stormyrecords-blog

[stormyrecords-blog]

oct 12th new arrivals

stormy records13306 michigan avedearborn, mi 48126 313-581-9322 we are selling tickets for the Detroit  A Go Go fest in late october. this is a festival celebrating the soul music of detroit, with all kinds of live performances and dj events. tickets are $35 for each night, or you can get a 4 night pass for $100. dates are Oct 25, 26, 28, and 28. performances held at BERT'S WAREHOUSE THEATREmore info at   http://www.detroitagogo.com/ please remember all tickets are cash only so many amazing used lps in right now!!! we have clash london calling $40, sandinista $35 jesus and mary chain psychocandy first american pressing $40from beyond soundtrack, stooges raw power second pressing from 1973 beautiful condition $70, germs what we do is secret first pressing $75, miles davis tribute to jack johnson 1970 sealed original $100dead kennedys - all originals, frankenchrist $40, plastic surgery disasters $30, bedtime for democracy $40, live lp called skate board party from 1982 $30jerry garcia solo live show 1987 $30kiss double platinum $30zappa weasels ripped my flesh $20, apostrophe $17all the kiss solo lps - originals with no posters $16.99 eachfirst 4 yngwie j malmsteem lps and 2 alcatrazz lpsbowie - diamond dogs $17, aladin sane $18, young americans $19, station to station $19, space oddity $25 in on friday KURT VILE - Bottle It Incd $14.99double lp in gatefold sleeve $27.99, limited blue vinylUsing past albums as points of departure, Bottle It In heads off in new directions, pushing at the edges of the map into unexplored territory: Here be monster jams. He revels in the minutiae of the music—not simply incorporating new instruments but emphasizing how they interact with his guitar and voice, how the glockenspiel evokes cirrocumulus clouds on “Hysteria,” how Kim Gordon’s “acoustic guitar distortion” (her term) engulfs everything at the end of “Mutinies,” how the banjo curls around his guitar lines and backing vocals from Lucius to lend a high-lonesome aura to “Come Again.” THE FALL - I Am Curious Oranj gatefold sleeve, orange vinyl $23.99According to Mark E. Smith in his book, Renegade, “We adapted the title from a Swedish porno film--I am Curious, Yellow. I was trying to make the point that we all share some kind of common knowledge that’s within ourselves; that comes out in all sorts of things. Some people call it a gene pool. It’s as if you already know subconsciously about historical incidents. You don’t have to have been taught it. It’s in-built. At the time I wanted to put this across, basically as a loose explanation of what was happening in Belfast: it’s in the head and bones and there’s nothing you can do about it. I was on a roll at the time. I’m rarely short of ideas, and I’m not into preserving them much, either. If it’s in your head and you’ve got the right people around you then there’s no better time to tell the story.” *Contains replica of original ballet program from the performance at Sader Wells Theatre PIXIES - Come On Pilgrim It's Surfer Rosa30th anniversary edition $43.99Three LP edition out on September 28th 2018 with new artwork reimagined by original designer Vaughan Oliver and the bonus disc, Live From The Fallout Shelter - one of the earliest recordings of the band, a radio concert that first aired in late 1986 on WJUL-FM in Lowell, MA. Three CD package will be released October 26th. Tim Blake: Blake's New Jerusalem  $39.99 LP"Mastered & cut at Abbey Road studios. Fully restored artwork and liner notes withexclusive interview. Esoteric Recordings are pleased to announce the release of a newly re-mastered 180 gram vinyl lp edition of the classic 1978 ambient masterpiece Blake's New Jerusalem by Tim Blake. Tim first came to prominence as a member of Gong, where his synthesiser experimentation and mastery was demonstrated on albums such as Flying Teapot, Angel's Egg and You. He would also join Hawkwind from 1979 - 1980 and from November 2007. After departing Gong in 1975 he teamed up with French lighting designer Patrice Warrener to form Crystal Machine, pioneering the use of lasers and synthesisers in a live setting. Blake's debut solo album, Crystal Machine, was originally released in 1977 on the French experimental label Egg. Tim followed this with arguably his finest work, Blake's New Jerusalem in 1978. Unlike his previous work, the album featured songs and the lengthy title-track would dominate the album's second side. New Jerusalem also featured the guest appearance of Jean-Philippe Rykiel on mini-moog. Tim Blake would later perform both 'Lighthouse' and 'New Jerusalem' as a member of Hawkwind when he joined the band the following year. Now regarded as a truly pioneering work, Blake's New Jerusalem has been newly re-mastered and cut at Abbey Road studios for this first ever 180 gram vinyl LP reissue, which is a facsimile of the original 1978 Egg LP release." AYLER TRIO, ALBERTSpiritual Unity LP  $27.992018 repress. LP version. 180 gram virgin vinyl. Pressed in the United States with original artwork restored. Spiritual Unity, recorded on July 10, 1964, is the album that made Albert Ayler and ESP-Disk' famous (or, in some people's eyes/ears, infamous). Mr. Ayler had already recorded in Europe and, in February '64, in New York, but this was the first album on which neither he nor his collaborators held back. It was also ESP's first jazz recording. Spiritual Unity presented a new improvisation paradigm: looser structure, less regard for standard pitch, and no obligation to present a regular beat. Ayler's sound was unprecedented, much rawer than any other jazz of the time. Sometimes it was expressed in squalls of untempered sound, sometimes in outbursts of poignant spontaneous melody. Meanwhile, under and around the leader's unfettered self-expressions, bassist Gary Peacock and drummer Sunny Murray reinvented the roles of their instruments. Marcos Valle -  Nova Bossa Nova CD $15.99Up until Nova Bossa Nova, Marcos Valle's first release for Far Out Recordings originally released in 1997, Marcos Valle hadn't released an album for well over a decade. After 1983, he resented the way the music industry had changed with commercialization and new demands curtailing his creative freedom. This was until 1994 when Marcos met Far Out Recordings boss Joe Davis and they recorded a track for Far Out's first Friends From Rio album. This new collaborative partnership resulted in a new solo album, which commenced recording in 1996. Nova Bossa Nova brought Marcos bouncing back into the '90s, slotting nicely in place alongside the acid jazz movement as well as a voracious new demand for Brazilian music on dancefloors from London to Tokyo. It was witnessing the London club scene's growing appetite for Brazilian music, as well as a lack of new sounds coming out of Brazil at the time, that a young Joe Davis put in a proposal to record a new album with one of his musical idols. Joe wanted to facilitate an album which would combine the latest technologies and production techniques, with live to analog tape recording: a Marcos Valle album tailor-made for London's clubs. Always open to modern influences and possibilities, Marcos agreed to the project, and Joe and his production partner Roc Hunter flew to Rio in '96. The record wasn't released until '98, as the original ½ inch tapes were stolen from Far Out's London studio, meaning parts of the album had to be re-recorded. Nova Bossa Nova was unveiled at the peak of the of the Brazilian movement, the record would also prove to be something of a revolution, inspiring a new generation of artists like Bebel Gilberto, Sabrina Malheiros, Da Lata, and Bossacucanova, who continued to fuse Brazilian influences with modern electronic sounds. The album takes a panoramic view of Valle's career, which was so fundamental in defining the standard of bossa back in the sixties and continues to do so to this day. "Nova Bossa Nova", the album's title track is an update on Marcos's trademark style, developing a more modern, funkier sound. Other gems include the dancefloor ready re-work of his 1970 hit "Freio Aerodynamico", and the smooth instrumentals "Bar Ingles", a jazz fusion looper, and the sun-soaked samba "Nordeste". Doris Norton -  Artificial Intelligence LP $25.99Artificial Intelligence (1985). Apple's first music "endorsement" (Norton was also later a consultant for IBM) and early Roland affiliate, Doris Norton is one of the most important women pioneer in the use of synths and in the early electro/computer music. While the beat-oriented style of Norton's music aligns her with such global fellow-travelers as Yellow Magic Orchestra and Kraftwerk, her championing of the personal computer as a tool for self-sufficient musical creativity also connects her to musicians such as Pietro Grossi, Laurie Spiegel, and the League of Automatic Music Composers. Norton's predilection for the bright, glossy timbres of early digital instruments also recalls Hubert Bognermayr and Harald Zuschrader's bizarre Erdenklang (1982). A year on from Personal Computer (MNQ 120LP, 2018), Norton released Artificial Intelligence in 1985, setting a step up in her deep electronic music research and innovation. "The whole album was composed and programmed only with the alphanumerical keyboard of the computer. The total of the notes and coded events takes to the number 124,648: of these 123,827 were coded with 'step time' procedure and the rest with real-time procedure. Having reduced the keyboard, Norton used only a hexaphonic JX.8P with memory processed by her and interfaced to the computer. No drums were used, neither electronic nor much less acoustic. All the rhythms were obtained by A.D.A. conversions and processing of wave ranges with the use of expanders with a very special handling of envelopes, frequency, resonance, and noise. Doris Norton fed the computer the parameters of vowels and consonants of her own voice, like A, O, U, E, D, and N, through an A.D.A conversion card. By processing these values and assembling them in phonemes in hundreds of different combination, at various compressed resolutions she was able to make the computer sing a complete song in a totally human way (with the voice of Doris). Many other synth sounds resulting from A.D.A. conversions are present