[image description: the header is plain turqoise, the icon is a photo of a cream moth on cream background. End ID] My age is older than any of those 'do not interact' things. It's not safe for anyone here except me.
Don't wanna be here? Send us removal request.
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The birdwatcher
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Bunny cup I made for @heatherfranzen to match this little plate
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There are too many merlin fics. I dont want to read them cus there are too many. I dont want to WRITE them atm EITHER. What then? Watching the actual show?! PFFFFTT. does anyone know some nice fics where arthur is nice, and its mostly abt arthur, i like modern ones too, and there is some h/c vibes.... this is also why i havent read many idek what i wanna read. Just some nice ones.
Not too serious
Interesting locations
Magic doing interesting things
#merlin tv shows#plz rec ur own fics also if u have written ones like this vague ass description#idk length maybe mid length i am slow atm#merlin
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[ID: A dreamy soft drawing of Arthur from BBC Merlin wearing a crown of flowers, looking very pleased with himself. End ID]

I saw a beautiful fotoset on Pinterest and couldn't stop thinking about Arthur in this flower crown... sooo I've drawn it! Thank Odin I'm an artist)
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The three genders truly are Princess, Loser, Slut and Arthur is all of them (in that order too), just so you know
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Bro, we are cooked. The knight that dogs the prince's shadow like a dark and silent wraith just knelt to press his forehead to the prince's hand. Yeah, now he's uttering a prayer whose recipient is ostensibly God but in reality is the deified version of the prince that exists only in his mind. Aaand the prince just caressed his cheek to preemptively grant him absolution. I gotta... I gotta get out of here.
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hehehe....
Arthur & Merlin | 3.05 "The Crystal Cave"
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The Stunning Astronomical Beadwork of Native Artist Margaret Nazon
Margaret Nazon has spent the past decade building intricate beadwork depictions of outer space. The colorful artworks balance representational and stylized aesthetics set on black fabric backgrounds to depict galaxies, planets, nebulae, and other astronomical phenomena.
Initially inspired by Hubble space telescope images, Nazon’s celestial renderings are part of a lifelong interest in beading. In an interview with Glenbow, the artist shared that she began beading at age 10, but found the density of traditional beadwork to be tedious.
The abstract nature of celestial images allows Nazon to be more interpretive and incorporate different materials like caribou bones and willow seeds that have location-specific or cultural significance. Nazon is Tsiigehtchic, part of the Gwich’in community in what is now the Northwest Territories of Canada. The artist explained that because she is retired, she is able to dedicate significant time to beading, and often rises at 4:30am to begin working. Nazon plans to continue experimenting, including merging her abstract beadwork with her seamstress skills to create artfully embellished apparel.
Nazon’s artwork was most recently exhibited at Glenbow in a group show, Cosmos, and A Beaded Universe at Prince of Wales Northern Heritage Centre. You can read more about her in the Glenbow interview, and explore Nazon’s portfolio on her website.
source article: X
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if you aren't subscribed to freedom flotilla's telegram channel, @ FFC_official_channel, now is the time!!! for more information on their vital mission, visit their website freedomflotilla.org

art by carlos latuff (@LatuffCartoons on twitter). below is the madleen's current location (screenshot from their TRACKER): they are expected to reach gaza soon. please SHARE, join the telegram channel, follow the boat's movements

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My embroidery of the Sera character card from Dragon Age Inquisition is now complete!
75 hours of work, 11.5x19.5 cm
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[Image description: An embroidered version of the Sera character selection card from Dragon Age Inquisition. She stands atop a slanted tree trunk with her bow held suggestively between her legs, looking at the Skyhold tower in the distance, where the tiny figure of the inquisitor is present in the window. Mountains and turrets make up the background behind her.]
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remade the peacock tigers because i wasnt too fond of them... theyre back up and with brand new fresh designs. they are 35 dollars each (or 60 dollars for both since they are a set) pm me if interested and as always reblogs are deeply appreciated :3
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One two foot stretch of pavement, 12 slugs. 12! The rest of pavent, 0 slugs.
