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spirker · 19 minutes
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I think maybe the funniest thing about the Zaddy outtake is that when Ed says "I dunno... zaddy" he has clearly not heard a word Stede has said. He is in his own little fantasy world where Stede is on a horse looking suaver than the old spice guy. He is intently pondering his next opportunity to bend and snap and make it seem casual. Despite being surrounded by enemy corpses, this guy has forgotten the Royal Navy exists. No thoughts, only zaddy.
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spirker · 1 hour
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ough…
(inspired by this post by @piratecaptainscaptainpirates)
[ID: A digital drawing made to look like a selfie of Ed and Stede at pride. Stede’s smiling in a smoldery way, wearing rainbow aviator sunglasses and an unbuttoned teal shirt with rainbow stripes. Ed is smiling widely, eyes crinkled, wearing a purple tshirt and a trans flag tied around his shoulders like a cape. Ed has on rainbow eyeliner, small pink, blue, and purple heart stickers on his right cheek, and a trans flag in facepaint on his left cheek. Stede has a matching trans flag on his right cheek. Behind them is a blurred background of buildings, blue sky, and various rainbow flag decorations. There’s an overlay on the image to give it a rainbow light leak effect at the left and right edges.]
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spirker · 6 hours
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From a deleted scene… “I can’t eat cake!” 🤣
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spirker · 6 hours
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edward teach + dangly earring
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spirker · 7 hours
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🖤🤍
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spirker · 7 hours
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Why was finding Stede's letter so important for Ed?
Real talk, I adore the season 2 finale and to me the rush is worth it to have a safe ending place. But this episode is so overpacked, and Ed goes through such an incredible character arc and I love it, so here goes my rant on why he burst into tears and screamed at the forest when he read Stede's letter.
Ed is all goddamn over the place in the first part of this episode, tossed about by his insecurity and baffled by what is safe and what is unsafe. He has a voiceover about how amazing being a fisherman is, then ends up regressing into childhood trauma when another father figure freaks out over dinner. Ed doesn't even choose to leave the fisherman fantasy: the fantasy gets shattered and he gets fired in a high-speed parallel of Stede trying to go home (return to a safe, simple life) and finding he doesn't belong there in S1E10. At least Ed does manage to not drown in self-hatred on the way out.
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And then Ed returns to the pirate safe space, only to find that it's been invaded and taken over. And that his selfishness, the low self-esteem that distorted his view of reality and his relationship, may have had real consequences for someone he loves (another parallel with Stede, this time early season 2). Ed may have been off pretending to be a "dirty old fisherman" while Stede died.
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What was safe is now unsafe. All Ed has left is himself--so he really looks at himself.
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At the fact that the kraken is always there, no matter what clothes he wears or how deeply he tries to bury it. He can fight that and run from it, and end up losing everything. Or he can embrace it, and figure out what comes next. Be what he was made by his past, however dark that past was.
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But Ed's past wasn't all darkness. Ed walks onto the beach and gets a letter from the past, and suddenly there is something safe again in his world. Something worth killing for.
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Ed first started falling for Stede through the stories Stede built around himself, stories formed by boastful encounters with Izzy, muttered hallucinations, and trinkets decking his ship. Back then, Ed didn't believe he himself was a good person, didn't believe he could have friends. But Stede told him stories about friendship and treasure maps, and Ed took these to heart and told stories to match, and Ed found truth through the fiction.
Then Stede left, and those stories fell away for Ed. Ed embraced the story of the kraken, of Blackbeard. Instead of a story about love or survival, he wrote a story about an impossible bird, a raiding record, and a treacherous crew--and mourned a story about lost love.
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But Stede kept writing stories. He poured himself into his letters, poured his heart into sustaining his connection to Ed in spite of all the obstacles.
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Ed didn't believe in this story after Stede came back, even though he wanted to. He kept emotional distance from Stede, avoided risks, and bailed after two days. Because Ed didn't trust that their bond was solid, that their story was something that could survive Ed's darkness, insecurities, and damage. Didn't trust that what Stede said this time, he had truly thought about, and meant with all his heart.
Stede didn't get how insecure Ed was in all this, because Stede was just so sure of Ed, and of their love. Stede believed in his story with his whole soul, and Stede's stories have a way of creating reality--after all, the whole crew of the Revenge became "real boys." But he couldn't figure out how to communicate this to Ed, to let Ed believe it too.