in Artificial Intelligence, amongst these: pipe organ, plate, electric discharge, iron beat, birds, dog, harp, and woods, all sampled and handled by the computer. Artificial Intelligence is a perfect example of how human intelligence can bend the coded 'artificial intelligence' to its own will." --ComputerMusik, 1985. VA: She Devil OST CD $19.99"28 tracks forming the rambunctious soundtrack for this cult movie featuring angst-ridden girls with guns in an exceedingly hokey plot line. With dialogue snippets and a host of brash confrontational juvenile delinquent anthems - all taken from the wild and exotic side of the Cramps' crazy collection - it's an epic B-movie. With a cavalcade of tunes about killers, mean women, everyday madness, tongue-tied tantrums, motorcycle mayhem, peroxide-sporting vagabonds and a hopped-up Model Ford. Including cuts from Jerry Lee Lewis, Jackie Dee, Sonny Burgess, Sparkle Moore, Gene Simmons, Marie Knight and a whole host more. Remastered from the original sound sources with sleevenotes by MOJO magazine's Dave Henderson." Joy Division: Peel Session LP $19.99One of post-punks most important and influential groups, Joy Division is captured here in their purest form, performing live in a BBC studio for legendary rock & roll broadcaster John Peel. Recorded over the course of three sessions between January -- November 1979, with the band performing both fan favorites and introducing several yet-to-be-released new songs, the intimacy and immediacy of the recordings is nothing short of stunning." Parliament: Osmium LP $19.99This is the one that started it all, the 1970 debut disk by George Clinton's groundbreaking funk racketeers Parliament. All of the extravagant, idiosyncratic elements are in place here -- lysergic-dosed soul, wild guitars, deep grooves, over-arching experimentation -- combining to create an altogether unprecedented collection of typically free thinking, almost unhinged workouts. A funk milestone of epic proportions." Loren ConnorsUnaccompanied Acoustic Guitar Improvisations Vol. 10 LP $32.99Before the spectral, romantic electric guitar miniatures for which he is celebrated today, Loren Connors recorded a string of nine solo acoustic guitar improvisations under the name of Loren Mazzacane between 1979 and 1980. The records feature Loren's contorted impressions of Delta and country blues, persistently kneaded into sidelong guitar excursions entangled with wordless, mournful vocal utterances, hummed and moaned in imitation of the dogs that often howled outside his window. Originally released on Loren's own Daggett Records (named after the street he lived on in New Haven), these LPs slipped into obscurity after Daggett's distributor went bankrupt, forcing the guitarist, who didn't have a car, to dispose of their unsold stock rather than drag the records home without transportation. Now, thanks to a recording found by Unseen Worlds's Tommy McCutchon in the archives of Columbia University, Blank Forms presents the tenth volume of the series. Recorded in Woodstock, in front of a live audience at the Creative Music Studio (the improvised music nonprofit founded by Karl Berger, Ornette Coleman, and Ingrid Sertso), Unaccompanied Acoustic Guitar Improvisations Vol. 10 provides a welcome addition to the canon of Loren's early solo releases and is the first contemporary vinyl publication of material from his Daggett Street period. As with the original Daggett records, the LP is issued in handmade covers with paste-on art featuring a replica of a recent drawing included in Loren's October 2018 art exhibition Wild Weeds, presented by Blank Forms. One of the world's most singular guitarists, Connors is among few living musicians whose prolific body of work can be said to be wholly justified in its plenitude. On more than 100 records across almost four decades on labels like Table of the Elements, Drag City, Ecstatic Yod, and his own Daggett Records, Connors has wrung distinctive shades of ephemeral blues from his guitar, its sound ever-shifting while remaining unmistakably his own. From his early, splintered take on the Delta bottleneck style through his song-based albums with Suzanne Langille and on to the painterly abstraction that defines his current work, Connors has earned the admiration of many, leading to collaborations with the likes of John Fahey, Jim O'Rourke, Keiji Haino, Kim Gordon, Thurston Moore, Alan Licht, and Jandek. Creative Music Studio is an ongoing organization that engages musicians and listeners from all backgrounds to deepen and broaden their musical sensitivity, expression, and understanding through workshops, recordings, and concerts worldwide. VA: Graveyard Tramps Eat 2x10"  $27.99In the late '80s, a now legendary LP by the name of Forbidden City Dogfood was unleashed on an unsuspecting public. What few folks knew was that Forbidden City Dogfood was actually less than half of the compilation made by Cramps frontman Lux Interior. Here, for the very first time, the entire recording is now available. Fully complete and weighing in at well over an hour of crazy, whacky sounds from the Maestro of Mad himself. Remastered from the original source, these obscure rockabilly, surf, and R&B tracks will wow you now as they did then -- interspersed with B-movie trailer clips and wigged-out voice-overs, you just know it's better than good! Features J Buck & The Blazers, The Kingpins, Florence Pepper, Jack Costanzo, Rick McGuire, Homer Denison Jr., Rod McKuen, The Dynamos, The Phantoms, The Sliders, Wes Dakus & The Rebels, The Rivingtons, The Sparkles, The Merced Blue Notes, Grady O'Neal, Andre Williams, The Crystals, Kenny Henkle's Friends, The Invictas, Buddy Miller, and J.J. Jackson. 2x10" in an edition of 1,000. UPCOMING EVENTS AT TRINOSOPHES Hey folks! An unexpected broken foot set back our re-opening this week, but we will resume regular hours on Tuesday, with new fall hours being announced soon. For now, we are open 9am to 4 pm Tuesday through Saturday. Of corse, with the Detroit Art Book fair happening this weekend, we will be open 10-6 Saturday and 11-4 Sunday. UPCOMING EVENTS AT TRINOSOPHES Friday, October 12: Kuzu (Dave Rempis, Tyler Damon  and Tashi Dorji) with Spectrum 3 KUZU is a hard-charging but patient trio that came together in the fall of 2017, after saxophonist Dave Rempis, a stalwart of the Chicago improvised music scene, worked with both Tashi Dorji (guitar) and Tyler Damon (drums) individually as part of a lengthy solo tour of the U.S. that he undertook in the spring of that year. Dorji and Damon’s work as a guitar/percussion duo has become well-known, a highly refined and specific language developed through relentless touring and recording over the last few years, with a sound that straddles improvised music, rock, and any number of as-yet-undefined territories. These two provide an incredibly fresh take on the possibilities inherent to spontaneous composition. Superimposing Rempis into this mix was a logical next step after the relationships they’d forged individually. The trio’s forthcoming debut record Hiljaisuus (“silence” in Finnish…) is slated for release on the well-known Astral Spirits label in summer 2018, to be followed by two separate tours of the United States in late summer and fall.   Musically, these three create a highly focused pallet of sounds. At times, spacious gestures carve up the canvas with the austerity of a calligrapher, while at others those sparse gestures build into an unstoppable tsunami of energy. Those waves are never impulsive or impetuous though, they ebb and flow logically and patiently out of simple and clearly defined sources. This trio pursues every gesture with tenacity, passing them back and forth until they’ve explored every facet of an idea.Opening the show is Detroit's own Spectrum 3 (Shelton, Peterson, Baljo). Doors at 8pm$10-20 admission Saturday and Sunday, Oct. 13 & 14: Ditto Ditto presents The Detroit Art Book Fair One of the biggest annual events that we host, Ditto Ditto's Detroit Art Book Fair is two days of dozens of vendors selling rare and small-press publications, artist and poetry chap-books and art books of all kinds. It runs from noon until 6pm Saturday and Sunday. Free! Monday, October 15:  Sessa (São Paulo, Brazil), DJ Scott Z, Electric Otto's Funk FactorySergio Sayeg (AKA Sessa) is a long-time fixture of Afro-Brazillian music scenes in both North America and Brazil – working as a collaborator with New York guitar legend Yonatan Gat or as co-founder of São Paulo psych-funk combo Garotas Suecas, as just  a few examples. Now at long last, Sessa is debuting his work as a solo artist that evidences his deep connection to styles like Tropicalia and samba. Sessa’s songs are sung in the vain of Caetano Veloso with melodic flourishes not unlike those of Arthur Verocai and Tom Jobim, however, the music gets a deliberately minimalist treatment rarely found in contemporary Brazilian music. Sessa performs solely with female background vocalists and Afro-Brazilian percussionists. While the songs often deal with subjects such as the sensual body in times of digital excess, the music points to new, more subtle directions for Brazilian pop in 2018 – a deep, minimalist, understated, almost insinuated use of the endlessly rich textures and rhythms that defined the songwriting history of Brazil – one which Sessa now joins as one of the most promising new voices.Doors 8 pm$12 admission COMING SOON11/25: The Bridge (France/Chicago) 12/1 Chris Tysh book launch12/13: Doug Hammond solo!12/15:  Doug Hammond!   With John Dana, Rod Williams and Marcus Elliot R ELATED 10/17: 6 pm Detroiter set  inaugurates  Edgefest at Kerrytown Concerthouse (Piotr Michalowski, Abby Alwin, Joel Peterson, Ken Kozora, Kenn Thomas, Mike Khoury, Dave Hurley) EL CLUB TICKETS!!! El Club tickets for sale!! cash only, no service charges!! sun ra arkestra wed oct 17th  $30lil ugly mane sat oct 20th $20particle, tropidelic  sun oct 21st $15prof tue oct 23rd 8pm $15evidence, oddisee thurs oct 25th $25gus dapperton sat oct 27th $15porches, girlpool sun oct 28th $18 low mon nov 5th 8pm $20roky erickson tues nov 6th $20wild nothing sat nov 10th 8pm $20har mar superstar sun nov 25th 8pm $18 ryley walker thurs dec 6th 8pm $13hablot brown sun dec 16th $8 julia holter wed feb 27th $17

