studiovirginiemosse

[studiovirginiemosse]

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Time as a material          

      X= Hase  

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PORTFOLIO 14-06-2025

https://drive.google.com/file/d/1xUUQXWB0FZembWkqbkay6sjzFaOEtVqh/view?usp=drive_link

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KONTAKT  

vmosse@web.de

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Instagram

https://www.instagram.com/studiovirginiemosse/

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Videos of the works with sound -smoke -light

https://www.youtube.com/@mossevirginie7179

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[studiovirginiemosse]

Upcoming 2025-2026

ParadigmenWechsel-series (6x).Found objects- paintings. PW 1-2-3-4-5-6

PW 7- 8 - 9

ZWECK

Dust-breading - piece. (3 shelves afer H. Steinbach-M.Duchamp)

Partial memories 6 and 7, two ditychons mixing lack painting and UV-printing on canvas. (+ PM III-1 and 2.

Pure Painting III (Flecken-Bilder). PP3

Pure-Painting IV (Washed-Paintings). PP4

Pure-Painting V (Text-Paintings). PP5

Diagramm- Bilder. Uv-print on primed canvas- stretcher frames (+ barrel piece the day picture was born).

Post-Future- series. Constructivism revival, but made from eroded industrial found objects and lacquer.

Something withe Goethe Farblehre...

SuZ-speaking-stone 2 (Sein und Zeit)

Schiebebilder. Slide-puzzles (50x). Participative room-installation from contemporary to medieval in a random non-chronological line.

Fabelbilder (Schrift-Bild), Serie auf Leinwand, verschiedene Größen. Sprache und Bild nach John Baldessari, komplet­tiere die Punktebilder der Tiresias-Serie mit der umgekehrten Technik und Farbe.

ASZ

Skys series

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Embodyments. 3 new (as Van Eyck- as Dante- as Beuys walking)

Totem II (the Egyptian)- finishing Totem Familly geopardy of the 6 continents. Beton Abguss- Hieroglyphen.

Rätselbilder

Blumen-series

White-series 2.

The cutted paintings

Atomes -series. Embrodery.

Time-piece after Jacque Villeglé

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Sono Dante Alighieri (Embodyment 4), 2025

Dante inscribes my work within a long lineage of art-history and embodies the mood of our time. The artist as a medium.

A series of portraits titled The Embodyments, begun in 2013. They embody situations, personalities, and culture, past and future, drawing inspiration from ancient Greek theatre.

Collage and digital print on papier, pensil, found frame, found passepartout, dust and rost.

(2 versions)

44,5 x 62,5 x 1 cm

Aludibond Botticelli Portrait of Dante (1495)

28 x 20 x 0,3 cm

PORTFOLIO Dante:

https://drive.google.com/file/d/1pTxbVA8Vi0ULv7mK1TlMh-Dynr8xh5tE/view?usp=drive_link

[studiovirginiemosse]

Studio view 2025.

ParadigmenWechsel-series, 2024-2025

PORTFOLIO ParadigmenWechsel-series

https://drive.google.com/file/d/1X7LOmx5BUSLxRHtgl2ACFiT_naYZ4CVI/view?usp=drive_link

Six diptychs, connecting pre-modern and post-modern understandings of art. Six examples of paradigm shifts in art history. A time collage showing a future-past / past-future movement. A polyhistorical work based on the concept of time circulation, composed of the juxtaposition of found contemporary objects with ancient paintings from the 1980s back to the Middle Ages.

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ParadigmenWechsel-series, 2024-2025

PW 1 (Natur-Mensch-kosmos), 2025

PW 2 (Zeitströmung), 2024

PW 3 (past future- future past), 2024

PW 4 (for this is reversing that and that back and reversing this), 2025

PW 5 (Panta Rhei), 2025

PW 6 (In the end we both know that we are idealists)(connecting the pre- and the post, physis and Techné), 2025

PORTFOLIO ParadigmenWechsel

https://drive.google.com/file/d/1X7LOmx5BUSLxRHtgl2ACFiT_naYZ4CVI/view?usp=drive_link

Six diptychs connecting pre-modern and post-modern understandings of art.

Starting from the future with the found elements and moving backward in a reverse process to the Moon Series 2—to different time periods in the history of art and thinking, paralleling them, bringing them together.

A superposition of temporal and material textures in a future-past / past future movment...

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Parrhasius Vorhang (STICKBILDER-series), 2024

8 sentences embroidered in black on fabric, on stretcher frames and joigner oak frames.

1-  60 x 90 x 3 cm. Absolut wahr-realtiv falsch.

2 - 47 x 70 x 3 cm. Illusion durch Sprache.

