rosydreamiing
rosydreamiing
Good Night, Beastie
6K posts
Independent, selective Aurora from the films Maleficent & Maleficent: Mistress of Evil
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rosydreamiing · 5 months ago
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I try to let this blog go but I can't.
I cannot see myself writing again. But this account holds so many memories with so many talented writers, I am unsure what to do. All these years with Aurora, I could feel her shaping me into a better, kinder person. She's brought me so much joy. And she's still with me, in a way. I just don't think I can go back to being the pen behind the princess anymore.
If this is my last post here, thank you. Whoever might still be around reading this, I thank you, with all my heart.
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rosydreamiing · 2 years ago
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Hello ♡
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rosydreamiing · 2 years ago
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Uh oh! Your character is watching mine get hit on and is feeling possessive. How does your character handle this?
submitted by anonymous.
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rosydreamiing · 2 years ago
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The blonde let out a soft sigh, spreading her arms. “Do I look like a murderer to you?” Aurora asked calmly, trying to assure him there was nothing to be afraid of, although she could understand why he was being so cautious. The forest was quite scary after dark.
“Are you cold? Do you want to come sit by the fire?”
“hey, chill out! i just saw the smoke from your fire and was curious.”
“we’re horribly lost in the woods and it’s dangerous” roleplay prompts.
"Goodness gracious—" Aurora huffed (she might've laughed had she not suffered a near heart attack a few seconds ago). "Maybe a give me a 'hello' next time, alright?" She suggested while lowering the branch she nearly smacked him in the face with.
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rosydreamiing · 2 years ago
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ELLE FANNING AS CATHERINE THE GREAT THE GREAT Season 3 Official Trailer
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rosydreamiing · 2 years ago
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send   “ look at me. “   for my muse’s reaction to yours grabbing mine by the chin and forcing mine to look at them during a tense / highly emotional moment. 
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rosydreamiing · 2 years ago
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“hey, chill out! i just saw the smoke from your fire and was curious.”
“we’re horribly lost in the woods and it’s dangerous” roleplay prompts.
"Goodness gracious—" Aurora huffed (she might've laughed had she not suffered a near heart attack a few seconds ago). "Maybe a give me a 'hello' next time, alright?" She suggested while lowering the branch she nearly smacked him in the face with.
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rosydreamiing · 2 years ago
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“No, it’s okay — “ She chuckles nervously, still slightly taken aback by his presence. Of course, it’s not like Aurora alone knew about Skull Rock - it was a popular spot for people their age, whether they came to just be at peace, make out or do something they shouldn’t - but like Eddie, she had assumed everyone else had something far more interesting to do on a Friday night. “I’m sorry, do you want me to leave, or...?” After all, there’s forest all around. She could always find her own little rock to sit on and wind down.
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{ @rosydreamiing liked for a high starter }
"Oh shoot - sorry, didn't think anyone was going to be here." Mostly because it's pretty late and most people are out partying somewhere around this time. Why is Eddie here? Well, he'd originally come to chill and smoke, but seeing as he seems to have found company - who knows? He'd startled her for sure too. Having stepped on a small branch and it snapping. "Didn't mean to scare you." Though she'd startled him pretty good too. Likely a bit jumpy over already being high and happening upon someone unexpectedly.
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rosydreamiing · 2 years ago
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“we’re horribly lost in the woods and it’s dangerous” roleplay prompts.
sentences.
“oh—i never thought i’d see someone out here! i’m relieved, i thought i was going to go mad!”
“i’m glad we crossed paths. see, i’m in a lot of trouble right now…”
“i saw you fall into that spiky bush. are you hurt?”
“oh no, they’re coming. what do we do?”
“did you seriously trip over a dead tree?”
“what kind of wildlife do you think lives here?”
“hah! i hope you get eaten alive.”
“you’re not going to last a day here.”
“follow me. now.”
“do you know what plants are safe to eat?”
“AH! who are you?”
“i guess we should work together. but only temporarily!”
“don’t get close to it. it’s far more dangerous than it looks.”
“can you help me? i’m lost.”
“i—i think i’m about to pass out.”
“wait, don’t touch that plant!”
“does the forest hate us or something?”
“nature sucks.”
“hey, chill out! i just saw the smoke from your fire and was curious.”
“things around here are more scared of us than we are of them, right?”
“let’s cooperate. what do you need help with?”
“how long have you been out here?”
“the only people i saw around here were… you know.”
“i don’t like that sound.”
“we’re eating well tonight.”
“waking up to the sound of birds and wildlife… isn’t it great?”
“hey. what do you think of that star over there? the one by the moon.”
“it’s getting cold… i hope it won’t get us sick.”
actions.
[ GRAB. ] sender grabs receiver’s shoulder and pulls them back.
[ AMBUSH. ] sender leaps out from behind cover and tackles receiver.
