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Suzanne Gillis is one of the best screenwriters who write different stores for TV and screenplay. Tell me about your story so I can guide you through the Story Development process. Go far with the help of a professional screenwriter. Go through our website and contact us today.

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What does a TV Writer do?

A television writer is a skilled writer responsible for developing, writing, and revision of screenplay review so that they are ready for the silver screen. They are credible for establishing all plot cables, personalities, dialogue, and situations. Book editors usually work as part of a group of writers to ensure that scripts are written well and meet strict deadlines.

The job of a TV Writer

A TV writer is accountable for the creation of a TV series from the advent processes of writing a screenplay rewrite to the launch of a pilot episode. They formulate stories for a wide range of TV strategies including soap operas, comedies, dramas, and documentaries. A book review incident may be “picked up” by a network for a contracted TV series. Many columnists also establish ads for regional supporters, previews for upcoming shows and book editing.

A significant amendment has taken place in tv production in recent years. not are studios disbursal uncountable bucks on long-run development deals with writers in hopes that they'll give them the successful show for the studio. Additional recently, studios interact writers to make or contribute pilot scripts to be thought-about for development.

A pilot script, additionally called a pilot episode or series premiere, is that the initial episode in an exceeding tv series. Pilot episodes square measure created as a take a look at run to work out if a tv series is well received on air. The studio is granted many choices to involve the author within the method of writing and manufacturing a script. The profit to the present is that if the studio isn't proud of a text, it will cut its losses early, whereas solely having to pay the initial script fee. These deals, spoken as “one-off”, are the dominant type of tv series writing arrangements.

When a script is picked up for a pilot episode, the author is concerned in several aspects. He is the one to rent the director of a given event, work with a line producer to rent a crew and supervise casting and post-production efforts. The top author is additionally spoken because of the “showrunner”.

Workplace of TV author

Writing a specification script will take up the maximum amount of time of a writer's schedule as he/she wants because it solely matters once the text is complete. Once an author is functioning with a network, he/she is on a strict schedule. Writers are typically a part of an editorial team to make sure that the writing is completed well and on time. The writing team could contain anyplace between four to twenty (or more) writers. This all depends on the budget, show, and therefore the preference of the showrunner. this might mean an area filled with individuals sketching concepts and writing scripts, encircled by legion occasional to stay up to their energy.

 What matters most in an exceedingly writing team is that the work is completed expeditiously and well so a show will air on time.

Is TV author a Screenwriter?

Screenwriting could be a freelance profession. No education is needed to become a knowledgeable scriptwriter, only fantastic storytelling skills and imagination. Screenwriters aren't employed workers, however, contracted freelancers. Most, if not all, screenwriters begin their careers writing on speculation (spec) and then write while not being used or got it. If such a script is sold-out, it's referred to as a specification script. What separates a skilled scriptwriter from an amateur scriptwriter is that a talent agency typically represents professional screenwriters. Also, skilled screenwriters don't typically work for complementary, however, amateur screenwriters can typically work for complementary and are thought-about "writers in coaching." Unknown experienced screenwriters and amateur screenwriters usually pen specification scripts.

There is a legion of would-be screenwriters who plan to enter the movie industry, however, it typically takes years of trial-and-error, failure, and gritty persistence to realize success. In Writing Screenplays that Sell, archangel Hague writes, "Screenplays became, for the second half of [the twentieth] century, what the good American Novel was for the first half. Closet writers who accustomed dream of the glory of getting in print currently dream of seeing their story on the large or little screen."

Script Doctoring

Many screenwriters additionally work as full or part-time script doctors, attempting to raise a script to suit the wishes of a director or studio. As an example, studio management could have a grievance that the motivations of the characters are unclear or that the dialogue is weak.

Script-doctoring is quite remunerative, particularly for the known writers. Playwright and John Sayles, as an example, fund the films that they direct themselves, typically from their screenplays, by writing and doctoring scripts for others. Some authors create profitable careers out of being the ninth or tenth writer to figure on a chunk, and that they typically work on comes that never see exposure to an audience of any size. Several bumptious screenwriters additionally ghost comes and permit knowledgeable screenwriters to require public credit for the project to extend the probabilities of it obtaining picked up.

Hollywood has shifted writers onto and off comes since its earliest days, and therefore the assignment of credits isn't continuously complete or straightforward, that poses a retardant for film study. In his book Talking footage, Richard Corliss mentioned the historian's difficulty.

Process of Developing

After a scriptwriter finishes a project, he or she pairs with an industry-based representative, like a producer, director, agent, amusement professional person, or amusement government. The partnerships typically pitch their project to investors or others in an exceedingly position to add a project. Once the script is sold-out, the author has solely the rights that we're united with the emptor.

About the Author

General Background

Professional Screenwriter since 1995. Professional Screenplay Ghostwriter since 2007. Experienced in Comedy, Family, Adventure, Suspense, Drama and Spiritual films. Specialize in Story and Character Development for feature film screenplays and new TV Series.

