sockwearerwrites - Tumblr blog

[sockwearerwrites]

in the google doc. straight up "writing it". and by "it", haha, well. let's justr say. Nothing

[sockwearerwrites]

Literally cannot emphasize enough that my #1 writing advice is to stop being afraid. Stop being afraid of sounding too cringe, or too stupid, or too horrifying, or too horny, or too weird, or too much, or too little, or too you. You need to put your entire pussy into your art. Sure, it won't be to everyone's tastes, but if you keep yourself to the blandest tamest safest roads possible you will be of no one's tastes, not even yours.

[sockwearerwrites]

Sometimes people new at writing do make their characters a bit too perfect, I must admit.

[sockwearerwrites]

Found on twitter, going to adopt this now

Writer friends, tell me how many WIPs and how many UFOs you have. I have 2 WIPs and [redacted] UFOs (jk it’s around 16 across my three main fandoms)

[sockwearerwrites]

Seeing other writers on tumblr talk about writing is so validating because all of them are basically:

“I hate writing but I love it more than anything but it’s agony but I have a million stories to put to paper but I barely ever write a word”

And like I’ve always felt this way and I worried it meant I wasn’t supposed to be a writer, which tore me to shreds. But no. That’s just the curse of being one, I guess.

[sockwearerwrites]

Hot take: Actual literary analysis requires at least as much skill as writing itself, with less obvious measures of whether or not you’re shit at it, and nobody is allowed to do any more god damn litcrit until they learn what the terms “show, don’t tell” and “pacing” mean.

[sockwearerwrites]

if anyone wants the secret to writing: you have to break your leg and then drink a thermos of coffee and then drink an apple martini and then listen to a playlist of Japanese synth music while ignoring your bladder. after all that, you will be able to write 500 words

[sockwearerwrites]

tips for writing bilingual characters

there are different types of bilinguals

the All Around: speaks, reads, and writes both languages pretty well

the Conversational: one language is stronger than the other; can speak the other language a lot better than they read/write it (a lot of kids of immigrants are this type)

the High Schooler: understands what’s being said to them in the other language, can’t really speak it

don’t have your characters randomly drop words from their other language mid-sentence around people who don’t speak it lol

languages are a mindset thing. like personally if i’m around english-speakers, i’m speaking english and i don’t really switch to my other language (which is portuguese)

so like if you’re writing a bilingual character who speaks spanish and have them say something like “hey chad let’s go to the biblioteca” to an english speaker i’ll probably spend 5 minutes laughing and then close your story lmao

exception: the character is speaking in their weaker language and forgot a word (”where are the…? uh… llaves…. keys! keys, where are they?”)

otherwise really the only time your character should be randomly switching languages mid-sentence is if they’re talking to another bilingual

like i don’t speak spanish but i’ve legit never heard a spanish speaker say “ay dios mio” to gringos lmao

conversations between two bilingual people can take a few different forms:

Pick One: they pick one language and kinda stick with it for the whole conversation (a conversation i might have with my portuguese-speaking mom: ”you okay?” “yeah, i’m good. how’re you?” “i’m fine, but your dad-”)

Back-and-Forth: someone says something in one language, the other person replies in the other (”tudo bem?” “yeah, i’m good. how’re you?” “tou bem, mas o seu pai-”)

Combo: they speak a combo of the two languages, a popular example being spanglish, though basically every bilingual has their own combo language (”tudo bem?” “sim, tou bem. how’re you?” “i’m fine, mas o seu pai-”)

when in doubt: just ask a bilingual to look at your stuff and tell you if anything sounds weird

[sockwearerwrites]

controversial writing tip

open a document and start writing

[sockwearerwrites]

You’ve heard of one shots, now get ready for none shots! It’s when you think of an idea for a fic and then don’t write it

[sockwearerwrites]

🔘 I'm in this photo and I don't like it

[sockwearerwrites]

Writing advice from my uni teachers:

If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.

Wrote a chapter but you dislike it? Rewrite it again from memory. That way you’re only remembering the main parts and can fill in extra details. My teacher who was a playwright literally writes every single script twice because of this.

Don’t overuse metaphors, or they lose their potency. Limit yourself.

Before you write your novel, write a page of anything from your characters POV so you can get their voice right. Do this for every main character introduced.

[sockwearerwrites]

People worrying is their fic is too self indulgent like....... that is the point of fanfiction. You are supposed to indulge . Every fic is self indulgent

[sockwearerwrites]

How to get to know your characters better?

(feel free to add your own thoughts to this list, hope it helps!) req by @miricalebabyy44 <3

what will your character be like if they were in your shoes?

is your oc the mom friend or the dad or the childish one in their friendgroup ?

do those "poet, king, soldier" quiz for your oc. im being fr

do the "36 questions to fall in love" quiz as your oc.

ik your ocs trauma have an impact on their character, but how would they be like, if they hadn't gone through that experience?

does your oc have similar tastes as you do? (music, art, fashion, coffee/tea etctetc)

will they "i only live once so I'll do it for the plot." or will they "i only live once ffs, i don't wanna die." ?

what is your ocs opinion of love? how is/was their love life on a scale of 1-10?

will your oc let go of someone precious to them when they know they're putting them at danger?

around whom does your oc lets their guard down?

are they romantically constipated or a hopeless romantic?

what type of music does ur oc like?

write a lot about your oc if you're struggling to get to know them. find a drabble prompt, and write what they'd do.

do they trust others easily or do they get trusted by others easily?

what is something your oc will never talk to anyone about? (their answer can be deep, like some emo trauma or like smthng like back when they shit their pants or smthng yk)

do they give off golden retriever energy, or a black cat energy? (or both?)

what will THEIR opinion be on YOUR current life? will they be ur friend? will they trust you?

will your oc survive in a fantasy setting, a war setting, a dystopian setting, a futuristic setting, a medieval setting? will ur oc survive after getting stranded on an island, or a forest?

does your oc like their parents, do they like how their life is, do they feel like they're born in the right gen?

if they are ever to get one wish definitely granted, what would they wish for?

how did they react to their first kiss? (if they have had it by now lmao)

what's an ideal day for your oc?

lastly, who does your oc go to when they've fucked up?

