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Hi I needed to take a long break from reading animorphs #38 because I’m still struggling to process this delightful passage where rachel (let me remind you all again that she’s t-h-i-r-t-e-e-n (13) years old) expresses a strong desire to become a war criminal

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Hello I love Animorphs and will cry forever over these Very Good Teens ™ Thank you K A Applegate and Michael Grant for inspiring me to make positive changes in the world, and to be INCREDIBLY AFRAID OF YEERKS ♥

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I need recommendations for a new show to watch. So far I have seen and enjoyed:

The Owl House

The Dragon Prince

Kipo and the Age of Wonderbeasts

She Ra and the Princesses of Power

Marvel’s Runaways

Supergirl

Legends of Tomorrow

Brooklyn 99

The Office (but who hasn’t seen this one?)

The Good Place

Parks and Rec

The 100 (stopped after season 4, I was only watching for Lexa)

Avatar the Last Airbender

Legend of Korra

New Girl

And that’s all I can remember for now. I’ve seen a few others that I’m not thinking about. The main trend here is that most of these shows have or are known for a gay, canon ship. I enjoyed these shows and if you think of some that are similar and worth watching, please let me know so I can check them out! 

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Corvus

Here’s some love for ‘Dennis Trackerman’, because it’s his birthday and he’s fucking awesome.

In conclusion, I specifically request more Corvus in future seasons. 

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Sara:

Ava:

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so i want to talk about this

yes, we all know the theory about the avatars faces looking like the person they loved most in their past life. but have you ever noticed they adopted some of their other halves personality as well? of course the avatar is a reincarnation of one person, not the people they love. but i argue that people offset and bounce off each other. we change each others life trajectories and get under each others skin. people change people. and i believe that the avatar’s past loves become a part of who the next avatar is.

korra is a combination of aang’s goofiness and playful personality as much as she is katara’s fieriness and hot headedness. katara and korra are so similar in their reactions, so quick to anger, and so hard to forgive others. they are naive and trusting to everybody they meet, and it leads to any betrayal cutting them deeper than anybody else. they love fiercely and protectively with all that they have, but its easy for them to flip a switch on that love if that person changes for bad. but when those people are good in their heart, they will fight and provide for them for life. they stand firm with strong principles with morality that could never be shaken or corrupted. but hey, a little crime on the side never hurts. they will always help people, and never rest knowing somebody, stranger or friend, is hurt. and yeah, they will never ever turn their back on somebody who needs them.

aang, albeit this being a product of his upbringing as an air nomad, shares with ta min this offer of love and hope. the two believe in forgiveness. there is nobody they can turn their back on and nobody ever left as hopeless, no matter how evil they are or what they’ve done. they are soft, gentle, and forgiving love. a hand that is never ever taken away from you. no matter how badly you mess up, they will never give up on you. forgiveness is not about chances to them, its about compassion with no limits. understanding anybody is capable of good and evil, even the people who seem unbreakable or are closest to you. but they never give up on trusting them, no matter how many times they were crossed. they are unconditional love. a symbol of hope and lasting friendship until the end of the line. 

roku, a fierce and loyal fighter who would never leave battle, is reflected in every way on rangi. even to his end, fighting a volcano that he would never win against, he couldn’t leave sozin behind. rangi could never truly walk away from kyoshi, as angry as she made her. even when people changed, even when people hurt them and angered them and they would threaten to leave, rangi and roku would always stay. the morals in their head never matched the love in their heart. they fought and their words were venom, even if their heart could never match that hate. they would make decisions quickly and regret the pain that they caused, but they thought they were doing what was right. they were confused and lost in their own feelings that they didn’t want to sort through. but in the end, their heart always won over anything else, and as much as they fought against it, they refused to abandon those that they love.

granted, we don’t know a lot about ummi. what we do know of her is that she was in love and her human life was taken away just before she could promise it to avatar kuruk. although we don’t know a lot about her personally, i argue that she shares with kyoshi a deep sense of love for one person. not so much the fire and protectiveness that korra and katara had for their friends and the world, but the type of love that bounds people together. every breath of rangi’s was one of kyoshi’s own. for both ummi and kyoshi, what tied their love together was etched far deeper than into each other’s skin. kyoshi’s and ummi’s love was an ache connected in them so deeply that it would echo and live on through lifetimes. 

people change people. the avatar’s love changed the world and the avatar themselves in so many ways, lifetime after lifetime. 

the sound we all recognize most and connect to the most from avatar, out of every other lesson of peace and pain and loss we see, is called avatars love.

i like to believe theres a reason for that.

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Because DreamWorks was concerned about theological accuracy, Jeffrey Katzenberg (former Disney chairman) decided to call in Biblical scholars, Christian, Jewish, and Muslim theologians, and Arab American leaders to help his film be more accurate and faithful to the original story. After previewing the developing film, all these leaders noted that the studio executives listened and responded to their ideas, and praised the studio for reaching out for comment from outside sources.

The animation team for The Prince of Egypt included 350 artists from 34 different nations. Careful consideration was given to depicting the ethnicities of the ancient Egyptians, Hebrews, and Nubians properly.

Both character design and art direction worked to set a definite distinction between the symmetrical, more angular look of the Egyptians versus the more organic, natural look of the Hebrews and their related environments. The backgrounds department, headed by supervisors Paul Lasaine and Ron Lukas, oversaw a team of artists who were responsible for painting the sets/backdrops from the layouts. Within the film, approximately 934 hand-painted backgrounds were created.

THE PRINCE OF EGYPT (1998)

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I mean, if we just wanted to intimidate the districts, why not round up twenty-four at random and execute them all at once? It would be a lot faster…Hope. It is the only thing stronger than fear. The Hunger Games (2012). Dir. Gary Ross

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do yall remember when kyoshi’s dramatic ass fell apart because rangi called her by her government name lmfaoo

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Does anyone else get emotional thinking about how the three children whose moms were killed by the Dragon King are the ones defending his son at the Storm Spire? 

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She lives in you

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we are trending so have janaya 💖 so excited to have them again

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why is this so funny

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rayllum™

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Drawing of Amaya from TDP I made today. 💙 Planning on making one of Janai as well, but I don’t know when yet haha!