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Poor quality House memes for the soul
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Okay. Buckle up babes, it's finally Foreteen time and I wrote an essay.
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Foreman and Thirteen are so interesting to me in so many ways. You have Foreman, who thrives off of control, and Thirteen, who refuses to be controlled in almost every aspect of her life. In the sense of them as individual people, they both have a lot of their own issues going on. Hot messes, the two of them. But in the sense of them as a couple, I think Foreman specifically is the only one who has issues with the relationship. (Or rather, Thirteen's issues aren't being projected onto the relationship and causing difficulties at the end of s5/beginning of s6, while Foreman's are.)
Foreman's biggest thing, at least in the latter part of their relationship, is control in regards to emotions. After they found Kutner, he coped with everything by isolating himself. A huge part of me thinks that's because this terrible thing just happened, the floor just fell out from both of them in so many ways, and Foreman feels like he doesn't have a grip on anything anymore. The only thing he can control is himself, and how he reacts. So Thirteen? Even though she's his girlfriend and he's worked with her for two years, her emotions and reactions are fundamentally beyond the scope of his control; she's still a wild card. She's not safe. So instead of letting himself lean on Thirteen, letting them grieve together, letting them comfort each other, for his own stability, Foreman chooses to cope (and thus reject Thirteen when she reaches out for support) by retreating into an environment that he's intimately familiar with. He surrounds himself with only variables that he can confidently predict. It's his gut instinct. It's always worked before, so why wouldn't it work this time? Why would it have any reason to cause problems?
In season four and the first half of season five, Thirteen was very much the same way. When things became too overwhelming for her, she repeatedly dealt with them by running, by hiding; by trying to isolate herself from the people who care about her and want to help her. The same base principle drives them both at this point: "what's out of my control is dangerous in some way or another. The only one who's safe to be around is myself, because I am the only person that I can control." But by mid season five, Thirteen has come a long way from that. Slowly she's becoming much more of a "recovering control freak". She's starting to be okay with the fact that she's not always going to have the amount of control that she has right now. She knows that all of it is something she has to come to terms with, and slowly she's getting to a point where she's accepting her diagnosis and working on all the baggage that comes with it.
Thinking about that– the fact that, by mid season five, Thirteen is approaching a point in her life of letting go, of learning to 'go with the flow'; while Foreman is very much still on the side of "I thrive and keep myself safe by controlling every aspect of my life possible"– makes them fundamentally incompatible as a couple from the get-go, even with all of the chemistry they had. Because the moment they get together (the Christmas party in 5x10 "Joy to the World") is right after Thirteen's decided that she doesn't want to die; when she's just starting to process her diagnosis instead of running from it.
Do I think there was/is love there? Yes. They absolutely care about each other, both during and after the relationship.
Do I think they would have worked out long term? The simple answer is "no".
The more complicated answer is that if they had been able to avoid the fiasco of Foreman running the department and then firing Thirteen after House quit, I think they could have made it work. But it would have been rocky, and it would have been especially rough for Foreman. Extremely so if it were to reach a point where they've stayed together for years and years, and Foreman is with Thirteen when she really starts to decline with her Huntington's.
Foreman is Thirteen's friend; he's also seen people slowly wither away from degenerative disease (his mother, with Alzheimer's), and he's a neurologist (and so he knows exactly how she'll decline, down to every last detail). All of those things give him greater emotional stakes in her Huntington's diagnosis beyond what's typical. But specifically in the situation of them facing this as a couple, you have this level of involvement where Foreman– someone who needs a high amount of control to function on a fairly basic level– is in an incredibly intimate relationship with Thirteen, whose entire life is inevitably and actively slipping out of her control. And in that scenario... I think that when the decline does start happening, it would absolutely terrify Foreman. To be the one that's by her side as a partner– seeing all of it firsthand, the pain and grief and sickness? And as her significant other, being the one that would potentially become a medical proxy when she's too sick to advocate for herself, faced with the possibility of making life or death decisions (like whether or not to euthanize the woman he loves)? I think that would have the potential to utterly destroy him.
As a friend, though? ("Ex-partners who have gotten back to a shaky friendship after the breakup, and still care about each other deeply", but "friends" for short.) The entire situation completely changes. I firmly believe that post-canon, if Foreman knows House offered to kill Thirteen before he "died", he would offer to kill her in House's stead in a heartbeat (just like I think Chase does). THAT sort of involvement with Thirteen's decline and care is far less terrifying, because now this is not the decline of someone that he's based his entire future on. This is not someone he's given half of his heart to; this is not someone he's built an entire life with and entwined himself so thoroughly with.
With the way things work out in canon, they're still friends, and they still care about each other; but at the end of the day, they're two separate people with two separate lives, two separate futures. And so Foreman doesn't lose a single ounce of his control as Thirteen's is slowly taken from her, bit by bit. Witnessing that is still a pain that is unimaginable. But for him, it's survivable. And that's the key difference (and why I ship Foreteen during season five and season six, but not post canon).