[sockwearerwrites]

Know why you want to write

Before you start any writing project, it’s important to consider why you want to write it. Your reasons for writing can drastically change the way your project develops.

Writing for fun allows you absolute freedom, but writing to publish will come with extra considerations like genre, audience, and reader expectations.

Both are valid choices, but being aware of the freedoms and limitations of both approaches before diving in will set you up for a better writing experience.

[sockwearerwrites]

Creating fantasy religions: something I'm doing now so thought I would post about my process.

The mistake a lot of writers make is developing a religion from a singular event, and piling a ton of stuff on top of it that makes logical sense. Whereas, in reality, religions are self propelling systems that travel under their own steam and if there is an event that catalyses them, it is never in a socio-cultural or political and economic vacuum.

You also end up with an apparently totally random set of things attached to one figure which does make sense if you know the origins, but otherwise is just accepted even if the meaning is lost.

It is the difference between "the god of Midwinter and festivals around this originated because a cult of necromancers were banished into the frozen wastes and this <event> became the Origin Story for how we got to a midwinter festival with creepy bone puppets in my fantasy world" and a religion that feels ... Real.

Ok so firstly, this is a bit too neat. (This was my original reasoning for a midwinter god called Yarash and I changed it because it wasn't very realistic or interesting for my world.)

Why, let's say, is the god whose feast is at midwinter also the patron of puppet makers and osteopaths?

Well, we could say that this makes a lot of sense because the god's festival was originally to do with remembering the dead, and puppets were used in the festival to represent the dead, as necromancy should have been part of it but people didn't actually know how to raise the dead properly. Then as magic evolved people could actually raise the dead for short periods to deliver messages in these festivals, but this drew internal debate from the conservative priests who thought puppets were the original form and so should be maintained, and necromancy was an aberration, vs the progressives who saw necromancy as the original INTENTION and so the natural and correct progression from the puppets. The debate might rage on for years creating splinters, sects, differing traditions that sit uneasily together but find middle ground in other less controversial topics and practices, and even cults.

At some point, the secular authorities get involved for their own reasons. Maybe some rulers are pro-"The Old Bones" or anti-, or they want to outlaw necromancy or benefit from it for various political reasons, socio-cultural reasons, economic reasons, military intelligence reasons, etc. Whatever happens, happens. Times change. Official attitudes swing back and forth, while internally the religious debates continue, now informed by and perhaps as counters to, this secular intervention.

Then we end up in modern times, the times of the story. Nobody really believes in gods anymore. They do remember the old gods of the seasons and at the secular festival in winter, there are a lot of traditional puppet shows that have a whole history and life of their own. The puppets are called "the old bones" and nobody really remembers why. Osteopaths have the puppets and symbols relating to the midwinter festival on their certificates and college heraldry and nobody really remembers why, but the information is there to look up and is a fun thing to know for trivia nights.

And necromancy... is a controversial branch of science, divorced from its original religious significance for many but not for all, and more integrated as an art or practice in the public consciousness (positively or negatively depending on perspective and propaganda and actual usage).

And now, you have a ton of depth and meat to it without having to flesh out the arguments and debates themselves unless that is plot relevant.

There is a lot you can do with this society now, and by tweaking one thing you can create completely different societies and ideologies. The depth is now there to set your story at any point during this history and to develop numerous ideas. So much stuff can happen.

With the singular event version, and a static fact of a necromancy cult in the frozen wastes, things are much more limited and linear, with less depth to play with.

Also remember that your characters will not be expected to know everything about your world unless they are experts in religion and/or history, and also the 2 subjects are not mutually inclusive so a historian is not an expert theologian and vice versa. How much the average person on the street knows depends on levels of formal education, accessible knowledge beyond formal education, which may include religious instruction and folklore, and propaganda. But it means you can build in some subtle things - like the puppet symbols on the door of an osteopath or bone doctor - that never need to be explained, but have a logical in-world explanation below the surface.

Try taking a static idea and work it into a system and see where it leads!

[sockwearerwrites]

What is Tokenism?

Tokenism refers to giving the empty appearance of inclusivity or diversity, often to avoid criticism. In writing, tokenism refers to adding minorities to an otherwise homogenous cast (think a cast of white male characters in the West) in name or appearance only, without putting in the effort to develop these characters.

The problem with tokenism is that token characters are forced to be the sole representation of their particular group. The consequence is twofold. First, undeveloped token characters often become platforms for stereotypes. Think the sassy Black friend, the smart Asian friend, etc.

Second, token characters often become creator mouthpieces. Many of us have heard someone excuse their racism by saying they have a POC friend. The token character, the proverbial Friend of Color, can be made to excuse or even promote biases about their race, ethnicity, or culture.

There is no inherent issue with having only one of a particular identity, or having a white protagonist and a POC best friend. The problem comes when you make the character a spokesperson for their identity and/or saddle them with stereotypes and cliches. To avoid tokenism, write the character from a place of empathy, make them three dimensional, do your research on their identity, and avoid stereotypes.

Further Reading:

Why We Need More Directors of Color

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This Q&A is an excerpt from our General FAQ for Newcomers, which can be found in our new Masterpost of rules and FAQs. Take a look to learn more about writing POC representation!

-Writing With Color