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(via Olafur Eliasson fills Danish modern art museum with "giant landscape")
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Interior view of the former 1933 Abattoir, Shanghai
(via boiteaoutils: # 1933 Slaughterhouse in Shanghai)
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Coop Himmelb(l)au, The Heart of a City (1986) Concept model
(via Coop Himmelb(l)au)
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Umberto Eco, Sketches for the Ground Plan of the Aedificium and the Abbey for The Name of the Rose (1983)
(via dAP)
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6.15 infrastructure: police stations, fire stations, schools and colleges, parks and bodies of water
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Robert Longo, Untitled (1979) Men in the Cities series Graphite and charcoal on paper
(via Robert Longo)
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Tadashi Kawamata, Project 1-4. Spui Project, Den Haag, The Netherlands (1988) Print
(via 川俣 正 | stock | GALLERY KOBAYASHI | コバヤシ画���)
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Newly retrieved high-res image taken by Lunar Orbiter 2, 19 November 1966, 06:22 GMT
The Lunar Orbiter Image Recovery Project (LOIRP) is a project to digitize the original analog data tapes from the five Lunar Orbiter spacecraft that were sent to the Moon in 1966 and 1967. Operating out of "McMoon's" – a now-vacant, former McDonald's restaurant just outside of NASA's Ames Research Centre – LOIRP refurbished and reconstructed four Ampex FR-900 tape drives in order to read the 1,500 tapes that had been forgotten after serving as surveys for manned Apollo landing sites.
(via Lunar Orbiter II Image 2034_H1 - Moonviews)
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Lee Ufan, From Line (1974)
"...not to create something from nothing, but rather to nudge something that already exists so that the world shows up more vividly..."
(via Pace Gallery)
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Barry Le Va, Strips to Felt Particles (1967–68)
(via MoMA | Barry Le Va)
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Karl Friedrich Schinkel, Bauakademie (1836) Plan
(via brynmawr.edu: World Architectural History)
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Ana Peñalba, Spatial Agreements (2013)
'A DISTORSIN IN THE COLLECTIVE MEMORIES DE-COMPOSITIONS NOT INTERESTED IN THE DESIGN BUT IN THE SYSTEM THAT MAKES THE DESIGN POSSIBLE'
(via SPATIAL AGREEMENTS - Ana Peñalba)
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Tony Orrico, Penwald 2: 8 circles (2009) from 'Penwald Drawings' series Graphite on paper 8 laps, approx. 90 min
(via tony orrico: performance drawings)
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OMA, 'Espace Piranesian' (EURALILLE) (1993–95)
(via ANTI-VITRUV & SUPER-BRUNELLESCHI)
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Hussein Chalayan, Before Minus Now (1999)
(via Η συμβολικοτητα της ραφης - Savoir Ville)
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Adam Magyar, Squares (Hong Kong IV) (2007 - 2008)
(via The Tree mag)
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