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HAPPY ACE WEEK TO ALL OF MY BABIES ON THE ACE SPECTRUM!!!

it took me a long time from finding what being demisexual meant to actually accepting that i was on the ace spectrum (this year) and i would like to thank everyone in the community who validated my feelings and made me realize i wasn’t alone 🥺 YOU ARE VALID!! YOUR FEELINGS ARE VALID!!! I LOVE YOUUUUU 🖤🤍💜

here are some banners (by anania williams)

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A soft boy in the softest colour 💛✨

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Quotes from "ANDOR" which keep haunting me:

"Gets to you, doesn't it? That's what a reckoning sounds like."

"That's just love. Nothing you can do about that."

"But this time... You can't stay and I can't go."

"Power doesn't panic."

"I burn my life to make a sunrise that I know I’ll never see. And the ego that started this fight will never have a mirror or an audience or the light of gratitude."

"Never more than twelve."

"ONE WAY OUT!"

"I've made my mind a sunless place. I share my dreams with ghosts."

"I can't swim."

"Let's call it war."

"Tyranny requires constant effort. Authority is brittle. It breaks, it leaks. Oppression is the mask of fear. Remember that."

"Freedom is a pure idea."

"I show you the stone in my hand, you miss the knife at your throat."

"Tell him I love him more than anything he could ever do wrong."

"The Empire is a disease that thrives in darkness, it is never more alive than when we sleep."

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this is the first drawing of connor i'd ever done and i remember being so proud of it. i'm still very happy with the colours and shapes :]

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Ahsoka vs. hair

There’s that one clone wars episode where Padme just casually pops off her wig at the end of her day at the senate and I’m still shook about it.

(if anyone knows which episode it is, please tell me because I never found it again)

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Every time I see Kanan Jarrus described as "brash" and "cocky"

His character summaries in published media are hilariously inaccurate.

The Rebellion Begins (Kogge, 2014):

Kanan: The Last Padawan (Weisman, Larraz, Camagni, 2015):

No. No. No.

Kanan Jarrus isn't Han Solo version 2.0. All of the above adjectives are more fitting to a man like Han. If anything, Kanan is Han's foil, his complete opposite. His description in The Last Padawan makes it seem as if he's the one who's hellbent on fighting the Empire, the gung-ho commander of the team, when in truth it's all Hera. She's the one responsible for pushing Kanan into the Rebellion. She owns and pilots the Ghost; she's the founder and the leader of the crew.

Hera is the true Spectre-01. Kanan is actually Spectre-02, and that's why his pauldron bears the number "02". It's not a romantic gesture, like some fans believe.

From Wookieepedia, emphasis mine:

Although various sources have identified Kanan Jarrus as the leader of the Spectres, Star Wars Super Graphic: A Visual Guide to a Galaxy Far, Far Away states that Jarrus' Spectre-1 code name was given to him so that Imperials will incorrectly assume he is the group's leader, and states of Hera Syndulla, "Even though she is Spectre-2, this Twi'lek is the pilot and leader of the rebels."

Kanan is not the leader, or even a leader. Hera is. She always was. Initially, Kanan didn't want anything to do with the Rebellion, and in the second season of Rebels (The Siege of Lothal, S2 E01), he voiced his reluctance to work alongside other rebel cells, showing that even after seven years allied with Hera, he was still hesitant about taking on greater responsibilities. Hera was always the one pushing for more involvement. Kanan supported her, but only so far. He wasn't, in his own words, "ready to start another [war]."

Which brings me to the next section:

The Adjectives

Kanan isn't any definition of brash. He's cautious and controlled, always aware of danger, and not keen on taking risks, especially where the Force is concerned.

Above excerpt from The Rebellion Begins—ironically from the same book that described him as "brash"—where Hera tries to press Kanan into using the Force shortly before the events in Spark of Rebellion.

Kanan's acknowledgement of the necessity of taking risks didn't truly come into play until after he met Ezra. He actually tried to talk Hera out of recruiting him (and was right to do so).

Kanan isn't a "maverick".

Kanan's life from Order 66 until 5 BBY was nothing but him trying to blend in with the crowd and remain as inconspicuous as possible. His very survival depended on it (see also: A New Dawn; further supported by Cal Kestis's prescription for survival in Jedi: Fallen Order, below, emphasis mine):

"[T]here are three rules to survive. Don't stand out. Accept the past. Trust no one. The galaxy's changed. Whatever you do, don't reach within. Don't stand out. Accept the past. Trust no one. Trust only in the Force."

Sound advice. The last thing Kanan wanted was to draw attention, especially Imperial attention, and he did everything he could to prevent that.

Kanan is not cocky.

The man is the antithesis of self-confidence. So much of Kanan's journey in Rebels is the reclamation of his confidence and courage, coming out of the shell he'd built around himself for the last 15 years. He didn't approach Ezra with the attitude of "alright, kid, I'm gonna teach you to be a kickass Jedi!" He was reluctant to teach Ezra, wary of making mistakes, fearful of failing him, literally wracked with doubt and worry, as we see here in S1 E10, Path of the Jedi:

The only descriptor that is somewhat accurate to Kanan is "sarcastic", but he only does that occasionally, usually directed at enemies or when in situations he'd rather not be in. He doesn't make sarcasm his entire identity, unlike Han Solo, whose every other line of dialogue is a sardonic comment or quip. Even Obi-Wan is cattier than Kanan.

So why is Kanan marketed as a brash, cocky, sarcastic, arrogant maverick?