Suzanne has written over fifty screenplays, including scripts that have been optioned, produced and/or in development. She has previously lived in Los Angeles and New York City and is currently residing in the Boston area where she is originally from. She offers screenplay ghostwriting and TV writing services to a vast array of clients, including helping clients to write and develop new screenplays and TV shows.

Education

Columbia University, Graduate School of Arts, NYC Film Division – MFA in Screenwriting Graduated with Honors (3-year program)

Hampshire College, Amherst, MA – BA in Narrative Film, Screenwriting & Playwriting.

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Scriptstories provide book editing and Book Polishing services and it does not affect the Author’s full ownership of the book. The Author always maintains full ownership of the book and its entire content, despite having taken the help of a Book Ghostwriter.

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Are you looking for a professional book editor to review your book? Script Stories is the best choice for book editing. Call us for book editing services.

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Are searching for a professional script write and have a truly unique and original story you wish to tell, then Suzanne Elizabeth Gillis will help you and provide you best script stories. For more information about script write please visit www.scriptstories.com.

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Scriptwriter: Their Job and Journey

Hey friends, are you interested in reading stories and novels??? Do you love watching movies based on a thrilling story?? Do you also want to be a creative screenplay writer or looking for a scriptwriter? Then all you need to know about a scriptwriter and how can you look for a good television writer.

At first, we will discuss the scriptwriter.

So,

What is a scriptwriter?

A scriptwriter or a TV writer is a writer who writes screenplay stories for television, movies and any kind of comics, they are good at writing and their creativity level is beyond your thinking.

 If you are looking for a scriptwriter for a book review, then in this article, I am going to tell you about some of the necessary things and qualities that a good scriptwriter should have.

These are something that you should look at while searching for a scriptwriter.

1. Great ability and writing skills

The main thing a good scriptwriter should have a writing potential in yourself and screenplay rewrite, if he is able to write about your given subject and can expand it as well then this is the right scriptwriter you are looking for because successful writers have great writing ability and they understand very well while writing any script, how and when to create a drama so that the screenplay review be more interesting.

2. The mind should be creative.

Having good writing skills only may not help you to find a good writer along this skill a good scriptwriter should also have a creative mind, he must have the ability to make a script more interesting with the help of his creative mind, creativity also helps you to make a story good, long and full of enjoyment. You will not able to find too many successful scriptwriters without having a creative mind.

3. Hard-working ability.

If the scriptwriter you are looking for a renowned writer and he has too many projects and scripts to write within a very short interval of time like he is working for any projects and he gets another project at the same time and he has been told to complete both in a few days, even though their stories and scripts are different but he has this capability if working hard to write and write well indeed then has the ability to deliver his best at that required time and he won't get panic under pressure, this will be a good find for you.

4. Well disciplined

As we all know, discipline is very important wherever you go , whatever you do so in this case also discipline make a huge impact in finding the right scriptwriter for you , he has to be quite disciplined in writing on a regular basis, because some days will also come and go when he won't get anything to write on but then only his discipline will say whether he is going to make your project successful or not.

5. Passionate about his career.

Finding a good scriptwriter without passion is not going to take your project too far and it will fall soon, so if you want to make a good project you have to find a good scriptwriters who are passionate towards his career, because this field is for the passionate holder only, this will help you a lot in building your career.

Journey to be a successful writer

If you want to edge your career as a screenplay writer and want to be professional in it then you must have these abilities as written below.

1. Ability to write creatively

Write every single day. Even if some days you are not getting the result useable at all, if you do so you are developing writing habitual. Keep yourself active by joining some writing groups. Write in Pomodoro style to break you’re writing sessions into smaller parts with some breaks such as write for 25 minutes, take a five or ten minutes break then again write for another 25 minutes and continue this process regularly.

2. Ability of Imagination

Give direction to your writing skill in constructing interesting characters and storylines. Writing is not all about typing on a blank page. It's all about teaching the audience about a character and making that audience relate to that particular character. Every story has a beginning, middle phase, and ending, you have to learn to construct each of these parts to the best of your ability.

3. Sharp your skill by reading books

Reading is always useful whether you are preparing for any exams or to be a professional screenwriter. Have a look at some industry magazines to see the top recommendation and to get knowledge, you can also borrow books from any local library or buy them from bookstores. 

4. Take writing classes to sharpen writing ability

Taking one or two classes will help you a lot to sharpen your screenwriting skills. Even if you are already a master in this standard format, you’ll get good knowledge to focus heavily on making your script as good as it is possible. If you have this kind of ability, take classes at any film school or in any theatre company. There, you will be able to create some good screenplays with the help of professional writers.

5. Watch movies

Scripts are always different from novels and academic writing. Watching more and more movies will help you too much to learn how screenwriters manage the story and the play of the film. Because as you can see every single movie has its own story, so if you watch varieties of a movie then it will be very beneficial for you to gain knowledge.

