stainofdesire - Tumblr blog

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Photo by Lyle Ashton Harris.

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Ohne Titel (Gartenzwergvogel), 1971. © The Estate of George Paul Thek, New York / Foto: Lehmbruck Museum / Octavian Beldiman

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Fernand Deligny transcribes lines and paths of autistic children by means of maps: he carefully distinguishes “lines of drift” and “customary lines.” This does not only apply to walking; he also makes maps of perceptions and maps of gestures (cooking or collecting wood) showing customary gestures of drift. […] Deligny opened his lines of writing to life lines. The lines are constantly crossing, intersecting for a moment, folowing one another. […] In short, there is a a line of flight, which is already complex since it has singularities; and there a customary or molar line with segments; and between the two (?), there is a molecular line with quanta that cause it to tip to one side or the other.

— Gilles Deleuze, A Thousand Plateaus. P. 202-3.

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Medardo Rosso, Enfant malade, c. 1909, aristotype, 7.9 x 6.3 cm, private collection. 

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Vito Acconci. Step Piece, 2015

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genzken, müllberg (pile of rubbish), 1984, plaster, metal, burlap, and paper, 42 × 42 × 47 cm.

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jimmie durham, not lothar baumgarten's cherokee, 1990, charcoal and collage on irregular paper sheet, 40.6 × 53.3 cm.

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Body Print. 1975. David Hammons

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https://vimeo.com/666715920

DON’T COUNT THE WAVES

By Stian Gledje Bekkvik

After Agnes Martin and Yoko Ono

2022

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Kurt Schwitters. Untitled (Schwarzes Gitter), 1932

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nauman, henry moore bound to fail, 1967, cast iron, 64.8 x 61 x 7.3 cm.

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kai, untitled (scene in snow with dogs), 2001, Laquer, paper, watercolor, varnish 40 x 40 x 4.5 cm

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I am a Man and I am a Horse. 3’x4’.

Xerox ink & Acrylic on Dry Erase Board

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Günter Brus Gino Ciccognani e François Zile editori, Milano, 1964 silver print

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klara liden, paralyzed, 2003, video (color, sound), 3:06 min.

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Mark Morrisroe, Self-Portrait With Broken Finger, Christmas 1984

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allan sekula, dear bill gates, 1999