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"The movie's final sequences center on Savage's induction, leading to the hilarious "Black Boys/White Boys" number, an omnisexual showstopper. Twyla Tharp's choreography here is wonderfully happy and grin-inducing, as enlisted men rub legs under the table."
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The man singing is very dark and widens his eyes a lot to play on the stereotypical blacks of the early 1900s.
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