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sophoreads · 5 years
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Annotation notes for Wicked Saints
Attached under the cut are my word-for-word annotation notes pulled straight from my copy of Wicked Saints. Check out my previous post and goodreads review before reading the annotation notes.
I only decided to start annotating this book 115 pages in, because I realized that there were so many problems I was complaining about to my friend Sophie over text that I thought “Hey, I’d better write this shit down so I have receipts/can easily reference my thoughts.” I’d never really done annotations before, so I pulled out a new pack of sticky notes and color tabs that someone gave to me for free when I was in college and got to work. I ran out of sticky notes (started a new pad) and yellow tabs (borrowed last few from a weird tab/highlighter I found at the bottom of my college study stuff bin). I also got so frustrated I had to put the book down several times, because I’d paid eighteen dollars to pre-order this fucking garbage.
Pg 115 Pink tab – Character note --Bitch do you want to kill him or not? This is like bad Reylo fic— (Nadya being ~~inexplicably~~ held back from killing Mal, because she really wants to kill Mal, but just CANT for SOME REASON)
pg 123 Yellow tab – writing/literacy/grammar note --no note written— “He braced himself for the inevitable summons from his father. It arrived immediately by way of servant wearing a plain brown mask that left only his eyes visible. One of his father’s personal servants.”
Pg 137 Yellow tab – writing/literacy/grammar note --WTF is “it commanded attention”?! This whole throne bit is needlessly over-explanatory and could be fixed by adhering to golden rule “show, don’t tell”—
pg 139 Yellow tab --you don’t have to repeat the same thing twice!— “…Serefin paused, swallowing down the anxiety threatening to choke him. He was suddenly unspeakably nervous.”
Pg 140 Yellow tab --you just said they didn’t know who it was and now, not even a page later, you’re literally describing Mal and saying you DO know who it was?! WHO TF EDITED THIS SHIT— (Izak telling Serefin that they don’t know the vulture who escaped, then the vulture lurking behind him describing the backstory of the vulture who escaped)
pg 145 pink tab --what, is she Canadian now?— “You’ve realized your father isn’t so good a father to you, eh?” she [Pelayega] asked.
Pg 146 Yellow tab --For all that Duncan over-explains things in this story I still don’t fucking understand the High/Low prince thing??? Not once has she gone into it. And what the fuck is a slavhka?— (in reference to the first mention of there being “low princes”)
pg 148 Blue tab – Plot note --Why is the church still standing they LITERALLY TORE IT DOWN! THIS PART OF IT COLLAPSED!!!— (in reference to parijahan lying on top of pillows in the church Mal and Nadya just destroyed to get rid of the Vultures)
pg 153 Yellow tab --Are we really still saying “invalid” in the year of our unbridled insanity 2019?— “…Your mother, Estera, is an invalid…” (Mal making up a fake background for Nadya)
pg 153 Blue tab --SINCE WHEN DOES HE HAVE TATTOOS ON HIS HANDS— (in reference to the very first mention of Mal having tattoos on his hands, 153 pages into the story)
pg 155 Pink tab --Anna is so flat a character she could be removed from the whole book and not one thing would change— (in reference to Anna deciding to leave the group to re-join Kalyazi forces. I hold by this statement because Anna had no fucking role in the end of the book, and was therefore a useless character throughout)
pg 157 Pink tab --I’m sorry are we ETHNIC CLEANSING?! IS THIS WHAT WE ARE ENDORSING?! WTF?— “…then we can cleanse Kalyazin of the heretics entirely”
pg 163 Blue tab --this is the first we are hearing about any hierarchy in the vultures, which we should have read many chapters ago, not just when convenient for the author/plot— (in reference to first mention of Crimson Vulture)
pg 164 Yellow tab/Blue tab (overlapping domains) --Inches? FRACTIONS? IN THIS ECONOMY?!— (what is math in medieval Poland)
pg 167 Yellow tab --Still have not defined nobility and what makes a family “noble” or slavhka or whatever “low prince/royalty” or some shit— (In reference to yet another mention of low princes/royalty and somehow differentiating them from slavhka)
pg 168 Blue tab --I am more interested in gay Romeo/Juliet in a blood mage society than I am the entire plot of Wicked Saints— --Also this interaction feels cringey and thrown in for…no real reason?— “You’ve missed so much! Did you know that Nikodem Stachowicz was caught in the palace archives with the youngest Osadik boy?” (Zaneta)
pg 170 Yellow tab --FIRE YOUR COPY EDITOR— He shrugged, burying his tattooed hands in his pockets. “It binds over time, magic does. Especially blood magic. It’s so accessible. You don’t have to have a true affinity for it…” (Mostly I got furious over the fact that we’re only just getting Mal’s tattoo hands, which was obviously written in as an afterthought for his character partway through the writing process and not retconned into the story. I also just hate the sentence “it binds over time, magic does.”)