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[ID: loose, fluid pen-line drawings of Arthur and Merlin. Top one, Merlin lunges kissing Arthur, bottom one Arthur lunges kissing Merlin, hands on each other. The drawings are all fervor and movement. End ID.]
Treating myself with some soft Merthur :>
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Um. Eccuse me. Polo. @thepolomonkey. Hello. Yes, hi, if like to put in a COMPLAINT. This fic has eaten me alive??? I did finish it now and AHHHH recommend!!!! But also i cannot describe. Its so good, the sense of place, the stretch of time god DAMN the ambition of this! I am just a wet scrap of cloth now.
It is 'You have got to be kidding me' by Diamondmask, summary from ao3:
Arthur Pendragon, son of the famous and wealthy Uther, finds himself in the wilds of Donegal due to an awkward professor and a lot of goofing off in university. Stuck in the backend of nowhere, (as he calls it) Arthur finds himself looking at life in a different way. Especially when it wears rubber and looks like Merlin. A tale of friendship, a possibly sentient car, cake, and cock-blocking donkeys. (Actually only one donkey) (And a scout troop) (And a microwave). With a bit of angst and some trauma.
Its intense and sort of desperate. Which on consideration, matches the show.
Also, polo, uni au??? This is a family saga and absolute epic. Like politics, Politics, family, violence, all the themes. What a banger!
Does anyone have fics they wrote or recs for Merthur university AU with hurt/comfort arthur not like the whole fic is h/c but some is? I have a rlly specific craving
#fic rec#rec#yes it did take me this long to read it#merlin tv show#whyyyy does tumblr hate me. if i click plus sign tags and try and type it starts jerking around amd selecting things and typing in thw post#have i to click twice ?where to click#also how to make tag go? used o put comma#that time it sent it but before? no. does it let me keep typing? no. does it put thw tag on? no
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Summary: Arthur returns to Camelot injured. There is tension in the castle, people have been unsettled by recent events and are at odds with their friends. The king has been out searching, but hasn't told the knights what their quest is. And now he has come back injured, and things start to get strange.
Content notes: canon typical violence, plus extra gore (for funsies), injury, death, canon death, (sort of), (life signs are dubious), blood. If you want to check a trigger feel free to DM me I am friendly
(Parts: 1, 2, 3)
(fic tag is Between the Heaves of Storm fic)
3
Nothing happens. Arthur lies sweating and bleeding, infection taking hold of him. Merlin cleans out his wounds, and Guinevere soothes his brow, and Elyan comes to tell them Agravaine is setting out for war. Sir Leon comes later to say that he and Geoffrey have successfully talked the council down from that, and instead he is riding out after the bandits. He doesn’t look happy about it. Merlin is in the middle of trying to clean Arthur’s wound again, the yellowing edges leaking clear, thick liquid, bleeding into fresh red blood, over Merlin’s hands and into the bedding.
“Hold on, you prat,” Merlin whispers, pressing magic into the wound.
Gaius has a potion he thinks will help. Guinevere quietly suggests some herbs that Gaius agrees to. Merlin looks up and Sir Leon is gone.
“Merlin,” Arthur groans, eyes wide open.
“Obviously,” Merlin says, washing his hands. He’s got Arthur’s blood and pus on his shirt sleeve, which is unpleasant. He cleans that too, and stands wet, dripping onto the floor. “What?”
“I am not dead,” Arthur says.
“No, you’re not,” Merlin says. “Can’t you tell?”
“No.”
Guinevere sponges his hot forehead and his eyes wander over her and then close. He’s white and trembling as he sleeps. Merlin dries his hands and squeezes his sleeve out and Gaius brings more medicines, calm and sure of his stinking ointments and bad tasting tonics. He does not ask Merlin for magic, so Arthur is probably not dying. Not yet. Not if they can get rid of the rot.
