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Genna Lannister ASOIAF as historical paintings (33/∞)

Genna: I am sorry for your loss. Jaime: I had a new hand made, of gold. Genna: Very nice. Will they make you a gold father too? Tywin was the loss I meant. Lady Genna claimed her stool with a look that dared any man there to question her presence. None did. —thoughts of Jaime Lannister [AFFC by GRRM]

(Portrait of a Woman, 1581, by Francesco Montemezzano)

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absolutely hilarious that george made a jennifer coolidge lannister and her role in the story so far has been: being mean to her husband, out-mogging jaime, talking shit about her dead brother and creating cleos frey 💀

truly the lannister to end all lannisters I have an aunt just like her

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"The child of a wolf, my lord, is still a wolf."

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the meme in the middle isnt mine

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I can think of so many reasons why son of neptune is a top 5 pjo book but a big one is just that the stakes are so fucking high for the entire trio. ALL of them have good reason to believe they won't survive the quest. percy just lost his achilles curse and ella's prophecy foretells that a son of neptune will drown. iris personally told frank that he'll die holding his firewood and then the quest demands that he burns it in order to melt thanatos' ice chains (+he's worried that thanatos will take his life regardless because of his firewood). hazel isn't even supposed to be alive in the first place and the main conceit of the quest asks her to fight to free the god whose very purpose is to kill her. son of neptune is a story about death and the terror of its inevitability. the gang was in a state of highly personalized abject mortal peril for most of that book and there is a very feasible alternate universe in which the quest to alaska "succeeds" and not a single one of them makes it back alive

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Every protein bar is called something like "double chocolate indulgence caramel cookie dough delight crunch" and tastes like clay and sawdust

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it tells me a lot that kay and connie are the most tridimensional and developed female characters in the godfather trilogy and yet the most hated. the arguments being...they're reckless (like the men) selfish (like the men) annoying (like the men) traitors (like the men).

of course, no one has to like them, but when the fans are overwhelming in love with apollonia (a sixteen year old who barely talked & had no apparent personality) but hate every woman who creates conflict with the men it makes me wonder. the men can create conflict with themselves, fredo can be stupid and reckless, michael can get him killed, sonny can be impulsive, bigoted and betray the thing vito valued the most (family) by being a cheater...and that's all fine because they're not supposed to be perfect, they're not even supposed to be good!

but the women in the story (that already don't serve them) have to be puppets to the men's schemes to be likable in any way? connie was supposed to be the perfect victim of abuse, rely on the brothers who would never let her participate in their business and live like her mother (only to attend, be nothing more than a mother and wife)? kay was supposed to be a trophy wife she never agreed to being because MICHAEL promised her something different and failed to give her? she was supposed to lay in bed all day in the cage michael made their home be, waiting for someone to get her and her children killed, or see her baby boy become a monster?

they were fighting to be something in a time, a context, an environment and a family that would not allow women to be more than mothers and wives. connie & kay, they could never make me hate you

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I really like Reigen's personality

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Kay's abortion is what cemented her as a great character because even though maybe there was no intention behind it and the overwhelming male response to that scene is anger, it gives a female character agency for the first time in those movies and it's a great commentary on what it meant to be a woman in that context and time.

Everything leading up to that scene: Kay being frustrated with Michael not keeping up the promise of legitimizing the business, the shooting that put her and her kids in danger, (deleted scenes of Anthony trying to get close to mobsters his father received at home and Kay being distressed and taking him away), Michael concerned about the gender of a fetus when hearing his wife had a miscarriage because what is a baby girl worth in this world?, not talking to his wife when arriving home, taking her to court with him expecting her to be dumb or submissive enough to not care about how things went and what happened behind the scenes.

Then, the abortion scene when she tells him she got a SON killed because she would not put more children into the world to be turned into monsters. "Look what happened to our son" because that's what is meant to happen to boys in that world. Girls are expandable and boys are conditioned.

Kay was right. Kay got herself out and gave her children a real childhood, real chances to be something they wanted, away from the horrors of the life their father lived in. Kay saved herself and her children, but Michael pulls them back into danger anyway because that's the life.

He says he was a lot like Anthony, because once he wanted nothing to do with the family business. In a way, Mary was a lot like her mother too, because she remains close to that world out of love. But Michael never gets away like Tony did, Mary never leaves like Kay.

Mary takes a bullet meant for her father. She pays for her father's sins. What is a baby girl worth in this world?

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Toodles, Riverdale (2017-2023)

“This is cuckoo bananas... But I'm also kinda feeling it.”

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what about the one where everyone debates whether Chandler is gay or not but then Ross is the one literally stuck in a closet? (S1E8)

chandler asks what is about him that makes ppl think he’s gay

just to cut to ross literally in a closet

when ross tries to ‘come out’, he’s stopped by his family —wait!!! (akin to when he used to cross dress and sing as a kid & his parents put a end to it)

while he’s in the closet hundreds of pink sweet and low packets fall on his head

but we never actually SEE him come out of the closet, just a cut to his grandmas funeral, so metaphorically he never left

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it’s actually so embarassing that marvel wrote steve n bucky with almost EXCLUSIVELY romantic coded tropes (amnesia + memory being brought back by one true love, damsel in distress, no! not without you!, their catchphrase literally meaning “til death do you part”) just for them to be mad at US for being like “lol what if they kissed” like damn bro chill

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never coming home, never coming home

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“if this is what you wanted, then fire at will” 💥

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Tyrion always betting on Jaime during Tourneys to the point that others takes note of it. Tyrion guarding Jaime's children despite his disdain for Cersei because they're still Jaime's blood. Tyrion lighting a candle by the Warrior's alter for Jaime and bidding him to guard his brother while he lights a candle by the Stranger for himself.

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Please enjoy the infectious laughter of the Australian senate struggling to keep its composure while grilling a man about bee semen