Pg 170 Yellow tab --Page 170: “walked on” Page 177: on horseback. WHAT IS THE TRUTH?— “Malachiasz stopped to wait for Nadya while the others walked on ahead” (this note coincides with a future note)
pg 173 Orange tab – blatant parallels to and lifts from Dragon Age franchise --you get a special shame-color for copying Dragon Age (also WHAT IS YOUR MAGIC STRUCTURE HOW IS THIS EVEN POSSIBLE) (it’s just bad writing)— “He was referring to witches—apostate magic users outside the gods’ approval—but there had been no witches in Kalyazin for decades. Their route of magic was considered just as heretical as blood magic…”
pg 176 yellow tab --Emily A Duncan focuses [more] on the little actions of Malacheezit than she does for any other character and it hurts the story— (specific reference to line “He fidgeted, fingers picking at a hang nail” interjected in dialogue. This action-dialogue tag does no service to the story at all.)
Pg 177 Pink tab --What the fuck? Is this about Holy War or is this a romance fantasy? (note the order: not “fantasy romance”)— “In a flash, his hand was underneath her chin, thumb brushing against her jaw…If Nadya hadn’t been sitting down she suspected her knees would have given out on her.”
Pg 177 Yellow tab --SINCE WHEN DO THEY HAVE FUCKING HORSES?! FIRE ALL YOUR EDITORS FIRE THE PUBLISHER— “Nadya let her horse wander instead of tying it up, sending a short prayer up to Vaclav to keep an eye on the animal so it didn’t stray too far.” (These horses were never mentioned before (note connects to a prev. note) and were never mentioned again after this. I literally cannot fathom how or why this book made it to final printing in this state.)
Pg 183 Pink tab --All this romance shit seems so forced for both Nadya and mal. I see no actual attraction on either party?— (I’m not recording the second note as it is a crude remark against the author, a remark of which I still stand by, but would be damaging to both her and myself. However, the emotion of the second note follows the concept of “anyone who knew what they were talking about wouldn’t write this kind of bullshit.”)
Pg 185 Yellow tab --“Per se”? I’m sorry is there LATIN in this world? (it’s bad writing)— “He wasn’t putting it off per se, he…”
pg 186 yellow tab --“It was fitting THAT assassins…” ugh— “It was fitting assassins chose to strike that same evening” (Doesn’t the author have a masters degree? And works in a library? How is her writing this chopped and sloppy, omitting crucial subject/action markers?)
Pg 198 Blue tab --Jesus, are prostitutes of war a NORMAL THING? WE SHOULD BE SAVING THESE POOR WOMEN— “The girl is…” He faltered, convincingly. “Well, you understand.” He winked at the soldier. (the soldier doesn’t even remark on Nadya’s sex slave status) (Also I realize that “prostitutes of war” is not the correct vernacular, however I’m committed to giving you my direct and exact notes. I know that they are slaves of war, sex slaves specifically, and do not receive true compensation or reparation for their suffering.)
Pg 201 Pink tab --HOW THE FUCK DO YOU KNOW ANYTHING ABOUT NOBLES? YOU LIVED YOUR WHOLE LIFE IN A MONASTERY!— “Nobles are nobles,” she [Nadya] said waving a hand. “Regardless of where they come from. The pettiness of court transcends all cultural boundaries.”