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Mai wife :333
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a hilson endgame finale rewrite of the house 6.22 ending
[Cut to House, just entering his apartment. He throws his keys down and limps down the hall and into his bathroom. Turning on the light, he stares at his reflection in the bathroom mirror. He pulls down the neck of his t-shirt and glances briefly at the bloody bandage there, then puts both hands on the sides of the mirror and bows his head in pain, both physical and emotional. He looks into the mirror again and sees a dying Hanna staring back at him. The music stops. He jerks the mirror off the wall and throws it into the bathtub, where it breaks. Behind the mirror is a hole in the drywall, and in that hole, are two bottles of Vicodin. House takes the bottles out of the hole and sits down on the floor, leaning against the tub, and breathing heavily]
[Shaking with pain, House stares at the bottles in his hands for quite a long time. He puts one bottle on the floor and clenches his fist around the other pill bottle, willing himself to resist. The music begins to build again as he struggles with the pain. He finally pops the lid off the bottle and spills two pills into his left hand. House turns away from the mirror, and in that moment, Wilson appears in the doorway. There's a quiet understanding between them as they share a glance. House, trying to mask his vulnerability, raises an eyebrow at Wilson.]
House: You here to give me a pep talk, or did you just miss my charming company?
Wilson: (smiling) You wish. I heard there was a limping genius in need of some supervision.
[House smirks, attempting to play it cool, but there's a subtle warmth in his eyes.]
House: Well, I'm at your service.
[Wilson steps closer, the air thick with unspoken words. There's a shared history and camaraderie that transcends the room. Wilson reaches out, gently placing a hand on House's uninjured shoulder.]
Wilson: You know, you don't always have to carry the weight alone.
[House, looking into Wilson's eyes, feels a moment of connection. The room falls into a contemplative quiet. The tension between them is palpable, and without another word, Wilson leans in, pressing his lips against House's. It's a tender kiss, filled with understanding and the unspoken acknowledgment of shared burdens.]
[As they part, House looks at Wilson, a rare vulnerability in his eyes. Wilson, with a soft smile, breaks the silence.]
Wilson: You're not alone in this, House.
[The moment lingers, the weight of their unspoken bond lingering in the air as they stand in the quiet embrace of understanding.]
[House, still caught in the gravity of the moment, lets a rare vulnerability slip through. He looks at Wilson, a mix of gratitude and something deeper in his eyes.]
House: Yeah, well, don't go getting all sentimental on me, Wilson. It's bad for your reputation.
[Wilson chuckles, his hand still resting on House's shoulder.]
Wilson: Too late for that, I suppose.
[The room is charged with a newfound closeness, and House, though uncomfortable with sentiment, appreciates the unspoken support. Wilson glances at the broken mirror and scattered shards on the floor.]
Wilson: Need a new mirror?
House: Nah, I'm considering a change in perspective.
[House and Wilson both look at the pills still in the palm of his left hand. House drops them on the floor.]
House: (smirking) Figured it was time to see things from a different angle.
[Wilson raises an eyebrow, recognizing the subtle admission.]
Wilson: Progress?
House: Let's not get carried away. But it's a start. (also smiling sweetly, yes, sweetly) Maybe we're the kind of messed up that can fix each other.
[House takes a step towards the doorway, Wilson by his side. The last shot captures their intertwined hands, a silent promise of navigating the unknown together. The door closes behind them, leaving the shattered mirror and the remnants of the past behind, as they step into an uncertain but hopeful future.]
THE END
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just watched the season 6 finale and i was thinking about making a longer and more detailed post but
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instead i've decided to keep it simple and just say anybody who genuinely thinks house doesn't care about people must have watched a different show
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Let's all just take a minute to look at house in his turtleneck sweater
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ppl are too mean to house: a thesis
i saw a post the other day about how house ruins everyone that interacts with him and i went into full on protection mode. so lets talk about this.
yes, house is an asshole! thats a major part of his character. but he's not JUST an asshole, and he isn't a bad person. house cares so so much about his friends and his patients and the life he lives. he cares so much about the people around him, even though it's hard for him to show it! i've talked abt my house abuse thoughts here before but he grew up constantly moving around and never being able to make friends, and he also grew up being abused. it is not at all surprising that he is afraid of connection, of intimacy.
the thing is though - house shows again and again how much he cares. he cares so much about the people around him. he offers to kill thirteen when she can't handle it anymore. he's in love with wilson, even if you only want to see it platonically. he cares about patients. he cares so fucking much, and yet people, in the show ajd in the fandom, constantly try to describe him as someone who doesn't care at all. he doesn't just hurt people for fun.
the reality of the situation is that house has trauma and doesnt have an easy time showing it, and throughout the fandom and the show he is treated as some sort of monster. he deserves better across the board
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Gael García Bernal & Raul Castillo in Cassandro (2023)
Raul Castillo: I saw Amores perros when I was still living in Austin before moving to New York. I saw a screening at the Paramount Theater on Congress Street at the Austin Film Festival. And I knew when I saw Amores perros that I was going to work with Gael García Bernal one day. I just knew it. And it became a reality last year. I got to work with Gael on a film called Cassandro. I was too sheepish to tell him. I'd be gushing if I did, and I didn't want to embarrass him like that. (x)
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oh what’ve I been up to these past few weeks? well nothing much you know haha. just killing people. just murdering people. I’ve been murdering people
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Vicodin (Uses and Warnings)
To reduce the risk of dizziness and lightheadedness, get up slowly when rising from a sitting or lying position.
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Remember that this medication has been prescribed because your best friend doctor has judged that the benefit to you is greater than the risk of side effects.
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House MD + text posts pt. 2/?
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I really didn't paint much before watching this show what did they do to me
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Old men yaoi (they’re sickening I hate them so fucking much)
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another house md sc redraw i did that i never put on tumblr. i don’t think. maybe i did. anyways i love studies!!!!!!!!!!!!
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He’s probably just trying to think of ways to bone Wilson
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Full ver + close up
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His new hobby , vlogging
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tweaking lately
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