stealthwitch

[stealthwitch]

two women. and they kiss. think about it

[stealthwitch]

While we’re warming up here I’m gonna tell you the best story that you’ve ever heard in your life. So I met this woman, and I went home to her house with her, already a great story. x

[stealthwitch]

terfs would lose their minds if they were exposed to 2000s-2010s "a girl can do anything a boy can do, including beating them at sports" messaging like why are you all acting like nobody has ever said this and that it's radical to think that women aren't inherently worse at things. open your mind. read some feminist theory. touch some grass. the most basic banal middle-class white woman feminism of the 2010s looks fucking radical and visionary compared to the misogynistic victimization complex y'all are peddling

[stealthwitch]

i saw the words “ur not the first person in your lineage to be queer” and it’s rocking me to my core. how many generations down the line did one of my ancestors feel the way i did, feel differently than i did and so damn queerly it was a crime? how many of us were there? did they have hope? did they find peace? i don’t know. at the very least, maybe i am proof their identity was never wasted. reincarnated.

[stealthwitch]

i think it's nice that people write books and it's possible to read them. often through the public library system

[stealthwitch]

In the past fifty years, fantasy’s greatest sin might be its creation of a bland, invariant, faux-Medieval European backdrop. The problem isn’t that every fantasy novel is set in the same place: pick a given book, and it probably deviates somehow. The problem is that the texture of this place gets everywhere.

What’s texture, specifically? Exactly what Elliot says: material culture. Social space. The textiles people use, the jobs they perform, the crops they harvest, the seasons they expect, even the way they construct their names. Fantasy writing doesn’t usually care much about these details, because it doesn’t usually care much about the little people – laborers, full-time mothers, sharecroppers, so on. (The last two books of Earthsea represent LeGuin’s remarkable attack on this tendency in her own writing.) So the fantasy writer defaults – fills in the tough details with the easiest available solution, and moves back to the world-saving, vengeance-seeking, intrigue-knotting narrative. Availability heuristics kick in, and we get another world of feudal serfs hunting deer and eating grains, of Western name constructions and Western social assumptions. (Husband and wife is not the universal historical norm for family structure, for instance.)

Defaulting is the root of a great many evils. Defaulting happens when we don’t think too much about something we write – a character description, a gender dynamic, a textile on display, the weave of the rug. Absent much thought, automaticity, the brain’s subsconscious autopilot, invokes the easiest available prototype – in the case of a gender dynamic, dad will read the paper, and mom will cut the protagonist’s hair. Or, in the case of worldbuilding, we default to the bland fantasy backdrop we know, and thereby reinforce it. It’s not done out of malice, but it’s still done.

The only way to fight this is by thinking about the little stuff. So: I was quite wrong. You do need to worldbuild pretty hard. Worldbuild against the grain, and worldbuild to challenge. Think about the little stuff. You don’t need to position every rain shadow and align every tectonic plate before you start your short story. But you do need to build a base of historical information that disrupts and overturns your implicit assumptions about how societies ‘ordinarily’ work, what they ‘ordinarily’ eat, who they ‘ordinarily’ sleep with. Remember that your slice of life experience is deeply atypical and selective, filtered through a particular culture with particular norms. If you stick to your easy automatic tendencies, you’ll produce sexist, racist writing – because our culture still has sexist, racist tendencies, tendencies we internalize, tendencies we can now even measure and quantify in a laboratory. And you’ll produce narrow writing, writing that generalizes a particular historical moment, its flavors and tongues, to a fantasy world that should be much broader and more varied. Don’t assume that the world you see around you, its structures and systems, is inevitable.

We... need worldbuilding by Seth Dickinson

[stealthwitch]

“Lucifero” - Roberto Ferri. 2021.

[stealthwitch]

men are so privileged they dont even realized how oppressed they really are

[stealthwitch]

when your stomach is really mad at you and you're not sure which one of your fourteen unhealthy lifestyle choices is causing it

[stealthwitch]

If you mess up a social interaction you can say "Failed Experiment" and move on

[stealthwitch]

I am a huge fan of retiring to my quarters

[stealthwitch]

hawthorn is one of my favorite trees, and there’s tons of it at the house I just moved to. A thorn went all the way through the sole of my shoe and my first thought was “the hawthorn betrayed me!” But I think it was just saying hello. And it doesn’t have hands, it has thorns

[stealthwitch]

i'm still mad about that post thats like "humans USED to be able to memoriize long epic poems, but we no longer have Bards so our memories arent as good" boy shut the fuck up. a good chunk of people i went to high school with had the entirety of hamilton memorized for fun and they weren't even autistic.

[stealthwitch]

do any knights want to teach me how to duel. i'll be really clumsy and uncoordinated and you'll have to guide my hands btw

[stealthwitch]

[stealthwitch]

"I know chatgpt is bad but you just don't really have any choice" you literally do. Don't use it. Have some moral backbone.