stedesbonnets - Tumblr blog

[stedesbonnets]

they are canceling me for the way i deal with grief. also, for the infinite number of destroyed universes

[stedesbonnets]

‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‏‏‎ ‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‎‏‏‎ ‎‏‏‎ ‎"i love you, it's ruining my life."

[stedesbonnets]

FORTNIGHT MUSIC VIDEO + OUTFITS Styled by Joseph Cassell

[stedesbonnets]

there’s so much pathologizing over why enemies to lovers is a popular trope (something something the normalization of abuse something something) when the simplest and less moronic answer is that narratives thrive on irony and reversals, and there’s no greater irony than characters going from hating each other’s guts to loving each other unconditionally. raw thesis-antithesis-synthesis.

[stedesbonnets]

The analogy of Matty as a “forget him” pill in the Fortnight video and “I took the miracle move on drug, the effects were temporary” is the heart of it I feel. If you had to have an extremely painful surgery and could choose to go medicated or not, what would you pick? She had to end things with Joe but she couldn’t bring herself to do it for years because she knew the pain of actually losing him would be too much to bear, and along comes this person peddling that he can take away all the pain. He sells her a story about how he is the great love of her life, that he’s never forgotten her all this time, that it was supposed to be them all along. He can give her everything she can’t bear to let go of. And who wouldn’t want to believe that, when the alternative is … the love that you thought was forever just ends and there’s nothing and no one? So she does it, she takes the pill, she has the surgery, only to find he was selling not just snake oil but poison that leaves her far worse off than she was in the beginning. She feels all the pain of the surgery and the side effects of the drug in one fell swoop.

[stedesbonnets]

it was so rude of her to call me out like that

[stedesbonnets]

(video ID: a short clip from the english dub of dungeon meshi. it shows senshi yelling "bread" repeatedly, until he is hit in the face with a sack of flour and falls over, briefly continuing a muffled "bread" chant. end ID)

HOPE EVERYONE HAD A NICE PASSOVER BYEEEEEEEEEEE

[stedesbonnets]

and I wouldn't marry me either, a pathological people pleaser who only wanted you to see her Taylor Swift, The Tortured Poets Department (2024)

[stedesbonnets]

Relationships should be 50/50. You know how to ball, I know Aristotle

[stedesbonnets]

no but gulity as sin to who's afraid of little old me to i can fix him to loml to i can do it with a broken heart is her most insane run of songs yet. what the fuck

[stedesbonnets]

what if he's written mine on my upper thigh only on my minddddd!!!!

[stedesbonnets]

"Blorbo from my shows" no. Blorbo from my BA. Blorbo from my major. Blorbo from my primary source document.

[stedesbonnets]

I think people forget that the Nazis never said they were the bad guys. If someone says, hey, I’m evil! You don’t let them take over your country. They presented themselves as scientific, not hateful. By their own account, they were progressives, and the superiority of White Europe over the other races was a proven and immutable fact. They had scientists and archaeologists and historians to prove it. They didn’t tell people they wanted to kill the Jews because they were hateful. They manufactured evidence to frame us for very real tragedies, and they had methodological research to prove that we were genetically predisposed to misconduct. Wouldn’t you believe that?

Hollywood has spent the last 80 years portraying the Nazis as an obvious and intimidating evil. That’s a good thing in some ways, because we want general audiences to recognize that they were evil. But we also want them to be able to recognize how and why they came to power. Not by self-describing themselves as an evil empire, but by convincing people that they were the good guys and the saviors. They hosted the Olympics. Several European countries capitulated and volunteered themselves to the Empire. There were American and British Fascist Parties. They had broad public support. Hollywood never shows that part, so general audiences never learn to recognize the actual signs of antisemitism.

People today think they can’t possibly be antisemitic, because they’re leftist! They abhor bigotry! They could never comprehend Nazi ideology coming from the mouth of a bisexual college student wearing a graphic tee and jeans. How could they? The only depiction of antisemites they’ve ever seen have been gaunt, pale, middle-aged men in black leather trench coats with skulls on their caps.

If the Nazis time-travelled from the 1930s and wanted to take power now, they’d change their original tactics, but not by much. They would target countries suffering from an identity crisis and an economic collapse. They would portray themselves as the pinnacle of what that society considers progressive. Back then, it was race science. These days it’s performative wokeness. Once they’d garnered enough respect and reputation, they’d begin manufacturing propaganda and lies to manipulate people’s anger and fears at a single target— Jews.

If the Nazis made an actual return, they wouldn’t look like neo-Nazis. They wouldn’t be nearly as obvious about their hatred. Their evil wouldn’t give them yellow eyes, and no suspenseful music would play when they walked in the room. They’d be friendly. They’d look like you. They would learn what things your community fears and what things you already hate. They would lie and fabricate evidence to connect the rich elites and the imperialists you revile to a single source of unequivocal Jewish evil. It wouldn’t be hard— they already have two-thousand years of institutional antisemitism they can rely on to paint their picture.

If you’re curious why antisemitism today is coming from grassroots organizations, young, liberal college campuses, suburban neighborhoods with pride flags and All Are Welcome Here signs? That’s why. It’s because, as a global society, we’ve forgotten that the world didn’t used to see the Nazis as bad guys. And what is forgotten about history is doomed to be repeated.

[stedesbonnets]

I’m so sick of seeing videos and posts of a bunch of privileged college students who decided to make a geopolitical conflict their whole personality and who view college as a LARPing opportunity instead of fucking school. You just know they wouldn’t be screaming about this if they had any actual hobbies or any ideology besides what’s popular online and what pisses off their parents. It’s all about a radikewl aesthetic while affecting absolutely nothing in the real world. And now with Columbia University’s rabbi urging Jewish students to stay away from campus because it’s unsafe, what the fuck have these LARPers done other than harass Jews off campus instead of going to class in their “Gaza solidarity encampment” (AKA their excuse to skip class and not do assignments)? People in Gaza are still hungry and displaced, Hamas still has hostages, but don’t worry, guys! Students at Columbia are being antisemitic by praising 10/7 and cosplaying anarchy instead of going to class “for Palestine”!

They’re just insufferable, and their First Amendment rights don’t exempt them from the rest of us judging them for their actions

[stedesbonnets]

what's so clever about Clara Bow is that when she references her own name at the end, she's not talking about the present but the future, quoting the inevitable way people are going to one day talk about her, imagining it will only be in regards to the woma(e)n who surpass her. because there will be someone who surpasses her, eventually. that's the cycle of fame, isn't it? we're simultaneously captivated by the alluring trick of the past while looking for the next big thing. we compare current stars to the lights that shined before them, "you look like taylor swift." but we're also constantly waiting for someone new and greater to take the crown and captivate us anew, "you've got edge she never did." And half the song is about acknowledging that being revered is hell on earth for the people who are in it, because you're always trapped between what came before and what will come after. you're only safe insofar as you remain shiny. But the real beauty of the song is that it never succumbs to this dichotomy, but embraces it. It's Taylor acknowledging she wouldn't be who she is were it not for the women who came before her, who shared the same dreams, and recognizing her place in the chain of the women who will come after. The future's bright, dazzling.