alongside internal workshops by and for international art publishing practitioners. There is also a subsequent Free Parking exhibition at Asia Art Archive in Hong Kong. The Editorial at the Taipei Biennial 2016 is a partnership between the Taipei Fine Arts Museum, Vernacular Institute, and Asia Art Archive in Hong Kong. It was initiated by Ingrid Chu and Kit Hammonds. Supported by Art to Go, The International Council of the Museum of Modern Art, Taipei Artist Village, and the Taipei Fine Arts Museum. Programme assistance by Kevin Ng.

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PRESS/PUBLICITY—CURATORS IN CONTEXT

"Coming to Terms: Curating and Possibilities for the 'New' Exhibition," RED-I Projects presentation for Curators in Context symposium, organized by the Ontario Association of Art Galleries (OAAG) and Artist-Run Centres & Collectives of Ontario (ARCCO), Toronto, 2005.

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THE ONE LINER—MATTHEW HIGGS

  Image: Matthew Higgs, Not Worth Reading, 2005, for The One Liner, a RED-I Projects web commission series. Courtesy of the artist and RED-I Projects, New York.

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THE ONE LINER—MARC BIJL

  Image: Marc Bijl, Never Mind The Politics Here Are The Curators, 2005, for The One Liner, a RED-I Projects web commission series. Courtesy of the artist and RED-I Projects, New York.

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SLIDESHOW—DELPHINE COURTILLOT

  Image: Delphine Courtillot, Slideshow #1, 2005, for Slideshow, a RED-I Projects web commission series. Courtesy of the artist and RED-I Projects, New York.

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VIDEOBOX—LAURENT MONTARON

  Image: Laurent Montaron, Candy Says I'd Like To Know Completely What Others So Discretely Talk About, 2004, for Video Window Box, July 16-31, 2004, New York. Courtesy of the artist and RED-I Projects, New York.

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SAY WHO?

INGRID PUI YEE CHU, FOUNDER & DIRECTOR/CURATOR I am a curator and writer based in Hong Kong. After receiving my MA in Curatorial Studies from the Center for Curatorial Studies at Bard College, Annandale-on-Hudson, NY (magna cum laude, 2003) I founded RED-I Projects in 2004, and in 2008 alongside fellow Co-Director & Curator Savannah Gorton, co-founded the New York non-profit commissioning organization Forever & Today, Inc. A frequent visiting curator/guest critic, my reviews, interviews, and articles have been featured in international contemporary art and culture publications including Afterall, Fillip, frieze, Kaleidoscope, Kaleidoscope Asia, Perfoma Magazine, Ocula, TimeOut New York, Walker Art Center Magazine, and Yishu, among others, and in 2012, I was a Creative Capital | Warhol Foundation Arts Writers Grant Program Art Writing Workshop participant. http://ingridchu.tumblr.com/

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SAY WHAT?

RED-I PROJECTS was founded in 2004 as an independent curatorial platform that addresses the changing needs of contemporary artists and the various methods and sites that they make and present their work. Expansive in scope and dynamic in spirit, RED-I Projects facilitates projects through collaborative efforts and flexible programs that bring contemporary art to diverse audiences.

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SAY HELLO!

hello@ingridpuiyeechu.net.net

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Image: Inaugural RED-I Projects identity conceived by Laurent Montaron and Petra Lindholm.