After getting a good knowledge about a screenwriter, their jobs and qualities you need to be professional in this field.

About the Author

General Background

Professional Screenwriter since 1995. Professional Screenplay Ghostwriter since 2007. Experienced in Comedy, Family, Adventure, Suspense, Drama and Spiritual films. Specialize in Story and Character Development for feature film screenplays and new TV Series.

Suzanne has written over fifty screenplays, including scripts that have been optioned, produced and/or in development. She has previously lived in Los Angeles and New York City and is currently residing in the Boston area where she is originally from. She offers screenplay ghostwriting and TV writing services to a vast array of clients, including helping clients to write and develop new screenplays and TV shows.

Education

Columbia University, Graduate School of Arts, NYC Film Division – MFA in Screenwriting Graduated with Honors (3-year program)

Hampshire College, Amherst, MA – BA in Narrative Film, Screenwriting & Playwriting.

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How Is Script Writing Done?

Every movie or TV series begins with an Idea of TV Writer and Book Editor. Whether it is an original idea or a book, you want to adapt to the screen.

You have an idea. Maybe it’s vague or general, and perhaps you’re not sure if it’s any good – but it’s a beginning.

A screenwriter writes your idea on a piece of paper or your laptop. It doesn’t matter. No one will see it but you. Jot it down shortly, whatever and however; it comes to mind. No judging. Get it out of your head; it doesn’t need to be more than a few sentences. Write it down and move on to.

Think of your hero in this world. How does he behave? What does he know and what doesn’t he know? What is his past story, what are his wants and needs, and what are the obstacles that stand in his way?

Character is important

You got your world, and now you need characters to roam the world and get in trouble screenplay help. To do that, you need to ask 

● Who is the main character?

● What does the character want?

● What prevents her from getting it?

The answers to these questions form a compass. They will guide you on how to build the plot and what obstacles to put in your character’s way. Another benefit of answering these questions is you’ll know what choices and decisions your style will make when facing a dilemma. These answers will change more than once during the work on the script, and that’s fine. It’s more than beautiful; it’s the way it should be.

Even if a screenplay writer writes a TV series or a movie that has more than one main character (which happens, especially on TV), I suggest that at this stage of the process, you focus on one aspect. After you’ve defined who the main character is and what she wants and why she has trouble getting it, repeat the process for the other characters as well. Or at least for another 3-4 aspects.

Pre Writing

Perform the Pre-write treaty, and you will conserve your time and fill less dishearten. Therefore, you will have a better chance of not quitting and finishing your script. That is how important this step is, and that is why I made you an exclusive freebie –“From idea to structure“.

It’s a 5-day mini-course, in which you’ll learn how to:

● Identify and design your main character.

● Build the main conflict.

● Structure of the main story points.

● It is a simple and efficient process to start a new project. It’s a process I have successfully used and taught for many years.

Building of Words

The world-building is especially crucial for a scriptwriter to write for films and TV series that take place in worlds that are different from ours (such as a Game of Thrones, The Handmaid’s Tale, etc.).

The world-building is an easy and fun process, so take as much time as you want and have fun with it. Formulate some actual impression and imaginativeness into designing your world, and I assure you, your script will benefit from it.

How is word building done?

Imagine a world in which you want your story to take place.

Picture it as vividly and with as many details as you can.

For example, what kind of technology is available in your world? Is it more advanced than our technology? How do people communicate with each other? Phone? Letters? Crows? Telepathy?

How are nature and the climate there? And how does that affect the politics, economics, and architecture?

Is it a religious place? If so, what religion? Is it a theology we understand or a ritual you established?

What is the history of the world? Clothes? Food? Anything you can think of.

Writing

Synopsis.

A Synopsis is the essence of the story, told in the order the audience would be watching it.

The overview should have all the crucial conspiracy points.

● Beginning – Everything from the moment the film/episode starts and up to the inciting incident.

● It is an inciting incident – An event that sets the story in motion. The inciting episode HAS to have a significant effect on the hero.

● First turning point – The hero starts the journey and deals with the new situation caused by the inciting incident.

● Call to action – The hero’s goal gets more specific.

● Point of no return – At the midpoint of the story, the hero will have to risk everything.

● All is lost – Complications and great danger. The hero will have to rise to the occasion and find new inner strength.

● Second turning point – Change in direction. Stakes are higher. The hero has one last shot at redemption.

● Climax – The goal is met; the problem is resolved actively by the hero. The fighter achieves or ceases to function irreversibly. (In a TV episode, that may not be the case).

● The end – The film/episode ends.

Dialogue

Good dialogue, in my opinion, is a dialogue that sounds authentic for the world and the character.

Tips for writing good dialogue:

● Choose a uniqueness to each character. Be subtle.

● Say the dialogue aloud. Hear if it sounds natural. If it doesn’t, change it.

● If you feel you’ve heard it before, take it out. Check this list of the most overused sentences in films. It’s hilarious and a right wake-up call to all screenwriters.