And then, at a moment where his identity is fractured and re-forming, Ed finds this letter. And just like that, there's a solid ground of story beneath his feet.
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Because there was, in fact, solid ground beneath his feet all along.
Ed's and Stede's relationship, like all relationships, is hard. But they formed a real bond of love in season 1, and like Mary Bonnet said, being in love is easy. Ed can trust it--like he did before, but for real this time.
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Ed's figuring this out ruddy late. He and Stede didn't communicate these things to each other when they had the chance, and now the chance may have slipped away. So now, Ed yells his feelings at the world and runs off to try to find his person.
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When Ed finds Stede again, he doesn't hold back anything. He doesn't hesitate to kill, and he doesn't hesitate to drop his sword when he reaches Stede. They're finally face to face, in every way. Finally balanced, and seeing each other clearly, and able to communicate.
And, for the first time since he and Stede reached each other this season--for the first time since his vision in the Gravy Basket really--Ed is utterly vulnerable.
And entirely safe.
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spirker · 8 hours
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You wrote me a lovely letter!
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spirker · 8 hours
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spirker · 10 hours
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David Jenkins’ three words to describe Stede and Ed from his new interview with Awards Radar (x)
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spirker · 10 hours
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Sleepy morning Ed has Stede Tunnel Vision until he has his seven sugars.
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(ID in alt and under cut)
ID: 1. Full body shot of Stede sitting on the couch in the captains quarters, dressed in a waistcoat, cravat, and breeches. He smiles, leaning forward to set down his tea cup on the coffee table as Ed staggers in at the edge of the frame. Stede says, “Oh! Good morning, Ed!”
2a. Reverse shot shoulders up of Ed in a nightshirt, hair messy and still looking half asleep. Stede continues off screen: “Come take a seat!” Ed thinks to himself, “Seat?” 2b. Second smaller shot of Ed looking down, noticing something. 2c. A close up of Stede’s lap from panel 1, colors inverted and all the lines gone liquid and wobbly as Ed’s sleepy eyes zoom in. He thinks triumphantly, “Seat!” With a pink heart.
3. Full body shot of Stede on the couch, rearing back in surprise as Ed, exclaiming “Don’t mind if I do!” plops directly down onto his lap. Ed is wearing small cloth shorts under his hiked-up nightshirt and has both bare legs folded on either side of Stede and both arms wrapped around his neck, face buried in the crook of his shoulder opposite the viewer. Stede’s pink and panicked expression is in the forefront, hands raised as if trying to avoid touching Ed’s legs.
4. Zoom out to reveal Olu, Lucius, and Buttons sitting on the other couches around the coffee table, which holds Stede’s cup and a teapot. Olu is lounging on the left, turned sideways with one leg folded up and one elbow on the backrest. His other hand is holding a cup of tea and he is grinning teasingly at Stede and Ed. Lucius is on the right, one leg folded over the other, and continues writing in Stede’s journal as he smirks over at his captains. Buttons sits beside him stock-still and staring. Ed, still slumped over Stede in a loose embrace, begins to snore. Stede’s face continues to get redder and his hands fly around nervously as he stutters “Ed, Ed! Um, wake up, darling! Ed!”
(Caption)
5. The same comic, all together in one image. /end ID
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spirker · 20 hours
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with the way this show progressed, we'd have seen Ed's bare ass as the first scene of s3
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spirker · 22 hours
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with the way this show progressed, we'd have seen Ed's bare ass as the first scene of s3
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spirker · 22 hours
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Edward Teach (SO2E02 - Red Flags)
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spirker · 22 hours
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i dont “have ptsd” that’s all just the wizard’s curse
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spirker · 22 hours
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a moment of gratitude for ofmd hair team cuz i think about taikas wig daily. bc to me it ISNT taikas wig. that is edwards hair. its real and true to me and also fucking gorgeous
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spirker · 22 hours
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Reblog with your score
#14
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spirker · 23 hours
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The majority of people are horny. People are always going to be horny. You cannot stop people from being horny. Throughout history there have been extensive attempts to suppress horniness and they haven’t worked. You can be mad about it all you want but horniness will prevail against any adversity. There will always be an aspect of horniness within society. Sexuality cannot be contained by having missionary sex with your spouse alone in the privacy of a dark bedroom.
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