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sayourimayo · 13 days
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Here's a WIP on another animation thingy I'm working on.
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sayourimayo · 13 days
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sketch requests from the fundraising stream!
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sayourimayo · 13 days
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Everybody do the wenis!
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sayourimayo · 2 months
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real fenteii og's remember quackity with an axe
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sayourimayo · 2 months
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Ctommy
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sayourimayo · 2 months
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Benchtrio
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sayourimayo · 2 months
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something they don’t tell you about being autistic is that every character you write WILL end up autistic/autistic-coded whether you like it or not
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sayourimayo · 2 months
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How to Write Dialogue for (most) Dream SMP Characters
A few months ago, I remembered seeing a lot of posts giving advice on how to write dialogue for DSMP Characters. And while those posts contained numerous helpful pointers, overall, they fall just short of capturing what it means to write in a character’s Voice.
Unique character Voices, while tricky to get right, are usually achieved by giving each character a distinct set of words to say, in a manner that distinguishes them from the rest of the cast. 
With this in mind, I’ve spent the past few days combing through almost Thirty Hours of VOD footage to collect nearly all of the unique words, phrases, and speaking habits of every major and minor character on the Dream SMP (involved in 2+ story arcs.)
Before Reading:
Sentence-Starters are single words or phrases which begin a sentence. (ie. “Y’know, maybe you should try something different.”) 
Sentence Paddings are reoccurring words added to the middle of sentences. (ie. “It’s like he just can’t cry.”) 
Sentence Endings are single words or phrases which end a sentence. (ie. “There’s no need to fight, I hope.”)
All three of these types can be combined with one another to create more natural-sounding sentences. For instance, if a character has the two Sentence-Starters “Okay” and “So,” they can be used like this; “Okay, so, I’m a bit worried.”
(Note: When certain traits or phrases aren’t obvious with how they should be applied to dialogue, an (ie.) will be added below to illustrate them.)
Wilbur
General Traits:
Repeats himself for emphasis. Sometimes these repetitions will add additional information. More often, this repetition is focused around a specific word with the circumstance of the sentence being changed each time.
ie. “I’m living in an eternal limbo again. I’ve been through limbo, I’m out of limbo, and socially, I’m still in this limbo.”
Highly eloquent in language, bordering on poetic.
Highly introspective; significantly less so after Eret’s betrayal and onward.
Occasionally makes literary analogies and references, sometimes breaking the Fourth Wall to do so.
Curses semi-frequently. Wilbur is the only known character to use the word “cunt,” although rare.
Common Go-To Swears - Fuck, Shit, Prick, Bastard, Hell, Ass (Including all variations and combinations.)
Tends to hum when he thinks to himself.
Stutters most often when offended, shocked, or surprised.
Generally addresses characters semi-formally, often by title or role.
Often slips into long-form monologues when self-reflecting.
Usually defaults to being the head of a conversation; introducing, managing, and elaborating on topics throughout, especially when speaking to three or more people.
Circumstantial Phrases:
You and I, we’re ━ (To connect positively with someone.)
ie. “You and I, we’re used to seeing the good in people.”
I wanna pick your brain / Can I pick your brain? (To ask about someone else.)
Don’t say that, I’ll cry (Affectionate banter, only to Tommy.)
I’m afraid ━ (When hopeless or delivering bad news.)
ie. “I’m afraid there’s no getting out of this now.”
There’s no reason to ━ / There’s no reason for ━ / There’s no need for ━  (When being threatened or breaking up a fight.)
ie. “There’s no need for violence, gentlemen.”
Keep reading
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sayourimayo · 2 months
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Forget unrequited love, you know what's really tragic? requited love but they're doomed by the narrative. It doesn't matter that they love each other, it doesn't matter how hard they love, they were doomed from the start.
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sayourimayo · 2 months
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pretty cool head lighting ref thing
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sayourimayo · 3 months
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I want to specify from this day forth any content of c!wilbur is c!wilbur exclusively. Creator Wilbur is the biggest piece of dogshit amongst humanity and does not deserve support. His character has always been an interest of mine, but character alone. However, I will put warnings if I ever talk of c!wilbur for anyone and I will try to spare my talk of her! Support Shubble and please send her all the love she deserves!
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sayourimayo · 3 months
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Support Shubble forever and always!
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sayourimayo · 3 months
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quick acau design during class 🕺
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sayourimayo · 3 months
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an illustration by george barbier for les chansons de bilitis (the songs of bilitis) by pierre louÿs, 1922
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sayourimayo · 3 months
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hey, we can stay just as abnormal about the dsmp in 2024 together, okay?
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sayourimayo · 3 months
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Drawing cubito men without body hair is like an angel without wings…
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sayourimayo · 3 months
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a reminder for nonasian people
you know… with this rise in interest in east asian culture and “aesthetics” over the past couple of years also comes with a rise in asian cultural appropriation… so for every nonasian out there who would consider themselves a fan of cutesy asian things or stuff like kpop or anime, you guys have an obligation to people of the culture you’re enjoying to be informed and educated about their struggles. it’s not right to love and consume cultures that’s not your own while ignoring the people who are part of them. read up on appropriation, the fetishisation and infantilisation of east asian women and desexualisation of asian men, whitewashing in media, xenophobia, the erasure of our achievements and the model minority myth. you owe it to us east asians to be educated on topics that concern us if you’re going to continue to consume media and content we make.
EDIT: if you’re nonasian please reblog this so that other nonasians can see it!!
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