[stormyrecords-blog]

turntables for sale!

technics for $75 and sony for $100 - both work great and have new needles

[stormyrecords-blog]

new arrivals!!

in on thursday WESTERBUR AND ROWE - latest lp $19.992 brandnew, long songs find the guys stretching out their composition skills and modes of psychic transportation through music TWO ROOMS RECORDS Detroit’s newest vanguard record label, Two Rooms Records.  Two Rooms is a collaboration between Joel Peterson (Trinosophes, Bohemian National Home) and Sam Hooker (Michigan Underground Group a.k.a. MUG, Peoples Records). The label specializes in contemporary and historic recordings of genre-breaking music from a largely Detroit-centric persp ective. Fittingly, each LP features cover art by noted Detroit visual artists. VIANDS lp seven thousand year plan $14.99V iands’ new recording entitled, 7000 Year Plan, is the second LP from this electronic music duo that creates a new sonic universe for each performance. Drawing on spontaneous thematic material, ambient settings and aleatory elements, Viands constructs long-form epics that seem to have structure and development but are the product of the intuitive interplay between members David Shettler and Joel Peterson, each of whom have established histories in music-making of all kinds. THOLLEM MCDONAS & CLEM FORTUNA lp Your Letter $14.99The multi-year collaboration between virtuoso pianist Thollem and Detroit piano tuner/composer/instrument-builder/musician Clem Fortuna has resulted in Your Letter Must Have Followed Me All Over the World, a live recording of microtonal piano music. QUARTET NOW lp S/T $14.99Quartet Now! is a new group co-lead by drummer Dr. Prof. Leonard King (of the legendary Strata Records and Lyman Woodard Organization) and baritone saxophonist Alex Harding (alum of Lester Bowie, David Murray, Julius Hemphill, Sun Ra Arkestra, etc.). With a focus on material by such Detroit composers as Kenn Cox and Charles Moore, Quartet Now!’s self-titled release harkens back to the era of soul-inflected creative jazz that Detroit musicians innovated in the late 1960s and ’70s. PULLEN, STACEYDetroit Love Vol. 1CD  $16.99Detroit Love present the inaugural release on their newly founded eponymous imprint -- a collaborative venture from Planet E and !K7 which aims to capture the essence of Carl Craig's superb event series of the same name. Detroit Love Vol. 1, mixed by Stacey Pullen, is a sixteen-track journey that exemplifies the diversity of the city, as well as the essence of the parties, championing both lesser known artists and familiar faces into a 74-minute mix. As a long-time resident of the party and native of the city itself, Stacey Pullen was the natural choice to launch the label. Since emerging as part of the "second wave" of Detroit techno, his heartfelt and unpredictable sets have sustained him a packed touring schedule the year round. With acclaimed mixes on Fabric (FABRIC 027CD, 2004), 20:20 Vision (2009), and Balance Music (BAL 016CD, 20015), his experimental mixing style and encyclopedic music knowledge cement his status as a true innovator in the scene. Combining artists new and old, local and international, the first mix of the series is a heady voyage into the Detroit spirit. Stacey adds: "I wanted to showcase the versatility of music from Detroit, whether it be a Detroit label or Detroit artist, the connection is there for you to grasp." His track selection predominantly represents Detroit, but also details its influence on European aesthetics, bridging the transatlantic gap. Firm favorites like Marcellus Pittman, Motor City Drum Ensemble, Delano Smith, Patrice Scott, DJ 3000, and Soulphiction all feature alongside local heroes like composer Craig Sherrad, Teknotica Records label boss Gary Martin, and Ataxia. Atmospheric groove-driven tracks like Philpot Records label boss Soulphiction's "Ann Arbor" and Craig Sherrad's "The Fader" are offset against organic, jazzy cuts like Marcellus Pittman's glistening take on Motor City Drum Ensemble's "Raw Cuts" and MOTUO's "Purple Pulse". Minimal entries like Sawlin's mind-altering "Wired Evening" on Delsin and Remote Viewing Party's "410" show the trippy side of the Detroit sound, with the mix ending on scene veteran Patrice Scott's aptly named "Detroit State Of Mind". CD version features: Cage & Aviary, Soulphiction, Craig Sherrad, Remote Viewing Party, Delano Smith, Motor City Drum Ensemble, Marcellus Pittman, Burning Bridges, Gary Martin, Ken Young, Ataxia, DJ 3000, Sawlin, Chicola, MOTUO, and Patrice Scott. CHRISTOPHERSON, PETER "SLEAZY"The Art Of Mirrors: Homage to Derek JarmanCD  $14.99"'Would you be able to stand in for me in Paris, for a tribute to Derek? - Of course! Besides, I think Gen is participating there with Thee Majesty. - Yes, absolutely. They're going to do a new performance of In The Shadow Of The Sun. - Different from the one we did as TG?! - Exactly. And I was going to create a new piece myself, different from the one Derek had commissioned me to write for The Art Of Mirrors. But something came up at the last minute and it would be a shame to miss this opportunity to pay tribute to him, which is why I'm calling you now. I assume that Derek would have been very pleased that one of us did it. - Alright, but what's the deadline? - You've got one month to get ready!' This is more or less how Simon Fisher Turner and Peter 'Sleazy' Christopherson made plans one morning in July 2004 -- on the occasion of the tenth anniversary of Derek Jarman's death -- in order to mount one of the greatest tributes the Étrange Festival has ever presented. Beyond his talents as a film maker, painter and botanist, Derek Jarman was an artist who seized in the best way the very essence of mutations unleashed by a whole generation, at the dawn of the 70's. As a privileged observer of the incredible deflagration brought about by the punk movement, the industrial music and gay liberation, he leaves behind him a fascinating and deeply moving work, in which the members of Throbbing Gristle, among others, took part. Unreleased before, this new work composed for several short movies is finally released. The ultimate gift from such a talented composer, and of whom there is still so much more to discover." JAZZ  RESTOCKS!!! SANDERS, PHAROAHTauhidLP  $24.99"Pharoah Sanders is Spiritual Jazz, is Devotional Music, is the greatest living link between John Coltrane, Kamasi Washington, and the next generation of this great lineage. His Tenor Sound, his Singing Voice, his compositions, and his recordings have already stood the test of time, in his time, endured, ever-aged so finely, and have  (in my opinion) surpassed critique. Pharoah Sanders is a giant, an innovator, colorful, prayerful, and worthy of all our attention, celebration, and enthusiastic, even ecstatic accolades! Pharoah, (born Farrell Sanders of Little Rock, Arkansas on October 13, 1940,) was not only in John Coltrane's Band from 1965 - 1967, and featured as a Tenor Saxophonist on his Impulse! albums Ascension, Live At The Village Vanguard Again!, Kulu Sé Mama, Meditations, and Om, but had his own distinct concept and direction that you can hear on those recordings. Where John Coltrane is the Father of this Music, Pharoah is John's Brother, his bright, younger contemporary who was ready to express prolifically. His was a sound of entrancement, deep emotion, lyrical chanting, layered mosaic rhythmic grooves, poly-melodic heart cries, ensemble percussion, Love, surrender, upliftment, communication with his ancestors, contemporaries and those yet to arrive, and hope for awakening and peace within Humanity. Of Pharoahs 11 albums on Impulse! as a leader, the ones in front of you are Tauhid (#1 from 1967), Jewels Of Thought (#3 from 1969) and Summun Bukmun Umyun - Deaf Dumb Blind (#4 from 1970). It was John Coltrane's influence on Music and the Recording Industry that opened the door for Pharoah Sanders, and through that door Pharoah would fly, soar and inspire! During this time he was also featured on Alice Coltrane's Impulse! releases Ptah, The El Daoud playing Tenor Saxophone, Alto Flute and Bells and on her most beloved recording Journey In Satchidananda playing Soprano Saxophone and Percussion. The significance of Pharoah Sanders today is for you to discover. He is among my greatest inspirations of all time and always will be! He is a man of few words, and when you see him play now, it's more about being in his presence than expecting him to play lots of flashy runs. From his first note you know it's him and that you're in for profound integrity and deeply soulful energy. He always dresses in bold, bright hues, sometimes patterns, sometimes wearing shades, always a fez or hat of some sort. He stood out in GQ Style's 2016 feature 'These 10 Living Legends of Jazz Prove Nobody Can Out-Dress the OGs' -- the relevance is there. So strong! The last time I saw Pharoah in Los Angeles at Catalina's I was happy to connect with my friend Knxwledge. He was there with Rapper Earl Sweatshirt and Producer Alchemist. I sat with a table of 18-year-old prodigies including pianist Jamael Dean . . . Recommendation: Put all of these records on repeat for days and days, let them transmute your life, then tell your friends, family and everyone you come into contact with about Pharoah Sanders!' SANDERS, PHAROAHJewels Of ThoughtLP  $24.99"Pharoah Sanders is Spiritual Jazz, is Devotional Music, is the greatest living link between John Coltrane, Kamasi Washington, and the next generation of this great lineage. His Tenor Sound, his Singing Voice, his compositions, and his recordings have already stood the test of time, in his time, endured, ever-aged so finely, and have now (in my opinion) surpassed critique. Pharoah Sanders is a giant, an innovator, colorful, prayerful, and worthy of all our attention, celebration, and enthusiastic, even ecstatic accolades! Pharoah, (born Farrell Sanders of Little Rock, Arkansas on October 13, 1940,) was not only in John Coltrane's Band from 1965 - 1967, and featured as a Tenor Saxophonist on his Impulse! albums Ascension, Live At The Village Vanguard Again!, Kulu Sé Mama, Meditations, and Om, but had his own distinct concept and direction that you can hear on those recordings. Where John Coltrane is the Father of this Music, Pharoah is John's Brother, his bright, younger contemporary who was ready to express prolifically. His was a sound of entrancement, deep emotion, lyrical chanting, layered mosaic rhythmic grooves, poly-melodic heart cries, ensemble percussion, Love, surrender, upliftment, communication with his ancestors, contemporaries and those yet to arrive, and hope for awakening and peace within Humanity. Of Pharoahs 11 albums on Impulse! as a leader, the ones in front of you are Tauhid (#1 from 1967), Jewels Of Thought (#3 from 1969) and Summun Bukmun Umyun - Deaf Dumb Blind (#4 from 1970). It was John Coltrane's influence on Music and the Recording Industry that opened the door for Pharoah Sanders, and through that door Pharoah would fly, soar and inspire! During this time he was also featured on Alice Coltrane's Impulse! releases Ptah, The El Daoud playing Tenor Saxophone, Alto Flute and Bells and on her most beloved recording Journey In Satchidananda playing Soprano Saxophone and Percussion. The significance of Pharoah Sanders today is for you to discover. He is among my greatest inspirations of all time and always will be! He is a man of few words, and when you see him play now, it's more about being in his presence than expecting him to play lots of flashy runs. From his first note you know it's him and that you're in for profound integrity and deeply soulful energy. He always dresses in bold, bright hues, sometimes patterns, sometimes wearing shades, always a fez or hat of some sort. He stood out in GQ Style's 2016 feature 'These 10 Living Legends of Jazz Prove Nobody Can Out-Dress the OGs' -- the relevance is there. So strong! The last time I saw Pharoah in Los Angeles at Catalina's I was happy to connect with my friend Knxwledge. He was there with Rapper Earl Sweatshirt and Producer Alchemist. I sat with a table of 18-year-old prodigies including pianist Jamael Dean . . . Recommendation: Put all of these records on repeat for days and days, let them transmute your life, then tell your friends, family and everyone you come into contact with about Pharoah Sanders!' COLTRANE, ALICECarnegie Hall '71CD  $17.99Alice Coltrane, live at Carnegie Hall, New York on February 21st, 1971. On Sunday, February 21st, 1971, a benefit was held in New York's Carnegie Hall for Swami Satchidanda's Integral Yoga Institute, featuring Laura Nyro, the New Rascals, and Alice Coltrane's All-Stars. The latter band was a remarkable coming-together of talent, with Lady Trane joined by legends such as Pharoah Sanders, Archie Shepp, and Jimmy Garrison on stupendous form (with a little assistance from members of the Yoga Institute). The astounding performance of John Coltrane's "Africa" on this set, finds them improvising thrillingly. Includes the entire WQXR-FM broadcast, digitally remastered and accompanied by background notes and images. Also features: Kumar Kramer (harmonium), Jimmy Garrison (bass), Cecil McBee (bass), Clifford Jarvis (drums), and Ed Blackwell (drums).