● DON’T let the character say the subtext – the subtext is the true meaning of what we say. In real life, people usually do not say what they want to speak directly.

● Most times, the first draft is full of subtext, and you can quickly fix it in later drafts.

About the Author

General Background

Professional Screenwriter since 1995. Professional Screenplay Ghostwriter since 2007. Experienced in Comedy, Family, Adventure, Suspense, Drama and Spiritual films. Specialize in Story and Character Development for feature film screenplays and new TV Series.

Suzanne has written over fifty screenplays, including scripts that have been optioned, produced and/or in development. She has previously lived in Los Angeles and New York City and is currently residing in the Boston area where she is originally from. She offers screenplay ghostwriting and TV writing services to a vast array of clients, including helping clients to write and develop new screenplays and TV shows.

Education

Columbia University, Graduate School of Arts, NYC Film Division – MFA in Screenwriting Graduated with Honors (3-year program)

Hampshire College, Amherst, MA – BA in Narrative Film, Screenwriting & Playwriting.

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 Screenplay writing help are offered to a vast array of clients, including help to develop new screenplays and TV shows. Hire the best writer

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TV writer - Get professional help to write your own TV show. Hire a professional screenwriter who knows what TV producers need and want.

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Screenplay writer - Screenplay writing help are offered to a vast array of clients, including help to develop new screenplays and TV shows. Hire the best writer

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Hire a professional screenwriter to help you develop and write your new screenplay. You need the help of a professional screenwriter.

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There is solid potential in for this TV Series premise, particularly in the nostalgic feel and the transition 12 year-old Michael makes from a dangerous urban area environment to the pleasant life on a rural farm. The contrast between life in the North Philly projects, complete with broken elevators and aggressive gang members recruiting young kids, to life in Quaker/Amish Lancaster County – with swimming/fishing holes and feeding livestock – is quite effective. The meeting between Big Mamma and Miss Stuck land effectively sets up the action and change of location that follows.  Once Michael arrives at the farm, the writer does a solid job drawing him out of his shell and showing him form friendships with the other orphaned, neglected and abused boys.  The bonds are formed and the story line is engaging at all times. The strong characters who encounter bullies, negro girls at a neighboring farm for girls who they engage with through weekly dances, as well as the many other adventures highlighted in the additional episodes, makes this TV Series stand out and highly unique.

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Screenwriter

The Invisible War

Feature Film – Supernatural Spiritual Suspense Drama

 Story Development & Screenplay by Suzanne Gillis (Ghostwriter) & Jesse Battle

“The Invisible War is a supernatural spiritual drama that follows the life of a struggling black artist reluctant to believe in God after being abused as a child, who suspects he is being stalked by a threatening woman who possesses a demonic spirit.  Scenes often deliver on this high expectation and highlight the risks to the protagonist who derives tension from these obstacles effectively. Action relates well to the core concept, and the characters have room to be exploring their emotions as well as convey meaningful subtext.  As Jesse is repeated stalked by Simone, who is hell bent on converting him towards occult and Satan, Jesse soon finds himself turning to religion in an effort to get her out of his life.   Jesse is further educated in ways of demons by Born Again Christian, Angela, who works with Jesse at a hotel and who offers Jesse advise on how to deal with them through Bible teachings about ‘Spiritual Warfare’.  Through a series of compelling encounters with Simone and her ‘fellow’ demons, Jesse soon discovers his true ‘gift’ of discern ‘demonic spirits’ living inside human beings — a gift he possessed as a child but has since forgotten.  This ‘gift’ also proves to provide another spiritual awakens when a message is relayed to him from God that he has been chosen as the ‘Last Prophet’ to rid New York City of its demonic presence.  As Jesse struggles to deal with this revelation he turns towards Christianity itself to bind the evil sprits around him. As the battle escalates between Simone, and her fellow Satan/occult worshiping roommate, Caesar, Jesse is lured into a den of evil in a tent located at the Brooklyn Trinidad Street Carnival where attendees offer human sacrifices to Satan.  Here Jesse confronts all the demons, including the Satan himself, in a climactic scene, which proves to be both realistic and breathtaking.  This script deserves high marks.  Great writing!”

RECOMMEND – Reader from Specscout.com

Sunnycrest Farm for Boys

One-Hour TV Series – Family Period Drama (1960s)

TV Series Development, First Episode & Treatment by Suzanne Gillis (Ghostwriter) & Michael Jackson

“There is solid potential in for this TV Series premise, particularly in the nostalgic feel and the transition 12 year-old Michael makes from a dangerous urban area environment to the pleasant life on a rural farm. The contrast between life in the North Philly projects, complete with broken elevators and aggressive gang members recruiting young kids, to life in Quaker/Amish Lancaster County – with swimming/fishing holes and feeding livestock – is quite effective. The meeting between Big Momma and Miss Stuckland effectively sets up the action and change of location that follows.  Once Michael arrives at the farm, the writer does a solid job drawing him out of his shell and showing him form friendships with the other orphaned, neglected and abused boys.  The bonds are formed and the storyline is engaging at all times. The strong characters who encounter bullies, negro girls at a neighboring farm for girls who they engage with through weekly dances, as well as the many other adventures highlighted in the additional episodes, makes this TV Series stand out and highly unique.”

