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cat marnell

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collage of cat marnell's flickr (c. 2011)

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a few great films that are free on the internet archive

in decent quality too!

here is the archive collection of these films so you can favorite on there/save if desired.

links below

black girl (1966) dir. ousmane sembene

the battle of algiers (1966) dir. gillo pontecorvo

paris, texas (1984) dir. wim wenders

desert hearts (1985) dir. donna deitch

harold and maude (1973) dir. hal ashby

los olvidados (1952) dir. luis bunuel

walkabout (1971) dir. nicolas roag

rope (1948) dir alfred hitchcock

freaks (1932) dir. tod browning

frankenstein (1931) dir. james whale

sunset boulevard (1950) dir billy wilder

fantastic planet (1973) dir. rené laloux

jeanne dielman (1975) dir. chantal akerman

the color of pomegranates (1969) dir. sergei parajanov

all about eve (1950) dir. joseph l. mankiewicz

gilda (1946) dir. charles vidor

the night of the hunter (1950) dir. charles laughton

the invisible man (1931) dir. james whale

COLLECTION of georges méliès shorts

rebecca (1940) dir. alfred hitchcock

brief encounter (1946) dir. david lean

to be or not to be (1942) dir. ernst lubitsch

a place in the sun (1951) dir george stevens

eyes without a face (1960) dir. georges franju

double indeminity (1944) dir. billy wilder

wild strawberries (1957) dir. ingmar bergman

shame (1968) dir. ingmar bergman

through a glass darkly (1961) dir. ingmar bergman

persona (1961) dir. ingmar bergman

winter light (1963) dir. ingmar bergman

the ascent (1977) dir. larisa shepitko

the devil, probably (1977) dir. robert bresson

cleo from 5 to 7 (1962) dir. agnes varda

alien (1979) dir. ridley scott + its sequels

after hours (1985) dir. martin scorsese

halloween (1978) dir. john carpenter

the watermelon woman (1996) dir. cheryl dune

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oh so D'Artagnan can murder, impersonate, seduce and lie all he wants, but when I, the Comtesse de Winter-

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What is important now is to recover our senses. We must learn to see more, to hear more, to feel more. Our task is not to find the maximum amount of content in a work of art, much less to squeeze more content out of the work than is already there. Our task is to cut back content so that we can see the thing at all. The aim of all commentary on art now should be to make works of art—and, by analogy, our own experience—more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.

Susan Sontag, Against Interpretation

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Life imitates art

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From “Cinéastes de notre temps” Robert Bresson, 1965.

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It’s a privilege to study, many women around the world are barred from this human right: to read, write and learn. Be grateful anytime your pen touches paper, or you are learning theorems developed by intelligent, hardworking men and women from ages ago.

It’s a pleasure and a privilege to learn. Not only is it a privilege to study, but you should be aiming and striving to take science, medicine, law, philosophy, art further than the marker we have reached. It’s a comforting thought to think, from your work generations of humanity down the line will benefit.

How many brilliant women were in the shadows of amazing feats of science and technology and life changing patents? Contribute while you can. If you pour into knowledge - it will pour back into you.

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So. I know it only took about a thousand months, but here’s the pdf of Betrayal - A critical analysis of rape culture in anarchist subcultures. It’s only in readable format because I’m terrible with computers, and keep forgetting to ask someone to make a printable version.

Sorry this took so long. But here it is! As always, any questions or concerns, let me know.

http://zinelibrary.info/betrayal-critical-analysis-rape-culture-anarchist-subcultures

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I will succeed because I'm crazy. 2025 mantra

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eymeric françois fw 2007

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doodles_1