Sir Elyan is back again, to tell them Agravaine is using Sir Leon’s absence to make changes to taxation. Merlin nods, that is fine; taxes can be lifted, war cannot be so easily revoked. He is testing the strength of Camelot, perhaps. Can she survive without her golden king? Probably not. She is an intruder on the land, a country that is nothing but war, like others around her. What land really knows borders? Countries are not held by natural law, merely by blood spilt. Merlin doesn’t care. Arthur will care, so Merlin listens to Elyan’s news.
Next to come is Thomas, the kitchen boy, coming for Merlin because of misplaced loyalty to a man he thought was being kind up on a tower one early morning. Merlin lets the boy in and lets him see the ravaged king, lying undone from bandages once more to bleed, flesh smelling of the infection, bed wet with sweat and piss. The boy looks in horror and stumbles back out, face white, staring at Merlin as if he is the one who caused such a thing. Merlin has, and will again, so he follows on and waits for the news the boy thinks is important.
“Sir Gwaine has returned,” Thomas whispers, eyes on Merlin’s face.
“Good,” Merlin says, and shuts the door, returning to help Gaius.
**
Sir Gwaine comes home to Camelot with six men, all who rode out with him return. They are damp to the skin after riding through a rainy night and a fog-deep meadow out beyond the lake, down toward the river leading to the isles and inward seas that Camalot contests as owning. He leaves his men to the horses, or the horses to the men, and takes the castle in his stride, looking for Sir Leon and then, hearing he’s away, for Sir Elyan. Sir Percival was with him, and Sir Lancelot is dead. He finds a boy instead, a young white little thing who shakes and trembles and tells him he is wanted by the sickly king.
“The king is unwell?” Sir Gwaine asks, but the boy is backing away and running, and so Gwaine goes to the kitchens, hungry and cold, looking for more information.
“He was brought back two days ago,” a wide eyed Kirsten says, standing by her pots and pans, hands deep in the water as she whispers her gossip to the handsome knight who never makes or breaks any promises to her. “He was terribly injured, sir. They say he hasn’t stopped bleeding. The physician is with him night and day, and Merlin too.”
“Good, then he is in the best hands,” Gwaine says, eating the apple Kirsten snuck him. “How is your mother?”
“Well, sir, thanks to the word you put in for us with Merlin. He came to see her and fixed her arm,” Kirsten says. “He’s very kind.”
Gwaine nods, finishes his apple and straightens up. She is a useful woman to know, it is good that her mother is recovering. Gwaine makes his way up through the castle, stopping a guard he knows from the tavern to get an answer as to where Sir Leon and Sir Elyan are, and then he stops someone else who he knows from the council, a very minor lord, getting an answer as to why there are so many soldiers in the hallways. No good answer, just a vague sense that something is happening around the king, and Sir Agravaine is protecting the castle. Gwaine goes to Arthur’s rooms and lounges as the guards interrogate him, answering none of their questions, watching the bright blades they have not raised. They are following someone’s instructions, Gwaine wants to know whose so he shrugs and shakes his head and laughs and pokes at them.
“Sir Gwaine,” the door opens a crack and Merlin’s voice issues out, irritable, familiar. Gwaine grins at the guards and goes through, ignoring the twitch of their blades. “What are you doing?”
“Lord Agravaine has issued orders that we are not to be allowed entrance here,” Gwaine says, perching against Arthur’s table. “He’s changed Sir Leon’s guard and put his own men out there.”
“That must be because of Elyan,” Guinevere says. She’s sitting by the bed, hands in her lap, head down as it has been since she was caught in her little act of indiscretion. Merlin says it was all spellwork. Wasn’t that a lucky spell. “He’s been coming and going, he must have told the council he had orders from Arthur.”
Gwaine lets his gaze fall on the king. He’s laid out, a thick bandage tight to his chest and side, pink at the centre. His head is back on a pillow, his feet raised, he is sleeping. Or unconscious. He doesn't look like he is at peace, but he is very still, mouth dropped open, skin a strange colour, damp. Gwaine lets his breath out, focussing on the rise and fall of his chest, above the bandage Gwaine can see his breathing clearly. Merlin’s hand enters his vision, touching the bandage. Gwaine watches.