Reader NSP – ScreenplayCoverage.com

Sunnycrest Farm for Boys

One-Hour TV Series – Family Period Drama (1960s)

TV Series Development, First Episode & Treatment by Suzanne Gillis (Ghostwriter) & Michael Jackson

“

SFFB’s main characters are charming. A young boy from the projects of Northern “Philadelphia is lucky to have a grandmother, Big Momma, so determined to protect him from gangs that she talks her grandson’s way into a three-year program with the Quakers that teaches academics and farming life far away from the inner city projects. The writer shows a strong ability in good storyteller, as Michael’s journey to Sunnycrest Farm is both touching and engaging.  You have set up a family that you can really root for – which viewers will want to tune in to find out what happens to the family and to Michael on a weekly basis.  There is a Family Television feel to your script as well as a unique and lively family that we can really care about root for right away. Despite the danger lurking in the Projects, your script has a very warm and hopeful feel to it, which a viewer can easily share with his whole family.  There is no visual violence from the gangs in North Philly, but only sounds and threats made, which makes Michael’s stay at Sunnycrest seems like a bucolic, adventurous journey full of boyish scuffles and challenges free from violence.  Since this is also autobiographical, we eagerly anticipating Michaels ‘weekly’ adventures. The strength of a family is a good theme — especially the strength of the women – Big Momma, Van, and Miss Stuckland. Michael having doubts about leaving his family to take advantage of Sunnycrest is every child’s experience on leaving home for the first time.  The importance of having good friends around him is also a theme for Michael – as well as sharing his family with his newfound ‘orphaned buddies’ who never grew up with families of their own or the experience ‘loving relatives.’ The overall tone of your TV Series is youthful and one of discovery.  This could be a great TV show for the entire family.”

Reader SLT – ScreenplayCoverage.com

Sunnycrest Farm for Boys

One-Hour TV Series – Family Period Drama (1960s) 

TV Series Development, First Episode & Treatment by Suzanne Gillis (Ghostwriter) & Michael Jackson

“The drama centers on the journey of a young boy, who struggles with the joys and the heartbreak of growing up in the 1960s in the North Philadelphia Projects and at Sunnycrest Farm for boys. The time-period and culture feel authentic and the tone is consistently dramatic. The pilot offers a cast of likable and charming characters driven by the emotional goals and struggles.  The opening is strong and easily pulls the audience into the pilot as well as nicely sets the tone as well as firmly establishes the culture and time-period. The image of opening with JFK speaking in the North Philly projects to a mostly Negro crowd is smart.  The main characters opening voice-over is also sharp as it introduces the audience to Michael’s ordinary world.  The idea of Michael attending Sunnycrest Farm is the pivotal event that changes Michael’s life forever.  The rest of the pilot is driven by Michael’s struggle to adjust to his new world full of farm life, Quaker values, the surrounding Amish community and the orphan boys, some of who becomes his most ‘trusted’ friends against the many orphaned and abused bullies.” 

 Reader TZ – Screenplayreaders.com

Bon Appetite'

Half-Hour TV Series – Live Action-Animation for Pre-Teens

TV Series Development, First Episode & Treatment by Suzanne Gillis (Ghostwriter) & Lennox Blackwood

“Thank you, Suzanne, for all your talent in helping me develop this pre-teen animated and live action TV series kids show.  Your contribution to the characters and story was extremely appreciated as well as your attention to many fine details.  You somehow took my strange animated ‘cooking utensil’ characters and brought them to life — giving them each very distinct voices with personalities, which exceeded my expectations. They are now equal to many famous animation TV shows and movies of our times and completely unforgettable. I also enjoyed the process of working with you, which helped me to better understand the entire TV SHOW development process.  It allowed me to walk away with the TV script that I truly love as well as an incredible first episode.  I am grateful to you for all your hard work and additional help after the project was finished.  Your suggestions on how to prepare material for marketing were extremely helpful. Can’t wait to use you again on more future projects!”

 Lennox Blackwood, Client, Creator and Writer – London, UK

The General's Wife

Feature Film – Period WWII Suspense Thriller Drama (1940s)   

Story Development & Screenplay by Suzanne Gillis & Charles Gibbs

“This WWII drama has a compelling premise — a high-ranking Nazi General is married to an American wife who is secretly working with the Allies, and their teenage son who is torn between his parents.  The concept provides lots of narrative tension and forces you to care deeply about Kurt’s untenable position trapped between his feelings for both parents whom he deeply loves. I also enjoyed the similarity to Alfred Hitchcock’s NOTORIOUS, in which Nazi Claude Rains discovers he is married to an American spy played by Ingrid Bergman and the tension of how it played out once she entered his house. The dialogue has a formal quality to it, which is appropriate to Europe in WWII. “I have no intentions of abandoning my wife now, or in the future. Nor do I feel my son would approve of such an arrangement.” None of the dialogue jarred me out of the time and place of the story, and in my experience is a rare achievement. The complicated climax was well choreographed; with the writer deftly keep track of the movements of over a dozen characters. Well done!”

