sophiepresente
sophiepresente
sophie présente
23 posts
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sophiepresente · 1 month ago
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“𝐊𝐢𝐧𝐠” Jesus Morales & Gabe Seamon
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sophiepresente · 1 month ago
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Gabe Seamon, Seven second sculpture (2021), cardstock collage, 12 x 15 inches
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sophiepresente · 1 month ago
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Gabe Seamon, language painting (steel), 2025, oil on cardboard, 12 x 15 inches
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sophiepresente · 1 month ago
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Jesus Morales, LaFuria, 2021, digital chromogenic print mounted on aluminum, 22 x 16 inches
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sophiepresente · 1 month ago
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Jesus Morales, Untitled (Catachresis), 2024, PLA Print of Catasphère - Jean-Luc Moulène, New Era Yankees 59Fifty Cap - Olive/White Size 7 3/8, 14 x 13 x 17 inches
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sophiepresente · 1 month ago
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sophiepresente · 1 month ago
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Gabe Seamon, language painting (yellow), 2025, oil on muslin, 18 x 14 inches
Gabe Seamon, language painting (orange), 2025, oil on muslin, 16 x 20 inches
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sophiepresente · 1 month ago
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Jesus Morales, Agus (2024), digital chromogenic print mounted on aluminum
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sophiepresente · 1 month ago
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Jesus Morales, Self Portrait with Top Hat (2021), digital chromogenic print mounted on aluminum
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sophiepresente · 1 month ago
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Gabe Seamon, Touchdown, With You, 2022, video performance, 1920 x 1080, 5 min 41 sec loop
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sophiepresente · 1 month ago
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Gabe Seamon, language painting (organ), 2023, oil and graphite on muslin, 18 x 14 inches &
Jesus Morales, Untitled, 2024, digital chromogenic print mounted on aluminum, 10 x 7 inches
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sophiepresente · 3 months ago
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NEW SHOW > "𝐊𝐢𝐧𝐠" Jesus Morales & Gabe Seamon 
"𝐊𝐢𝐧𝐠" delves into the influence of web culture and its affordances in the construction and dissemination of allegories of masculinity. Drawing on Kurt Schwitters' Merz Picture 32 A. The Cherry Picture —  and how artists use fragmentation, appropriation, ready-mades, and text-based art to remove manufactured content from its context, underlining how the medium shapes meaning and ideology.
Exhibition will run from April 11th to May 10th, 2025 @ Bureau 200 av. Laurier O., Suite #350, Montreal
—------✰ .ᐟ 
"𝐊𝐢𝐧𝐠" se penche sur l'influence de la culture web et ses affordances dans l’édification et la propagation d’allégories sur la masculinité. Ayant en tête l’iconique oeuvre Merz Picture 32 A. The Cherry Picture de Kurt Schwitters pour illustrer la manière dont les artistes utilisent la fragmentation, l'appropriation, les ready-mades et l'art textuel pour retirer un contenu manufacturé de son contexte, et souligner comment le médium façonne le sens et l'idéologie.
L’exposition sera présentée du 11 avril au 10 mai 2025 @ Bureau 200 av. Laurier O., Suite #350, Montréal
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sophiepresente · 8 months ago
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sophiepresente · 8 months ago
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Alli Melanson
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sophiepresente · 8 months ago
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Tiziana La Melia
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sophiepresente · 8 months ago
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Connor Bokovay
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sophiepresente · 8 months ago
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Isabella Kressin & Connor Bokovay
@putlestory 
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