Pg 202 Blue tab --WHAT THE FUCK? EXPLAIN YOUR MAGIC/MYTHS— (referencing the blasé and brief mention of Wolf Changers, which we never hear about again)
pg 203 blue tab --WHAT NECKLACE? WHEN DID THIS HAPPEN?— --Oh, that necklace, that was mentioned in the first chapter, forgotten, reintroduced the following chapter, then COMPLETELY forgotten again! Bad writing. Bad props.— “Her prayer beads were safely in her pocket, so she clutched at the necklace Kostya had given her.”
Pg 205 Blue tab --Is her accent suddenly better?— (reference to previous statements of Nadya having a terrible travanian accent, hence the sex slave thing to the border guard so she doesn’t have to talk, but now she’s talking and there was no reference to her improving her accent at all or even working on it.)
pg 207 yellow tab --I can see Emily has a kink for masks + chin grabbing— “He [Serefin] reached out and took her chin in his hand, lifting her face up to his” (Mal has also done this to Nadya countless times and she orgasms almost every time.)
Pg 209 Orange tab --The veil, yet another stolen Dragon Age concept!— “…closed her eyes, letting herself feel the invisible wall separating gods from men. She felt it the moment they had stepped into Tranavia, the weight of the veil pressing down against her, choking off her only access to the divine.” (This is also the very first reference to any such veil being in place. It took 209 pages for this to be mentioned, in a book chock full of a girl talking to gods in her head. Also, they’ve been in Tranavia for awhile. Why wasn’t this mentioned when they first stepped foot inside? (because it’s bad writing))
Pg 209 Pink tab --Nadya’s powers seem almost limitless at this point— “Holy speech whispered through her head and she moved to disassemble the spells woven through the walls. She couldn’t take them apart completely— someone would notice, precautions in place—she was just making them fuzzy, bleeding them out. She dulled them so any information imparted back to the mages who set them would appear mundane.” (If Nadya’s powers (at this point in the book) are tied to the gods, there is no mention of which god provides these powers. If this is meant to foreshadow that Nadya has her own powers, it’s a lazy job. It’s simply overpowered and oversimplified. )
Pg 210 [no tab just a sticky] --oh FINALLY we hear how they met!— “I’ve known him [Rashid] my whole life. And we crashed into Malachiasz about six months ago after getting into trouble with some off-duty Kalyazi soldiers.”
Pg 214 [no tab just a sticky] --also can we acknowledge the whole “brown girl serves a white girl” thing because WOW— (in reference to Parijahan playing handmaiden to Nadya at the palace)
pg 215 Pink tab --“Couldn’t worry about the prince”? wasn’t HE the one she wanted to kill in revenge for Kostya? (IS THAT ALL FORGOTTEN NOW?)
pg 216 Pink tab --First Zaneta is Indian [coded] and now she’s black [coded]? WHAT?— “…a tall girl with luminous skin like onyx threaded with gold…her spiral curls fanned out around her head like a halo.”
Pg 217 Orange tab --The game? Court intrigue? Masks? This all reeks of Orlais and direct theft from Dragon Age— (in reference to basically the whole castle competition, masks, etc)
pg 217 Yellow tab --And now we’re switching perspectives mid-chapter? Just start a new chapter!— (in reference to the very first mid-chapter perspective switch, which will occur more from here on out)
pg 232 yellow tab --I am so sick of these italicized words without any translation or description— (in reference to szitelka which I still DON’T KNOW WHAT IT IS)
pg 233 pink tab --what the fuck is Nadya’s perspective? Does she want to kill all Tranavians or not? Emily make up your fucking mind— (in reference to Nadya getting pissed at Mal for killing the other blood mage girl in Nadya’s duel, so that Nadya wouldn’t die and the duel would end)
pg 234 pink tab --literally when has Nadya worried about his safety, esp. when she’s the one always threatening to kill him?— “She hadn’t forgotten, not even while she found herself worrying about his safety and wanting him by her side.”