[stormyrecords-blog]

new arrivals

stormy records13306 michigan avedearborn, mi 48126 313-581-9322 big sale during the month of july!!it's our JULY MADNESS SALE!!!we have so many wonderful recordings just waiting to make your ears happy!! sale starts on july 5th and goes to the end of the month. classical lps half off gospel lps half off country, comedy, ez listening/vocals, bluegrass, spoken word lps - ALL HALF OFF tapes half off excluding yellow sale priced items laser discs half off 45s 25% off excluding collectibles and sale priced items used cds  25% off POSTERS HALF OFF (includes nicely framed items like elvis costello and the bang and olufsen posters) in on friday VAINIO & VIGROUXIgnis LP  $18.99Mika Vainio and Franck Vigroux's brutal yet filigree electronics hauntingly come to light in Ignis, which finally discloses the further, etheric results of recording sessions that made up their Peau Froide, Léger Soleil album in 2014, their celebrated previous collaboration for Cosmo Rhythmatic (COSMO 003CD/LP). Posthumously issued following Mika's untimely death in 2017, Ignis taps into the pair's mutual respect for unsound and proprioceptive allusion, operating at liminal levels of tonal and spatial perception in a six-track LP that leaves the project with a sense of unresolved tension. Since Mika Vainio's seminal Pan Sonic group with Ilpo Väisänen ceased service in 2009, Mika found one of his sharpest foils in French multi-instrumentalist Franck Vigroux. They embarked on a lengthy creative process, articulated through studio and live performances, resulting in the powerful Peau Froide, Léger Soleil album and stacks of further recordings planned for a second release. The end results of their efforts are collected on Ignis, a set of six parts paying tribute to a mutual fascination with what lies at and beyond the threshold of sonic comprehension. Where their previous effort traded in a mix of colossal, pendulous industrial funk and abyss-baiting doom, this follow-up fully embraces the void in all its glorious mystery. From a trail of icy bleeps, "Brume" lures you into cathedral-like ice cave dimensions with breathtaking cinematic effect, before the antechamber of "Ne Te Retourne Pas" highlights those supposed dimensions with streaks of phosphorescing light to much more paranoid, imposing degrees, before calving off into the mechanical jaws of "Luxure". Deep in the beast's mouth, Vigroux bleats a forlorn vocoder message on "Un Peu Après Le Soleil", and their "Luceat Lux" gives rise to their most extreme, dynamic frequency massages, for "Feux" to wrap up the trip in a barbed wire bouquet of ravishing distortion. SUN ARAWcd version $18.99Guarda In Alto OST  2LP  $32.99Double LP version. Three-sided with etching on fourth side. Cameron Stallones, aka Sun Araw, is the quintessential contemporary cosmic courier. Emerging from the fumes of an ancient Egyptian civilization and now settled in one of the meccas of the American lysergic experience, Austin, Texas, he boasts an endless discography and collaborations with luminaries of the caliber of Laraaji (a solo new age traveler discovered by Brian Eno) and the legendary Rastafarian group, Congos. For the soundtrack of the feature film Guarda In Alto (2017), directed by Fulvio Risuleo -- the daring story of a baker who has access to a parallel universe on the roofs of the city -- Sun Araw looks towards the possible horizons. Bypassing psych and electronic glitch, Sun Araw jets through a double album that seems to refer to the golden age of computer music as well as to the inventions of the Lovely Music roster -- the legendary New York label specializing in minimalism and 20th century avant-garde -- and to a certain immeasurably psychotic dub aesthetic. A disk composed of many micro-cells, which marries the adventure to the "edge of heaven" of the protagonist, reiterating that dreamy feeling that the protagonist has accustomed us to for several years now. WHFR MOTOR CITY GEMS compilation LP $13.99limited to 200 copies in blue vinyl,this wonderful collection of local indie rock features the beggars, dude, the seatbelts, the zotz, kenny hill group, zombie jesus and the chocolate sunshine band, the muggs, the dogs, rougue satellites, the blueflowers, carolyn striho THE HATERS Nocturnal Emmisions cd $9.99also on cassette $9.99world reknown noise act has mega limited release on label from Redford Michigan!! ARTAUD, ANTONINPur En Finir Avec Le Jugement De Dieu  LP  $26.99Fantôme Phonographique present a reissue of Pur En Finir Avec Le Jugement De Dieu by Antonin Artaud. Antonin Artaud was a French poet, dramatist, and director and one of the most important figures in 20th century European theater, and especially the avant-garde. His piece "Pour En Finir Avec Le Jugement De Dieu" was recorded in 1947 to be aired on French radio. But the project was shelved not only for its scatological, anti-American, anti-religious content, but also for its avant-garde sound, with screams, cries, grunts, glossolalia, and general cacophony, all of which the radio thought would be too shocking for the listeners of post-WWII France. Now regarded as one of his most brilliant works, the piece is finally available again on vinyl courtesy of Fantôme Phonographique. Features the voice actors Maria Casarès, Roger Blin, and Paule Thévenin. Edition of 500 (hand-numbered). BOARDS OF CANADAHi Scores  12"  $18.992018 repress. Vinyl version with double-sided 12" poster. Skam Records are very proud to announce the re-release of Boards Of Canada's Hi Scores. Originally released in 1996, Hi Scores constitutes Boards Of Canada's second official release after 1995's Twoism. This follows the reissue of their other seminal records by Warp in 2013. The new edition has been re-recorded and re-mastered from the original DAT tapes and has been re-cut onto heavyweight collector's edition vinyl. The original image on the back of the sleeve is now in color. Spot varnish finish on the images & text alongside the usual Skam Braille sticker. CONTAINER  LP  $25.99Ren Schofield has returned with a new installment in his notorious LP series for Spectrum Spools. LP has all the earmarks of the classic Container sound with its uber-mangled, saturated tape garble and headlong tempo macabre. However, this new set of tracks feature an attention to composition unlike much of the Container you've previously heard. While the tracks unfurl across two sides of wax the contours and jagged edges of each sonic sculpture display a new refinement while maintaining the full capacity to vaporize any club floor with Container's traditional recklessness. Miraculously, this new LP manages to incorporate some more traditionally "musical" elements thus far untouched upon in the projects output while simultaneously delivering it's most damaged and blown out offering yet. Despite leaving a trail of albums that get more intense with each passing year, this LP is bar none the most loaded. The tracks feature a trajectory with narrative, surrounded by broken acid basslines grating against disintegrating tape loops. This is the infectious and singular hypnosis Container has become well-known for. Overloaded drum patterns, washes of feedback, and dying melodies -- it's all here and somehow it's restructured to be different and better than ever before. With this latest installment, there are no longer shambles but merely dust left behind. As Container continues to evolve in an upward motion, LP presents a refreshing and welcome new chapter. Recorded in Cleveland, Ohio in October 2017 by Andrew Veres. Artwork by Ren Schofield. VAThe Beat from Badsville Vol. 4: Even More Trash Classics from Lux & Ivy's Vinyl Mountain  CD  $16.99Brought up on the radio shows of the legendary rock n' roll DJs, the moondogging Alan Freed, Mad Daddy and, later, the ghostly Ghoulardi, it was hardly surprising that The Cramps' Lux Interior and Poison Ivy began trawling the thrift stores for juvenile delinquent tunes, lip curling bad boy rock n' roll, strange exotica, bizarre novelty 45s, dysfunctional doo wop, psychedelic weirdness, and instrumentals made by madmen. In America in the 1950s and 1960s there seemed to be small town versions of such vinyl madness everywhere that, by the 1970s were remaindered and to the majority of people unwanted. To the fledgling Cramps this was nothing short of heaven. The duo filled their house with novelty memorabilia, schlock horror furniture, and a record collection to die for. Lux eventually gravitated to his own Purple Knif Radio show and the Cramps delivered their versions of some of the stuff they'd found. The duo name-checked many a 45 along the way and seeking them out and sampling their eccentricities is nothing short of mind-blowing. This 24-track collection positively effervesces with eccentricity. Again the release is divided into four themes: The Rock`n´Rollers, New Dance Trend, Instrumentals, and The Mad Daddies. Every track pirouettes dangerously and at times haphazardly around the expected. These are songs for strange times by what can definitely be considered strange people. Gems and nuggets that sparkle even more bright in today's manufactured music maelstrom. The population of Badsville welcomes you aboard. Includes tracks by Gary Link & the Rock-a-Fellas, Buddy Starr & the Starliners, The Saints, Jamie Coe, Bo Toliver & His Timers, Dossie Thunderbird Terry, The Vocaleers, Celestine, Young Jessie, Creel Sisters, The Phaetons, Burt Keyes with Teddy McRae & His Orchestra, The Downbeats, The Stereos, The Ramblers, The Storms, The Renegades, Nightmares (Jimmie Maddin Orchestra), Don Johnston, Jivin' Gene and the Jokers, Freddy Montell, Terry Corin and Her Boyfriends, and Mr. Undertaker. KANORunes  LP  $29.99Subliminal Sounds present the first ever vinyl release Kano's Runes, originally released in 1986. A unique, dark and sparse, tribal, minimal synth, drone, trance, new age recording from the mysterious Kano. Previously only issued as an obscure cassette back in 1986 which is now much sought after. Runes is much darker and brooding compared to its new age peers of the era. Drums, metallophone, synths, and more leads you on a deep inwards trip via damp, cold and foggy caves to the ancients. Runes are reminders of our ancient future. They reveal messages of wisdom that are held deep within our hearts and consciousness. Runes remind you of the forgotten past, opening your minds into the Universal Mind. Archetypal runic symbols appear throughout the earth as relics of many ancient cultures including Hindu and Native American, but their primary origin as tools of divination is most often given as Nordic and Germanic. Their true source is perhaps, too ancient and arcane to ever know with historical certainty. The music of Runes is of such power and beauty, that it can be effective for inducing states of consciousness that allow deep meditation, channeling and trance. Runes is an extraordinary musical experience. Kano, who described it as "a trance musician from Colorado" on the original release, was Don Campbell in real life and the Runes cassette was eventually issued under his name too. Born in 1946 in San Antonio, Texas, Don Campbell spent his high school years in Europe, studying classical music with the legendary Nadia Boulanger and Jean Casadesus at the Fountainebleu Conservatory in France. A graduate of the University of North Texas, he began his professional career as a music critic and teacher for seven years at St. Mary's International School in Tokyo. Campbell's interest in sound, healing and education have taken him to over forty countries through the years. He has researched and documented the role and uses of music in therapeutic settings, psychology, and imagery applications, educational programs and the contemporary and indigenous spiritual traditions. In 1988, Campbell founded the Institute of Music, Health and Education, serving as its director until 1995. He is also the author of 23 books, some of which have been translated in to 24 languages. Additionally, he served as Acoustic and Musical Director of Aesthetics Audio Systems, an innovative company that provides quality music to healthcare facilities, until his passing. Edition of 1000. AMADO/MCPHEE/KESSLER/CORSANOA History Of Nothing  LP  $25.99LP version. Great dedicated music by four strong individual players, brought together by Rodrigo Amado -- intense communication with room for outbreaking solo-parts but always held together through a vision of playing together, all the time exiting and interwoven with beautiful melodies. Personnel: Rodrigo Amado - tenor saxophone; Joe McPhee - pocket trumpet, soprano saxophone; Kent Kessler - double bass; Chris Corsano - drums. WIRE, THE#414 August 2018  MAG/CD  $10.50"The Wire Tapper 47: The next volume in our exclusive series of underground music anthologies will be attached to the cover of every copy of the August issue -- 19 new tracks by Actress x London Contemporary Orchestra, The Space Lady, Hifiklub + Lee Ranaldo, Ana Dall'Ara-Majek, KOKOKO!, JOHN 3:16, and more. Inside the issue... Less Is More a special themed feature where our crack team of writers examine the many faces of minimalism in music, featuring hiphop reductionist DJ Premier, lost New York innovator Terry Jennings, jazz formalist Mal Waldron, the propulsive riffs of Dr Feelgood and AC/DC, why concert hall minimalism sucks, and more. Plus: Invisible Jukebox: Edan; Epiphanies: Pram." UPCOMING EVENTS AT TRINOSOPHES COMING SOON Lots of big stuff this week with Two Rooms Records making it's debut on Saturday with a killer free showcase of the first three releases's artists. Also, please note that Friday's Faust, Chatoyant, Prognosis Negative show has moved from El Club to Outer Limits Lounge. All pre-sale tickets will be honored. Current cafe hours: Thurs.-Sat.  9am-3pm *  Sun. 10-3pm UPCOMING EVENTS AT TRINOSOPHES Saturday, July 14: Launch party for Two Rooms Records with Quartet Now!, Viands, Thollem, Clem Fortuna Join us for the debut of Detroit’s newest vanguard record label, Two Rooms Records.  Two Rooms is a collaboration between Joel Peterson (Trinosophes, Bohemian National Home) and Sam Hooker (Michigan Underground Group a.k.a. MUG, Peoples Records). The label specializes in contemporary and historic recordings of genre-breaking music from a largely Detroit-centric perspective. Fittingly, each LP features cover art by noted Detroit visual artists. To celebrate Two Rooms debut, the evening features performances representing the first three LPs released on the label: Quartet Now! is a new group co-lead by drummer Dr. Prof. Leonard King (of the legendary Strata Records and Lyman Woodard Organization) and baritone saxophonist Alex Harding (alum of Lester Bowie, David Murray, Julius Hemphill, Sun Ra Arkestra, etc.). With a focus on material by such Detroit composers as Kenn Cox and Charles Moore, Quartet Now!’s self-titled release harkens back to the era of soul-inflected creative jazz that Detroit musicians innovated in the late 1960s and ’70s. V iands’ new recording entitled, 7000 Year Plan, is the second LP from this electronic music duo that creates a new sonic universe for each performance. Drawing on spontaneous thematic material, ambient settings and aleatory elements, Viands constructs long-form epics that seem to have structure and development but are the product of the intuitive interplay between members David Shettler and Joel Peterson, each of whom have established histories in music-making of all kinds. The multi-year collaboration between virtuoso pianist Thollem and Detroit piano tuner/composer/instrument-builder/musician Clem Fortuna has resulted in Your Letter Must Have Followed Me All Over the World, a live recording of microtonal piano music. Performed by Thollem on four of Trinosophes’ in-house pianos — each tuned to a unique microtonal system devised by Fortuna — this LP is undoubtably one of the most unusual and intriguing recordings of the year. Clem and Thollem will each play a solo set pertaining to elements of their collaboration  The event is free and open to the public. Doors at 8 pm. COMING SOON 7/20:  Irreversible  Quartet feat.  Keir Nueringer and Luke Stewart 7/21: Crown of Eternity (Mike Tamburo), Nick Schillace 7/26: Matt Endahl's Doomsday Philharmonic 8/2: Kath Bloom 8/9: Jonah Parzan-Johnson 8/16 Cheick Hamala Djabate (Mali) 8/24:  Tania Chen and Jon Raskin   9/14: Karuna (Hamid Drake, Adam Rudolph, Ralph Buzzy Jones) 10/3:  Charalambides Related Tonight, Friday, July 13: New venue! Chatoyant, Prognosis Negative opening for Faust at Outer Limit Lounge 9/29: Chatoyant at What You Will Festival- Columbus, OH EL CLUB TICKETS!!! El Club tickets for sale!! cash only, no service charges!! faust july 13th $17alex cameron july 21st $13deafheaven sat july 28th 8pm $18band and a movie - dylan carlson and the missing tues july 31st  8pm  $15.00black milk sat aug 4th 8pm $20black milk sun aug 5th 8pm $20joan of acr thurs aug 16th 8pm $10  godflesh wed aug 22nd 8pm $40olivia gatwood aug 29th $10quintron and miss pussycat tues sept 11th 8pm $15eleanor friedberger sat oct 6th 8pm   $15low mon nov 5th 8pm $20wild nothing sat nov 10th 8pm $20ryley walker thurs dec 6th 8pm $13 MOCAD his name is alive and deerhunter  fri sept 28th 7pm $25

[stormyrecords-blog]

[stormyrecords-blog]

[stormyrecords-blog]