[ RAID. ] sender goes through receiver’s supplies, unaware that receiver is watching.
[ COLLAPSE. ] sender stumbles into receiver’s camp, out of breath, and falls to their knees and palms.
[ ASSISTANCE ] sender extends a hand to receiver to help them stand up or support them.
[ INTERVENE ] sender puts themself between receiver and a threat.
[ FLORA ] sender hands receiver a harmless plant—a flower, edible berries, etc.
[ FAUNA ] sender suddenly stops, carefully motioning in the direction of an animal.
[ DISENGAGE ] sender raises their hands and shakes their head, assuring they are not a threat to receiver.
[ PLEAD ] sender grabs receiver’s arm/leg, desperately trying to drag receiver somewhere.
[ HOSTILE ] sender grits their teeth and points their weapon at receiver.
[ POISON ] sender hands receiver a plant that would be harmful to ingest.
[ HUG ] sender wraps their arms around receiver and presses against them for warmth.
[ FINE ] sender waves at receiver dismissively, trying to dismiss receiver’s worry.
[ REFUSE ] sender shakes their head at receiver, backing away.
[ YOU FIRST ] sender pushes receiver ahead of them, making sure to linger a few paces behind receiver.
[ ME FIRST ] sender shoves receiver aside, pointedly walking in front of receiver.
[ HELPFUL ] sender picks up a helpful resource, tapping receiver’s arm to get their attention on the object.
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rosydreamiing · 2 years ago
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It’s hard to put into words. She wants to be there for him, wants to give him things... even if it’s just empathy and understanding. It seems to Aurora like he has been without those for the best part of his life, and although times haven’t been very kind to her either, the girl still feels bad for him. Guess that’s why, as she follows Billy to his car and takes a seat, Aurora is already wondering about all the ways to make him feel better.
“I was thinking  —  “ She begins shyly. “Once we get those cuts cleaned up... I could make us something to eat.” Is she being desperate again? “You could tell me what you like, we could rent a video or something...” Aurora pauses for a moment, looking down at the tips of her shoes. “Just forget about everything bad for a while, you know.”
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Bruises and Bruising
@rosydreamiing said: [stay] – sender offers receiver a place to stay, so that – wherever they got these bruises – they don’t have to go back. @ Billy ;--;
One would have thought that something so horrible happening to him and his surviving would have maybe opened his father's eyes, gotten him to at least try to get the fuck over himself. But even as Billy was in the hospital in poor condition? His father had been more than cruel, blaming him for stress put on the family instead.
It didn't stop upon his release. Max's mother divorced his father so at least they're out of the fire - even if they're stuck living in a trailer now. It's better than living with his dad, right? At least Billy thinks so. Especially when his and his father's interaction had become purely violent in nature. He couldn't take it. Couldn't take the fights anymore - he's fucking tired and has had more than enough. Definitely with their last fight; Ending with both of them covered in various bruises among other things.
After this fight? Billy decided enough was enough - packed his shit in his car to go who the fuck knows where. Not out of Hawkins, but he just wants to get away from his father. Feel some kind of freedom despite the fact he's doomed himself to living out of his car. That is, until a familiar face has stumbled upon him. Unsurprisingly, the same spot that they'd met at. Only this time is condition is awful; A bruise along his right eye and cheek bone, various other bruises that were surely forming and darkly among a busted lip.
Before Billy knows it, he's being offered a place to stay. It felt like a form of pity. At least that's what his brain tells him. "Feel that bad for me, huh?" A soft huff escapes him followed by a small shake of his head. "I'm not going back anyways - no need to go offering something like that."
So you'd rather live in your car, Billy? Is that it? Than just swallow your pride for five damn seconds and accept help. Not that she knows he'd be living out of his car. She's better off not knowing.
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rosydreamiing · 2 years ago
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a comprehensive list of scenarios
feel free to combine multiple prompts or add  “ + reverse ”  to switch roles !   for reference, the one sending in the prompt is the one committing the action.