3- 51 x 68 x 3 cm.  Que sais-je.

4- 55 x 55 x 3 cm. Time is the new space.

5- 40,5 x 65 x 3 cm. Esse est percipi.

6- 44 x 72 x 3 cm. Theater mundi.

7- 50 x 62 x 3 cm. Toute pensée emet un coup de dé.

8- 66 x 53 cm. The idea of nature.

PORTFOLIO STICKBILDER

https://drive.google.com/file/d/19rNx191SLwX1aVZjwk7XJVmEa3-_czO7/view?usp=drive_link

TEXT MOTIFS

https://drive.google.com/file/d/1PbPN-wRoMx5g2xly16wpn3KdWaCoO2av/view?usp=drive_link

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STUDIO 2024

PURE PAINTING - series 2 (the origin of art), 2024

Paradigmen Wechsel-series, 2024-2025

+ PW 3, 2024.

+ PW 2, 2024.

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PURE PAINTING - series 2 (the origin of art), 2024

Art belongs to civilization. Bazon Brock.

Akt der Synthese.

2 blocks of 64 paintings (24 x 24 x 2.5 cm), 128 motifs in negative technique, in 17 lacquer layers, and 3 colors, on canvas, on stretcher frames. Gesamt : 2 x ( 290 x 290 x 2,5 cm.

Ancient signs, 14,000 years old, from the Paleolithic, resurfacing in the present of the contemporary plane in an inventory of all the existing styles around the globe mixed with appropriate contemporary signs by Kounellis and 8 acts of synthesis. Letters, arrows, primary signs, mixing language and image. Art belongs to civilization. Bazon Brock (ZKM Karlsruhe 2009 mit Peter Sloterdijk in Musealisierung als Zivilisations Strategie).

PORTFOLIO PP II

https://drive.google.com/file/d/1WS0AjeUxk6YY-evaAsG9ueSDW1R-yN6z/view?usp=drive_link

INDEX OF THE 128 MOTIFS

https://drive.google.com/file/d/1lzx_s2IgPiKdAMObvqXYQAVOrX9gwig7/view?usp=drive_link

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PURE PAINTING - series 2 (the origin of art), 2024

Akt der Synthese. -14.000-2024.

2 blocks each 64 formats.

Lacquer on canvas.

24 x 24 x 2,5 cm. Gesamt : 2 x ( 290 x 290 x 2,5 cm.

128 motifs in negative technique, in 17 lacquer layers (time layers in painting) on canvas, on stretcher frames. A world tour in a time loop, temporal compression above the linearity of time. Letters, arrows, primary signs, mixing language and image.

An inventory of Upper Paleolithic petroglyphs, all the existing styles around the globe mixed with appropriate contemporary signs by Kounellis and 8 acts of synthesis.

Art belongs to civilization. Bazon Brock (from Musealisierung als Zivilisationsstrategie 2009).

PORTFOLIO PP II

https://drive.google.com/file/d/1WS0AjeUxk6YY-evaAsG9ueSDW1R-yN6z/view?usp=drive_link

INDEX OF THE 128 MOTIFS

https://drive.google.com/file/d/1lzx_s2IgPiKdAMObvqXYQAVOrX9gwig7/view?usp=drive_link

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PURE PAINTING - series 1 (ABC-B), 2024

Lacquer on canvas, stretcher frames.

20 x 30 x 2 cm.

Alexander Rodchenko closed the window from the front in 1921. I open it again from behind, by going back in time.

I use language for its aesthetic qualities.

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PURE PAINTING - series 1 (ABC-A), 2024

Lacquer on canvas, stretcher frames.

20 x 30 x 2 cm

Here, I have placed my approach as a motif of painting, in negative technique, prefiguring PP5, the upcoming text-painting series.

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Kunstbegriff der Zeitzirkulation.

Die Time Machine. Eine Kunst die sich mit der Zeit beschäftigt. Wenn die Modernen über sich denken, müssen sie in Richtung der Vergangenheit und Zukunft gehen, weil Zukunft Vergangenheit ist. Wenn wir in die Zukunft fortschreiben, kehren wir in in die Vergangenheit zurück. Diese Zukunft, die Vergangenheit ist, ist zugleich Gegenwart weil der Fluss immer derselbe bleibt nur das Wasser ändert sich.

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Meine künstlerische Praxis zielt darauf ab, eine mögliche Atemporalität zu isolieren.