new arrivals june 1st 2018

in on friday FATHER JOHN MISTY loser edition vinyl God's Favorite Customer  $22.99if you like elton john you are all set to love this record LA LUZ lp Floating Features $17.99color vinyl and free poster JEREMY ENIGK lp Return Of the Frog Queen $22.99purple vinyl, download has bonus material BEACH HOUSE LP Seven $20.99comes with a free poster VAAfrican Scream Contest 2  double cd $25.99double lp $35.99Who knew that some of the most exciting Afro-funk records of all time were actually made in the small West African country of Benin? Once Analog Africa released the first African Scream Contest in 2008 (AACD 063CD/AALP 063LP), the proof was there for all to hear; gut-busting yelps, lethally well-drilled horn sections and irresistibly insistent rhythms added up to a record that took you into its own space. Ten years on, intrepid crate-digger Samy Ben Redjeb unveils a new treasure trove of Vodoun-inspired Afrobeat heavy funk crossover greatness. Right from the laceratingly raw guitar fanfare which kicks off Les Sympathics de Porto Novo's pile-driving opener, it's clear that African Scream Contest 2 is every bit as joyous a voyage of discovery as its predecessor. Ignace De Souza & The Melody Aces' "Asaw Fofor" would've been a killer instrumental but once you've factored in the improbably-rich-to-the-point-of-being-Nat-King-Cole-influenced lead vocal, it's a total revelation. The screaming does not stop there, in fact it's only just beginning. Already familiar to fans of the first African Scream Contest as a mainstay of ruthlessly disciplined military band Les Volcans de la Capitale, Lokonon André vanished in a cloud of dust at Ben Redjeb's behest with a list of names and some petrol money, only to return a few days later having miraculously tracked down every single name he'd been given. The source of this Afrobeat bounty-hunter's impressive people-finding skills -- his training with the KGB -- highlights the tension between encroaching authoritarian politics and fearless expressions of personal creative freedom which is the back-story of so much great African music of the '60s and '70s. Happily, in this instance, Lokonon was tracking the artists down to offer them licensing deals, rather than to arrest them. Samy Ben Redjeb's determination to track this amazing music to its human sources pays huge karmic dividends. Features Stanislas Tohon, Elias Akadiri & Sunny Black´s Band, Picoby Band D´Abomey, Antoine Dougbé, Orch. Poly-Rythmo de Cotonou, Black Santiago, Lokonon André et Les Volcans, Sebastien Pynasco and L´Orchestre Black Santiago, Super Borgou de Parakou, Cornaire Salifou Michel et L´Orchestre El Rego & ses Commandos, Gnonnas Pedro and His Dadjes Band, and Orchestre Poly-Rythmo de Cotonou. African Scream Contest 2 includes meticulously researched text and effortlessly fashion-forward photography, supplied by the artists themselves. CD version comes with a 44-page booklet. FAHEY, JOHN1978 Live At Audimax Hamburg  DVD $17.99Shot live for TV by the legendary German music show "Rockpalast," this DVD represents the earliest example of a complete John Fahey concert performance, given on March 17, 1978. The multi-camera filming features detailed close-ups of Fahey's playing style, giving Fahey fans a rare insight into what Pete Townshend has called the William Burroughs of the guitar. Fahey's 1978 visit to Europe saw him in fine wild form, performing an 10-track set and, as an incredibly rare bonus, a short interview with the maverick iconoclast. All-Region NTSC-compatible DVD in CD digipak. Location: Audimax, Hamburg. John Fahey: vocals, guitar. VALLE, MARCOSSamba "Demais"  lp $22.99Cornbread Records present a reissue of Marcos Valle's debut album Samba "Demais", originally released in 1963. Marcos Valle's incredible debut established him as one of the premier performers and composers in the emerging Brazilian popular music landscape. Barely out of his Rio high school, where classmates included fellow Brazilian musical legends Edu Lobo and Dori Caymmi, Valle caught the eye of label executives and had a debut record out before his 20th birthday. Though he would later go on to be a massive superstar across his native country and a cult figure throughout the rest of the world, this humble beginning show Valle already had a complete mastery of the samba songwriting form and was already a brilliant performer. An essential Brazilian title. Includes one bonus track. 180 gram vinyl. VAVoices of Mississippi: Artists and Musicians Documented by William Ferris3CD/DVD/Book  $59.99This watershed release represents the life's work of William Ferris, an audio recordist, filmmaker, folklorist, and teacher with an unwavering commitment to establish and to expand the study of the American South. William Ferris was born in Vicksburg, Mississippi in 1942. Growing up on a working farm, Ferris began at a young age documenting the artwork, music, and lives of the people on the farm and in his local community. The archive of recordings that he created and the documentary films that he had a hand in producing have served as powerful tools in institutions of higher learning for decades. Dust-to-Digital present these films and recordings. The label's hope is that the enjoyment and educational value that has been received by Ferris's students over the years will be transmitted to listeners around the world and further the understanding of Southern culture. Voices of Mississippi: Artists and Musicians Documented by William Ferris includes: a 120-page hardcover book in full color edited by William Ferris Writings by Scott Barretta, David Evans, and Tom Rankin; three CDs -- two of the CDs feature blues and gospel recordings (1966-1978), and the final CD features interviews and storytelling (1968-1994); and one DVD featuring documentary films (1972-1980). Transcriptions and annotations are provided for each track. Comes in a cigar box. In addition to being a groundbreaking documentarian of the American South, William Ferris is Joel R. Williamson Eminent Professor of History and senior associate director of the Center for the Study of the American South at the University of North Carolina at Chapel Hill. A former chairman of the National Endowment for the Humanities, Ferris co-edited the Encyclopedia of Southern Culture (1989) and is the author of multiple books. In 1991, Rolling Stone magazine named him among the top ten professors in the United States. The recordings feature James "Son Ford" Thomas, Lovey Williams, Wallace "Pine-Top" Johnson, Maudie Shirley, and Jasper Love, Scott Dunbar, Mississippi Fred McDowell, Louis Dotson, Sonny Boy Watson, Sam Myers, Tom Dumas, Unidentified Musician with Mississippi Fred McDowell, Walter Lee Hood, Wash Heron and "Big" Jack Johnson, James Hughes, Leland Musician, Inmates at Parchman Farm, George Lee "Sun Bud" Spears, James "Son Ford" Thomas with Sonny Boy Watson, Mary and Amanda Gordon, The Southland Hummingbirds, Lovey Williams, Reverend Smith and Family, Liddle Hines, Providence Missionary Baptist Church, Church of God in Christ, Fannie Bell Chapman, Mary Alice and Alan Mcgowan, Reverend Ott and Family, Rose Hill Church, Lovey Williams and Family, Fannie Bell Chapman and Family, Reverend Isaac Thomas and Rose Hill Church, Barry Hannah, Alice Walker, Alex Haley, Ray Lum, Bobby Rush, Joe "Skeet" Skillet, Joe Cooper, Shelby "Poppa Jazz" Brown, B.B. King, Allen Ginsberg, James "Son Ford" Thomas, and Bill Ferris, Robert Penn Warren, Pecolia Warner, Victor Bobb, and Pete Seeger. AMES SANGLANTESChindia Tower Impalements  $19.99Triple-CD reissue. Originally released as a triple cassette of only 66 copies. Âmes Sanglantes means "bloody souls". Nowhere else in Âmes Sanglantes' sprawling and massive wild/punk/junk discography has this idea been more focused than on the epic and original Chindia Tower Impalements, as well as on cult tapes like Anti-Anti (1999), Mega Star Barbies, Violation, and the immense and impossible 12-hour-long Crackdown cassette box from Hospital Productions last year. This newly remastered version is the definitive document revealing the cruelty of the Wallachian landscape myths and realities. Dracula vs. Vlad Tepes... Caustic, brittle, and eerie, the six long-duration tracks secure Âmes Sanglantes as one of the most original and overlooked extreme electronic monikers of the '90s North American cassette underground. Distorted but textural where the voices of young androgynous screams mingle together with chirping birds and wolf breath. It's the subtle layering and tape splicing structure beneath the crust that elevates this above the average "noise" recording. You will have to dig and claw past the walls built out of clay bricks, but beyond that is a rich and subtle world of loops equal parts Georges Braque and William Basinski, like collapsing scaffolding melting and crumbling on top of each other. This is rotting electro-acoustic studies where one can see a portrait float to the surface in the rippling and muddy puddles. Shockingly, after nearly 100+ cassette-only release since 1996, this comes forward as the first Âmes Sanglantes compact disc. A true student of the '90s, you'll find a stunning presentation that is equal parts in reference to Cold Meat Industry as well as Japan's Alchemy Records. So open up the old CD changer, light a few candles, and a pour the red wine for an epic that revives the imagination of times lost and losses yet to come. RIYL: William Basinski, Incapacitants, Brighter Death Now, and the early works of Rainforest Spiritual Enslavement. Remastered by Paul Corley (Oneohtrix Point Never, Ben Frost, Prurient). Eight-panel, foil block digipack. VAINIO, MIKALydspor One & Two (Blue TB7 Series)  cd is $15.99lp is $24.99Mika Vainio visited the Moog Sound-Lab in April 2015. He made one his last known solo studio recordings in the form of two vinyl-sized, side-long pieces entitled Lydspor, Danish for "soundtrack". Mika worked almost exclusively with the lab's Moog Modular System 55. This UK sound-lab instrument is the sole prototype model (containing several golden filters) of Moog's sold-out reverse-engineered edition (only 55 units) recreating the 1970s classic. On completion of his sessions Mika announced: "I could work with this machine for the rest of my life... I would need nothing else." A second Moog session was planned but tragically Mika died in an accident in April 2017, shortly after he had approved the vinyl mastering. Moog Recordings Library is new record label established specifically to release limited editions of recorded works, sessions, concerts, and audio experiments utilizing The Moog Sound Lab UK (Est. 2015). Moog Recordings Library announces its launch with three separate releases, from The Grid (RDM 102CD/LP), Mika Vainio, and Hieroglyphic Being (RDM 121CD/LP). Each of the three releases is an album length session recorded with The Moog Sound Lab UK, an open loan studio from Moog Music Inc (USA) designed to encourage the making of new electronic works and to welcome UK based artistic and public access with the aim to broaden experimentation and practical hands-on knowledge with high spec analogue and digital electronic instruments. The portable studio was specially designed by Moog Inc and is centered around one of their rarest instruments, the 2014 limited edition reissue of their legendary 1960s System 55 analog synthesizer system -- the Stradivarius of modular synths. Originally established in 2015 to mark the 10th anniversary of Dr Robert Moog's passing, the Moog Sound Lab UK was first seen publicly at the Barbican Arts Centre's three-day "Moog Concordance Vol 1" event -- a celebration of Bob Moog's contribution to contemporary music. HIEROGLYPHIC BEINGThe Replicant Dream Sequence (Blue PA14 Series)cd $15.99lp $24.99Hieroglyphic Being, aka Jamal Moss, visited the Moog Sound Lab towards the end of 2016. Testing the lab through his prismatic rhythmic cubism meets synth expressionism methodology. 21st century Afro-futurism to the max. Both parties expressed their satisfaction with the encounter. Eldon Tyrell on the recordings: "I believe Bob Moog was (in the late 20th century) creating his modular system 55 synthesiser for artists yet to come... artists like Jamal Moss." SPACEMEN 3Taking Drugs To Make Music To Take Drugs To  double lp $39.99Housed in a gatefold sleeve with download code; includes the "legendary Northampton demos from 1986". "Amidst the swirl that is Spacemen 3's discography, Taking Drugs To Make Music To Take Drugs To occupies a pivotal position -- one right at the nexus between their garage beginnings and their expansionist future. While much of this material is expanded upon via Sound Of Confusion and The Perfect Prescription, many devotees consider these urgent, minimally treated recordings as the prime document of Spacemen 3 at this stage. Taking Drugs To Make Music To Take Drugs To casts Spacemen 3 alongside the mid-80s cadre of UK front-line rockers, contributing a distinct variation of high pop shining through layered noisy guitars. Ultimately, this collection serves to exalt the strength of Spacemen 3's songwriting over the atmospherics and production assemblage that would permeate their later efforts. Be it the rave-up rendering of 'The Sound Of Confusion' or the churning take on 'Losing Touch With My Mind', these full band recordings capture the excited and inspirational spark of psychedelia rather than deep-dive ruminations on sonics and space." VASpider-Jazz: KPM Cues Used In The Amazing Animated Series  lp $29.99Subtitled: ... That We Are Not Allowed To Mention For Legal Reasons. Rare and brilliant music as used in the late 1960s amazing animated series we are not allowed to mention for legal reasons. And the same music was used in all the NFL clip shoes throughout the '60s and '70s too. Way back in 1967, an animated superhero cartoon was released into the world. It was created by Grantray-Lawrence Animation and was based on a web-spinning, crime fighting blue-and-red dressed character that had originated in 1962, through Marvel Comics by Stan Lee and Steve Ditko. This amazing series ran on ABC TV in the USA, then Canada, then a few years, it ran in the UK. The series was notoriously low budget. After Series One the company Grantray-Lawrence went bankrupt, so the amazing spider series was taken on by producer Steve Krantz. He brought in new talent, including animation director Ralph Bakshi who later went on to turn a Robert Crumb strip cartoon into the feature Fritz The Cat (1972). Krantz also slashed the already cripplingly small spider budget and brought in the idea of using economic library music. Here, thanks possibly to an independent sync agent production turned to the KPM catalog. This was one of the few really established library catalogs around at the time with a modern edge; it was full of fabulous, modern dramatic music tracks -- often all on the same LP. But more importantly all the tracks were far longer than the one-minute musical cuts that many of the fledgling USA library companies were issuing at the time. Krantz produced two amazing spider series, and both were smothered with KPM music. In fact barely a spider second goes by without music playing in either the background or foreground. For many enthusiasts this really is formative music -- a junior foray into hip swinging crime jazz and esoteric musical grooviness. So, what features on this Spider-Jazz LP? Well it's music from the amazing TV series, but, not music from Series One. No, but it is all from Series Two and Series Three. From looking at archival cue sheets, over 50 tracks from various early KPM 1000 series albums were used across the episodes. It's all distilled down into one exciting and enthralling LP. Features Syd Dale, Johnny Hawksworth, Bill Martin/Phil Coulter, David Lindup, Johnny Pearson, Keith Mansfield, and Alan Hawkshaw.

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memorial day new arrivals

happy memorial day weekend!!

THANK YOU to all of our service men and women, past present and future. a single day a year is really not enough to thank you for all you have done for your country. your selflessness and courage deserve to be honored everyday.

in on thursday

DEVIOUS ONES Plainview Nights lp $14.99

brand new music on vinyl from detroit's own Devious Ones! LP is limited to 500 copies that are hand numbered. Very classy cover art - not a surprise for any project Rob St Mary is involved with!!

Hollie Cook Vessel Of Love LP $20.99

Many women started playing music because of history’s first all-girl punk band, the Slits. But the British singer Hollie Cook launched her career as a reggae singer after being in the Slits. She was, in some sense, destined. Cook was born in 1987 to Jeni Cook, a backing singer for Culture Club, and Paul Cook, the drummer of the Sex Pistols who infamously helped steal all the gear that history-splitting band used to get started. Boy George is Cook’s godfather, and it is unlikely that Johnny Rotten has been in a photo more adorable than one, shared recently by Cook, of the pair backstage at a 1996 Sex Pistols reunion show. At 19, Cook was tapped by a family friend to sing at a recording session. It was Ari Up: the status-quo-annihilating, dreadlock-donning, firebrand Slits singer—a woman who, in her freedom of mind, was so controversial in punk’s early days that she was knifed on the streets of London; who not only fused punk with reggae, but subsequently moved to Jamaica and made a life there.

Destroyer Your Blues LP $22.99

City Of Daughters LP $23.99

Thief LP $23.99

3 wonderful albums by Destroyer, with both City and Thief being newly remastered and pressed on heavy vinyl

Tracyanne & Danny s/t cd $14.99

lp also available $ 25.99

Throughout the whole of the 21st century, Camera Obscura have sated the world’s appetite for bookish yet luxuriant Scottish indie-pop, ruling a lane left wide open when Belle & Sebastian went full jazz-hands. But the band has been inactive in recent years following the 2015 death of keyboardist Carey Lander, so we haven’t had the privilege of hearing Tracyanne Campbell’s voice ringing out ever-so-articulately over lush retro production.

Enter Danny Coughlan of the English band Crybaby, Camera Obscura’s friends and former opening act. Glasgow-based Campbell and Bristol-based Coughlan had been talking about collaborating since before Camera Obscura released 2013’s Desire Lines, but they didn’t properly revisit the idea until some time had passed following Lander’s death. Now they’ve gotten down to business and recorded a whole album together under the name Tracyanne & Danny.

great restock on HIP HOP releases including multiple Drum Breaks lps, some J Dilla, El Michels Affair and Will Sessions!!!

in on friday  

Sun Ra: God Is More Than Love

CD $15.99

LP $23.99

"God Is More Than Love Can Ever Be is something of a rarity in the Sun Ra catalog -- a cohesive album with none of the stylistic eclecticism and musical chair shifting many of the artist's self-released LPs were known for. Recorded at Variety Studios one day in 1979, the album's five tracks comprise a solid jazz trio set. God Is More Than Love... is the only complete piano-bass-drums studio session in the massive Sun Ra catalog. The album offers an intense set of cosmic vagabond moods, reflecting the telepathy that is the essence of small combo jazz. Other than an overdubbed second piano on 'Days Of Happiness' the five works were spontaneously generated and forever fixed: none of the titles recur in the encyclopedic Ra discography. Originally released on Saturn in several small press runs under the alternate title 'Days Of Happiness' between 1979 and 1981, fully realized artwork was never established and the album never got much circulation, thus it has remained a largely overlooked session in the Ra omniverse. Nearly 40 years later, the record is long overdue for acclaim on its second time around. Newly remastered edition on CD and LP (with tip-on style jackets/ RTI vinyl)"

NWW: Sinister Whimsy For The Wretched  2CD $21.99

Sinister Whimsy For The Wretched contains the long out-of-print albums, Sugar Fish Drink (1992) and Large Ladies With Cake In The Oven (1993). Both discs are remastered by Andrew Liles. You will never hear these better. Sugar Fish Drink, "Cod Surrealism", is a distinctly wet aberration on paranoid aesthetics occasionally coordinated by John Balance and Steven Stapleton. For Large Ladies With Cake In The Oven, all tracks were previously released in some form or another. Songs titles have been altered from their original forms on their original releases. "Head Cold" is very close to being the exact song as the Miss Ticker remix of "Cold" from the Thunder Perfect Mind CD reissue and "Steel Dream March Of The Metal Man".