1.  GUEST :  for one muse to offer the other a place to stay. 2.  STORM :  for both muses to find shelter from a severe storm. 3.  MEDIC :  for one muse to show up at the other’s doorstep injured. 4.  SURPRISE :  for one muse to come home and find the other already inside. 5.  TRIP :  for both muses to road trip or travel together. 6.  BABYSIT :  for one muse to help the other home while they’re drunk. 7.  INSOMNIA :  for one muse to find the other still awake at 3am. 8.  AMBUSH :  for both characters to come under attack by the same enemy. 9.  DANCE :  for one muse to ask the other to dance at a party. 10.  STRANDED :  for one muse to help the other who’s stranded on the road. 11.  SERVICE :  for one muse to cover the cost of something for the other. 12.  SAFEGUARD :  for one muse to save the other from being hit by a vehicle or from some other life-threatening event. 13.  DAZE :  for one muse to wake somewhere and find the other hovering over them. 14.  STOWAWAY :  for one muse to find the other hiding on the same ship. 15.  TAXI :  for both muses to share the same taxi ride. 16.  MAKEOVER :  for one muse to help the other with a new outfit or hairstyle. 17.  LIFEGUARD :  for one muse to rescue the other from drowning. 18.  DISASTER :  for both muses to work together to escape a fire, flood, or other disaster. 19.  TRANSIT :  for one muse to sit next to the other on a public transport. 20.  SPRAIN :  for one muse to carry the other after spraining their ankle. 21.  EMPLOY :  for one muse to be hired as the other’s bodyguard, tutor, assistant, etc. 22.  QUEST :  for one muse to help the other with a task in exchange for compensation. 23.  SOOTHE :  for one muse to calm the other during a panic attack. 24.  RECOVER :  for one muse to return the other’s lost belonging. 25.  UMBRELLA :  for one muse to share their umbrella with the other on a rainy day. 26.  HEAL :  for one muse to nurse the other back to health from a sickness or injury. 27.  NIGHTMARE :  for one muse to comfort the other after a nightmare. 28.  REUNION :  for one muse to run into the other again after a long time. 29.  PRIZE :  for one muse to win the other a prize at a carnival. 30.  NUDE :  for one muse to walk in on the other while they’re changing. 31.  BED :  for both muses to wake in the same bed, naked or fully clothed. 32.  TRAIL :  for one muse to notice the other has been following them. 33.  EVADE :  for one muse to pull the other into an alleyway to escape their pursuer. 34.  THIEF :  for one muse to confront the other after having something stolen by them. 35.  CAUGHT :  for one muse to walk in on the other singing / dancing. 36.  FESTIVE :  for both muses to decorate for a special occasion. 37.  PRESENT :  for one muse to give the other a  (birthday)  gift. 38.  WEARY :  for one muse to wake up after falling asleep on the other. 39.  CAPTIVE :  for one muse to hold the other against their will. 40.  SNAP :  for one muse to yell at or push the other out of frustration. 41.  SLEEPOVER :  for one muse to stay the night at the other’s place. 42.  TRESPASS :  for one muse to trespass on the other’s property. 43.  BREAK-IN :  for one muse to discover the other robbing their place. 44.  MERCY :  for both muses to come across an injured animal. 45.  UNKNOWN :  for both muses to wake and find themselves in a strange place. 46.  ACCOMPLICE :  for one muse to assist the other at the scene of a crime. 47.  ASTRAY :  for both muses to take a detour and lose their way. 48.  RELAX :  for both muses to share a hot tub or hot spring. 49.  MUSE :  for one muse to model for the other’s art project. 50.  ACCOMPANY :  for one muse to give the other an extra ticket to an event. 51.  SALVAGE :  for one muse to retrieve the other’s belongings from a thief. 52.  MEAL :  for both muses to prepare and share a meal together. 53.  CEMETERY :  for one muse to find the other at a gravestone. 54.  REFUGE :  for one muse to shelter the other from enemies. 55.  ARRANGED :  for both muses to date or marry out of convenience. 56.  FAVOR :  for one muse to owe the other a favor. 57.  VACATION :  for both muses to book the same hotel on vacation. 58.  DEFEND :  for one muse to save the other from one or multiple assailants. 59.  CATCH :  for one muse to return the other’s pet that escaped. 60.  RESTRICTED :  for both muses to sneak into someplace they’re not supposed to be.
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rosydreamiing · 2 years ago
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ELLE FANNING Michael Muckner ph. for the 2023 Deadline contenders television event
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rosydreamiing · 2 years ago
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I was gonna do some drawing but tbh I’ve already worked enough for today so. Here we are!
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rosydreamiing · 2 years ago
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FAINT
Send me  “FAINT”  for my muse’s reaction to yours suddenly passing out in their arms!
“… Val?” Her face flashed white as a sheet when she felt the other’s body fall into her arms, feeble and unresponsive, like something had turned off the life in her as easily as flicking a switch. “Valerie, what’s wrong?” She kept asking, tapping her cheek ever so gently only to be left without a reaction. Guess it’s times like these when people find the strength they thought was lacking, for without even questioning if she could, Aurora had already lifted the girl like a bride in her arms, taking brisk steps to get her inside the house and into a warm bed.
"It's alright... it's going to be alright..."
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rosydreamiing · 2 years ago
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School stuff intensifying, two art fairs coming up, exam today, friend’s birthday party in a couple weeks, another party next week... anything else wanna show up while I’m at it?
A cute guy: I really really like you and I want to get to know you
Well, shieeet.
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rosydreamiing · 2 years ago
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The person I reblogged this from deserves all the good things.
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rosydreamiing · 2 years ago
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The Great 1.06 “Parachute”
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