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This scene is particularly interesting because if you recall the shots of Araragi in Part I during the very same scene depicted here any flashback he is shown to be lacking in self esteem and looks profoundly awkward and devastated. At the time it is clear to us, the audience that his attempts at humor are just a method of making himself more comfortable but from Hanekawa’s perspective he seems friendly and confident. It is very interesting how in part two these two perspectives mesh. There are a few scenes where in which Araragi is clearly seen almost solely from Hanekawa’s perspective
Alternatively one could interpret this as an newfound sense of confidence coming from the powers given to him through vampirism.
That’s always an element I’ve appreciated about the series. It’s clear from the get-go that a lot of the scenes are occurring almost entirely from the perspective of the character and not a distant godlike eye of the director. It’s super stylized yes, but it cuts down on a lot of awkward voice over that would be used to convey these concepts.
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˚‧꒰ა𝓤𝓝-𝓱𝓪𝓹𝓹𝔂 𝓫𝓲𝓻𝓽𝓱𝓭𝓪𝔂 𝓽𝓸 𝓶𝓮! ໒꒱ ‧˚
30/11🪽Thank you so much for your support these years! 🖤
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fighting through art block and clinical depression
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can you guys support me on instagram too pls im hrrria
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Natsuko Taniguchi — Who Digs the Grave (acrylic and cheesecloth on panel, 2015)
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What if James was always onimously soaked through as a nod to his ending
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