Pharoah Sanders -  Juan Les Pins Jazz Festival '68 CD $17.99

Pharoah Sanders, live from the Juan Les Pins Jazz Festival, Antibes, France on July 20th, 1968. Having made his name playing with John Coltrane as of 1965, Pharoah Sanders soon came to be recognized as one of the most innovative jazz players of his generation. Having formed his own quartet, he was invited to perform at the Antibes Jazz Festival in Juan-les-Pins, France in July 1968. Originally broadcast on French radio station WDR3, this superb recording captures a great musician in his early prime. Includes the entire WDR3-FM radio broadcast is presented here, digitally remastered, with background notes and images. Personnel: Pharoah Sanders - tenor saxophone, percussion; Lonnie Liston Smith - piano; Norman "Sirone" Jones - bass; Majeed Shabazz - drums.

Schickert, Gunter: Labyrinth LP $23.99

Günter Schickert, four decades of multi-instrumental cosmic explorations, under Berlin's sky, above genres, and compromises. Marmo present on his seventh album to date, Labyrinth, the first to be released on vinyl format since 1983's Kinder In Der Wildnis. Schickert's Samtvogel (1974), equaled the imaginative leap and sonic power of the early Pink Floyd, Manuel Gottsching's 1975 album Inventions For Electric Guitar (MGART 401CD/901LP) or A.R. & Machines's Die Grüne Reise (1971). Überfällig -- originally released on Sky Records in 1979 and reissue by Bureau B (BB 096CD/LP, 2012) -- little acclaimed, spans a large spectrum of music styles, always through a distinctive and personal aesthetic, that is deeply linked to the one he firstly crafted back in '74, when Schickert pioneered the use of echo effects applied to guitar playing. And now Labyrinth, a record that stands for versatility, where soundscapes or life situations take over. The album is divided into two parts, two different production bulks and periods of Günther Schickert's life. Side A features a selection of tracks recorded in 1996, appearing on the 2012 album HaHeHiHo, released via Pittsburgh based VCO Recordings. The raga-inspired "Morning" opens Labyrinth with exotic charm and bitter-sweet nostalgia. "Sieben" kicks off with the same guitar scales of the previous theme, before the motorized progressions of a Korg MS-20 synth surprisingly storm in. "Ninja Schwert" remains on astral dimensions, it is a struggle of cosmic forces, where the steady ride of a pounding beat gets embraced by different guitar layers and analog electronic filtering. The side closes up with "HaHeHiHo", a slow ballad featuring Schickert on vocals, guitar, bass guitar, and drum machine. Side B contains material produced between 2007 and today. "Tsunami" shows the multi-instrumental and recording abilities of Günter Schickert: a field-recorded storm with mesmerizing powers, a peculiar progressive approach to guitar playing. In contrast, "Oase" muffles the intensity and jumps into a completely different soundscape, where in liaison with the sounds of a rolling drum tom and a desert-like trumpet. Like "HaHeHiHo", "Checking" represents the vocal gem of the B side, in a raw and direct way of songwriting like if Syd Barrett was his invisible helper. "Palaver" assembles different vocal recordings of Schickert into a bizarre free-style conversation. "Morning (Slide)", reprises the opening theme, this time solely performed through the caressing dilated sounds of Günter's slide guitar. Includes printed inner sleeve and download code.

Battiato, Franco: Clic LP $33.99

"On his fourth album, Clic, Franco Battiato moves further out -- into realms of pure and elemental approaches to sound -- to create a seminal work that flows naturally from one musical form to the next. Every second ripples with orbital chords, kosmische textures and schizophrenic string quartets, yet somehow manages the same dramatic pacing and variety as his avant-rock albums Fetus and Pollution. Originally released in 1974 on Bla Bla, Clic features Battiato on VCS3 synthesizer and piano, along with trusted collaborators Gianni Mocchetti on guitar and Gianfranco D'Adda on percussion. While only 'No U Turn' bears the maestro's voice, these seven tracks contain some of his boldest melodies, an underlying thread that runs through the choral arrangements and meditative compositions. Clic's dedication to Karlheinz Stockhausen comes into focus on the final piece, 'Ethika Fon Ethica' -- a rapidfire journey into Italian shortwave radio, interrupted by fleeting fragments of folk music from around the world (sampled from Henry Cowell's celebrated Folkways compilations from the 1950's). It's the perfect ending to Battiato's beautiful and expansive tour of the cosmos, signaling the uncompromising experimentalism that would dominate much of the composer's mid-1970s oeuvre. Superior Viaduct presents the first-time domestic release of Clic. Reproducing the original gatefold jacket and booklet, this reissue is part of an archival series that chronicles Franco Battiato's masterful body of work from 1971 to 1978."

Durutti Column: LC LP $26.99

restock on this incredible release!!

David Grubbs & Taku Unami: Failed Celestial Creatures LP  $33.99

Empty Editions present Failed Celestial Creatures, an unexpected collaboration between composer-guitarist David Grubbs (Gastr Del Sol, The Red Krayola) and Tokyo-based musician Taku Unami. Primarily recorded in Kyoto, the album takes inspiration from the duo's shared musical and literary influences, emerging just as much from their improvisatory explorations as from an eclectic reading list exchanged prior to the recording sessions. The album's narrative inclinations are rooted in both artists' previous experiments with the complex reciprocity between sound and text, including Grubbs' work with the poet Susan Howe and Unami's collaborations with writers such as Eugene Thacker and Evan Calder Williams. Failed Celestial Creatures draws in particular upon a group of short stories by the short-lived Japanese author Atsushi Nakajima (1909-42) -- perhaps best known for inflecting Classical Chinese folktales with a modernist vein of absurdist and existential foreboding -- as the imaginary backdrop for its set of guitar-based instrumental explorations. In Nakajima's The Moon Over The Mountain, a mad-poet metamorphosed into a hybrid-tiger recites poetry with an obscure defect, while The Rebirth of Wujing sees the titular river monster self-identifying as a "failed celestial being" [堕天使]. The cryptic collapse read in both of these episodes resonates with Unami's research into the etymology of the chinese character "堕," meaning "to fail" in modern usage, but historically understood as referencing "sacred meat from the altar fallen on the ground." Such a primordial scene evokes the violation of the sacred as a tacit aspect of ritual. This failure of ritual, always a condition (and perhaps even a technique) for musicians of Grubbs and Unami's ilk, can be broadly understood as the primary point of departure for Failed Celestial Creatures. Situated within this affective terrain, the album's title-track consists of a side-long progression of dirge-like riffs enveloped by clouds of vaporous electronics -- eventually erupting into unruly squalls of feedback as Unami joins Grubbs on electric guitar. The B-side features a cluster of luminous guitar duets which are beguiling in their seeming effortlessness and simplicity. Threadbare and fallen, Grubbs and Unami invoke the failed ritual, the spilling at the altar, always suggested at the precipice of sonic emergence. Recorded by Taku Unami at Soto, Kyoto, August 7th and 9th, 2017; Mastered by Rashad Becker at Dubplates & Mastering. 180 gram vinyl; Edition of 500.

Wire #412: June 18 MAG $10.50

"On the cover: Laurie Anderson (More active now than ever, the multimedia artist and performer discusses a career marked by hybridity, borderless networks and a new interest in virtual reality). Inside the issue: Cecil Taylor (When the revolutionary pianist died in April, jazz lost one of its most uncompromising individualists. Author, photographer and historian Val Wilmer recalls their encounters); Senyawa (Javanese musicians and instrument makers Rully Shabara and Wukir Suryadi fuse metal with trance to create overwhelming fields of sound); Global Ear: Veracruz; Invisible Jukebox: The Storm Bugs; plus: Tansy Davies, Rodrigo Tavares, Sarah Hennies, Futura Records and more."

[stormyrecords-blog]

first press

[stormyrecords-blog]

open memorial day weekend on friday and saturday!! 

[stormyrecords-blog]

in the shop now - open 11am to 8pm~~

[stormyrecords-blog]

new GAS on Kompakt - in stock and sale priced!!

[stormyrecords-blog]

new used lps out for the weekend. open saturday 11am to 8pm - stop by!!

[stormyrecords-blog]