Pg 235 Pink tab --oh FINALLY we get a description of his tattoos! 235 PAGES IN!!!! BULLSHIT YOU HACK WRITER!— “She found her eyes drawn to the tattoos on his long, elegant fingers. They were simple, straight lines: two on either side of each finger and one down the back that started at the bed of each fingernail and ended at his wrist in a single black bar.” (I literally vomited in my mouth when I read this)
Pg 238 Pink tab --Oh so Mal can’t murder to save you but you can murder Tranavians and its fucking justified? Nadya is such a bad Nazi char.— “It’s not an apology for murdering that girl, she noted. But it was a start. It was something from this boy who obviously had no morals and no regard for anything that didn’t serve his own interests.” (Nadya is the worst hypocrite and I want to punch her in the face)
Pg 239 Yellow tab --Hanged? Since when? Has hanging? Been a threat? Ever? In this world?— “…or else this whole mess of a plan will go up in smoke and we’ll all be hanged for it.”
Pg 240 Pink tab (this is another omitted note because it is a crude comment in part against the author, but the other half does say that Nadya is such a virgin and that I am second-hand embarrassed because this book and the “romance” scenes are so bad)
pg 242 blue tab --If Nadya used blood magic, why don’t the gods cut off her powers for her heresy? It would only make sense— (this is just a general comment on the chapter and how, after the duel and Nadya used blood magic, her gods were still talking to her. This is also before we find out that Nadya has her own powers)
pg 247 yellow tab --the way this is lazily written we’re supposed to assume it’s Ostiya at the door. Could be written much better (all of this could be written much better)— “Serefin hastily wrapped his still-bleeding hand with cloth while Kacper got the door. Ostiya blinked her single eye at the sight of both of them.”
Pg 248 Blue tab --“delicate gov[ernmen]t? we don’t even know how  the gov’t is even structured!— “This was too far. It would crumble Travania’s already delicate government.”
Pg 259 Blue tab --Oh good, a love triangle. Good to know Nadya’s type is “blood mage  tortured/charming boy” that grabs chin + kisses hands— “…and wasn’t sure what to do with this charmingly awkward boy. That he was one of the most powerful blood mages in Tranavia...She wavered too much already; she couldn’t allow herself to feel any more.”
Pg 260 Pink tab --Literally all that Parijahan does is be soft + comforting? That is literally all she does to Mal + Nadya + Rashid?— “Nadya usually didn’t see this side of Parijahan. It relieved her to see there was a warm softness to Parijahan’s flinty gaze.”
Pg 270 Blue tab --What do you mean? When did you mention that the gods had withdrawn their power from Nadya?— “She had no magic. She had nothing. She had no hope without her gods.”
Pg 275 Blue tab --But they would abandon her for using blood magic you dumbass— “The gods wouldn’t have abandoned her. Not for a few doubts, not for kissing a heretic—not even that.”
Pg 278 Blue tab --Okay this is actually a really cool scene— (when Nadya is first using blood with the pendant to see her way out of the room the rogue Vultures locked her in)
pg 280 blue tab --Calls her “little bird” is this Mal?— (referencing this unnamed god that Nadya is talking to via Kostya’s necklace)
pg 287 yellow tab --sloppy transition makes it seem as though a new person is talking— (Basically for the next two pages Emily incorrectly punctuates her paragraph breaks while Pelayega is talking.)
Pg 294 Orange tab --Velyos=Solas=Mal? Oh my god is this whole plot a regurgitation of DA:Inquisition/Trespasser?— “Have you heard of him? I suppose not. The veil went up, Velyos broke away. Your gods were probably relieved, but here he is once more...”
pg 298 blue tab --fucking called it (“acted like he was dead”? Literally said before that he was “sent to the country”)— (in reference to Serefin seeing Mal and discovering that his cousin is the Black Vulture. Previously, a not so subtle mention of a nameless male cousin of Serefin’s was “sent to the country” when he was young. I immediately pegged it as being Mal. But now it is written that Serefin was led to believe that his cousin died? The inconsistencies are rife.)
pg 308 pink tab --Does Nadya literally have no self control or sense of morality (for her own morals)? What the fuck is this?— “Then her traitorous, heretical hands betrayed her as she reached up and wove them into his hair, pulling his face down to hers and kissing him. Because she was angry with him, furious with his lies, but not even her anger was enough to cool the burning she felt when he was near; the heat that spread through her nerves when he touched her.”
