My side blog for my Miss Fisher, Agent Carter, Broadchurch, Scandal, Addams Family, etc. Which has really just turned into a Virtue/Moir account. Or figure skating in general
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this is literally so insane this was allowed on television
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Where There’s a Will, There’s a War || M*A*S*H 10x17 Original Airdate: February 22, 1982 written by David Pollock, Elias Davis story editing by Karen Hall directed by Alan Alda
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A lot of sitcom endings are like "This moment is sad because the gang is splitting up and everyone's going their separate ways, it's the end of an era but there are good things ahead and we'll always remember the memories we've shared. Here's a bittersweet pop song."
The ending of Mash is like "The protagonist just had a mental break after years of repeated exposure to the worst of humanity. The man he loves is going home to his perfect suburban family, leaving him alone and adrift. It's unlikely he'll ever fully recover from what he's been through. The fan favourite side character recieved a traumatic head injury, he's going home permanently deaf and none of the other characters know because he hid the information from them. People might be going home but the war isn't over, it's never over, war will never be over as long as there are humans on earth to wage it. We'll see you all next year for the worst spinoff to ever air on television."
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GET TO KNOW ME ♡ Favorite Ships ↳ Alexis Rose & Stevie Budd “I’ve got your back today, girl. Just like Nicole Scherzinger did for me.”
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Behind the Scenes - The Worst Witch, 1998!!
including snippets from the iconic 90's promo shoot <3






























credits to @ constance_hardbroom on Instagram, and tww discord for a few of the restored images :)
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Miss Fisher’s Murder Mysteries (2012-2015) ↳ 1x02 Murder On The Ballarat Train
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constance hardbroom. her autism has bewitched me.
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New York sure is a place that exists 😂
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Ah I love that she went to Spamalot!
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youtube
youtube
in case you haven't seen these.
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youtube
AMBER GRAY WITH THE WORKSHOP LYRICS STEEL CHAIR
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about Persephone's cut verse in Chant II.
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The body of [How Long?] remains nearly untouched after all these years, but the intro scene changed many times as I tried to contextualize what was happening in this dense, poetic argument with a rather ambiguous outcome. In an early workshop, I tried this sung Persephone solo, an appeal to Hermes. - Anaïs Mitchell, Working on a Song.
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