new arrivals 5-18-18

in on friday   Barnett, Courtney - Tell Me How You Really Feel (INDIE ONLY RED VINYL) $26.99  we have value added tote bags to go with the sale of this courtney barnett lp !!!! plus - it's red vinyl!! PLUS - it's a great album!! GAS - Rauschcd $16.99double  lp $31.99Double LP version. Includes download code. "Rausch with no name / My beautiful shine / You are the sun / This is where I want to be / Rausch with no morning / This is where we burn / The Stars sparkle / In a sea of flames / Horns and fanfares / Fanfares of joy / Fanfares of fear / The wine we drink through the eyes / The moon pours down at night in waves / Careful with that axe Eugene / Personal Jesus / No beginning no end / Eighteenth of Oktember / The night falls / The king comes / The hunt starts / Freude schöner Götterfunken / The long march through the underwood / Trust me there's nothing / Once upon a time, there was a bandit / Who loved a prince / That was long ago / Spring Summer Fall and Gas / There is a train heading to Nowhere / Drums and Trumpets / Future without mankind / Warm snow / Alles ist gut / The bells toll / You are not alone / The murmur in the forest / The murmur in the head / Light as mist / Heavy as lead / Music happens / To flow like gas /A clearing / Heavy baggage / Debut in the afterlife / Death has seven cats / World heritage Rausch / Finally infinite." --Wolfgang Voigt, 2018; Rausch was created as a single composition. The intention is to listen to the album as a whole from beginning to end. Following a global tour, GAS will continue to perform live throughout 2018 to support Rausch. Bebey, Francis: Psychedelic Sanz 2LP $29.992018 repress. Double LP version with printed inner sleeve. Born Bad Records presents the music of Cameroonian musician Francis Bebey, circa 1982-1984. "The first time I saw a sanza (a type of African 'thumb piano'), it was just sitting there on a piece of furniture in my family's living room/dining room -- a space that our father also transformed into a recording studio every day. It seemed more like a box than a musical instrument: a mysterious instrument, which arrived at our house, like many things, in a somewhat miraculous way. The sounds it produced seemed particularly bizarre; to my young musician's ears, trained in Western classical music, it sounded out of tune. That's because, like my brothers and sisters, I had been trained on the piano. I had trouble understanding how anyone could endure these tones and, honestly, our father's passion for 'unusual sounds' did not interest me. I was in secondary school at the time (the very late 1970s) and was not at all oriented toward musical projects. I planned to graduate, and then become a chef. In the early 1980s, my interest in music picked up. I was still undecided about my career. I was content to pursue my 'serious' English studies while hanging out at jazz clubs at les Halles in Paris, where I sometimes joined jam sessions. Next, I put together my first band with professional musicians; I had hidden my age and lack of experience from them. France was just beginning to accept 'world music.' Musicians of every nationality were performing in Paris. It was a wonderful period. My father asked my brother Toups and me to accompany him for a few concerts. In particular, we toured Tunisia together at the time of the 1983 Carthage International Festival. Back then, my father was renowned across the French-speaking world. Everyone looked forward to hearing his humorous songs, like 'Agatha' and 'La condition masculine.' But, behind the scenes, he continued his research concerning electronic music, the sansa, pygmy polyphony, etc. One day he put a sansa in my hands, without saying a word. He was sending me a message: 'Let's see what you can do with it!' That's when I really discovered something. Exploring the instrument and playing, I transcended the 'imperfect' aspect of its sound and began to discover its fascinating potential. Playing the sansa, you enter a world that enraptures you in a very serene and mesmerizing way. I think its sounds evoke a rainbow, with rain falling while the sun shines. A very peaceful feeling. It allows you to make music that truly sounds like life. The sansa is also the instrument that my father and I shared the most because I am a pianist and he was a guitarist. I also share this eminently African instrument with my musician brother, Toups. Our father loved to tell us one of the legends of the sansa: how it even managed to dispel the boredom felt by... the Creator himself! This instrument gives life to the world, to beings and things. I did not participate in the production of the various records that my father devoted to the sansa. He did it himself, you might say, in his 'laboratory.' Yet today, I cannot imagine playing a concert without using a sansa. The piano remains present so that listeners don't become disoriented and wonder about the weird sounds invading their ears! However, I find the eccentric and disturbing side of sansa interesting. And the sansa always affects the audience: in reality, it excites them. The secrets of this instrument are surely its beneficial powers and... its magic!" --Patrick Bebey James, Etta: Rocks the House LP $25.992018 repress. "Best known for the lush 1961 rendition of the ballad 'At Last' - a slow-dance staple at wedding celebrations everywhere, she is also celebrated for having recorded one of the best live albums of all time, Rocks the House. Recorded in 1963 at the New Era Club in Nashville, James is captured at her performance peak. The foundation for her reputation as a fiery no-holds-barred performer was firmly established in this recording. Blues, soul, jazz, R&B, and rock vocalist Etta James, needs no introduction. An icon from early rock'n'roll's pantheon of divas, she has inspired 5 decades of listeners and fellow artists with her vocal stylings. From Janis Joplin to Beyonce, her expressive and guttural style has been imitated but never quite matched. Jackpot Records is honored to release this momentous record on stellar blue vinyl, with the original album artwork and including 3 bonus tracks which have only ever been released previously on CD." Yoshimura, Hiroshi: Pier & Loft LP $36.992018 repress. First ever vinyl release; originally released on cassette in 1983. Gorgeous and essential archive material from this master of mood. The latest unearthing on Chee Shimizu's 17853 Records -- previously only available on a very limited Japanese cassette back early '80s. The late Hiroshi Yoshimura, a pioneer of Japanese ambient music, was involved in a wide range of fields, such as sound design for public installations, graphic design, visual poetry, free improvised performance (using his own body), and inventing his own instruments, right up until he passed away in 2003. The seven songs on Pier & Loft were created for a fashion exhibition held at a warehouse in the Tokyo bay area. He released it on cassette tape on Japanese label Fukusei Gijutsu Kohboh ran by Yoshio Ojima who also produced the album. Yoshimura referring to the Loft: "As the time goes by, the Loft that was swept away (forgotten) from the city but it somewhat has a look of a 'City of Ruins' that reminds you of something you have forgotten. Something nostalgic. Sounds from the city and the vast landscape gave me a great opportunity to take a fresh look at Tokyo". And referring to the Pier: "His look towards Tokyo bay takes on the shape of sonic particles. . . . tickling down gently while tinged with change. A landscape of seven sounds." The sleeve image is the same as on the original cassette release. SUN RA - Of Abstract Dreams cd $14.99 restock on the following CAVERN OF ANTI-MATTER titles Blood Drums - Lp is $27.99cd $14.99 Hormone Lemonade cd $14.99 these items will be arriving on monday may 21st Galaxie 500 lp On Fire $17.99 GROUPER lp Dragging A Dead Deer Up a Hill $22.99 GROUPER LP Grid Of Points $22.99Not long after recording her tenth album Ruins, Liz Harris traveled to Wyoming to work on art and record music. She found herself drawn towards the pairing of skeletal piano phrasing with spare, rich bursts of vocal harmony. A series of stark songs emerged, minimal and vulnerable, woven with emotive silences. Inspired by “the idea that something is missing or cold,” the pieces float and fade like vignettes, implying as much as they reveal. She describes them as “small texts hanging in space,” impressions of mortality, melody, and the unseen—fleeting beauty, interrupted. Grid Of Points stands as a concise and potently poetic addition to the Grouper catalog.  “Grid Of Points is a set of songs for piano and voice. I wrote these songs over a week and a half; they stopped abruptly when I was interrupted by a high fever. Though brief, it is complete. The intimacy and abbreviation of this music allude to an essence that the songs lyrics speak more directly of. The space left after matter has departed, a stage after the characters have gone, the hollow of some central column, missing.” —Liz Harris OH SEES   2XLP   Orc $27.99The newly shorn Oh Sees waste no time in racing headlong into nightmarish battle with the mighty Orc, clawing even farther up the ghastly peak stormed so satisfyingly by last year’s A Weird Exits. The band is in tour-greased, anvil-on-a-balance beam, gut-pleasingly heavy form, nimbly braining—with equal dashes of abandon and menace—on this fresh batch of bruisers and brooders, hypnotically stirred into to the cauldron of chaos you’ve come to expect. Fresh blood Paul Quattrone joins Dan Rincon to form a phalanx of interlocking double drums, alternately propelling and fleet-footing shifting ground to pinion John Dwyer’s cliff-face guitars to the boogie. Tim Hellman keeps it swinging like a battle-axe to the eyebrows. The tunes veer toward the violence of their live shows, with a few tasty swerves into other lanes: heavy to lush, groovy to stately. Throughout, it remains sinister in its swaggering skulk, manic in its fuzz-fried fugues. They hit all the sweet spots the heads foggily remember, and there’s plenty to sweat over if you just hopped into the sauna. More evil…more complex…more narcotic…more screech… more blare…more whisper…there’s even more Brigid. Less “Thee,” but more of everything else. Available on black vinyl only. SPACEMEN 3  LP  Playing With Fire  $32.99  Spacemen 3 began assembling their third album, 1988’s Playing With Fire, at perhaps the freest, most confident point in their career. Recording began with the band road-tested and rugged, even amidst the functional volatility that famously motivated their course. The sessions’ first offering came in the form of “Revolution,” a single of heroic Stooges-devotion and the most commercially successful release the group had to date. High expectations for the album were soon exceeded, as Playing With Fire would become Spacemen 3’s crowning studio achievement and cement their rightful place on the vanguard of otherworldly rock ‘n’ roll. An exquisite mix of stuttering tremolo guitars and wistful melodies, Playing With Fire sheds any trappings of revisionism and furnishes a nuanced grade of psychedelia. Epic entries like “Suicide” (named after the notorious NYC band) and the mesmeric “How Does It Feel?” catch Spacemen 3 at their celestial apex, the very point where their collective writing, performance and production would crest and wondrously splinter. Includes download card and new insert with liner notes by Marc Masters. SPACEMEN 3  LP  Recurring $32.991990’s Recurring, the fourth and final studio album by Spacemen 3, is often considered the introduction of two brilliant solo projects (Spectrum and Spiritualized) rather than the work of a functioning band. While Spacemen 3’s departing statement surely reveals a deep divide within the S3 camp—each side of the LP was written by Sonic Boom and Jason Pierce separately and, unlike previous releases, the two do not play on each other’s songs—Recurring maintains a cohesive, dreamy feel with its chief sonic officers backed by fellow travelers Will Carruthers, Mark Refoy and Jon Mattock. Opening saga “Big City (Everybody I Know Can Be Found Here)” marries ambient haze with narcotized indie rock, while “I Love You” manages to arrange a beautiful flute alongside a defiantly throbbing bass track. “Hypnotized,” a reimagined fuzz-pop hymn, would become the group’s first entry in the UK Singles Charts. Recurring lays bare the essence of Spacemen 3’s persistent sound, rooted in both aural expansion and phenomenal songwriting. Includes download card and new insert with liner notes by Marc Masters. WYE OAK  LP  (limited Edition) The Louder  $25.99 WIRE  3XCD154 (deluxe) $44.99Wire’s first three albums need no introduction. They are the three classic albums on which Wire’s reputation is based. Moreover, they are the recordings that minted the post-punk form. This was adopted by other bands, but Wire were there first. These are the definitive re-releases. Each album is presented as an 80-page hardback book – the size of a 7-inch, but obviously much thicker. After a special introduction by Jon Savage, Graham Duff provides insight into each track. These texts include recording details, brand-new interviews with band members, and lyrics.  The original album is presented on its own CD, accompanied by discs that feature relevant extra tracks: singles; B-sides; demos; and many previously unreleased songs. Pink Flag is a two-CD set; Chairs Missing and 154 have three CDs each. All audio has been painstakingly remastered (or, in some cases, mastered for the first time).  This stunning set of presentations also includes a range of images from the archive of Annette Green. Wire’s official photographer during this period, Green also shot the covers for Pink Flag and Chairs Missing. Promotional and informal imagery – in colour and black and white – is featured throughout the books. Most of the photographs have not been seen for 40 years – and many have never been published anywhere before. WIRE   3XCD   Chairs Missing (deluxe) $44.99Wire’s first three albums need no introduction. They are the three classic albums on which Wire’s reputation is based. Moreover, they are the recordings that minted the post-punk form. This was adopted by other bands, but Wire were there first. It has been a number of years since these albums were readily available. The aim with these new vinyl and CD releases is to approximate the original statements as closely as possible, but with remastered audio. The vinyl releases have the same covers and inners as the originals (minus the Harvest logo). The digipack CDs have identical track listings to their vinyl counterparts. These versions should be considered Wire’s classic 1970s albums, pure and undiluted.1978’s Chairs Missing represented perhaps the biggest conceptual leap made during this period of Wire and was widely misunderstood at the time yet it remains, to the band and production crew Wire’s favorite ’70s album. If Pink Flag proposed an almost cut and paste approach to deconstructing rock history, Chairs Missing proposed something more radical, a definite futurism with much less influence from it’s antecedents. Chairs Missing was at once more stark and more lush than it’s predecessor and has exerted it’s own influence on the course of cultural history, having laid down one of the earliest (if not the earliest) blueprints for the genuinely post-punk aesthetic. WIRE  3XCD  Pink Flag (deluxe) $44.99Wire’s first three albums need no introduction. They are the three classic albums on which Wire’s reputation is based. Moreover, they are the recordings that minted the post-punk form. This was adopted by other bands, but Wire were there first. It has been a number of years since these albums were readily available. The aim with these new vinyl and CD releases is to approximate the original statements as closely as possible, but with remastered audio. The vinyl releases have the same covers and inners as the originals (minus the Harvest logo). The digipack CDs have identical track listings to their vinyl counterparts. These versions should be considered Wire’s classic 1970s albums, pure and undiluted.Usually contextualized against a backdrop of two years of the growing cultural importance of punk rock—Wire’s debut Pink Flag, released in December 1977 on EMI’s progressive label Harvest was in fact was something “other.” To the keen cultural commentator, the timing and label of it’s release will register two essential facts about it. Firstly, too late (a year after the Pistol’s debut release) to be part of UK punk’s first flush and secondly that the band were signaling something beyond punk by their choice of label. Further investigation would reveal twenty-one tracks, some of them clocking in at well under a minute and covering a range of tempi well beyond the buzzsaw rockabilly that had become, even by the second half of 1977, punk’s staple.

[stormyrecords-blog]