Pg 308 Pink tab --ooh power shift, she’s doing the chin-grabbing now!— “She took his chin in her hand, directing his gaze down to hers.”
Pg 309 Blue tab --except for the vultures that kidnapped her? What about them?!— “Go to the cathedral when you’re finished here,” he said. “None of the Vultures will give you any trouble.”
Pg 313 Pink tab --Didn’t want the fate of nations? She LITERALLY came here to topple the monarchy and uproot Tranavia and start a mass ethinic cleansing— “She was only one girl; she didn’t want the fate of nations resting on her decisions.”
Pg 314 Pink tab --YOU CAN’T HAVE IT BOTH WAYS YOU DUMB BITCH— [the dumb bitch being Nadya] “The war took something important to me,” she said, fingering Kostya’s necklace unconsciously. She couldn’t think about how it had been Serefin who had led that attack. (Nadya literally forgets and completely forgives Serefin for what she believes is Kostya’s murder (we know that Kostya wasn’t killed by Serefin but his BABY BRO WAS). Like, wasn’t Kostya super important to her? And she tried to kill Serefin in revenge but Mal stopped her? And in literally less than a week she totally forgets about it?)
Pg 318 Pink tab --Honestly, Mal deserves better than Nadya. He’s clearly doing his best and she’s just being racist and unwavering.— He opened his mouth, at a loss for words. Finally, he asked, “Will it always be like this?” Would it? She couldn’t say. Would she ever be comfortable with what he was? Or would it always be this constant hot and cold, friends one second and enemies the next? “I don’t know.” (Nadya is so abusive in this whole relationship I feel bad for Mal)
pg 321 yellow tab --He literally said he only told her the truth?! Mal has literally not told one lie?— “He was a liar and she wanted his truths”
pg 322 yellow tab --The whole order of this scene description + the characters is clunky and wrong— (no further comment really, that pretty much explains it)
pg 326 pink tab --Did she literally forget about Kostya? Did Nadya literally just forgive Serefin b/c she thinks he’s cute and tortured? LITERALLY? WHY?— “Serefin. He’s good,” She nuzzled his chest. “I like him. He should live.”
Pg 327 Blue tab --Can Serefin suddenly write his own spells now?! I thought only Mal could do that— “As he sat down at his desk with spells sprawled out in front of him, blood still drying on the pages, he couldn’t shake the feeling…”
pg 335 pink tab --That’s right, bitch! You’re damn nigh abusive to him and for some reason he keeps coming back! I don’t know why since you have the personality of a Nazi but for some reason Mal just really wants to fuck you!— “How could she be the only good thing to happen to him? She had almost slit his throat, had hung him off a railing. She didn’t even trust him, not really.”
Pg 351 Blue tab --since when have we seen a fucking calendar system?— “…turned the tide of a battle in 625 when…” (this is a “Vasiliev’s Book of Saints” entry for chapter 33. There is one more reference to a year in an earlier codex entry (tsk another Dragon Age ripoff) for something like 15XX. We don’t know what year it is, nor do we know when/why they started counting. Maybe it’s not critical for the story but it IS critical if you’re bringing it up.)
pg 357 orange tab --Literally Solas’s plot in Trespasser— “She bit back a cry of pain and shoved her magic harder up at the veil. If this was when she died, then fine. Fine. She would tear this veil down first and bring the gods back to Tranavia with her dying breath.”
Pg 360 Blue tab --How did she get here? Already? These scenes are so lazy, show me Nadya scrambling up the dais to Mal’s waiting neck— “He idly spun a chalice on the armrest and Serefin watched as the cleric stood and darted for a dagger that reseted a few steps away. It was time to test just what he could do with this power. (now it’s Nadya’s POV) Malachiasz’s eyes closed. He tilted his head back, baring his throat to Nadya’s blade.”
Pg 363 Yellow tab --Did we just miss Serefin fighting his father for Nadya’s sexy threatening? Was that really a real choice the author made?— (Nadya looks over at Serefin) “Serefin was on his knees, hunched over in pain, blood oozing from his head, one hand white-knuckled on the ground holding him up. Dead moths littered the floor around him. The stars around his head began to flicker out.”