  Reader 8204 – The Blue Cat Screenplay Contest

The General's Wife

Feature Film – Period WWII Suspense Thriller Drama (1940s)

Story Development & Screenplay by Suzanne Gillis & Charles Gibb

“Gripping and intense in a number of respects, this script begins with an innately high-stakes scenario and builds upon it a storyline that remains energetic and fairly harrowing throughout its duration. The opening immediately establishes the tone and historical backdrop of the story, following Nancy as she is exiled and Kurt begins growing up without her. As she attempts to reach out to him, first pulling Kurt into a more rebellious mindset, the story advances toward its second act, following both of them to a surprising turning point as Albert essentially decides to join their cause.  At every turn, it feels as if Kurt, Nancy, and even Albert are risking their lives in the name of completing increasingly valiant deeds, and this sense of imminent repercussions creates a natural investment in their actions. Some solid character beats, funneling toward a conclusion that seems fast-paced and action-packed; this script deserves credit for rendering a narrative with some intrinsic, gripping appeal, and a broader presentation that comes across as entertaining throughout its duration.”

Scriptshark.com – Reader EK – CONSIDER

The General's Wife

Feature Film – Period WWII Suspense Thriller Drama (1940s)

Story Development & Screenplay by Suzanne Gillis & Charles Gibb

“THE GENERAL’S WIFE has an intriguing, evocative premise that remarkably hasn’t been done before to this reader’s knowledge, despite the plethora of films about World War II.  It’s got a universally understandable dilemma for all three lead characters – Albert, a Nazi, his wife Nancy who works for the Allied forces in secret, and Kurt their son, who is stuck in between his two parents and pulled in both directions. The script structures itself around this setup smartly, with Albert’s turn not coming until midway through the story, at which point the family is united in purpose against the Nazis, culminating in a climactic wedding sequence that is rich with tension.”

 Specscout.com Reader

The General's Wife

Feature Film – Period WWII Suspense Thriller Drama (1940s)

Story Development & Screenplay by Suzanne Gillis & Charles Gibb

“Utilizing a fascinating concept within a proven genre, THE GENERAL’S WIFE unfolds a sweeping insight into a family torn apart and ultimately finding redemption within humanity’s most brutal setting. Within this rich tableau, the screenplay conjures fascinating character dynamics, reveals unique perspectives, and weaves these elements into an engrossing, entertaining, and fiercely cinematic screenplay.  It is abundantly clear that THE GENERAL’S WIFE is a great screenplay with a solid structure and the writers’ outstanding prowess is evident throughout.”

 Scriptshark.com – Reader GM

The King's Rook

Feature Film – Sci-Fi Action Thriller

Story Development & Rewrite by Suzanne Gillis

“Thank you so much for all your hard work in this difficult rewrite.  You addressed all our main concerns as well as fixed all the character issues which were holding back the story and did it all in record time to meet our shooting deadline.  Your suggestions and insight were dead on and exactly what we needed and helped to make this a much stronger script from start to finish.  We will certainly be looking forward to working with you again on other future projects.”

STELLAR FILMS – PRODUCERS Liv Zheng & Zane Thomas

The Naughty Boy

Feature Film – Holiday Family Fantasy Adventure

Story Development & Screenplay by Suzanne Gillis & Kyle Watson

“This has great potential as a movie about a boy who decides to reclaim the true spirit of Christmas and remind people what the holidays are all about – family.  It’s a great theme and sadly often overlooked during the holidays.  These days, Christmas seems to have become all about the presents.  I like that the writers are able to take the story to the extreme point of James stealing presents in an attempt to make parents and kids realize that they need to communicate better. The parents realize that they’ve been interfering with Santa by buying presents for their kids.  That’s all great and really hits the theme.”

 Scriptshark.com – Reader EK

The Naughty Boy

Feature Film – Holiday Family Fantasy Adventure   

Story Development & Screenplay by Suzanne Gillis & Kyle Watson​

“Suzanne, I wanted to say that I believe in you. You are an extremely talented writer and are always in tune with every aspect of this screenplay project, even aspects that often elude me. This script is already incredible and I believe that a lot of that is purely you. You probably already know that, but I felt compelled to say it now so maybe there is a reason for it. I look forward to seeing the final draft and getting this project into the movie theaters very soon.”