new arrivals may 10th 2018

beautiful used lps coming in - we have a batch of NINA SIMONE and BOB DYLAN - stop by on saturday to see all the wonderful original pressings that are in incredible condition!! in on thursday VA: The Emotional, Cosmic & Occult World of Joe Meek LP $15.99"A trip through the productions of pioneering genius Joe Meek. Here we have a mix of hits that have appeared on comps before and real out-there obscurities. Designed to be highly listenable. Never a dull moment amongst these songs that cover subjects close to Joes' heart such as vampires, love (and the lack of it), death, outer space, the human soul, Buddy Holly, and more. Artists featured are The Blue Rondos, The Blue Men, Jason Eddie and the Centremen, The Sound Offs, The Moontrekkers, Johnny Leyton, The Cryin' Shames, Mike Berry, The Outlaws, Chick Lewis, Glenda Collins and even Joe himself warbling out a tune. One time very small pressing so please don't sleep." Landing: Bells In New LP $29.99 LP version. Connecticut group Landing celebrate their 20th anniversary in 2018 but they show no signs of losing creative momentum. Bells In New Towns, their second album for El Paraiso Records, is arguably their finest, most cohesive effort to date. The group's sound has always been multi-textured, alluding to many different genres at once. There's the heavy oscillating drones and the fuzzy, motoric psychedelia, the lush ambient soundscapes and shimmering, dreamy vibes -- all tied together by that characteristic sense of fluid progression. On this record the ethereal components of their sound are firmly anchored by a tight, steady low-end -- certainly due to the fact that the album was partly recorded by Justin Pizzoferrato (Dinosaur Jr., Elder, Pixies, Sonic Youth). The result is an electric music that speaks to the mind as well as the senses. "Groups like Stars of the Lid and E.A.R. have wandered this same misty plane in search of the perfect drone, but Landing incorporates Bardo Pond's jam aesthetic into the journey, imparting a welcome communal feel to their lengthy, meandering compositions." --Pitchfork Harper/Nace: Live Dreamland LP $28.99"Cover art Bill Nace. Paste on covers screened by Alan Sherry. Mastered by Mark Alan Miller. Recorded live by Tim Barnes. Twig Harper--electronics, voice. Bill Nace--electric guitar, voice. Edition of 150." Peters, Mark: Innerland CD $16.99Innerland is the first ever solo album by Engineers co-founder/songwriter and Ulrich Schnauss collaborator, Mark Peters. It was originally released as a low-key limited-edition cassette late in 2017, but it sold out immediately through word of mouth and the backing of BBC Radio 6 Music's Lauren Laverne and Gideon Coe, Uncut magazine, and Caught By The River. It has now been re-landscaped into a larger-scale, eight-track album. A collection of instrumentals, with nods to Brian Eno, Talk Talk, Richard Thompson, Vini Reilly, and Felt's Maurice Deebank, Innerland highlights Mark's incredible musicianship, positioning his guitar rather than his voice as the focal point of the music. It also finds him reconnecting with his youth and rediscovering a sense of place, following a move back home to northwest England in late 2016, with all the songs named after local places and landmarks. Harris, Dave: Dinner Music LP $28.99Sonitron Records present a reissue of Dave Harris And The Powerhouse Five's Dinner Music For A Pack Of Hungry Cannibals, originally released in 1961. Recorded in 1958, Dave Harris's only release as a band leader was a magnificent tribute to Raymond Scott, the legendary forerunner of space sound and author of many classics referenced by jazz to pop/rock musicians and engraved in millions of minds through their use in countless cartoons and movies during the years. Harris was a highly considered studio musician and played tenor sax in Scott's legendary Quintette during the late 1930s. During his stance in the Quintette, Harris developed a deep respect for Scott and learned from the master a few compositional techniques: wild changes in rhythm, accelerations in tempo, exotic references, and thundering percussion to name a few. Those wild elements, plus Harris's own skills as band leader and the consummated and playful musicianship of his sidemen, make this album a whirlwind of sensations in which Harris and his quintet glow with energy, joy and sharp craftsmanship while adapting the master's legendary tunes to a modern, hi-fi style. All through the 12 themes that compose the album, Dave Harris And The Powerhouse Five make the listener part of a joyful trip in which Scott's "portraits in music" come back to life filled with a new manic energy, a playful spirit and an undeniable love for Scott's repertoire that doesn't stop the musicians from giving the tunes their own, fun-fueled-spin. Long out of print, it's time for this space-age-gem and it's amazing cover art to be released again. Edition of 300. Johnson, Robert: Me And The Devil LP $19.99Wax Love present Me And The Devil, a collection of some of the finest moments of the only two known recording sessions by the King of Delta Blues, Robert Johnson, made in Dallas and San Antonio in 1936 and 1937. A man whose poorly documented life and death at 27 have given rise to much legend in the last 75+ years, Johnson had little or none public recognition for his work in his lifetime. Rumored to have sold his soul at the crossroads to achieve success, Robert Johnson lived his whole life playing at street corners and Saturday night dances, writing the soundtrack for half a century of rock culture to come. Featuring all-time classics such as "Crossroad Blues", "Love In Vain", and "Phonograph Blues", this is mandatory for all early folk and blues aficionados. Johnson, Robert: Love In Vain LP $19.99 Though the legendary blues musician Robert Johnson was only known to have recorded twice in his brief lifetime, in 1936 and 1937 in Texas, his output in those two brief days so long ago was both endlessly influential and surprisingly prolific. Beyond the classic sides that were released on 78 rpm at the time, there were numerous unreleased outtakes and alternate recordings that went uncovered for decades after their recording. Collected here are 12 alternate takes including essentials like "Crossroad Blues", "Drunken Hearted Man", "Ramblin' On My Mind", and more. Essential and rare Robert Johnson sides back in print on Wax Love. THESE ITEMS WILL BE IN ON FRIDAY OR MONDAY Iceage : Beyondless LP $20.998.6 on pitchforkOn Beyondless, Iceage reach for grandeur with more tenacity and suspending energy than ever. On the opener, “Hurrah,” Elias Rønnenfelt sings of “roaring free-jazz fireworks” as if to introduce the band’s lushest yet palette of sax, trombone, trumpet, piano, and violin, which they play with the pummeling dynamism of contemporary Swans. Beyondless sparkles like a champagne bottle smashed in slow motion. Rønnenfelt’s lyrics—which he says wrote while hidden away, late at night, in a tower—can be Biblical or Shakespearean or they can just coldly stare you in the eye. To think of this heightened style alongside the crude, vicious hardcore of their 2011 debut is inspiring. The whole sound of Beyondless, from pop hooks to hints of cabaret jazz, seems to be fantastically coated with cheap gold paint. Parquet Courts : Wide Awake! LP $27.99Deluxe Collectors Edition LP featuring a 16-page double art and illustration booklet by A. Savage. Parquets Courts' fifth album Wide Awake! - produced by Danger Mouse - is a groundbreaking work, an album about independence and individuality but also about collectivity and communitarianism. The songs, written by Andrew Savage and Austin Brown but elevated to even greater heights by the dynamic rhythmic propulsion of Max Savage (drums) and Sean Yeaton (bass), are filled with their traditional punk rock passion, as well as a lyrical tenderness. The record reflects a burgeoning confidence in the band's exploration of new ideas in a hi-fi context. Breeders, The : Pod LP $20.99Breeders, The : Last Splash LP $20.99reissues of these fantastic early breeders lps!! Unsane : Total Destruction LP $20.99reissue available again so you can buy it affordably!! U.S. Girls : In A Poem Unlimited LP $20.998.6 on pitchforkBut by the time her 2015 record, Half Free came out, Remy had begun to open the band to external voices. And three years later, U.S. Girls has become a cacophony. In a Poem Unlimited, at once the most accessible and sharply violent U.S. Girls album to date, is the product of more than two dozen collaborators, many of them members of the Toronto funk and jazz collective the Cosmic Range. Not a single song was written by Remy alone; two were even written without her input. And yet, the glam and surf rock, disco and pop, (glorious, danceable pop!) on the record speaks to a unified vision, one of spit, fury, and chuckling to keep from crying. this item is not released until may 18th - we are taking pre-orders on it right now. Malkmus, Stephen & The Jicks :Sparkle Hard LP $20.99Despite ts sometimes laidback nature, Sparkle Hard also bristles with an energy that proves he's got a place in the present, and a new accessibility that compromises none of his eccentricities.  - Uncut

[stormyrecords-blog]

rsd 2018

hello friends of stormy records!! we hope you are all ready to share a lovely saturday with brick and mortar record stores in whatever part of the country you live in. while we believe each day is record store day, we know this special saturday in april can make a lot of you extra happy.

we have a large number of very tasty, hard to find, beautiful condition collectable lps for the day. stop by to see some real goodies!!! stock rotated all day long.

we have only brought in a small batch of rsd items. we are very specifically focused on detroit releases this year - and happy to be supporting a good label run by a really kind and generous human being - jarrett koral. his jett plastic label is our main feature this year, and we hope you will help us support great local music. we also have the new Koltay lp (which is crazy limited) and then some other fun items.

we will be open regular hours - 11am to 8pm

we’ll also be offering sales all day. 20% off used cds (all types of music) and used 45s 30% off used tapes and posters items with a yellow tag excluded - as those are generally consignment items.

okay - we hope to see you tomorrow!!

RSD 2018:

TRASH BRATS reissue from 1996 Out Of The Closet FIRST TIME ON VINYL! CHAINSAW KITTENS Self Titled LP TYSON MEADE Robbing The Nuclear Family LP BILLY DAVIS Self Titled LP FRUT OF THE LOOM 7" THE PAGANS 7" hollywood or die / she's got the itch SERGE GAINSBOURG & MICHEL COLOMBIER Le Pacha OST - VINYL LP BRIAN ENO & KEVIN SHIELDS - The Weight Of History / Only Once Away My Son 12" EP MC5 - I Can Only Give You Everything / I Just Don't Know - 7" w/ PICTURE SLEEVE COVER MC5 - Looking At You / Borderline - 7" w/ PICTURE SLEEVE COVER Laraaji - Sun Transformations VINYL LP * EXCLUSIVE REMIXES, etc. BASS COMMUNION - 'Bass Communion' DOUBLE LP COURTNEY BARNETT - The Double EP: A Sea of Split Peas (2 x PICTURE DISC) COURTNEY BARNETT - City Looks Pretty & Sunday Roast 12" * 2 BRAND NEW SONGS!!! KOLTAY - 'KOLTAY' LP * COLOR VINYL #d Edition of 50 Copies

[stormyrecords-blog]

new arrivals 4-19-18

record store day is this weekend. 2 days from now. we will be sending out a short email about the days events and specials on friday night. we are open the usual hours - 11am to 8pm. here today (thursday) Blueboy: Bank Of England LP $27.99

"You've got to listen to this band, you'll really like them, I know." A Colourful Storm presents the first-time vinyl issue of Blueboy's The Bank Of England, originally released in 1998. The group of Paul Stewart, Keith Girdler, Cath Close, Ian Gardner, and James Neville are Sarah Records royalty alongside The Field Mice, Heavenly, The Wake, and The Orchids, and this is the final recording from arguably the most beautiful, afflicted band of '90s indie-pop and DIY. One of the true treasures of modern pop music. Mastered from the original recording tapes with assistance from Sarah Records and Shinkansen Records' own Matt Haynes. Full color reverse-card LP sleeve with printed insert. Caretaker: Persistent Repetition of phrases  CD $17.99

2018 repress. Having already been chosen as one of The Wire magazine's top 10 albums of 2008, as well as featuring on numerous "end-of year" charts, The Caretaker's highly-acclaimed Persistent Repetition Of Phrases is finally made available on CD again -- this time on The Caretaker's own History Always Favours The Winners label. James Kirby's work as The Caretaker has always dealt with the suggestion of haunted memory and the obscuring of temporal motion, and this album makes that more explicit than ever, with titles that reference amnesia, Alzheimer's, past life regression and other such memory misfires and short circuits. Musically, this album might be compared to Philip Jeck's manipulated vinyl tracts, featuring similarly oceanic swells of crackle and dust, with faded pianos or big band sounds wafting wraith-like across the mix. After conjuring the sinister atmospherics of The Shining with his debut album Selected Memories From The Haunted Ballroom, The Caretaker has been chasing this idea of sound leaving its indelible mark on a space and time, so consequently these creepy, semi-dissolved musical passages sound no more tangible than shadows, and the album for the most part comes across as some sort of séance held via wax cylinder. Caretaker: Everywhere at the end of time stage 4 2LP $36.99

The Caretaker slips beyond recognition in the first "post awareness" stage of Everywhere At The End Of Time. The ability to recall singular memories gives way to confusions and horror. It's the beginning of an eventual process where all memories begin to become more fluid through entanglements, repetition, and rupture. Though the metaphoric device of worn-down ballroom 78s and Jack Nicholson's descent into madness in The Shining (1980), The Caretaker connotes the transitory cognitive breakdown of moderate into severe late stage dementia. Memories of the good times are recollected in glitching pyknoleptic flashes as the music struggles to follow consistent lines of thought, instead fluctuating between a fractured mosaic of ideas and elusive emotive gestures, but still occasionally able to gather coherent thoughts. In aesthetic, the sieve-like mind state of Stage 4 vacillates a serene sort of psychedelia with utterly paranoid and petrifying mental subsidence. Smudged traces of sublimated musical hall memories give way to shocking tracts of atonality and discord with runaway rhythmic logic, perpetually tumbling farther into states of mind perhaps best compared with K-Hole-like dimensions or the babble of after-hours psychonautic journeys. The concision of previous stages is here replaced with wandering, side-long tracts. Three of those are titled "Post Awareness Confusions" and correspondingly explore and reflect agitated, irritable mindsets as they navigate an ephemeral, confusing complexity of structures. The other piece is called "Temporary Bliss State" and starkly contrasts the other parts in a coherently lush traverse of ambient crackle and glittering melody... Artwork by Ivan Seal. Mastered and cut by Lupo. Double-LP comes in gatefold sleeve. Spacemen 3: Taking Drugs CD $15.99

Space Age present a reissue of Spacemen 3's Taking Drugs To Make Music To Take Drugs To, originally released in 1990. Re-release, digitally re-mastered featuring Sonic Boom and Jason Pierce. The original appearance of Taking Drugs was a bootleg on the legendary/notorious Father Yod imprint in 1990, later supplemented with contemporary outtakes and cuts for the Bomp reissue in 1994 and one further song for the Space Age version in 2000. The original seven tracks, dated January 1986 and the first recordings to feature Pete Bain on bass, are collectively known as the Northampton Demos. Both Sonic and Pierce have been on record as long preferring these takes to the eventual versions that surfaced for the most part on "Sound Of Confusion". Certainly it's a fine set of performances, showing a definite step toward the more familiar sound of the group and away from the rougher takes on 1995's For All The Fucked Up Children Of The World (ORBIT 039CD). "The Sound Of Confusion", aka "Walkin' With Jesus", rips along with fierce energy, Pierce's singing and the rampaging, primitive wail and rumble of the band just wonderful. "Losing Touch With My Mind" takes things to an even higher level, a huge wallop of feedback and beat (Natty Brooker's drumming in particular delivers just what the doctor ordered), Pierce delivering the lines with a flat, cutting drawl. On the slightly lighter tip, "Come Down Easy" is more or less fully in place (aside from singing about it being 1986!), possessing a more upfront but less vocally distinct feel than The Perfect Prescription (1987) take. The tracks that surfaced on the later reissues come from a variety of different sessions, including the original take on "Feel So Good" and a good live version of "Things'll Never Be The Same", one of several cuts featuring Brooker's drumming replacement Rosco.