“Gwaine,” Merlin says. Gwaine looks up and finds Merlin’s eyes on him, expectant. Gwaine shakes his head. “What did you find?”
“Not a lot, no stirrings at the guard posts within a hard ride, no news from those further afield. Camelot is quiet,” Gwaine says. “Except…”
“Yes?” Merlin asks.
“I dunno the name of the village, to the east and around the bend of the river?” Gwaine says.
“Warham,” Guinevere says, softly. “Elyan went there, when he first left Camelot. They have a forge.”
“Yes, I visited the forge,” Gwaine says. “It wasn’t really anything, just a cross old man calling his daughter names for talking about ghosts in the fog.”
“Morgana called forth his soul, she has unsettled something,” Merlin says. “Again. I don’t think it is like the torn veil, none of you are to go throwing yourself through gateways.”
“Other people slipped through, maybe, with ours,” Gwaine says. Merlin shrugs impatiently. The king is shifting. “It was just a story, Merlin. She had seen ghosts. She was probably mad.”
Guinevere’s head comes up sharply and her eyes are hot with anger. Gwaine steps back.
“Don’t be dismissive,” Merlin says. “Arthur, for all that is holy would you stop bleeding?!”
He pulls away the bandages and Gwaine steps back again. The king’s wound is gaping open, the skin at the edges discoloured, swollen. It smells of rot and wet and fresh red flushes out with clear, yellowing liquid. Merlin snaps at Guinevere for water and then glares at Gwaine.
“What can I do?” Gwaine asks.
“Fetch me what I call for,” Merlin says.
Gwaine is too slow finding him cloths and tonics, so Guinevere takes over, hands sure where Gwaine is fumbling, and Gwaine is banished to the chair set by the king’s head, told to soothe him and keep him quiet as Merlin and Gwen work first to make him bleed and then to make him stop, from what Gwaine can see. Gwaine puts the sponge given to him against the king’s brow and the heavy head turns on the pillow, sweat sticking the light hair down in clumps, cheeks sagging, bright shining blue eyes meeting Gwaine’s.
“Arthur,” Gwaine breathes.
“Lancelot,” Arthur breathes back, Gwaine frowns and bathes the hot skin. Arthur makes an impatient noise. “Gwaine.”
“Oh. No, I didn’t find Sir Lancelot,” Gwaine says, understanding. “Nor did you by the looks of it. You were supposed to look at a lake, not become fish dinner.”
“I’d like to be a fish,” Arthur says, closing his eyes under Gwaine’s sponge. “Oh. Merlin.”
“I know it hurts,” Merlin says. “If you’d stop… Oh hell.”
“What is that?” Guinevere asks.
Gwaine looks up, and wishes he hadn’t. Merlin is holding a wad of bandage against Arthur’s side, there is something clear and thin pouring from the wound, washed away by blood.
“I’ve seen infection,” Merlin says. “Everything infects, we don’t know the cause so we can’t stop it. Discharge is normal, it should be thick, yellow or white. This is… this is water. It must be from when we flushed it out last time.”
He stops talking. He and Guinevere irrigate the wound and hold a thick pad to it. Gwaine goes back to gazing at Arthur’s blurry, blue eyes.
“They can’t stitch me until I stop rotting,” Arthur murmurs. “I think I saw him.”
“Who?” Gwaine asks, thinking of a figure of death, somewhere in a dark corner.
“Lancelot,” Arthur says. Merlin laughs. “Idiot.”
“Yeah well, you have to admit,” Merlin says, and then laughs again when Arthur’s hand twitches. “Alright, this is slowing. Let’s wrap him up again, Gwen.”
Gwaine yawns, and Arthur’s eyes return to his face, drifting closed as Guinevere and Merlin finish their work and step away to wash their hands.
“And now we’ll tell you the rest,” Merlin says, grimly, pulling another chair to the side of the bed.
