soldierfirstclasszeldafair

[soldierfirstclasszeldafair]

The major reason Dante and Vergil's rivalry works better than almost any other take on the trope is because the games are totally self aware about how dumb and immature the whole trope is and they lean way the hell into it. Like yeah, there's real stakes, turmoil and emotional wounds between them that drive their eternal conflict but at the same time it's pretty obvious that the real reason they fight all the time is because they're both just the biggest goddamn children on the planet.

It really is just playground bickering elevated to apocalyptic proportions by sheer virtue of them both being demigods.

[soldierfirstclasszeldafair]

[soldierfirstclasszeldafair]

Uno is how you create enemies

Dante, getting accused of cheating at Uno:

What’s actually happening:

@oku-zero

[soldierfirstclasszeldafair]

Dante: ...I’m beginning to think you may be upset with me.

Y/n, covered in demon dust from a relic Dante left in the cleaning closet: Gee, what gives you that idea?

[soldierfirstclasszeldafair]

best boi uwuwu

[soldierfirstclasszeldafair]

Rukia & Renji

[soldierfirstclasszeldafair]

Dante + Banned Tags

[soldierfirstclasszeldafair]

uncle of the year

[soldierfirstclasszeldafair]

father of the year

[soldierfirstclasszeldafair]

“it was just… that he was all alone. always by himself. never anyone to share the game. a man who lived in dreams. that’s who he was.”

COWBOY BEBOP: knockin’ on heaven’s door (2001) dir. shinichiro watanabe

[soldierfirstclasszeldafair]

[soldierfirstclasszeldafair]

EPISODE 01 ➝ ASTEROID BLUES “I’m just an old-fashioned cowboy.”

[soldierfirstclasszeldafair]

[soldierfirstclasszeldafair]

Cowboy Bebop episode 3 “Honky Tonk Woman” (1998) dir. Kunihiro Mori

[soldierfirstclasszeldafair]

[soldierfirstclasszeldafair]

TOP 5 SPIKE SPIEGEL FIGHT SCENES AS VOTED BY FOLLOWERS ↳ 5. Spike Spiegel vs Electra Ovilo

I love the kind of woman that can kick my ass.

[soldierfirstclasszeldafair]

BALLAD OF FALLEN ANGELS

COWBOY BEBOP (1998) dir. Shinichirō Watanabe