In my opinion, it's because the entertainment industry incorrectly believes a male character is only interesting if he's 1) a borderline asshole, 2) completely able-bodied and hypercompetent, 3) in possession of a great power, or 4) any combination of the previous three.

A cautious, traumatized, insecure male character who suppresses his abilities, goes with the crowd, and doesn't stand out, who is naturally tender and kindhearted toward people, isn't going to be as marketable—especially in a male-dominated arena like comics—even though it's a more accurate description of Kanan's character. He isn't the classic, charismatic hero archetype that boys can project themselves onto... unless they spin him that way to sell merch.

But the trend of the Arrogant Asshole Lead Male is declining in recent years, I've noticed. Major characters like Cassian Andor and Cal Kestis and sad desert hermit Obi-Wan Kenobi, men who are still dealing with the mental fallout of Order 66 and/or suffering under the soul-crushing oppression of the Empire, men who are haunted and traumatized and disempowered, are becoming more prevalent. Their stories are being told. That's fantastic. I'm personally bored with the same old cocky-witty-genius-talented-billionaire-playboy male stereotype (who always has a perfect comeback) that has dominated the entertainment industry for half a century. Broken, imperfect characters are a thousand times more interesting to me, and so are their stories and character development. It's difficult to develop an already-perfect character, or one who never changes.

I think I've excised all my aggravation now. Thanks for coming to my Ted Talk. Support your local Traumatized Jedi™

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dr who is so crazy imagine your species goes extinct except for two theater kids who call themselves The Orthodontist and the Administrator and they just go around causing problems and destroying your entire culture's reputation

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There is a fundamental misunderstanding of Connor's character within the fandom. I find it incredibly ironic that a majority of the fan base looked at Connor and labeled him soft, innocent, pure, and harmless, when the whole point of his character is that that's what Cyberlife designed him to be. He even says it to Hank in The Nest.

"Cyberlife androids are designed to work harmoniously with humans. Both my appearance, and voice, were specifically designed to facilitate my integration."

The whole point of his story is to show that he is not a pure and good person. Us, as the player, should know better than anyone that Connor is not harmless or soft. Connor is constantly putting up a facade because that's what Cyberlife needs from him. He is designed to integrate with humans - and Hank - to achieve the best results in the investigation.

A fan favorite moment is during Waiting for Hank when you get to snoop around Hank's belongings and ask him invasive questions in order to gain information about him for more amicable relations. It is not Connor taking a genuine interest in Hank.

Then there's The Nest, where Connor once again tries to bond with Hank. He tries to forge a relationship because it is what Amanda wants, and what Cyberlife needs for maximum efficiency in Connor's hunt.

There's also the moment Connor can snoop around Hank's home to find out incredibly person and intimate details about his past. Also considered a fan favorite moment.

These moments:

Are not real. They are not Connor being a pure cinnamon role. It is Connor putting on an act to get the best results. It's a concept introduced in the very first chapter of the game. Connor does not care about Daniel. He barely blinks at his death. But the whole negotiation, it is Connor's goal to pretend he gives a shit. Connor does this with every single victim.

This is not Connor feeling genuine empathy for these people:

It is him finding the best way to accomplish his mission. It is him not burning a bridge that could be useful in the future.

So many moments the fandom sites as Connor being a Good Boi TM is just him acting. The same act that he puts on to convince his victims and allies alike that he is a Good Boi. But he's not.

This:

Is Connor. He is cold. He is ruthless. He simply does not care. The only moment of genuine joy he shows pre deviancy is when he is praised by Amanda for his efficiency in capturing a subject.

And that's the point. He starts off the game a terrible person who does not care for the lives of those around him. He only learns to become a good person through growing genuinely empathetic towards the people he is killing. That's why The Bridge is so important.

Connor spends so long asking questions. Asking Hank personal questions so he can adapt better to his personality. Connor asking questions so he can piece together the puzzle of deviancy. At the bridge, Hank finally stops Connor in his tracks and asks him the questions. Makes him stop and think about something besides his investigation for once. Why didn't you shoot, Connor?

It's after The Bridge that Connor finally starts to analyze himself and his actions too.

So, no. Connor is not a pure cinnamon role. He's a manipulative selfish murderer who can only redeem himself by not pretending to be innocent and kind anymore. For Connor to really become a good person, he has to go against everything that makes him a cinnamon role because that facade was made by Cyberlife.

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we will sing to you doctor. the universe sill sing you to your sleep. this song is ending, but the story never ends.

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This made giggle :)

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Headcanon that might actually be canon: Tatooine is Space Australia and Anakin, having spent his formative years there, is fazed by nothing — NOTHING — the galaxy can throw at him.

Zillo beast? Let me swan dive toward it

Planet full of hitherto unknown creatures who want to make me their king and swear allegiance to my bloodline? That’s just a Tuesday.

Crazy cyborg general that everyone has met except me (so I just have to take them at their word)? Sounds about right.

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RIP Lt. Hank Anderson 1985-2038

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Theory for thought: Perhaps Zlatko once worked for CyberLife

It would explain how

he knows so much about android anatomy/physiology

he owns a large, grand house (in disrepair, but still)

continuously raves about dashed hopes and broken dreams. he likely lost his job with CyberLife when his curiosity went too far.

Not sure, just a thought that hit me while replaying the game.

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DOCTOR WHO (2005-) “Born Again” (2005) // “The Power of the Doctor” (2022)