He tells Gwaine about the cloud, the fog, the sweating walls, and Gwaine wonders if afterall death is somewhere about the place.
***
Gwen is alone with him. She has tried to keep that from happening, but Lord lord Agravaine called for Merlin, and Merlin sent word that he was in fact busy, but that had lead to Elyan showing up and suggesting Merlin concede this time. Seeing as Agravaine was threatening pyres and headmen and all kinds of things, lining up executions all afternoon if Merlin didn’t show up. So Merlin and Elyan had gone to see about the executions, the threatening war, the news from Sir Leon. Camelot is failing, without Arthur holding the shards his father left. So easy it falls. Always so easy. And she too, Guinevere, no queen.
“I love you, Arthur,” Guinevere says, resting her forehead against his hot shoulder.
She has become this. Nothing but this. It is all that is inside her. She is hollow.
“He will come for you.”
Guinevere snaps up, straightening her back. Arthur is not awake, his eyes are moving, closed, the skin stretched wrong on his cheeks, over his eyeballs. He looks strange, laid out there, unfamiliar. He doesn’t look like the boy she has seen grow from a wild haired child running with the dogs, to the young prince his father took in hand and trussed up in rich raiment and sent out with the soldiers, not like the young man, barely twelve winters, blooded and dazed and staring at the newly arrived sister, Gwen at her side. Not like the youth, battering his way through his friends, ugly twist to his mouth as he sneered and berated and laughed like the ass her uncle had at his big forge where they visited once and nearly lost Elyan in the well. Silly little boy. He looks nothing like the man she has watched him become with Merlin at his side, his goodness and kindness finally breaking through.
“I am coming for you.”
Gwen gets to her feet and runs, throwing the doors violently open to break the guards apart and scatter them. There are a lot now. She holds her dress up and runs, calling for Merlin and Gaius, making for the council chambers, chased by the sound of Lancelot’s voice on Arthur’s lips. Her heart is beating wildly, she can’t think, she trips and the stairs come up at her and then Sir Gwaine is catching hold, falling backwards himself into Sir Percival, both of them steadying and holding her, stilling her. She struggles.
“What is it? I will go for Merlin,” Sir Percival says.
“Just get him to the king’s chamber,” Sir Gwaine says, sharp and sure and pulling Gwen away, back through the hallways she just sprinted. “Come on, we are closer than Merlin. Guinevere. Gwen.”
“Yes,” Gwen says, shaking off her fear enough to stop fighting him and running ahead.
She hears him on her heels and then dodging around her sword drawn, dancing. No, fighting, Arthur is right, Arthur told her once that nobody fights the way Gwaine does and it’s beautiful to watch. Actually Arthur has talked about it a lot, he talks a lot about the knights, the soldiers he still spends far too much of his time amongst like he’s one of them. Training, he calls it, but she knows. He is unsure of kingship, wary of the politics, not smart enough to cut through the court intrigues. On a field, with a weapon or without, he knows what he is doing. Here, he does not. His doors are open and she runs, Sir Gwaine clearing a path and fighting at her back.
Arthur is on his feet, facing the window. He’s holding his sword, loose, a dagger in his other hand, hip against a chair shoved against the table, feet too wide apart, for balance. He is steady. Agravaine’s guards are clustered near the door, pushing in to raise swords against their king but stopped by the breadth of his shoulders, the light is dim and a strange colour and he’s lit up. He looks like he is burnished gold. They are afraid. Gwen isn’t. She walks now, calming, heart slow as she walks between the blades and across the cold floor to Arthur’s side.
“Get out,” Sir Gwaine says, hoarse and commanding and not like the man Gwen met all those years ago.
“Arthur,” Gwen says, resting her hand on his arm. “I'm here.”
“He’s coming,” Arthur says, a slight turn of his head to catch her out the corner of his eye, gaze fixed on the window. The sun is blurred, the air is shivering, as if the window is the forge. Hot and too hot air burning. It’s not hot, it’s cold, but there is heat somewhere. The wall is sweating like high summer, cold stone meeting heat.