Pg 368 Yellow tab --you CANNOT call it an “Adam’s apple” when there is no “Adam” or Christianity in this fantasy world! Lazy writing indeed!— “His head tilted back, Adam’s apple bobbing, as he swallowed hard.”
Pg 376 Yellow tab --this line is so cliché and fucking bad why the fuck is it even in here?— “The king is dead, long live the king,” she said, handing it [the crown] to him [Serefin].
Pg 376 Yellow tab --And why didn’t you write that the other vultures disappeared? There is so much missing here— “Where are all the Vultures?” Ostiya asked “Most probably fled with their king,” Serefin said.
Pg 378 Yellow tab --Is what enough? Power? Crown? What the fuck? This is so sloppy— “Will this be enough?” she asked him [Serefin]. “To stop the war?” … [Serefin:] “It will”
pg 380 yellow tab --No clear description of where Mal is. Is this physical or ethereal? What the fuck is happening?— (Mal’s whole epilogue)
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sophoreads · 5 years
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Wicked Saints - review
Do you ever read a book and realize that you.....hate it?
Like, hate it so much that you start a new life as a book annotator and reviewer? 
Which is something you’ve never done before?
Because you are so filled with rage?
That, for me, was Wicked Saints by Emily A Duncan.
You can find my review of Wicked Saints on Goodreads here but if you don’t want to click links, it’s pasted under the cut.
I was so excited for this book when I pre-ordered it, and once I got only 15 pages in I was severely disappointed by several things. I also got so frustrated I had to put the book down several times, because I’d paid eighteen dollars to pre-order this fucking garbage. A non spoiler review follows: The people responsible for editing, publishing, and printing this book should be ashamed that this made it to the NYT Bestseller list. The prose is rife with poor sentence structure (isn't Duncan a librarian? With a masters degree?), and continuity errors and inconsistencies. The POV shifts become inconsistent in formatting in the last third of the book, and the short jumps in time within scenes due to POV shifts create gaps in the action that are a detriment to the book. The book is marketed as a gothic fantasy, yet once I finished reading it, it felt to me as though it was a romance fantasy. Not a fantasy romance, a ROMANCE FANTASY. If anyone has read OC/Character fanfiction on AO3 or FanFiction.net then you know the quality of romantic tension I'm describing: there is none. It reads like a self-insert wish fulfillment fantasy where there is no actual tension or attraction between the romantic leads. This so-called "romance" drowns out the story, the world, and the side characters involved, leaving the world of Wicked Saints flat. The scenes between the romantic leads are formulaic and unrealistic (look, anyone who's made out with a boy on a bed would read this scene and go "yeah this only happens in clean het fanfiction written by people who don't know what they're talking about." I know because I asked a few people and they agree with me on this). I get it's YA and things can't be "steamy" but good chRIST you could at least be realistic? The characters are unequally developed for a story of this caliber and a novel marketed at this level. The main character, Nadya, is completely side-lined in attention for the "monster" love-interest Malachiasz. His every little twitch is described, once more drowning out the potential for development of side-characters. Some characters are entirely forgotten, some are so flat (Anna) that they could be totally removed from the book and NOTHING WOULD CHANGE. Serefin is probably the most interesting character of them all, and his arc is the only reason I would consider buying and reading the sequel. Nadya's entire character is about her magic powers (ugh) and her hate for Tranavians and blood mages. In essence, and this is not a spoiler, Nadya is a Nazi with a vapid desire to kill all blood mages and Tranavian heretics and "cleanse" Tranavia of their heresy and bring back HER gods to the country. That is, by definition, ethnic cleansing. And her character is not critiqued for this. Even as she and Malachiasz have this budding relationship, she STILL considers killing him and cleansing Tranavia. What the fuck? (okay sorry that was a little spoilery but EMILY A DUNCAN TOLD US THIS ANYWAY) Overall, if you want to read a book to practice annotating and critiquing, this is the book for you, since there are so many great errors and problems to find and point out! But if you hate boring stories, flat characters, and dull forced romances, definitely do not read this book. The copy editor should be fired, as well as the actual editor, as well as the publisher, as well as the author.
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