 Client, Co-Writer & Co-Developer – Kyle Watson

The Naughty Boy

Feature Film – Holiday Family Fantasy Adventure

Story Development & Screenplay by Suzanne Gillis & Kyle Watson​

“A fun holiday family film with enough whimsy and wit to appeal to both children and adults, THE NAUGHTY BOY creates a vivid fantasy world but populates it with believable, complex characters. James is a wonderful protagonist, and his growth from insensitive lout into a caring person is affecting because he is such a nuanced character, with complicated emotions just like a child in his situation would be. The other characters are likewise immediate and emotionally real, so the dramatic stakes of the story always feel important. THE NAUGHTY BOY has a number of great ideas percolating through it, and is packed with wonderful characters.”

John Papapvolos, Gallagher Literary Agency – RECOMMEND

My Grey Alien

Feature Film – Musical Sci-Fi Romance

Story Development & Screenplay by Suzanne Gillis (Ghostwriter) & Jeffrey West

“First of all, I want to say how much FUN I’m having with this project.  It has been an extraordinary experience for me and it’s just the beginning. I feel CONNECTED and ENGAGED in the creative process again and I’m LOVIN’ it!  I have no idea how you did it, but you took my crazy idea about a Musical love story with an AWOL Alien who sings lead in a Country Western band and falls in love with a female SINGER — beyond what I had ever imagined.  The characters are incredible now!  Thank you! You really ramped it up this fantastical story and made sense of all the crazy elements — including developing an incredible cast of characters — and turned it ALL into an enormously workable and entertaining movie! And as for the MUSIC, you even encouraged me to WRITE TWO NEW songs, which pulled it all together even more, in terms of the emotional elements, needed to round out this incredible CAST of unique characters.  Outstanding JOB!”

Jeffrey West – Client, Co-Writer/Creator & Songwriter – Santa Cruz, CA

Dog Gone Dubie

Feature Film – Comedy Romance Adventure

Story Development & Screenplay by Suzanne Gillis & Craig Frankel​

“Bright, funny, and playfully optimistic in tone, this script begins with a unique concept and builds upon it a touching romantic comedy scenario. Excellent characters, a subtle and elegant overall delivery, and a strong sense of cinematic storytelling further bolster a finished product that feels as if it possesses an innate and natural sense of commercial appeal. In its quirky, offbeat sensibilities, and its distinctive style and written voice, it proves thoroughly entertaining from start to finish.”

CONSIDER – Scriptshark.com – Reader EK

HONORABLE MENTION – The Happy Writer’s Screenplay Contest

Dog Gone Dubie

Feature Film – Comedy Romance Adventure

Story Development & Screenplay by Suzanne Gillis & Craig Frankel

“With her knowledge of screenplays, Suzanne was able to take my story and create a screenplay that has structure, style, and flow. She created the dialogue that helped the characters have an endearing nuance to them. She was able to build character arcs that allow the story to be told in such an engaging way that the personalities of the characters literally jump off the page at you. I highly recommend Suzanne! “

Craig Frankel – Client, Co-Write & Co-Developer

Cupid's Day Off

Feature Film – Holiday Fantasy Adventure Romance

Original Screenplay by Suzanne Gillis

“Suzanne, this was a really cover-to-cover fun read and a story that I believe will find a home. It reminds me a great deal of an old Jack Benny movie, ‘THE HORN BLOWS AT MIDNIGHT’. It is about Ethanial, an angel, sent to blow Gabriel’s horn at midnight, thus ending the world. Naturally, he fails and it is a hilarious look at the fish-out-of-water among humans in New York City. It also reminded me a bit of MICHAEL, but the more innocent side.”

Joseph Pillitteri – Professional Screenwriter

Mr. Anonymous

Feature Film – Romance Comedy 

Original Screenplay by Suzanne Gillis

“Big Plusses! This is a romantic comedy that has a very clear, original, highly clever premise. You know how to create believable characters and walk them through very funny situations. The script has a definite appeal over and above the average romantic comedy because of the mortician and sperm donor angle. This is a topic not many dare to tackle. Great job!”

CANE 49 – Screenwriter & Mentor

Mr. Anonymous

Feature Film – Romance Comedy

Original Screenplay by Suzanne Gillis

“Every once in a while a script comes along that is fresh, original, and just a lot of fun to read! This was that script. I loved the characters and the funny aspect of the story had just enough seriousness to not be too cheesy. It’s obvious that the writer is experienced as this was a breeze to read. Well done!”

Joseph Pillitteri – Professional Screenwriter

The Mother Load

Feature Film – Family Romance Comedy  

Original Screenplay by Suzanne Gillis

“First off, I really enjoyed ‘The Mother Load.’ It was indeed one of the most entertaining scripts I’ve read in a long while. The prize of the script is the characterizations. Especially the quirkiest characters like Marion, the mother, who manages to keep the story flowing rather nicely along. The characterizations are almost good enough to sell the story on their own.”