“How do we fight?” Gwen asks.
Arthur hums, and turns fully to her, smile warming his eyes. He drops his sword and his hand is familiar under her chin, gentle. He is looking right at her, like he hasn’t since… in long weeks. He ducks and catches her in a kiss, lips cool. She holds his arm and lets him, kisses him, knows him. He pulls back slowly, still looking at her, still smiling. She smiles back.
“There,” he says, taking a long easy breath.
“How do we fight?” Gwen asks again.
“We don’t,” Arthur says. The door opens and Merlin, Elyan, Percival, Gwaine, they close in and Gwen swallows. Arthur smiles again. “Afterall, I was looking for him.”
“Arthur!” Merlin shouts it, getting close to them where the others hang back.
“I have found him,” Arthur whispers.
He shuts his eyes, drops his knife. His breath punches out of him and he grips Gwen’s shoulder, bending with pain. Her hand closes on his hip, wet, and she looks down. He is leaking, water and blood coming over her fingers. The stones at his feet are oozing, red mud, dark silt. Lines run between his wet stockings and the wall, up toward the window, spidering out. The lines meet at his feet. His legs are wet. His head hangs.
“Arthur,” Gwen says.
When his head comes up, though, he is not. She recognises him, the shape of his face changing, shifting to house expressions she thought lost, love bursting in her chest and she doesn’t know who for.
“I came back for you,” Lancelot says, Arthur’s eyes rolling up into his head and the body collapsing to the cold flags.
#got into trouble with this cus i discovered (was told) (after skipping it tunrs out a fair amount of show) that lancelot is in love with me#merlon. now must changr some things to account for new facts#so reblogging for now
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A post I reblogged just a bit ago really made me realize what my Actual Problem is with characters in fiction like Toph from ATLA who are blind.
I’ve seen people say that Toph in particular is valid rep because her earth bending is akin to a mobility aid and I totally get that - that’s a valid take! But my personal issue with her (and characters who are arguably far worse in giving good rep) is that Most Blind Folks Aren’t That OP.
Can we learn and train to be hyperaware of our surroundings, using a combination of our other working senses and man-made mobility aids? Sure, of course. But so could any sighted person too, given the time and determination, and the reality is your everyday blind person isn’t always going to have the time, energy, or resources to do that.
Some of us have other disabilities that inhibit that learning process.
Some of us are poor.
Some of us have other things on our plates and just do not have the time for the rigorous training and practice that would be necessary to gain those skills.
And I am. tired. of only the ones who AREN’T held back by whatever reasons being all the rep we get.
I am tired that I never see blind people in media who face the same daily struggles that I face.
I am tired that the blind people written into movies and shows aren’t shown using the same tricks and hacks that I and other everyday blind people use to make our lives easier, happier, or just straight up more interesting.
I never see blind characters holding onto their friend’s arm when walking through a heavy crowd or over uneven terrain where using a cane would be more of a hinderance than a help. I never see low vision characters using magnifiers to read to their books or the - admittedly fucking awesome - special monoculars or bioptics we have for using when going to the movies or a live performance or just wanting to read a menu in a coffeeshop. I NEVER see evidence of sighted people who write about blind characters even KNOWING that Braillers and the old-fashioned styluses exist, so that we can write our own letters or labels or whatever the fuck we want.
It’s not just about the suffering, but about all the amazing and exciting pieces of our community that we created ourselves that NEVER get shown, because sighted people only want to see the blind people who excel in accordance to a sighted world. They don’t want to see us triumph in our own ways, at our own paces, in our own time.
Good rep isn’t just about making your blind characters cool and confident in their disability. It’s about letting people know that we are beautiful and resourceful and brilliant and strong As We Are, and we Don’t have to perform at 100% for a sighted world to prove that. We don’t have to be powerful warriors to have earned that.
There’s wonder in the everyday, and we made that ourselves. Sighted people didn’t make that for us.
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