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when mary oliver said “so this is the world. i’m not in it. it is beautiful” and “i wanted to know, whoever i was, i was alive for a little while” and “mostly, i want to be kind” and “i want to say all my life i was a bride married to amazement” and “you only have to let the soft animal of your body love what it loves” and “someday we’ll live in the sky” and “i want to love this world as thought it’s the last chance I’m ever going to get to be alive” and “have you too finally figured out what beauty is for? and have you changed your life?”
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THE OA PART ll. MARCH 22.
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“I mean I think movement has been interesting to Zal and I for a long time. I think in the beginning we talked about, a lot about the idea that violence is a uniquely cinematic thing. You can read a violent passage in a novel and it’s intense and visceral, but when you see it on screen, it’s something else entirely in terms of how it shocks your senses, and so I think for us we were interested in exploring what a kind of antidote to that might be. What is something else that’s uniquely cinematic that could come up against that, and for us that was the idea of movement and thinking about making a language of movements and building mythology around that.”
#I didn't know that's why they chose to do this but I'm even more obsessed with The OA now I'm so hurt that it's over.#I feel like it was changing me.
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Mitski for Pitchfork // Richard Siken for TinHouse
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“At some point in life the world’s beauty becomes enough. You don’t need to photograph, paint or even remember it. It is enough. No record of it needs to be kept and you don’t need someone to share it with or tell it to. When that happens — that letting go — you let go because you can.”
—
Toni Morrison, Tar Baby, 1981
A beautiful soul has let go of this world. Rest in Peace.
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