Alfredo Fortuna – Professional Screenwriter

Undatable You

Feature Film – Romance Comedy  

Original Screenplay by Suzanne Gillis ​​

“Wow, Suzanne, this is a terrific screenplay and the best I’ve read on this Web site. I can understand why producers are interested in reading it. You take a run-of-the-mill romantic comedy and deviate from its standard procedure producing an entertaining and lovable script. You really describe your characters accurately and paint an excellent picture of them in the reader’s mind. Great premise, great chemistry, and a great plot. Congratulations!”

Justin Kremer – Screenwriter

In-Between

Feature Film – Fantasy Black Comedy Drama

Original Screenplay by Suzanne Gillis

“Great Originality. I love this kind of story that takes us out of the everyday world into the strange unknown. There are other scripts about the afterlife, but this one has a ‘spark’ because Sam isn’t your average Arch Angel. He’s mean, grumpy, self-absorbed and hates dead kids. His inaction practically jumps off the page when he does nothing but get pissed off at his fate in the ‘in-between’ afterlife, while being forced to do good for the newly dead whom will all have far a better death than he ever will. Bryan is his final chance at redemption, but Sam doesn’t know this.  Once Bryan figures out Sam’s dark past, the premise of ‘what happens to a guy who never had a chance to do any good in life – suddenly turns into a great story to watch. Seeing the living and dead interact in the tiny rural town of Hadleyville, NY helps makes Sam and Bryan’s journey all that much more fun and terrifying, and gives great scope and depth to their final mission.”

Joseph Pillitteri  – Professional Screenwriter & Mentor

The Gamekeeper

Feature Film – Fantasy Family Action Adventure

Original Screenplay by Suzanne Gillis

“The driving concept is a young boy in the 1980s that is trapped in a board game that teaches him how to become a man while also learning the harsh lessons of reality that his father is trying to teach him.  The premise is easily delivered and is accompanied by a compelling structure that is consistent from start to finish. There is also a strong theme that stems from a premise about the power of imagination and staying true to one’s inner self.  A slew of added characters in the fantasy world mirror similar characters in the boy’s world, which adds extra flavor to the story, which delivers on its many expectations.  The film contains elements of other such commercial hits as BACK TO THE FUTURE, JUMANJI, A KID IN KING ARTHUR’S COURT, HARRY POTTER and THE WIZARD OF OZ.  The tone is effective within its genre and creates a world that is both mystical and fresh.“

RECOMMEND  – Scriptshark.com – Reader BN

The Gamekeeper

Feature Film – Fantasy Family Action Adventure

Original Screenplay by Suzanne Gillis

“The combination of characters and setting help create a most original premise which is set in the 1980’s in Northern California.  A teenage boy spends his day’s obsession with the famous board game Dungeons and Dragons, which forces his father to make a decision to take the game away.  Distraught, the boy soon purchases another even more elaborate game from a local junk dealer unaware of its dangerous powers.  Soon the boy’s three-year-old brother is sucked into the game where an evil sorcerer uses children’s fingers to gain his evil powers which force the boy and his two friends to try and rescue him — all while his parents are busy attending a neighbors Halloween party nearby and are unaware of what is going on at their home.  The characters and dialogue are greatly distinguished from each other and do not fall prey to the typical high school stereotypes.  Conflict is presented right from the beginning and accompanies a strong and compelling structure.  The writing is presented in a professional manner from start to finish and possess a highly original and vibrant tone.”

RECOMMEND – Specscout.com – Reader TH

Under My Skin

Feature Film – Romance Comedy

Original Screenplay by Suzanne Gillis

“I liked this. You have a knack for picking out risqué topics and giving what you write that extra punch to it. Originality! The script wins big prizes for this. Tyrone’s character makes the script very original.”

Joseph Pillitteri – Professional Screenwriter

Under My Skin

Feature Film – Romance Comedy

Original Screenplay by Suzanne Gillis

“I’ve read comedies on this site, but this one absolutely cracked me up. This is a movie that has to get made! Anything less would be a sin. All the characters were well developed, each one with their own distinct voice–some with much higher ones than others. This was an entirely new spin on the Romantic Comedy! Great idea.“

RECOMMEND – Reader Scriptshark.com

TOP TEN – Triggerstreed.com (2 years in a row)

 About Author:

 General Background

 Professional Screenwriter since 1995.  Professional Screenplay Ghostwriter since 2007. Experienced in Comedy, Family, and Adventure, Suspense, Drama and Spiritual films.  Specialize in Story and Character Development for feature film screenplays and new TV Series.

Suzanne has written over fifty screenplays, including scripts which have been optioned, produced and/or in development.  She has previously lived in Los Angeles and New York City and is currently residing in the Boston area where she is originally from.  She offers screenplay ghostwriting and TV writing services to a vast array of clients, including helping clients to write and develop new screenplays and TV shows.

 Education

 Columbia University, Graduate School of Arts, NYC Film Division – MFA in Screenwriting Graduated with Honors (3-year program)

Hampshire College, Amherst, MA – BA in Narrative Film, Screenwriting & Playwriting