In der Zeit zurückzugehen, um historische Elemente neu zu untersuchen und sie in unserer Gegenwart erneut zu kontextualisieren. Es ist eine Arbeit des Archivierens und der Synthese. Ich experimentiere mit verschiedenen künstlerischen Medien, darunter auch Malerei. Jedes Medium trägt dabei eine eigene zeitliche Bedeutung in sich. Ausgehend von der Realität, arbeite ich mit Fotoaufnahmen, Archivdokumenten, nachgebildeten historische Elementen und gefundenen Objekten.

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Die Wahrnehmung von Zeit.

Konzeptuell beschäftige ich mich mit den Themen Natur–Kultur und Zivilisation–Entropie, erweitert um die Wahrnehmung von Zeit.

Die Moderne als Epoche in einem breiteren Kontext zu untersuchen, in einer gegenläufigen Bewegung zur Avantgarde. Ein Austausch zwischen Vergangenheit, Gegenwart und Zukunft, in dem ich Ultramoderne und Ancestrales auf gleicher Ebene konfrontiere. Verstärkt durch optische Phänomene und eine erodierte, minimalistische Ästhetik die formelle Sprache der Moderne als Basisvokabular, um in der Zeit zurückzuwandernarbeite ich an der Idee der Zeit-De-Linarisierung.

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In meiner Arbeit haben Materialexperimente und handwerkliche Prozesse denselben Stellenwert wie das Konzept.

Eine Vielfalt von Medien, die sich gegenseitig ergänzen, wobei ich die formelle Sprache der Moderne als Basisvokabular nutze, um in der Zeit zurückzuwandern.

[studiovirginiemosse]

Moon-series I (the minimal ), 2023

PORTFOLIO MOON 1 :

https://drive.google.com/file/d/19BSUZs89MoOEhkedblq6ukhCPoAGXGDd/view

The production of Moon-series I and II was friendly supported by the ArsVersa Kunst-Stiftung Freiburg Germany.

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Moon-series I (the minimal ), 2023

This series is a conceptual work on the theme of time, featuring minimalist aesthetics of seriality and industrial materials.

18 aluminium boxes 60 x 40 x 3 cm with a circular cut Ø 6 cm on the surface always in the same position representing the full moon, on which I printed a cloud-seriality in UV print technik....

In this series, presented as a room-installation, we can observe the clouds moving just like in real contemplation across 18 formats all around the room. The circular cut on the alu-boxes as a constant, directs the attention exclusively to the movement of the clouds, generating a sensation of time.

The act of piercing the boxes opens up the space, interacts with light, shadow, and architecture, in reference to Lucio Fontana's 'concetti spatiali' and Donald Judd's serialities. Infusing narrative into the minimalist desert.

PORTFOLIO MOON 1 :

https://drive.google.com/file/d/19BSUZs89MoOEhkedblq6ukhCPoAGXGDd/view

The production of Moon-series I and II was friendly supported by the ArsVersa Kunst-Stiftung Freiburg Germany. www.arsversa.de

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Moon-series 1 + Tiresias-series (row 1 and 2), 2022-23

Studioviews 2024. The clouds pass, nothing changes.

PORTFOLIO MOON 1 + TIRESIAS:

https://drive.google.com/file/d/19vqqbkEvex_QoQOtK4yr4Qw3dVH08u64/view?usp=sharing

PORTFOLIO TIRESIAS- SERIES, 2022.

https://drive.google.com/file/d/1Td2tqQd2KKxpzNpAwHEn2ugde9SeZi97/view

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Moon-series II (the historical), 2023

Moon 2 the historical is based on the 18th century in painting. Harbor-moon-scenes and baroque skies, which I tried to recreate myself with the camera at Kleistpark during the full moon in January 2023. (4 paintings. offene Werkgruppe)

PORTFOLIO MOON 2 :

https://drive.google.com/file/d/1LIAFlJmTo9gJdIS_A0tmNlZ6_HXrwSRT/view

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Live or Die I (after BN), 2023

own blood (foot), handkerchief, antik pendulum ornament Gründerzeit, MDF, acrylglas box.

30 x 16 x 10 cm.

This very small piece refers to Michelangelo Pistoletto's The Minus Objects (1965-1966), specifically the Figure of Saint M. in orange plexiglass. Additionally, Bruce Nauman's Live or Die, which explores the role of the artist in relation to the human condition, and Robert Morris' Portrait (1963), cans with his bodily fluids. I am interested in contrasts of materials and styles, particularly in mixing different time eras. Time loops.

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Studio Virginie Mossé 2023

Video 08-10-2023

Ich arbeite mit dem Material Realität in einer Vielfalt von Medien die sich ergänzen und benutze die formelle Sprache der Moderne als Basisvokabular, um in der Zeit zurückzurwandern.

I work with the material Reality in a variety of media that complement each other and use the formal language of modernism as a basic vocabulary to travel back in time.